Dogpatch Press

Fluff Pieces Every Week

Month: March, 2017

Beast of War, by Mina S. Kitsune – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Beast of War, by Mina S. Kitsune. Illustrated by Sal Hernandez.
Ames, IA, Light Beasts, LLC, July 2015, trade paperback $8.50 (197 pages), Kindle $4.00.

The big annoyance with Beast of War is that it is written from the viewpoint of a teen airhead of the future. Melissa Rin Brick, a college student in Atlanta, would rather attend fan conventions, dances, and parties cosplaying as “Cute Kitsune” than study. She lives far enough in the future that bullets (from the context, bullet trains) cross North America in a couple of hours from one city to another. There are AI-controlled cars. Apparently the ozone layer has been destroyed, and a Life Shell over the cities protects people from ordinary radiation.

“‘Scientists say that everyone should stay indoors during tomorrow’s solar eclipse. The current disruptions in the sun will cause serious harm to those outside. A warning is being issued: high risk of third-degree burns or stroke. They also remind you not to look directly at the sun during this event, even with the Life Shell and the Moon both blocking a majority of the harmful rays.’

Oh, blah blah. Everything that happens has to make people worry. Like you could really get burned while the Life Shell protects us from space.” (p. 6)

Mel, who has been partying at a convention while she should be in school, is met by her friend Jill:

“‘Right, but I figured you didn’t know about the warning to stay indoors today, so I was going to take you to a shelter. Class was cancelled.’

‘What, over that solar stuff? Come on. Scientists always have a bug about something, from earthquakes to global warming to a lot of snow,’

‘Yes, and thanks to global warming, the entire Midwest became an inland sea for thirty years!’” (p. 8)

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The Guardian Herd: Windborn, by Jennifer Lynn Alvarez – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Guardian Herd: Windborn, by Jennifer Lynn Alvarez. Illustrated by David McClellan; maps.
NYC, HarperCollinsPublishers/Harper, September 2016, hardcover $16.99 ([xvii +] 340 [+ 3] pages), Kindle $9.99.

When we last left the flying horses of Anok, Starfire had finally united the dissident pegasi of the five separate Herds just in time to meet his two opponents’ Black Army and Ice Warriors, both under the command of Nightwind the Destroyer, the immortal, evil stallion from 400 years ago, for a sixty-page battle climax. As this fourth Guardian Herd novel, Windborn, begins, Star seems to have defeated all his enemies. He has integrated the former Black Army into his United Army. But Star is temporarily separated from his United Army, and when he returns, he finds that his pegasi have been captured by Nightwind and have disappeared.

While looking for them, he meets his deadly enemy, Frostfire, the former commander of the Black Army. Nightwind has discarded Frostfire as a loser and taken Petalcloud and her Ice Warriors to be his troops. Nightwing has vanished along with Star’s herd plus Frostfire’s mate, Larksong, and their colt. As both Star and Frostfire have to find Nightwing and the missing pegasi, they reluctantly agree to search together.

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Reviewer slams furries for infesting her hotel – you’ll cry when you see the Manager’s epic reply.

by Patch O'Furr

Fiesta or infestation?

Texas Furry Fiesta was awesome for most everyone who was there. But one irate hotel guest had a nasty attitude towards the cute fuzzies breathing her air. On Tripadvisor, Nasty Nicola really let them have it:

Sounds terrible. Maybe next time she WOULD even bother if the hotel didn’t have such an BAD manager. He didn’t give a warning about the fluffballs trying to get away with heinous activity like hugs, making art, or getting treated with basic common decency.  Who could be worse than dirty furry trash? (I resemble that remark…) Well, I’ll tell you: Someone who’s racist against furries and a cheapskate jerk to service workers too. That’s an worse person.

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March is Furry Women’s Month – guest post by Shining River.

by Patch O'Furr

Thanks to Shining River for submitting this guest post.

BUST: The Secret Lives Of Female Furries “K2 in her fursuit, photo: Derek Jensen”

In the United States in 1980, a presidential proclamation signed by then president Jimmy Carter designated the week of March 8, 1980 as National Women’s History Week.  In 1987, the Congress of the United States passed Pub. L. 100-9 which designated the month of March 1987 as Women’s History Month.

Here in our furry community, Twitter user @SunTattooWolf began the hashtag #FemaleFursuiterMonth two years ago. Much like the hashtag #furryblackhistorymonth from last month which was inspired by the celebration of National Black History month in the United States in the month of February, #FemaleFursuiterMonth aims to applaud the women of the furry community who make the effort to express themselves and entertain the rest of us with their fursuit awesomeness. #FemaleFursuiterMonth does also include transgender women.

Women who fursuit are also featured on the WordPress blog of Rune, sharing her furry enthusiasm with us.

Female furries do much more! The furry community also has the benefit of some talented and prolific female writers. The membership of the Furry Writers Guild comprises some 165 members, of which approximately thirty-two are women and transgender women. Several are winners of the Ursa Major Award and/or the Coyotl Award. Please visit their site for links to where you may read some stories for free and where you may purchase their works.

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Slave Trade, by comidacomida – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51sViU4EeIL._SX260_Slave Trade,, by comidacomida. Illustrated by SpottyJaguar.
Birmingham, AL, Two-Lips Press, January 2017, hardcover $29.99 (466 pages), Kindle $9.99.

The first sight of the telephone-sized hardcover edition of this book is stunning. It’s a huge 8½ x 11 x 1-inch tome that’s almost impossible to hold open without using both hands, and so heavy (over 3 pounds) that it’s tiresome to hold it without resting it on a table or your lap. Slave Trade seems designed mostly for Kindle sales, although each 8½ x 11” page takes two pages to fit onto a Kindle reader. Amazon says that the Kindle edition is 912 pages.

Slave Trade is a furry erotic adventure-fantasy (although there is no rating) set in a Medieval/Renaissance-like world that is not quite funny-animal. There are six main mammal kingdoms; three for anthro animals with plantigrade (flat) legs like bears, rodents, and primates – Tenvier, Larana, and Pross — and three for those with digitigrade (walking on toes) legs; canines, felines, ungulates — Diermyna, Meisenyl, and Vensii. Some practice slavery; others don’t. Usually the characters act so human that they might as well be funny animals; then someone does something that could only be done with an animal’s nature.

“The porcupine [Gaius, a tanner] reached back behind himself to snap a quill free; he then used it to pin up a loose section of leather on the harness.” (p. 84)

Most of this takes place on the vast estates of Lord Hector Desanti, a white Stag nobleman from Vensii now residing in Pross. The main character is Sidney, a young slave (Fox) on Lord Hector’s estates. Sidney hero-worships Lord Hector from afar; he’s like a god to Sidney. So he’s stunned when Lord Hector not only notices him, but gives him personal attention.

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Kismet, by Watts Martin – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Kismet_lgKismet, by Watts Martin
Dallas, TX, FurPlanet Productions, January 2017, trade paperback $17.95 (323 pages), e-book $5.99.

Kismet, by Watts Martin
Dallas, TX, Argyll Productions, January 2017, trade paperback $17.95 (323 pages), e-book $5.99*.

This is a first for furry publishing, as far as I know. The only differences between these two editions are the publisher’s name and illustrated logo on the title page, the ISBN number, and the cover by Teagan Gavet. Both are dark blue and feature the protagonist in a spacesuit in deep space, but the Argyll cover displays her at a distance without showing what she looks like, and the FurPlanet cover is a closeup showing that she is a rat-woman. The FurPlanet edition is marketed as furry science fiction; the Argyll edition is marketed as just science fiction, for those outside furry fandom who may buy s-f but not a furry book.

Whichever it’s read as, hard s-f or furry fiction, Kismet is a winner. Several hundred years in the future, mankind has settled the Asteroid Belt. Mankind has also developed advanced bioengineering that enables people to have themselves bioengineered into anthropomorphic animals. There has been the mix of social acceptance and rejection that this results in for over a century. At this present, most of Earth is human and most of the anthropomorphs have migrated to the Asteroid Belt. In the Belt, the humans are called cisforms and the anthropomorphs are totemics.

Gail Simmons is a rat-woman totemic in the Ceres Ring, with her AI spaceship Kismet. She’s a salvage operator, a salvor, doing odd jobs of space hauling and space junk reclamation. She’s basically a hermit, living inside Kismet; the ship smart-AI brain is her only friend. Gail is contacted by an old childhood acquaintance who she hasn’t seen in two decades; he’s a yacht charter pilot now, and he’s just seen what looks like a derelict spaceship while making a chartered flight. His customer won’t give him the time to check it out, so he’s notifying Gail. Gail and Kismet find what appears to be an abandoned or sabotaged spaceship and two dead bodies. When Gail reports this, it leads to her being accused of theft and murder, and the missing cargo to be a handheld databox – a Macguffin – that holds information that at least one party will kill to get, that can mean “the end of the human race”.

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Furry literature: Advertising it outside of furry fandom – with Fred Patten and Phil Geusz.

by Patch O'Furr

WPbanner1(Patch:) The Furry Writers’ Guild Coyotl Awards have just opened for voting by members.  This is a good occasion to talk about furry publishing.  Committed operations are putting out a regular stream of content by fans, for fans – but is it healthy enough to support professionals? Can any of them smoothly transition between this niche and the mainstream, to be as well-rounded as they can be? Here’s a look that builds on past stories like:

Let some of the most experienced voices in furry tell you more.  Here’s Fred Patten, with comments by Phil Geusz.

(Fred:) Watts Martin’s January 2017 novel, Kismet, is being published under two imprints: at FurPlanet Productions, as furry fiction for the furry market, and Argyll Productions, as science fiction for the larger s-f market or mainstream sales; with two different covers, both by Teagan Gavet, tailored for those markets.

This sounds ambitious and imaginative. But how well will it work in practice? The record isn’t encouraging.

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Memoirs of a Polar Bear, by Yoko Tawada – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51yC2DEIBlL._SX355_BO1,204,203,200_Memoirs of a Polar Bear, by Yoko Tawada. Translated by Susan Bernofsky.
NYC, New Directions Books, November 2016, trade paperback $16.95 (252 pages), Kindle $9.58.

This was originally published as Etüden im Schnee, konkursbuch Verlag, March 2014. It isn’t published as furry fiction but as mainstream literature, so it is probably classed as fabulism or literary fantasy.

“I’d taken part in a congress that day [in Kiev], and afterward all the participants were invited to a sumptuous feast. When I returned to my hotel room at night, I had a bear’s thirst and greedily drank water straight from the tap. But the taste of oily anchovies refused to leave me. In the mirror I saw my red-smeared lips, a masterpiece of the beets. I’d never eaten root vegetables voluntarily, but when a beet came swimming in my bowl of borsht, I immediately wanted to kiss it. Bobbing amid the lovely dots of fat floating on top – which at once awoke my appetite for meat – the beet was irresistible.

The springs creak beneath my bearish weight as I sit on the hotel sofa thinking how uninteresting the conference had been yet again, but that it had unexpectedly led me back to my childhood. The topic of today’s discussion was The Significance of Bicycles in the National Economy.” (pgs. 4-5)

a Polar Bear” is actually three polar bears over three generations; a grandmother, mother, and son. The first, never named, is captured and brought as a cub to Moscow, where she is trained to perform in a circus, apparently around the 1960s. Her part is “The Grandmother: An Evolutionary Theory”.

“For a long time, I didn’t know anything: I sat in my cage, always onstage, never an audience member. If I’d gone out now and then, I would’ve seen the stove that had been installed under the cage. I’d have seen Ivan putting firewood in the stove and lighting it. I might have even seen the gramophone with its giant black tulip on a stand behind the cage. When the floor of the cage got hot, Ivan would drop the needle on the record. As a fanfare split the air like a fist shattering a pane of glass, the palms of my paw-hands felt a searing pain. I stood up, and the pain disappeared.” (p. 11)

“After hours and days spent vigorously shaking my hips, my knees were in such bad shape that I was incapable of performing acrobatics of any sort. I was unfit for circus work. Ordinarily they would have just shot me, but I got lucky and was assigned a desk job in the circus’s administrative offices.

I never dreamed I had a gift for office work. But the personnel office left no talents of their workers unexplored if they could be employed and exploited to the circus’s advantage. I would even go so far as to say I was a born office manager. My nose could sniff out the difference between important and unimportant bills.” (p. 14)

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2 Uncool – a furry celebrity’s disgrace is a test of fandom tolerance.

by Patch O'Furr

Remember when Seinfeld was one of the biggest TV shows, and co-star Michael Richards derailed his career with a racist meltdown on stage? It happened at a comedy show, but it wasn’t part of the act. He apologized, and news said “It is actually one of the most honest apologies that a celebrity has ever given for bad behavior.”

It’s rare to see a career implode like that. Now let’s look at a furry happening that’s not so drastic, but more of a slow burn. A prominent performer in the fandom is being examined for poorly representing it, and found unworthy of support by its premiere convention. Bad behavior has been in plain view for years with no apologies. It took this long to accumulate wider attention. Many members say it’s long overdue, and some find it discouraging that it took so long.

“2 The Ranting Gryphon” has a problem.

His George Carlin-styled comedy has earned 24,000 follows on Youtube and audiences of 1000+ at Anthrocon. I’ve seen and laughed at his show there. But they declined to host him this year. His fans are very upset (almost as if he’s a tenured “house comedian of fandom”?)  2 himself appears to be the info source, claiming to be a victim of invalid attacks by over-offended “SJW’s”. There’s only a vague official statement citing declining attendance, so pointing blame is untrustworthy. A con can pick whoever they want, and they just chose not to pick him; friends and fame aren’t supposed to overrule quality or board decisions for approval. (Free speech doesn’t apply because it’s not between citizen and government – the host is a private organization. He isn’t “banned” and can attend the con. )

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Franko: Fables of the Last Earth, by Cristóbal Jofré and Ángel Bernier – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Franco_front-cover_SC-lgFranko: Fables of the Last Earth, by Cristóbal Jofré and Ángel Bernier
St. Paul, MN, Sofawolf Press, July 2016, hardcover $39.95 (v + 128 pages), trade paperback $19.95.

Franko: Fables of the Last Earth is a collection of six cartoon-art fables written by Ángel Bernier and illustrated by Cristóbal Jofré, printed in full color on glossy paper. The word “fables” is carefully chosen; these are gentle, mystical adventures in the tradition of “magic realism” favored by many Latin American authors.

Franko is a young anthropomorphic lion adolescent living in the Atacama Desert of Chile at the “end of civilization on Earth”, with his slightly older lion friend Shin. The Atacama is known as the driest place on Earth, but as backpackers and other travelers will tell you, the deserts have their own special beauty. These six short fables display it with a quiet wonder.

Franko and Shin are lion farmers at the opposite ends of adolescence – Franko appears to be a thirteen-year-old, while the more irresponsible Shin appears about nineteen (and is addicted to gambling). Both embody the exuberance of youth. They and Mana, the ghost of Shin’s grandmother, are the only recurring characters. Mana is the voice of wisdom who tempers the rashness and naïvete of the two youngsters.

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