Dogpatch Press

Fluff Pieces Every Week Day

Category: Business

Artdecade paid me $5 to post about him, and you should do it too.

by Patch O'Furr

Somehow I found nice clean art on Artdecade’s FA gallery.

Artdecade is a furry artist who has strong words about bigots, nazis, RMFC, etc. Read what he thinks about the con’s demise and recent happenings in fandom. Or just enjoy his naughty art (NSFW!) He linked to Dogpatch Press, and it’s a nice compliment to get noticed by a furry titan who has drawn 10,000 dicks. He says:

i feel genuine sympathy for ppl that got involved with the furry raiders who were just looking for a local group of furs to hang out with. i don’t think all folks in that group are bad people by a long shot. the creators lied to people about themselves and their beliefs and used others that joined them to make themselves look like just an innocent group of fun havers. i urge members of the raiders that are upset with these people to start your own groups, free of nazi and bigotry influence.

please remember, it was not the people that called out the bigots that got the con closed, nor was it anyone’s intent to close the convention at any point. THEY shut down the con due to mismanagement and then blamed others for it. and now others are picking up the pieces they abandoned! local CO furs, check it out! https://www.denfur.co

Who got blamed for closing the convention? (From Reddit:)

I wonder which con this Dogpatch guy will try to kill next.

Kill the messenger before he strikes again!  Actually, ignore that noise and listen to smart furs who just want to be informed. It’s part of being a community. That includes dealers, artists and local Colorado furs who didn’t deserve to lose their con for the reasons that Artdecade said.

An independent voice can share critical stories others won’t.  A good way to make it possible is cold, hard cash. You can also do this for your local PBS station, but there’s a little difference if you support Dogpatch Press on Patreon.

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Reviewer slams furries for infesting her hotel – you’ll cry when you see the Manager’s epic reply.

by Patch O'Furr

Fiesta or infestation?

Texas Furry Fiesta was awesome for most everyone who was there. But one irate hotel guest had a nasty attitude towards the cute fuzzies breathing her air. On Tripadvisor, Nasty Nicola really let them have it:

Sounds terrible. Maybe next time she WOULD even bother if the hotel didn’t have such an BAD manager. He didn’t give a warning about the fluffballs trying to get away with heinous activity like hugs, making art, or getting treated with basic common decency.  Who could be worse than dirty furry trash? (I resemble that remark…) Well, I’ll tell you: Someone who’s racist against furries and a cheapskate jerk to service workers too. That’s an worse person.

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Furry literature: Advertising it outside of furry fandom – with Fred Patten and Phil Geusz.

by Patch O'Furr

WPbanner1(Patch:) The Furry Writers’ Guild Coyotl Awards have just opened for voting by members.  This is a good occasion to talk about furry publishing.  Committed operations are putting out a regular stream of content by fans, for fans – but is it healthy enough to support professionals? Can any of them smoothly transition between this niche and the mainstream, to be as well-rounded as they can be? Here’s a look that builds on past stories like:

Let some of the most experienced voices in furry tell you more.  Here’s Fred Patten, with comments by Phil Geusz.

(Fred:) Watts Martin’s January 2017 novel, Kismet, is being published under two imprints: at FurPlanet Productions, as furry fiction for the furry market, and Argyll Productions, as science fiction for the larger s-f market or mainstream sales; with two different covers, both by Teagan Gavet, tailored for those markets.

This sounds ambitious and imaginative. But how well will it work in practice? The record isn’t encouraging.

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What’s Yiffin’? – March 2017 edition of syndicated furry news.

by André Kon

Good afternoon, Dogpatch Press readers. Last month was pretty big for us – it had our news satire show What’s Yiffin’? debut on this website. Nobody tried to kill us or call us mean names or whatever, so I guess that means it was well received. If that’s the case, then today ought to be a great day for some of you, because we’ve got the March edition of the series ready to go. Thank you for making What’s Yiffin’? a part of your entertainment routine.

AND NOW THE NEWS

More details and some additional insight from the show’s writers:

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Yiffing for dollars: Furry artists among top highest-paid Patreon creators.

by Patch O'Furr

The planet is in trouble and every species has a complaint these days, so let a dog bark about politics.  If I had a crystal ball to see into the coming Trump years, I bet there would be nothing but murk with occasional mushroom clouds.  The power-hungry pumpkinhead will bring isolationism, extreme nativism, and turmoil for international relations.  He gives lip service about bringing back jobs, but with no plan beyond drunkenly slashing and burning everything: Regulations, facts, the social contract. Don’t be surprised if work involving foreign trade vaporizes with no replacement, leaving only burger-flipping and a Limbo game for wages.  (Burgers will be a nice memory while gnawing rats in the rubble.)

But if the Doomsday Clock stays at a minute to midnight, even a stopped clock is right twice a day. Maybe business will have a bounce.  Not in the old economy way before they had robots do the work, but if they aren’t hiring, what’s better than making your own career?

Look at what’s up on the indie level. And this caught my eye: “Can This Startup Reinvent How Doggie Portraits Are Sold?

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EZ Cool Down vests are a major business for fandom and beyond – EZ Wolf tells why.

by Pup Matthias

Thanks to Matthias for writing for our mission: to show that furries don’t just dream, they make things with awesome DIY power. EZ Wolf’s shirt says it all. – Patch

Wearing a fursuit is a pain in the tail. I wouldn’t know myself, since I would like to have a roof over my head for the next month. However, ask anyone who has had the joy of bringing their amazing characters to life, and they’ll tell you it’s like wearing your couch. There’s a lot of sweat and heat that goes into bringing the magic to life. But one member of our fandom has gone out of his way to battle this problem, and has developed one of the most successful fandom businesses. I’m talking about the EZ Cool Down vests created by well-known photographer and video maker, EZ Wolf.  Here’s what he told me.

EZCD_logoIntroduced in 2013, the vest has become a standard for many Furries to stay cool under their fursuit.

(EZ Wolf:) “The EZCooldown Performers vest is specially designed for actors, cosplayers, LARPers, fursuiters, and other costume performers.

This cooling vest provides hours of cooling comfort and prevention against heat stress thanks to four special PCM inserts which provide comfortable cooling relief for up to four hours, even during strenuous activities in high-temperature environments.

Each vest has four inserts made of phase change material.

The four inserts contain biological phase change material (PCM), which retains cold.

The PCM inserts can be quickly activated in your refrigerator or freezer or by putting them in ice water, and they can be reused over and over again. Once activated, the PCM maintains its temperature for a long period, providing comfortable cooling relief.

The EZCooldown Performers vest is made out of thin yet durable polyester mesh, which won’t add a thermal insulating layer to your outfit.

The four inside pockets can house four PCM inserts: two on your chest and two on your lower back.

Our vests come in three sizes and can be easily adjusted with the six Velcro straps to fit each individual wearer perfectly.”

Unlike fursuit making, this is a step up from the process of custom handiwork.  EZ Cool Down does not make the vest themselves.

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My weird plush commissions: Guest post by Amy Brown of Jumbo Jibbles.

by Patch O'Furr

jumbo-jibbles-giant-carrot-body-pillow-gift-idea-for-her-590x646(Patch O’Furr:) Furries love plush like a fat kid loves cake. My friends do, anyways. That’s how I met Amy Brown, a non-furry crafter who specializes in plush objects on Etsy. I heard that she enjoyed commissions for fursuit props.  It makes me happy when furries make friends like that!  Amy mentioned weirder commissions, and that made me invite her to tell some juicy stories.  (Mmm… carrot juice for everybunny).

Christmas is coming. Need gifts for furry friends who already have every Zootopia tie-in on earth? Commission Amy for props!

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FUTURE FURSUITING: furry’s most original creations and the rise of tech-enabled smart suits.

by Patch O'Furr

The most original creations of furry fandom.

Here’s a fun feature about the future.  But first, let me make a bold claim about fursuiting.

Male-Peacock-displayingMascots and costuming have been around forever. But furries are doing something new. They don’t just play with generic icons from myths and media. They add original fursonas and custom craft for everyone. It makes a subculture with personal expression beyond anything else.

Of course, many furs don’t have (or want) fursuits.  But the ones who do make a photogenic face of fandom. Other groups do art and writing like this one, but I don’t think anyone else does costuming in such a specialized and devoted way.  So there’s nothing wrong with the way the fursuiters stand out.  Everything else is imagination – they bring it to life and help to define the tactile name of “furry”.  And the quality is developing beyond anything you can buy commercially.  Some dedicated makers now have careers by fans, for fans, leading a Furry Economy with an exciting future.  Look forward to amazing things.

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Tip Your Makers! Why to pay more for art to improve commissioning and spread the love.

by Patch O'Furr

Missing, flaky commissions suck. it’s a chronic problem that’s only modestly addressed by small watchdogs like the Artist Beware community.

Things should be smoother.  But there’s a reason why commissioning is unpredictable. Things are dragged down by underbidding among artists. Nobody becomes an artist to get rich, and many don’t charge enough for the service they’re doing.

Why ask a customer to fix problems of a business?  I get it… if someone promises something, they should deliver without expecting more than they earn.  But give me a minute… if this is a passion-driven fandom and not a cut-throat market, maybe there’s a little room for common problem-solving and partnership.

Assume good faith.  Give credit to artists for being full of love for what they do.  But it’s awfully hard to get good and be competitive.  That’s how so many of them plan to get things done on a thin margin and tight schedules.  It’s easy for plans to go off the rails, people get sick, there’s unexpected mistakes or accidents, and burnout is common. Then commissioners are left waiting for extra weeks, months… or nearly forever.

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The State of Furry Publishing – Fred Patten gives the inside story of eight groups.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Back in February 2015, Dogpatch Press published a two-part “History of Furry Publishing” by me. (Part 1 and Part 2) Patch has asked me to contact the furry specialty publishers for a follow-up to bring it up to date.

The traditional “Big Three” furry specialty publishers are FurPlanet Productions in Dallas, Rabbit Valley Books in Las Vegas, and Sofawolf Press in St. Paul. They were profiled in the earlier article. Here is their current status.

FurPlanet Productions

furplanetbannerweb

FurPlanet has been doing very well, as evidenced by having 24 new titles at Anthrocon 2016. FurPlanet has had dealer tables during 2016 at Further Confusion in January, Furry Fiesta, Anthrocon, and Rocky Mountain Fur Con, and plans to appear at Mephit FurMeet, Furry Migration, and Midwest FurFest in December. Besides selling books, FurPlanet has established a strong presence and met a lot of great fans, some of whom have been encouraged to become writers in FurPlanet’s anthologies.

FurPlanet prefers to release new titles at the conventions it attends. Further Confusion in San Jose in January and Anthrocon in Pittsburgh in late June or early July are the big release weekends each year, and publications are aimed for those dates. FurPlanet used to have several releases at RainFurrest in Seattle in late September, but with the disappearance of RainFurrest FurPlanet may shift to Midwest FurFest in Chicago in early December. If something becomes ready at a different time, it is released at the first convention it’s ready for.

Some of FurPlanet’s art folios are annuals. Those usually appear at the same convention each year. FurPlanet and its readers can count on two short fiction anthologies edited by Fred Patten at FC and AC, and an annual volume of FANG and ROAR at AC. Other anthologies, single-author collections, comic books, and one-shot art folios appear as they’re ready.

Erotica clearly sells very well. About 70% of FurPlanet’s sales are adult titles versus 30% of “all ages”. Of the 24 new titles at Anthrocon 2016, only 5 were all ages. FurPlanet’s best selling titles are the comics and books with well-written stories featuring adult themes. Rukis’ novels and comics, and the “Cupcake” novella books have been especially popular.

FurPlanet has three tables together at Anthrocon, so it has a much wider display of titles there. At conventions where it has only two or one table, there are about 100 titles, focusing on what is new or still selling well. Titles that are part of ongoing series will stay on the tables much longer.

Convention sales and online catalogue sales are about equal. Sales of FurPlanet’s print books are much greater than of Bad Dog Books’ e-editions. The Bad Dog e-books are not Amazon’s Kindle books. The only difference is that the Kindle books do not have adult illustrations, due to Amazon’s rules on eBooks. The Bad Dog titles are not censored. That is why many of the Bad Dog eBooks do not appear on Amazon.

For conventions relatively near Dallas, FurPlanet drives its stock there and back in its hatchback. For Further Confusion in California and when it was attending RainFurrest in Seattle, FurPlanet shipped its stock there and flew.

FurPlanet regularly displays Rabbit Valley’s and Sofawolf Press’s titles at conventions where those publishers do not have their own tables. There are no arrangements yet with other publishers, but with several new ones appearing, there could be in the future. FurPlanet has stocked a few mainstream books like the American editions of the French Blacksad and Grandville titles, but those are rare exceptions. FurPlanet’s recent carrying of several of Disney’s Zootopia titles has been due to the extreme interest in Zootopia by many furry fans. There are no plans to carry other books related to anthro-animal movies.

FurPlanet Productions is basically a part-time hobbyist mail-order business in Dallas. Everything there is in a large room called the Production Room. FurPlanet’s stock is kept there, orders are packed and shipped from there, and their bookbinding equipment is there. This room is not open to the public, and there are no plans to open a store front.

FurPlanet consists of four people: FuzzWolf and Teiran, the two owners, and their two long-term employees Buck Turner and Zia McCorgi. All four have regular jobs and run FurPlanet in their spare time. All four appear at almost every convention that FurPlanet displays at. They are sometimes joined by their friends Ajax B. Coriander and Andres Cyanni Halden, who have edited anthologies for FurPlanet in the past.

FurPlanet has this to say:

We’d like to thank everyone, our authors, artists, editors, customers, and helpers, especially Buck and Zia, who have made this all possible for the last eight years.

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