Dogpatch Press

Fluff Pieces Every Week Day

Category: history

The truth behind a famous, misinterpreted “nazi furries” photo.

by Summercat

[Note from Patch:] Thanks to Summercat for this guest post. It’s a follow up to: Ever hear that Altfurries are just trolls? A real Nazi leader is taking them seriously. More than a few commenters had a mistaken impression that Dogpatch Press was original poster for a photo of “nazi furries”. We weren’t. That was a screencap, and it wasn’t posted to endorse the contents. An automatic feed to Twitter made it the cover image there. 

Summercat continues:

We’re creatures of the internet. We all know that images and photos can be ripped from their context and spread around with new interpretations that show them in a different light than intended. Context matters, even for items that appear to be clear cut.

A prior article I wrote about Altfurs includes a photo shared by Neo-nazi Andrew Anglin. It shows three fursuiters posing happily in front of a Nazi flag.

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Fursuiting: A History – a video miniseries by Culturally F’d.

by Arrkay

Guest post by Arrkay from Culturally F’d, the furry youtube channel. See their tag on Dogpatch Press for more.

Yesterday we posted a sneak peek of our multi-part miniseries. It looks at animal-costume history from the basics of the mask, theatrical outfits, Hollywood rubber-suits, fandom cosplay, and our very own fuzzy army of unique performers.

Now here’s Part 1: Masks. This video explores the very idea of the mask itself and its ancient origins. Of course we focus on animal-masks, since we’re talking about Fursuit History, not just costuming in general.

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Coming this #FursuitFriday: Animal-costume history that goes way beyond furries!

by Arrkay

Guest post by Arrkay from Culturally F’d, the furry youtube channel. See their tag on Dogpatch Press for more.

Get a load of this sneak peak for this weeks long-awaited Culturally F’d Miniseries. Inspired by a series of articles right here on Dogpatch.Press, Fursuiting: A History is an expedition straight into the uncanny valley.

This multi-part miniseries will look at animal-costume history from the basics of the mask, theatrical outfits, Hollywood rubber-suits, fandom cosplay, and our very own fuzzy army of unique performers. Stay tuned this #FursuitFriday for the first installment of our 2018 series – and make sure to subscribe to Culturally F’d on YouTube to catch new videos as they come.

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A present from furry fandom to Fred Patten.

by Patch O'Furr

Guess how many furries there are in the world? I’d say at least the population of a medium-to-large city. That’s a lot of members to remember for the holidays. Santa Claws couldn’t deliver all the plushies and bones you need with just one trip on Christmas Eve. Of course instead of Christmas dinner, some of you might be having lox or falafel (or fruitcake pizza). Anyways, whether this is your holiday or not, it’s a good time to look back at 2017 and appreciate things shared in common. I’ve been wondering what kind of gift to give the fandom for supporting this site and each other, for having a successful year of record-breaking cons, and for being my favorite thing. I decided that instead of pleasing everyone, let’s pick one furry who gives a lot and give thanks back to him.

That’s Fred Patten, who helped make it all happen. It started 3-4 decades ago when there were only handfuls of people who couldn’t get enough stuff like this…

Fred as The Flash at the 1962 World Science Fiction Convention in Chicago. Photo (c) William Schelly, from the Founders of Comic Fandom book. More Fred photos thanks to Kay Shapero.

Funny animal comics that were huge in the Golden Age but mostly went extinct (except in newspaper strips like Pogo that spoke to adults too.) 1960’s counterculture-inspired, untamed underground comix like Fritz the Cat. A renewal of Disney excellence that suffered in the 1970’s “dark age” of animation after Robin Hood. An adult side to anthropomorphics with action and sci-fi stories seen in anime, leading to 1980’s alternative comics like TMNT and Usagi Yojimbo. Those are roots that grew into a thriving scene that’s now full of young creative people who can learn from founders like Fred.

Fred’s fan activity started with comics in the 1940’s. He joined science fiction fandom in 1960, and in the 1970’s he helped import Anime to North America. It found a place at the Los Angeles Science Fantasy Society clubhouse where fans shared movies, writing and art. That led to funny-animal fan organizing. They gathered in Los Angeles, San Francisco, Philadelphia and Chicago, with house parties, room parties at sci fi cons, and APA’s and zines. Fred’s 17 years of editing Rowrbrazzle put him at the center of it while furries started their first con in 1989 and expanded overseas. He’s won lots of awards, written countless book reviews and animation columns, and edited a dozen furry story anthologies.

Fred also makes Dogpatch Press what it is. He’s a keystone from the past to now, so the bookish beginnings don’t get forgotten with the rise of costuming, bigger events and social media. My part with the site is building “Furry Media” for a more direct line than what outsiders publish. That involves looking for the pulse of fandom, sometimes on the street level with fursuiting, partygoing and event organizing, as well as muckraking or occasionally even being featured in spicy rumors. But meanwhile, without playing a fursona, Fred tells the history, and dives into quiet concentration to review books that furries pour their hearts into writing.

Fred stays in a convalescent hospital and isn’t likely to be at cons (although he does see movies sometimes in a wheelchair), so I hope your messages are like a window on a happy view that you made for him. Smile and wave!

Many furs answered the request I put out. Whether it’s for Christmas or otherwise, it’s a birthday gift too – Fred turned 77 on December 11.

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Furry Nation: The True Story of America’s Most Misunderstood Subculture, by Joe Strike – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

Furry Nation: The True Story of America’s Most Misunderstood Subculture, by Joe Strike. Illustrated.
Jersey City, NJ, Cleis Press, October 2017. Trade paperback, $17.95 ([ix +] 342 pages), Kindle $10.99.


Here it is! What we’ve all been waiting for! The book about furry fandom!

Full disclosure: I’m quoted by name on a back-cover blurb, and cited as “a founding father of furry fandom”.

Is it perfect? No, but it’s probably better than any of us could have written. I gave up writing a book “all about” furry fandom long ago. If I may be permitted a moment of “I told you so”, I told those who asked me to write such a book in the late 1990s that it would take me around ten years to fully research and write such a book. They turned from me to find someone else who could do it right away. They couldn’t.

Joe Strike has been in furry fandom since the 1980s. He has been working on Furry Nation for at least fifteen years. It’s full of both his own knowledge and the interviews that he conducted. He has interviewed not only all the earliest furry fans, and the current leaders of furry fandom – Mark Merlino, Rod O’Riley, Jim Groat, Mitch Marmel, Dr. Sam Conway, Boomer the Dog, leading furry artists like Heather Bruton and Kjartan Arnórsson, fursuit makers like Lance Ikegawa and Denali, academics like Dr. Kathy Gerbasi, and so on – but those outside the furry community who have impacted it. The writers of newspaper and TV news stories about furry fandom? He interviewed them. The executives of Pittsburgh’s tourist bureau? He interviewed them. The directors of TV programs and theatrical animation features that have used furry themes? He interviewed them.

What Furry Nation covers: a definition of furry fandom, the influences that gave rise to it back to prehistoric times, the history of how it started, profiles of the earliest furry fans, how the rise of the Internet affected it, a description of furry fandom in North America today, with emphasis on its conventions and a profile of Anthrocon in depth, its artists and furry art, its fursuits, its public perception, an acknowledgement of its seedier side, and how it has grown from a tiny, unnoticed subgroup to an important influence on popular culture today. The book has 189 footnotes throughout it. There are over two dozen photographs and samples of furry illustrations from the 1980s (early fanzines and Furry Party flyers) to the present.

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Furry Drama(tic Arts) – The Forgotten History of the Furry Musical, Part 2: Furry Tales

by Patch O'Furr

Patch here, with Part 2 of the story submitted by guest writer Duncan R. Piasecki.

In Part 1, we mentioned the theatrical nature of anthropomorphism: how fursuiting is related to a world-wide love for humans performing as animals. In the mainstream, it’s in musicals like the stage version of The Lion King or Andrew Lloyd Webber’s Cats. Then, as we discovered, there was even a small, overlooked chapter of fandom history with not one, but at least two musicals focusing on the furry subculture.

One of these unique projects was Yiff!/<furReality>, which was fading from memory until we rescued documentation from the director.  It can make you wonder… while the mainstream celebrates anthropomorphic performance, why haven’t such ambitions carried forward as fandom has grown?

Perhaps the ideas may get tried again, with bigger and better resources, stages and audiences this time. Looking into that may get you excited for a certain con in 2018.  More on that at the end. (-Patch)

Duncan R. Piasecki continues with the story of the other musical:

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Furry Drama(tic Arts) – The Forgotten History of the Furry Musical, Part 1: Yiff!/< furReality >

by Patch O'Furr

Article submitted by guest writer Duncan R. Piasecki. (Part 2 is here).

Let’s face it: we furries are a pretty theatrical bunch. Fursuiting is, in itself, a form of performance art, dramatic and striking, and probably the most visible aspect of our culture to anyone looking in from the outside. (It’s certainly what is talked about the most in the media).

None of this should surprise anyone here, even those of you who stumbled into the furry internet after straying off the normal path. In fact, it’s not even that surprising to the outside world. One need only look at, say, ultra-successful Andrew Lloyd Webber musical Cats, or the stage musical version of The Lion King, to see that the visceral drama of humans performing as animals is widely acknowledged the world over.

But that’s not what we’re here to talk about today. No, actually, we’re going into a deeper rabbit hole (har), one that many of you probably didn’t even know about: the furry musical.

No, not the ones with furries as the characters in focus. One with furries in focus. As in, us. As in, fursuiting, going to conventions, role-play, yelling at people online, and that sort of thing. More surprising to all of you, perhaps, is that there wasn’t one, but actually at least two musicals about furries being our regular old selves… both written by people not entirely within the fandom.

In Part 1, we’ll look at a musical where our request for documentation yielded a generous response by the director.  In Part 2, we’ll look at one that seems to be a fading memory with no record to be found – as well as an exciting happening to come in 2018.

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Culturally Foxed

by Arrkay

Culturally F’d has had foxes on the brain as of late! This week we look at foxes in general for a foxy fifty fifth episode!

[The opening alliteration, captured in one take. Alliteration is always awesome.]

Fortunate for us that this fiery furred friend, furiously flounces his feast. This fuzzy fauna frolics forever in flowery fields, foliage of forests and foggy fjords. Featuring fundamental features, flaunting flawless fur. A Fabulous and fair fiery facade, feral or frocked. For from fables of our forbearers and forefathers fabricate a fabulous family fable for future friends. Famous familiar facsimiles frequented for furries.

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Review – Furry Nation: The true story of America’s most misunderstood subculture, by Joe Strike.

by Patch O'Furr

Furry Nation: The true story of America’s most misunderstood subculture, by Joe Strike.
Cleis Press, October 2017, paperback $17.95 (288 pages), Kindle $10.99.

Here’s what I wrote for a cover blurb:

Like herding cats, gathering the history of furry fandom has been called impossible.  Furries love impossible things, so this is long overdue.  I’m happy to say it was worth the wait.  Joe Strike puts solid ground under the legs of the Furry Nation – genre, subculture, and yes, even kink – with his experience of watching it grow.  This book is for original 1980’s fans, new ones looking back, and outsiders drawn to the weird coolness of talking animals.  There’s many ways to get into it, but this is a unique view of how furries are breaking out.

Joe’s book isn’t the perfect bible for everyone – but expecting that from one book is unrealistic.  It’s just the kind of book that comes from a devout fan, and that’s why I recommend it.

I’ll summarize some reaction to the news that this book will exist: “It’s gonna suck! Who is Joe Strike?” – I knew who Joe was before I knew he was a furry, from his animation journalism. He does scriptwriting and his own comic too. He brings us a history that can live beyond bit-rot, supported by a firmly established publisher. Cleis has a 36-year history as “the largest independent sexuality publishing company in the United States.” It’s smart to focus on the word independent, which means open-minded support from the first ones to take the chance.

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The Confederate fursuit incident shows how you can’t be a troll and a victim at the same time.

by Patch O'Furr


The infamous Confederate fursuit got a lot of views on social media. The issue started with complaints during Anthrocon and Midwest Furfest in 2015.  By no coincidence, the symbol was pushed on the fandom at the same time as racist mass murder by Dylann Roof led to taking down Confederate flags across the USA.  Then in 2017, during a huge amount of positive news about Anthrocon, the issue bubbled up again like a turd in a punchbowl.

The fursuiter is Magnus Diridian, AKA Rob Shokawsky. He was previously known for causing disturbances by copying the fursuit of Lemonade Coyote to exploit his death for attention. For several years, Magnus was reputedly banned from MWFF and Anthrocon.  He came back to troll with the Confederate fursuit and a Trump sign that violated AC’s Code of Conduct:

Any action or behavior that causes significant interference with convention operations, excessive discomfort to other attendees, or adversely affects Anthrocon’s relationship with its guests, its venues or the public is strictly forbidden and may result in permanent suspension of membership.

Harassment includes … Conduct, dress, or speech that targets, threatens, intimidates, or is otherwise intended to cause distress to other attendees, or to members of protected classes (such as those based on race, age, religion, national origin, disability, gender, or sexual identity).

Magnus chose to bring that suit even though he has many others. There’s no pretending that it was anything but forcing politics on others, since he admits he did it because of “attack” on the flag. According to his helper, he was even  “ghosting” the con to do it. He could have attended like anyone else if he didn’t set out to cause entirely predictable negativity. To be perfectly clear, Magnus was an antagonistic outsider who did not register or support Anthrocon.

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