Dogpatch Press

Fluff Pieces Every Week Day

Category: Writing

Artdecade paid me $5 to post about him, and you should do it too.

by Patch O'Furr

Somehow I found nice clean art on Artdecade’s FA gallery.

Artdecade is a furry artist who has strong words about bigots, nazis, RMFC, etc. Read what he thinks about the con’s demise and recent happenings in fandom. Or just enjoy his naughty art (NSFW!) He linked to Dogpatch Press, and it’s a nice compliment to get noticed by a furry titan who has drawn 10,000 dicks. He says:

i feel genuine sympathy for ppl that got involved with the furry raiders who were just looking for a local group of furs to hang out with. i don’t think all folks in that group are bad people by a long shot. the creators lied to people about themselves and their beliefs and used others that joined them to make themselves look like just an innocent group of fun havers. i urge members of the raiders that are upset with these people to start your own groups, free of nazi and bigotry influence.

please remember, it was not the people that called out the bigots that got the con closed, nor was it anyone’s intent to close the convention at any point. THEY shut down the con due to mismanagement and then blamed others for it. and now others are picking up the pieces they abandoned! local CO furs, check it out! https://www.denfur.co

Who got blamed for closing the convention? (From Reddit:)

I wonder which con this Dogpatch guy will try to kill next.

Kill the messenger before he strikes again!  Actually, ignore that noise and listen to smart furs who just want to be informed. It’s part of being a community. That includes dealers, artists and local Colorado furs who didn’t deserve to lose their con for the reasons that Artdecade said.

An independent voice can share critical stories others won’t.  A good way to make it possible is cold, hard cash. You can also do this for your local PBS station, but there’s a little difference if you support Dogpatch Press on Patreon.

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April is Furry Poetry Month – guest post by Shining River.

by Patch O'Furr

In the United States and Canada, the month of April is celebrated as National Poetry Month, a tradition in the United States since 1996 and in Canada since 1998. Many literary magazines, libraries, authors, schools, and websites participate in this in a wide variety of ways. Since 2015, writers of the furry community have been celebrating their own version of this, which we may now call Furry Poetry Month.

The writing of poetry by furries, whether they be dedicated writers or occasional writers of poems, is not just a recent development. Poems can be found online in the Usenet newsgroup alt.lifestyle.furry, of the 1990’s. A once-active site that featured furry literature was Anthrozine. Starting as early as their second issue in 2005, twenty-six furry poems were published over the years that the site was maintained by Michael Bard and Quentin Long.

Poetry probably appeared on Fur Affinity user pages soon after it’s beginning in 2005.  Over the years, approximately eight groups have been created to feature poetry and other writing. Most of these groups have had little activity in recent months, some of them not for several years. The Poets Guild began in 2009 features two poetry anthologies and four dozen individual poems that are posted on the site. Their activity declined for a year or so but has recently had an increase in posting. The most active FA group for poetry at this time is Poetic Furs. Begun in 2015, they have featured an interview with a different poet each month.

Over the years there have been some printed versions of furry poetry. This writer still has his copy of the 1999 Conifur NorthWest furcon con book and we find on page 41-42 what might best be described as a rap, but it’s still poetry, titled “I Am The Very Model Of A Furry Individual” by Mee-Shee.  Another example was the first volume of Allasso in 2012, edited by Brian Lee Cook, which contained seven poems along with fiction short stories.

More recently, poetry has been featured on Adjective Species.  Their first publishing of a furry poem, “Whiskey Sour”, by Lunostophiles, appeared in 2013.

In March of 2015 an essay written by this writer, titled “Finding the Animals in Modern Poetry”, was followed by the creation of the “Inaugural Adjective Species Poetry Collection”. It was curated by Lunostophiles. This featured original animal themed poems from thirteen writers of the furry community. The following year in April, Adjective Species published another essay by this writer, “Finding the Animals in Cowboy Poetry”, which was soon followed by the “Second Adjective Species Poetry Collection”, with nine poems contributed. This was curated by a prominent furry writer, Poetigress.  Also at that time seven original poems written by Poetigress were published over three days.

The Furry Writers Guild was founded in 2010 to be a group for writers to share their experiences and to provide information about writing and publishing. In April of 2015 on their site forum, a new discussion board for poetry was created.  Also at this time, Laura “Munchkin” Govednik and Altivo Overo developed the idea for a book of poetry featuring animal themed poems from Furry Writers Guild writers. The sales of the book would be donated to an animal charity.  This successful project, titled “Civilized Beasts”, appeared in December 2015, published by Weasel Press.

In 2016, the project was begun again, as reported here on Dogpatch Press. Poem submissions are closed at this time and the release of the new book has not yet been announced.

Finally, the enjoyment of poetry does not have to be just a solitary, silent, experience. There are many un-traditional ways of creating and experiencing poetry. Recitation and performance of poetry occasionally occurs in the furry community. Fursuiter rap performances on Youtube are a good example, and this writer enjoyed poetry readings by two furry writers at Rainfurrest 2015.  You might find a way to poetically express yourself with some of these activities: https://www.poets.org/national-poetry-month/30-ways-celebrate-national-poetry-month

Poetry comes in many shapes, sizes, and colors, much like the fursuits of the furry community. Poetry written by others can put into words the ideas and emotions that we ourselves may not have the skill to express.  Poetry that we write can be a way to gather together our thoughts and emotions and get a clear look at them.  Somewhere out there in the world there is a poem, or maybe many poems, that is good for each one of us.

– Shining River

Furry literature: Advertising it outside of furry fandom – with Fred Patten and Phil Geusz.

by Patch O'Furr

WPbanner1(Patch:) The Furry Writers’ Guild Coyotl Awards have just opened for voting by members.  This is a good occasion to talk about furry publishing.  Committed operations are putting out a regular stream of content by fans, for fans – but is it healthy enough to support professionals? Can any of them smoothly transition between this niche and the mainstream, to be as well-rounded as they can be? Here’s a look that builds on past stories like:

Let some of the most experienced voices in furry tell you more.  Here’s Fred Patten, with comments by Phil Geusz.

(Fred:) Watts Martin’s January 2017 novel, Kismet, is being published under two imprints: at FurPlanet Productions, as furry fiction for the furry market, and Argyll Productions, as science fiction for the larger s-f market or mainstream sales; with two different covers, both by Teagan Gavet, tailored for those markets.

This sounds ambitious and imaginative. But how well will it work in practice? The record isn’t encouraging.

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A Decade of Gold: A retrospective of the works of Kyell Gold, by Thurston Howl.

by Patch O'Furr

Thanks to Howl, of Thurston Howl Publications, for his guest post. I’m told it was approved by Kyell.  Enjoy.

Few authors have captivated the mainstream furry audience as famously as Kyell Gold. From his 2004 short story publication, “The Prisoner’s Release” to his upcoming novella, The Time He Desires (Dec 2016), Gold’s works have been award-winning pieces of fiction that have even attracted the attention of non-furry readers. Throughout the past twelve years, Gold has gone through a multitude of genres and such unique characters. Below, I hope to detail many of his milestones over the past almost-decade as well as provide a primer on Gold’s work.

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Gold’s debut to fiction was his Renaissance-era novel series set in the fictional universe of Argaea. While it technically started with his “The Prisoner’s Release,” which was published in Heat #1, it later became a novel series, starting with Volle (2005). The series follows a red fox, titularly named Volle, as he undergoes a spy mission, pretending to be a lord of a small area participating in negotiations in the kingdom’s political mecca. The catch is that Volle is a hypersexual fox who struggles to keep his sex life separate from his political life, neither of which allow him to use his true identity. This series is a prime example of how Gold can meld genres. In this case, historical fiction meets homosexual furry erotic romance in a way that is both believable and evocative. The Argaea series has received stellar reviews and widespread reception. So far, the Argaea series includes the following titles: Volle, Pendant of Fortune (2006), The Prisoner’s Release and Other Stories (2007), Shadows of the Father (2010), and Weasel Presents (2011). While not all of these stories follow Volle, they are all set in the same universe. All except for Weasel Presents (which was published by Furplanet Productions) were published by Sofawolf Press, with Sara Palmer being the primary illustrator for most of these.

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Tales From the Guild 2: World Tour is OPEN FOR SUBMISSION

by Pup Matthias

tales-from-the-guild-music-to-your-ears-edited-by-anthroaquatic-67102“Our world is one rich with diversity and culture, but how would civilized animals change that?”

That is the question Ocean Tigrox asks for you to write about in the upcoming anthology, Tales From the Guild 2: World Tour. Building from Tales From the Guild: Music to the Ears, the purpose of Tales is not just to have another outlet for Furry stories.

…we want to showcase great furry stories and show what we as a guild support. In addition to that, we want to help fund the guild while paying authors for their hard work. Thirdly, we’re using the anthology to help teach others about what goes into working a slush pile and editing an anthology.

This is what the Furry Writers Guild uses to help support themselves and showcase what they are all about.

In the words of the Guild itself, “The purpose of the Furry Writers’ Guild is to promote quality writing in anthropomorphic fiction and to inform, elevate, and support its creators.” The guild is there for others to come together to learn and support each other in our craft as well help promote our work and what we love about furry literature.

But how did the theme World Tour come about as the next entry for the book?

Because it was the guild anthology, we let the guild help out in choosing what theme to use. We had members of the guild suggest themes and voted on it. It was a very close vote with the runner up being “The Beast Within – Species issues within a modern world” which could be used for the next Guild Anthology theme.

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Interview with #FurryBookMonth Creator Huskyteer

by Pup Matthias

fbm-logo-800Through out the month of October you may have been seeing a special hashtag around twitter of people talking about Furry books more then usual. That is because we are in our first official Furry Book Month. A way to both celebrate the Furry writer community as well as promote just how diverse the community has gotten. You would be amazed how some people still only view the fandom with only three publishers: Sofawolf, Furplanet, and Rabbit Valley. But we have expanded to around eight with newcomers like Thurston Howl Publications, Goal Publications, and Weasel Press; bringing with them new voices and new stories with the same fluffiness or scales or feathers we love.

The Furry we have to thank for getting this event off the ground is Husykteer, a well-known and active member in the writer community since 2010. She began by posting stories on SoFurry, but by 2012 got published in both Roar 4 and Heat 9. Since then she has continued to put out quality work.

So far, I’ve had short stories and poems published in a number of anthologies; most recently Gods with Fur, Claw the Way to Victory and Inhuman Acts. My short story ‘The Analogue Cat’, which appeared in The Furry Future, won the 2015 Ursa Major and Cóyotl awards for short fiction.

I’d love to get some books out there with my name, and mine alone, on the cover! A novella, Peace & Love, should be coming out from FurPlanet soon.

But how did the idea of Furry Book Month come about? Anyone who has been around the FWG forums knows that the writer community, while growing, is still under appreciated in many aspects. So there has been a growing want to promote the community more to get people to check out their work.

In 2015, Furry Writers’ Guild member Rechan challenged the FWG forum to read a furry book, or several, during October. This grew into the idea of promoting books in the wider furry community during October 2016.

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SITE UPDATE – The first fursuiter, and Otaku Trucker: Furry Road.

by Patch O'Furr

You might see less posting here for a week – I’m busy writing for a book. That’s Furries Among Us (part 2) from Thurston Howl Publishing. (The Ursa Major Award went to Howl’s first book of essays about the fandom, so they made a new “nonfiction” award.)

My chapter is “The Furclub movement – independent furry night life is thriving!” Furry dance parties happen around the world, so if you see new dances start anywhere, please send info for the list.  (To San Francisco furs, I can’t say anything now, but expect some good news soon.)

It’s Furry Book Month, so check out some more of the fandom’s awesome creativity. Flayrah finally started approving new posts about that. Their slowness might have to do with a big rise in great reader comments here.  And so does this…

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A welcome new category for the Ursa Major Awards: Best Anthropomorphic Non-Fiction.

by Patch O'Furr

WHY DON’T FURRIES RECOGNIZE GOOD JOURNALISM?

 

This topic has come up before: “Bay Area Furs find out why there should be a Furry award for Best Journalism(see some good articles within) – and – “VICE looks back on the Midwest Furfest attack, earning kudos for thoughtful journalism.”

The simplistic answer is – back around 2001, this little fan group was mistreated by Vanity Fair, MTV and CSI.  Forevermore, “The Media” was a thing to hate.

But it’s not so simple. In a chicken-or-egg way, “The Media” deserves some credit for creating furries. (It’s a FANdom!)  That usually means fiction media, but there’s much more than that. There’s the “science” part of science fiction; transhumanism, animals and nature, and anything about growing a self-defined subculture. There’s info coming from the Anthropomorphic Research Project.  A top selling nonfiction book (from Thurston Howl publishers) is the fandom-essay collection Furries Among Us.

Nonfiction is a big deal in fandom for anthropomorphic animals.

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Call for submissions: The Symbol of a Nation, a new anthology edited by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer. This goes out a little late (sorry). You might also be interested in others announced here at Adjective Species. 

Goal Publications is announcing its first original short story anthology.

Title: The Symbol of a Nation. Theme: national animals. Deadline: December 1st, 2016.goal-publications-full-white-bg

Wanted: original short stories (no reprints) of 2,000 to 15,000 words, featuring furries that are the national animals of countries, such as Afghanistan’s snow leopard, Algeria’s fennec, Australia’s red kangaroo, Bangladesh’s tiger, Canada’s beaver, Denmark’s swan, Eritrea’s camel, France’s rooster (fighting cock), Germany’s black eagle, Honduras’ white-tailed deer, Italy’s wolf, the U.S.’s bald eagle … There are over 200 countries and most of them have a national animal.

For this anthology, we are extending the theme to the official animals of provinces and states. There are several animals such as the koala (Queensland) and platypus (New South Wales) of Australia, or the giant squirrel (Maharashtra) and red panda (Sikkim) of India, or the coyote (South Dakota) and raccoon (Tennessee) of North America that are not national animals, but are the official animals of provinces or states.

But: this is limited to the officially adopted animals (including birds) of national or sub-national entities only. No sports team mascots, corporate mascots like the NBC peacock, political party mascots, or breakfast cereal mascots. No fictional official animals or countries like Transylvania and vampire bats. However, some countries have both a national animal and a national bird, such as Chile – its animal is the huemal, an Andean deer, and its bird is the Andean condor. We will accept stories featuring either or both.

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The State of Furry Publishing – Fred Patten gives the inside story of eight groups.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Back in February 2015, Dogpatch Press published a two-part “History of Furry Publishing” by me. (Part 1 and Part 2) Patch has asked me to contact the furry specialty publishers for a follow-up to bring it up to date.

The traditional “Big Three” furry specialty publishers are FurPlanet Productions in Dallas, Rabbit Valley Books in Las Vegas, and Sofawolf Press in St. Paul. They were profiled in the earlier article. Here is their current status.

FurPlanet Productions

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FurPlanet has been doing very well, as evidenced by having 24 new titles at Anthrocon 2016. FurPlanet has had dealer tables during 2016 at Further Confusion in January, Furry Fiesta, Anthrocon, and Rocky Mountain Fur Con, and plans to appear at Mephit FurMeet, Furry Migration, and Midwest FurFest in December. Besides selling books, FurPlanet has established a strong presence and met a lot of great fans, some of whom have been encouraged to become writers in FurPlanet’s anthologies.

FurPlanet prefers to release new titles at the conventions it attends. Further Confusion in San Jose in January and Anthrocon in Pittsburgh in late June or early July are the big release weekends each year, and publications are aimed for those dates. FurPlanet used to have several releases at RainFurrest in Seattle in late September, but with the disappearance of RainFurrest FurPlanet may shift to Midwest FurFest in Chicago in early December. If something becomes ready at a different time, it is released at the first convention it’s ready for.

Some of FurPlanet’s art folios are annuals. Those usually appear at the same convention each year. FurPlanet and its readers can count on two short fiction anthologies edited by Fred Patten at FC and AC, and an annual volume of FANG and ROAR at AC. Other anthologies, single-author collections, comic books, and one-shot art folios appear as they’re ready.

Erotica clearly sells very well. About 70% of FurPlanet’s sales are adult titles versus 30% of “all ages”. Of the 24 new titles at Anthrocon 2016, only 5 were all ages. FurPlanet’s best selling titles are the comics and books with well-written stories featuring adult themes. Rukis’ novels and comics, and the “Cupcake” novella books have been especially popular.

FurPlanet has three tables together at Anthrocon, so it has a much wider display of titles there. At conventions where it has only two or one table, there are about 100 titles, focusing on what is new or still selling well. Titles that are part of ongoing series will stay on the tables much longer.

Convention sales and online catalogue sales are about equal. Sales of FurPlanet’s print books are much greater than of Bad Dog Books’ e-editions. The Bad Dog e-books are not Amazon’s Kindle books. The only difference is that the Kindle books do not have adult illustrations, due to Amazon’s rules on eBooks. The Bad Dog titles are not censored. That is why many of the Bad Dog eBooks do not appear on Amazon.

For conventions relatively near Dallas, FurPlanet drives its stock there and back in its hatchback. For Further Confusion in California and when it was attending RainFurrest in Seattle, FurPlanet shipped its stock there and flew.

FurPlanet regularly displays Rabbit Valley’s and Sofawolf Press’s titles at conventions where those publishers do not have their own tables. There are no arrangements yet with other publishers, but with several new ones appearing, there could be in the future. FurPlanet has stocked a few mainstream books like the American editions of the French Blacksad and Grandville titles, but those are rare exceptions. FurPlanet’s recent carrying of several of Disney’s Zootopia titles has been due to the extreme interest in Zootopia by many furry fans. There are no plans to carry other books related to anthro-animal movies.

FurPlanet Productions is basically a part-time hobbyist mail-order business in Dallas. Everything there is in a large room called the Production Room. FurPlanet’s stock is kept there, orders are packed and shipped from there, and their bookbinding equipment is there. This room is not open to the public, and there are no plans to open a store front.

FurPlanet consists of four people: FuzzWolf and Teiran, the two owners, and their two long-term employees Buck Turner and Zia McCorgi. All four have regular jobs and run FurPlanet in their spare time. All four appear at almost every convention that FurPlanet displays at. They are sometimes joined by their friends Ajax B. Coriander and Andres Cyanni Halden, who have edited anthologies for FurPlanet in the past.

FurPlanet has this to say:

We’d like to thank everyone, our authors, artists, editors, customers, and helpers, especially Buck and Zia, who have made this all possible for the last eight years.

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