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Category: Media

Spirit Hunters Book 4: Shadow of the Oni, by Paul Kidd – review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Spirit Hunters. Book 4: Shadow of the Oni, by . Illustrated.
Morrisville, NC, Lulu.com/Perth, Western Australia, Kitsune Press, February 2017, trade paperback $22.31 (310 pages), Kindle $6.99.

Paul Kidd began his Spirit Hunters novels with Book 1: The Way of the Fox in September 2014. He has followed it up with Book 2: The Open Road in May 2016, and Book 3: Tails High in September 2016. Now here is Book 4: Shadow of the Oni. Like the last two books, this has a cover by R. H. Potter and interior art by Voracious Fescue.

The Spirit Hunters series is set in the Sacred Isles, a fantasy world of traditional Japanese mythology roughly in the Heian era, about 900 or 1000 A.D., with all the yōkai (supernatural spirits) of that world: obake, kappa, oni, tengu, and so on. The Spirit Hunters are four freelance ghostbusters who wander throughout this realm, slaying or otherwise exorcising the evil yōkai: Lady Kitsune nō Sura, a fox woman, and her companion Tsunetomo Tonbo, a huge human samurai, who hope to be paid for their services; Asodo Kuno, a young low-ranking human samurai who has joined them to gain a reputation and higher status; and Nezumi nō Chiri, a shy rat-spirit who Sura has invited to join them. Chiri’s two familiars, Daitanishi the air elemental and Bifuuko the rock elemental, accompany them.

Sura and Chiri, and any other animal-people who the quartet meet, are what make these books worth reading by furry fans. They can shift among three forms: human except for animal ears and tail; anthropomorphic, looking human but with an animal head, full fur or feathers, and tail; and fully animal but still able to talk.

While the first three books are basically light adventures, Book 4 is the darkest yet. It begins with “Twelfth Encounter: Shackles of Honour”, which opens with thirteen straight pages of grim battle, slaughter, blood, and death. A decade later, the four Spirit Hunters take refuge from a rainstorm in a long-abandoned shrine:

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Foxhunt!, by Rich Hanes – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Foxhunt!, by Rich Hanes. [2nd edition]
Everett, WA, Arkham Bridge Publishing, January 2014, trade paperback $19.95 (337 pages), Kindle $6.99.

This is the 2nd edition. The first edition was published by Arkham Bridge Publishing in June 2009 with the same cover illustration by Minna Sundberg. I don’t know how the two editions may differ.

This is furry space opera, the first novel in the Wildstar Universe of genetically-engineered human-like animals. (According to Amazon, Hanes only has one other Wildstar Universe work so far, and it’s just a 15-page short story, “Duel of Honor: The Way of the Wolf Warrior”, published in April 2015. Hanes has asked for comments on his works-in-progress on the Furry Writers’ Group forum, although he is not a member.)

The interstellar peoples of the galaxy are all modified Earth mammals based upon dogs, foxes, raccoons, wolves, and more, although humans do exist. And the animals don’t like each other. Interstellar warfare is strictly regulated through a Mercenary Command, and restricted to small mercenary companies rather than large national armies. Captain Sebastian Valentino, a humanoid fox, is the leader of the Star Rangers, the most successful mercenary company in the galaxy; 300+ mostly canids such as his Senior Lieutenant Corey Delzano, a jackal, and Junior Lieutenant Patricia Darling, a painted dog. The Star Rangers usually are hired by the government of Valentino’s own Star Alliance, and their target is usually the Alliance’s traditional rival, the Canis Dominion.

All this is background that the reader will pick up in the first thirty or forty pages. The story is that Captain Sebastian Valentino is having an extremely bad day. Or bad week. Or bad months. First, his Assistant Captain and best friend Adrian Miller is killed in a botched raid that Sebastian blames himself for. Second, Adrian’s extremely formal Rite of Passage (funeral) is also botched, which Sebastian (who is having a brief nervous breakdown) also blames himself for. Sebastian’s new Assistant Captain, Corey Delzano, talks him out of it, incidentally giving the reader a smooth background course in Volpa history, language, and religion.

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Artdecade paid me $5 to post about him, and you should do it too.

by Patch O'Furr

Somehow I found nice clean art on Artdecade’s FA gallery.

Artdecade is a furry artist who has strong words about bigots, nazis, RMFC, etc. Read what he thinks about the con’s demise and recent happenings in fandom. Or just enjoy his naughty art (NSFW!) He linked to Dogpatch Press, and it’s a nice compliment to get noticed by a furry titan who has drawn 10,000 dicks. He says:

i feel genuine sympathy for ppl that got involved with the furry raiders who were just looking for a local group of furs to hang out with. i don’t think all folks in that group are bad people by a long shot. the creators lied to people about themselves and their beliefs and used others that joined them to make themselves look like just an innocent group of fun havers. i urge members of the raiders that are upset with these people to start your own groups, free of nazi and bigotry influence.

please remember, it was not the people that called out the bigots that got the con closed, nor was it anyone’s intent to close the convention at any point. THEY shut down the con due to mismanagement and then blamed others for it. and now others are picking up the pieces they abandoned! local CO furs, check it out! https://www.denfur.co

Who got blamed for closing the convention? (From Reddit:)

I wonder which con this Dogpatch guy will try to kill next.

Kill the messenger before he strikes again!  Actually, ignore that noise and listen to smart furs who just want to be informed. It’s part of being a community. That includes dealers, artists and local Colorado furs who didn’t deserve to lose their con for the reasons that Artdecade said.

An independent voice can share critical stories others won’t.  A good way to make it possible is cold, hard cash. You can also do this for your local PBS station, but there’s a little difference if you support Dogpatch Press on Patreon.

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Payu’s Journey, by R. Lawson Gamble – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Payu’s Journey, by R. Lawson Gamble. Map.
Los Alamos, CA, Rich Gamble Associates, November 2016, trade paperback $19.98 ([4 +] 91 pages), Kindle $2.99)

This is an oversized 8½” x 11” All Ages book, which means that it is written for Young Adults but will be of interest to adults. As the cover by Krista Lynn shows, it is set in Australia and features Australian animals – and a human baby.

“Payu wandered through softly falling darkness across the barren desert emptiness, her heart choked with grief. Every step brought a jarring reminder from her milk-swollen teats.

Payu was a dingo, the wide land she traveled Australia’s Great Sandy Desert where the sparse vegetation sent long roots deep into the cracked earth in search of any scant moisture, where small patches of hardy bunch grass clung to crumbly soil surfaces. Here and there a desert pea or acacia shrub cast a long spindly shadow.” (p. 1)

Payu’s mate has been killed at their den by humans while she was out hunting, and her pups stolen. Wandering grief-filled through Australia’s northwest, she comes across two human campers, a husband and wife, and steals their infant.

“Payu watched the little one feed and considered her situation. Somehow she had made the decision to keep this tiny human. Yet in the hostile environment of the desert it could not survive without more support. She could not hunt for food and at the same time protect a hairless, defenseless pup. Not without a mate or the support of a pack.” (p. 4)

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Love Match, by Kyell Gold – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Love Match, by Kyell Gold. Illustrated by Rukis.
Dallas, TX, FurPlanet Productions, January 2017, trade paperback $19.95 (378 pages), e-books $9.99.

Kyell Gold is arguably the best author in furry fandom. He has won many literary awards inside and outside the fandom. Even those who do not like adult explicit writing have been won over by the high quality of his fiction.

Many of his books are set in what is loosely called his Forester University world. The best-known are the five “Dev and Lee” novels, chronicling the meeting of Devlin Miski, tiger football star, and Lee Farrel, fox gay activist, during their senior year at Forester U.; their becoming homosexual lovers, at first secretly and then openly; and their graduation from college and their first year out. Dev becomes a professional football player and Lee becomes a professional football talent scout to stay with him. Readers of the five novels became immersed in the details of professional football as Dev and Lee firmed up their personal relationship.

Now Kyell Gold has started a new series, projected at three novels. It is superficially similar, except that the sport featured is tennis, not football; and the main characters are, at the beginning, too young to have a sexual orientation. There are references to the Dev and Lee books.

Love Match is narrated by Rochi N’Guwe, a black-backed jackal from the African nation of Lunda who is brought to America the Union of the States with his mother on a scholarship from the Palm Gables Tennis Center. Rochi is immediately nicknamed Rocky by the other students, including Marquize, a cheetah from Madiyah who becomes his best friend. The Palm Gables Center, a leading tennis institution, has scoured the world for promising young players, and has brought Rocky and his mother to the States when he is only 14. (Probably. Lunda is casual about recording births.)

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The Goat: Building the Perfect Victim, by Bill Kieffer – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Goat: Building the Perfect Victim, by Bill Kieffer
Manvel, TX, Red Ferret Press, September 2016, trade paperback $13.95 (158 [+ 1] pages), Kindle $3.99.

This book boasts – or warns – in a back-cover blurb that it delves into “the darkest, deepest reaches of human nature.” It isn’t pretty.

Frank, the narrator, seems like a total loser. He’s sullen, gloomy, depressed, works at a junk yard, and is in an abusive marital relationship. He keeps walking out on his domineering wife Kim, getting into a good relationship with some other woman, then Kim finds him, throws out the other woman, and starts her game of psychological dominance again.

He’s escaped from Kim again (only temporarily, he’s sure), gotten drunk at Phil’s Liquor Locker, and is walking back to his junker car when he sees a gang of wolfboys shoving around a gay man.

“Oh, they weren’t real wolves, but try to tell them that. The six or seven of them were trans-anthropomorphic teenagers from that private wizard school, Matthias.” (p. 18)

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A false rumor about RMFC is repeating history from the Burned Furs.

by Patch O'Furr

Remember Rainfurrest? Bad behavior was blamed for the con’s demise. In 2015, vandalism caused a fatal economic issue between the con and its hotel. Popular attention focused on fetish activity, but the public didn’t care about it and the media was incredibly positive. That debate stayed between furries, but it was at least based on partial truth. That’s different from dishonesty you can see below. It connects the long-dead 2000-era Burned Furs and the end of ConFurence, with falsehoods that exploit the closing of Rocky Mountain Fur Con. It shows an agenda to divide fandom. (You may ask: why is this still happening in 2017?)

ConFurence, the first fur con, drew criticism about bad behavior. Organizers were blamed for advertising in gay lifestyle magazines to increase attendance, supposedly attracting fetishists who had nothing to do with furry fandom. Then in 2015, a fur dug up the actual 1997 “ad” that people were citing without seeing it.  It wasn’t an ad, and it didn’t come from furries.  The obscure ‘zine publication happened at a time when it couldn’t have influenced anyone. The rumor was a false smear.

The rumor is almost 20 years old now, but it still exists:

“we still hear stories about the early ConFurence when the organizers allowed some BDSM people in to improve attendance, with horrible results” Ask Papabear, 4/12/17 (graciously modified after discussion.)

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A Brief History of Cartoon Animals Punching Nazis

by Arrkay

Dogpatch Press welcomes Arrkay of furry channel Culturally F’d.

Nazi-panic got you down? It seems these days everywhere you look there seems to be some sour racists ruining someone’s day. Don’t worry, we’re here to help.

Working on Culturally F’d gives me a great outlet to explore anthropomorphic animals throughout history and media. So after the public twitter discussions about whether or not it’s ok to punch nazis, I recalled some historical examples that helped. Throughout the 1930s and 1940s, there was a huge push in propaganda on all fronts. They encouraged spending money on war-bonds, saving fats and scrap metals, starting community “victory” gardens, empowering a new female workforce, perpetuating false-optimism of a short war, warning against spies listening in, and attempting to shape public opinion and spark a sense of national identity. The military’s of the world commissioned animators to help influence public opinion during a time when Nazi Germany was beginning it’s invasions, and it was becoming clear to more and more governments that the Axis powers were not slowing down or stopping.

Propaganda like these were created to help sway public opinion, and to paint a caricature of the enemies. This was at times, incredibly offensive and racist, and it’s important we don’t forget that and that we don’t repeat it again.

We’re going to start with Animated Shorts, which were created to precede or follow newsreels of current events, often part of a pre-show for a larger, longer feature presentation in the movie theatre.

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What’s Yiffin’? – April 2017 edition of syndicated furry news.

by André Kon

Greetings, Dogpatch Press readers. We hope you’ve been enjoying the run of What’s Yiffin’? on this website; it’s time for April’s edition! One thing you’ll realize over the course of watching our show is sometimes events happen so close to production time that we can’t include them in the show and they are delegated to next month’s release. The firestorm surrounding RMFC is an example of one such event. Literally a day or two after we wrapped up this episode that whole mess happened, sort of like how the story about 2 Gryphon was pushed back to this month for the same reason. Speaking of 2, here’s the news that’s fit to print!

More details and some additional insight from the show’s writers:

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April is Furry Poetry Month – guest post by Shining River.

by Patch O'Furr

In the United States and Canada, the month of April is celebrated as National Poetry Month, a tradition in the United States since 1996 and in Canada since 1998. Many literary magazines, libraries, authors, schools, and websites participate in this in a wide variety of ways. Since 2015, writers of the furry community have been celebrating their own version of this, which we may now call Furry Poetry Month.

The writing of poetry by furries, whether they be dedicated writers or occasional writers of poems, is not just a recent development. Poems can be found online in the Usenet newsgroup alt.lifestyle.furry, of the 1990’s. A once-active site that featured furry literature was Anthrozine. Starting as early as their second issue in 2005, twenty-six furry poems were published over the years that the site was maintained by Michael Bard and Quentin Long.

Poetry probably appeared on Fur Affinity user pages soon after it’s beginning in 2005.  Over the years, approximately eight groups have been created to feature poetry and other writing. Most of these groups have had little activity in recent months, some of them not for several years. The Poets Guild began in 2009 features two poetry anthologies and four dozen individual poems that are posted on the site. Their activity declined for a year or so but has recently had an increase in posting. The most active FA group for poetry at this time is Poetic Furs. Begun in 2015, they have featured an interview with a different poet each month.

Over the years there have been some printed versions of furry poetry. This writer still has his copy of the 1999 Conifur NorthWest furcon con book and we find on page 41-42 what might best be described as a rap, but it’s still poetry, titled “I Am The Very Model Of A Furry Individual” by Mee-Shee.  Another example was the first volume of Allasso in 2012, edited by Brian Lee Cook, which contained seven poems along with fiction short stories.

More recently, poetry has been featured on Adjective Species.  Their first publishing of a furry poem, “Whiskey Sour”, by Lunostophiles, appeared in 2013.

In March of 2015 an essay written by this writer, titled “Finding the Animals in Modern Poetry”, was followed by the creation of the “Inaugural Adjective Species Poetry Collection”. It was curated by Lunostophiles. This featured original animal themed poems from thirteen writers of the furry community. The following year in April, Adjective Species published another essay by this writer, “Finding the Animals in Cowboy Poetry”, which was soon followed by the “Second Adjective Species Poetry Collection”, with nine poems contributed. This was curated by a prominent furry writer, Poetigress.  Also at that time seven original poems written by Poetigress were published over three days.

The Furry Writers Guild was founded in 2010 to be a group for writers to share their experiences and to provide information about writing and publishing. In April of 2015 on their site forum, a new discussion board for poetry was created.  Also at this time, Laura “Munchkin” Govednik and Altivo Overo developed the idea for a book of poetry featuring animal themed poems from Furry Writers Guild writers. The sales of the book would be donated to an animal charity.  This successful project, titled “Civilized Beasts”, appeared in December 2015, published by Weasel Press.

In 2016, the project was begun again, as reported here on Dogpatch Press. Poem submissions are closed at this time and the release of the new book has not yet been announced.

Finally, the enjoyment of poetry does not have to be just a solitary, silent, experience. There are many un-traditional ways of creating and experiencing poetry. Recitation and performance of poetry occasionally occurs in the furry community. Fursuiter rap performances on Youtube are a good example, and this writer enjoyed poetry readings by two furry writers at Rainfurrest 2015.  You might find a way to poetically express yourself with some of these activities: https://www.poets.org/national-poetry-month/30-ways-celebrate-national-poetry-month

Poetry comes in many shapes, sizes, and colors, much like the fursuits of the furry community. Poetry written by others can put into words the ideas and emotions that we ourselves may not have the skill to express.  Poetry that we write can be a way to gather together our thoughts and emotions and get a clear look at them.  Somewhere out there in the world there is a poem, or maybe many poems, that is good for each one of us.

– Shining River