Typewriter Emergencies, Edited By Weasel – Book Review By Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Typewriter EmergenciesTypewriter Emergencies, 2015 Edition [edited by Weasel]
Manvel, TX, Weasel Press, October 2015, trade paperback $16.95 (179 pages), Kindle $3.99.

The blurb says, “Welcome to the first release of Typewriter Emergencies, a collection of psychologically damaging and hard hitting furry literature.” The implication is that this is the first of an ongoing series of furry stories that the blurb goes on to describe as “gut-wrenching”. “Weasel Press is proud to have our first furry collection on the books and we hope you will enjoy every moment this intense anthology has to offer.”

The 13 stories, with a cover by Kala “Miryhis” Quinn, are a quality mixed-bag of tales by furry veteran authors, non-furry writers who are nonetheless experienced authors, and at least one new writer. Several are examples of experimental writing.

“The Dying Game” by Amethyst Mare shows this in its second line. “Great Britain crawled into December like a raindrop tricking down glass.” (p. 9) Heather Rees, a “young, two-legged palomino equine”, seems determined to be miserable. “The bridge was crusty with moss and lichen, the green and yellow reminding her of disease ridden flesh, something that ate away at the outside of a fur while the inside lost the will to live.” The writing emphasizes a “gut-wrenching” vocabulary. “Cars on the road to her right snarled past, lifting her straightened mane up from her neck and into her face in a rush of angry air.” (p. 10) Heather is on her way to see Mikey, a young cat lover who has been horribly maimed by a passing train. “Michael had done no wrong. He had only been spraying graffiti. Where was the harm in that?” Well … “Michael had to be all right for her. He could live without an arm or a leg. He had to.” Notice that Michael has to be all right for her. The story is a blend of poetic wordplay (“Outside, the sky dipped its paintbrush into the grey-blue that was twilight, drawing a fresh scene across its daily canvas.”) and “psychologically damaging” descriptions, such as Michael’s hospital bed’s “sickly green curtain”, his husky nurse’s “clinical smile permanently fixed on her face [that] never reached her eyes”, and Heather’s mare mother screaming at her (ignoring the hospital’s rule for quiet) for wasting her time at Michael’s bedside instead of earning money at her job. Read the rest of this entry »