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Category: Business

Made Fur You sews up a fandom record with a $13,500 fursuit auction at The Dealer’s Den.

by Patch O'Furr

Some highest fursuit auction records: 

Those are public auctions, but I also confirmed a private $17,500 commission and a $25,000 one that would involve special electronics. Other prices for personal builds and commissions may not be known. The Dealer’s Den told me:

With 82 total bids, the $13,500.00 Made Fur You auction that ended yesterday is our new record winner, beating out our previous record of $10,100.00 on a Mishka Silver Fox fursuit auction by Howl Yeah with 37 bids back on 9/08/16.

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Furry artists among top highest-paid Patreon creators, but face threats to their livelihood.

by Patch O'Furr

This article went out in January 2017 titled “Yiffing for Dollars”. Here’s a re-edited update a year later, to coincide with a bump in notice and a concerning situation. 

Furries have built their own small industry on creativity worth millions. Their membership is rising and it’s likely to see the “furry economy” grow with it. You can see what’s up by watching the small slice who are devoted enough to make a living in the fandom – Profans.

Adult art can have an edge in dollars because it has more of a niche quality. Clean art is perfectly valid, but perhaps the mainstream is where it succeeds most – making an apples/oranges comparison. This look at indie art business will focus on the naughty stuff, but doesn’t exclude other kinds, and it applies outside of fandom too.

Check the list of top creators on Patreon and play Find The Furries!  

When first looked at in January 2017, fandom member Fek was earning $24,000 per month for making furry porn games. (Quote: “Ditch the dayjob and live the dream.”)  He had the stat of #2 best-paid per-patron on all of Patreon.  (See his art on Furaffinity.) Others were in or near the furry ballpark (dogpark?) Most of the NSFW entries in the top 50 had furry content. #12 was the Trials in Tainted Space NSFW game, earning $27,000 per month. #30 was the kinda-anthropomorphic-NSFW artist Monstergirlisland, earning $20,000 monthly.

I haven’t checked these numbers since early 2017, and I think the list changed from “amount of money” to “number of patrons” which knocks furries down the list, but… Artists are getting rich from this, no joke.

Older news:

  • Cracked – We Draw Furry Porn: 6 Things We’ve Learned On The Job. “Every artist agreed it would have been impossible to make a living doing this as recently as 10 years ago. But today they constantly have multiple projects going and portfolios with hundreds of completed works, and they find themselves in ever-increasing demand.”

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Furry Raiders attack a nonfurry business, get chased off with a positive solution for hate.

by Patch O'Furr

  • Raiding: A hostile invasion or forcible entry to destroy or steal something; predatory warfare.
  • Furry Raiders: a Colorado-based and online group that overlaps with “altfurry”, a fringe of furry fandom with a goal to connect racist hate groups inside and outside it.

It’s 2018, and many people have New Years resolutions to accomplish. But a few people are stubbornly against being better. That means the Furry Raiders. This week they gained attention for violent threats meant to silence criticism – (because when they say they want “free speech,” it’s only for them). Their threats followed labeling themselves as “Nazis” – (a look at their member activity in the altfurry chat logs proves it’s really true). Until now their trolling has mostly been inside fandom. But then there was the time when they targeted innocent non-furry outsiders.

We did Nazi that coming! 

On Halloween of 2017, a Colorado event space had a “Big Gay Costume Party”.  Foxler and Kody, the Furry Raiders founder and partner, went in costume with nazi armbands that replaced swastikas with paws.  With nobody else’s help, the staff recognized what the symbolism stood for. The Raiders were kicked out for bringing hate to their space.

Foxler and Kody’s excuses like “it’s just a paw” didn’t work. Anyone can see they’re making a clear reference to nazi iconography. This is good evidence that trolling isn’t just a fandom issue with “both sides” fighting and so-called “SJW’s” inside. Outsiders know these trolls are the source of the problem.

When a business kicks someone out, that’s free market power, freedom of association, and free speech opinion by staff. (A protected social class can claim discrimination, but Nazi isn’t a class.)  Reasonable people would move on and drop it.  But reasonable people doesn’t include a troll whose name means “Fox Hitler”. Again, when they say they want “free speech,” it’s only for them. 

The Furry Raiders retaliated by trolling the business with bad reviews. The review bombing was spread from their Facebook group by trolls who are active in alt-right hate activity (including their member Vetus, who supported trolling FurAffinity with hate images). The story was twisted by people who had never been there; they lied that there was no hate symbolism and pretended a “Big Gay Costume Party” rejected them for being gay.

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Classism in the Furry Fandom: An Opinion by Nightf0x

by Patch O'Furr

Guest post by Nightf0x with a response by Patch.

Flying out to Pittsburgh this past June for Anthrocon was a fantastic experience. I got to spend time with my friends and see this convention for the first time. However there was something that felt a bit off to me.

It took a different experience at Anthro Weekend Utah to make me aware of what exactly I was feeling at Anthrocon. I had never noticed before, but there is a sense of classism in the furry community. (I didn’t experience any of this classism at Anthro Weekend Utah.)

A lot of people in this fandom are successful, and they should be proud of it! However, sometimes this financial success creates an aura of a “holier than thou” attitude that they may not be aware of. By spending copious amounts of money and keeping their social cliques to people in the same financial situation, it creates a feeling of the haves and have nots.

I’m not saying you shouldn’t strive to reach this kind of success. For the most part this fandom is full of people who are intelligent and apply themselves, and they should be happy that they are in their situation. All I’m asking is to just be aware that sometimes, all the extravagance and copious spending creates social rifts. It can be detrimental to a convention’s social experience. This fandom has definitely been through a lot of social change lately, and my hope is that the next change is to be aware that everybody is in a different socio-economic status, and to at least try to be inclusive in that regard. It’s great to see a fandom that is getting more and more inclusive. However I think as a community we could work better on inclusivity across socio-economic barriers.

I’m not saying you’re evil if you own a fursuit or have a lot of money.  But I think everybody should be entitled to have a fun time without feeling the socio-economic barriers they may experience outside of the fandom. In the end, no matter your current socio-economic status, we are all fans of anthropomorphic animals and we all share this in common. Let’s go out there and have fun without class elitism!

– Nightf0x

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Furry Marketplaces: Where to Shop and Browse Online

by Summercat

Welcome to guest poster Summercat – a great friend to Dogpatch Press, with a cool interest in Furry Comics and Zines History.

When I joined the fandom in 1999, there were very few ways to shop for furry fandom merch. Most of your purchases were made via mail-order, or at a convention dealer room. There were few options for buying things from individuals – I recall having to mail a money order for my first online purchases.

Anthrocon 2006 Dealer’s Den. Photo by GreenReaper.

But that was 18 years ago. Today, with low-barrier tools like Square and Paypal, it is easier than ever to purchase work directly from someone living somewhere else in the world. Starting in the mid-2000s, the Furry Fandom has had it’s marketplace explode in volume and quantity. While there is a wealth of options around us, it can be confusion on where to go or start when trying to see what sort of Furry merchandise is available.

Here, I have compiled a list of online places where people can find books, comics, clothing, fursuits, and commissions from a variety of people. Due to otherwise overwhelming the list, I am excluding publishers that primarily sell their own imprints. For those, see: Furry Publishers – A Resource for Artists and Authors. This list is not exhaustive – if you feel something has been left out, please speak up and let us know!

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How furry conventions fail (or please) their vendors – Critical discussion.

by Patch O'Furr

Crazdude looks like one of those multi-talented artists that are one of the secret weapons of furry subculture – bright and devoted people with a buffet of skills like making art, writing, or performing all at once.  For the blog she started in 2016, I got a professional impression from a first glance. (I look out for blogs that seem to vibe with Dogpatch, so I liked finding this.)

The Crazblog bears out a good impression by sharing her selection as Guest of Honor at Fur-Xoticon. It lets you in on a personal detail:“As just a first-year newbie to the Artist Alley and Dealer’s Den experience at furry conventions, this came as quite an exciting surprise!”  Highlighting the newbie disclosure and small/local con size isn’t too critical, if you take it for granted that Furry is full of DIY power – it’s just good to keep in mind while reading the below post with an open mind. It mentions 3 years of experience at other cons.

Crazdude’s post – “Top 5 ways conventions let their vendors down (+ Cons doing things that artists love!)” – led me to a point/counterpoint peer discussion that I wanted to share in response. I considered breaking down salient points for a formal article, but I liked the natural flow of a casual chat here. The chat is between me (plus a few stray watcher comments) and ScalieStaffer (name redacted to keep opinions apart from their position). They’re a fur with 8 years of con staffing experience in multiple departments, with roles both minor and major.

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Furry Publishers – A Resource for Artists and Authors

by Summercat

Welcome to guest poster Summercat – a great friend to Dogpatch Press, with a cool interest in Furry Comics and Zines History.

Publisher Dealer Table. Photo provided by Rabbit Valley

When I first joined the Furry Fandom, there weren’t many fandom publishers, and most printed works were vanity press or self-publishing. These days, it seems that the world of Furry Publishing has exploded in size, with many relatively new companies plowing ahead and looking strong.

However, there aren’t too many resources available for those looking to get their works published on whom to go with, and sites like Wikifur confusingly list long-dormant and dissolved companies under active publishers. So I went ahead and compiled a list of currently active fandom publishers looking at submissions, either regularly or periodically. I do not pretend this to be exhaustive, so these listed may not be the only options available.

A word of warning: What these publishers accept may change without notice. Some only publish through submissions to anthologies, while others may open or close their submissions for certain types of media. Many of these publishers are selective in what they publish under their imprint, and are often flooded with submissions and proposals. Always do your research before sending a submission in!

When discussing a contract with a publisher, keep special care to know what rights are being sold. While most publishers only require a period of exclusivity, some may be intending to purchase complete rights to the work. Make certain that you and the publisher are both clear on what is expected from either of you! Read the rest of this entry »

HappyWulf’s Furry KickStarters – Ep. 3

by Dogpatch Press Staff

Welcome back, my shopping friends. Let me tell you a story! I almost missed this first entry because I don’t usually sift through the music section of KickStarter for projects to share. Imagine the egg on my face had I not found it. People don’t tell me these things! I have to find out on my own! I’m here to tell YOU about these things!! So these things, here they are!

MUSIC

Muh. A Pepper Coyote Album

I shouldn’t need to introduce Pepper Coyote. This is for his new album, along with Fox Amoore, Runtt and Koro. You can also get it on Vinyl!

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Monster Party Cafe opens in Japan – the first permanent furry-themed business?

by Patch O'Furr

It’s fun to go to themed places that make you feel like you’re in a movie. There’s Speakeasy and Tiki bars, or even Horror and Clown themed bars. For a spooky time, try The Jeckyl and Hyde Club in NYC, Donnie Dirk’s Zombie Den in Minneapolis, or Lovecraft Bar in Portland, Oregon. How about a visit to Toontown?

For some people, it’s more than fun. Night life is real life. Some places support subculture or identity like Gay and Leather bars.

Why not a furry bar? It’s a half-joke/half-suggestion I’ve been making for years. One night a month, you can do dances like Frolic in San Francisco, Foxtrot in Denver, Tail! Party in Long Beach, or Howl Toronto.  But what if there was a place to be your furry self almost any night?

There have been a lot of “fandom firsts” in a short while – some good, some bad. There was the first mainstream-accessible furry movie and the first Furry political scandal.  Now, new ground has been broken by a permanent establishment with a furry theme. It’s an idea that could go much farther, but take a look.

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Fred Patten asks: are “art of” animated movie books necessary?

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

In June, my review of The Art of Cars 3 was posted here. In it, I said:

“It has been acknowledged that these “art of” books featuring animated films are money-losers, subsidized by the advertising budgets for those films, made for the promotion of those films and for the morale of the artists and technical crews that produced them. The Art of Cars 3 is full of the art of the animators, layout artists, production designers, story artists, digital renderers, graphic designers, modelers, and others who created Cars 3 .”

I had gotten that information – about the art-of animation books being money-losers that were published for their movie’s advertising and for their production staff’s morale – from a February 2017 story by Amid Amidi on the Cartoon Brew website. It was about Illumination Entertainment’s animated films — the Despicable Me franchise, The Secret Life of Pets, and Sing. The pertinent paragraphs were:

“Among the things that Illumination Entertainment does differently from other major animation studios is they don’t produce art-of/making-of books for each of their films.

From a business perspective, it makes sense. Most art-of books don’t make their money back, have limited reach, and add unnecessary costs to a film’s marketing budget. But they do have intangible benefits, like boosting morale among studio employees and helping build stronger relationships with the studio’s most passionate fans. I might agree that it doesn’t make sense to create an art-of book for every film, but perhaps Illumination could publish an anniversary art-of book at some point. Their tenth film is coming up in 2019, while 2020 will mark ten years since the release of their first film. Both of those dates seem like ideal milestones.”

April Whitney, the publicist at Chronicle Books for The Art of Cars 3, took exception to that statement. She said that Chronicle’s “art of” de luxe animation books, which cover most Disney•Pixar animated features, sell very well and are not, as I implied, subsidized by Disney’s marketing department.

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