Dogpatch Press

Fluff Pieces Every Week

Tag: french

June 27, 2015

The Wild Piano, by Fred – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Wild Piano, by Fred. [Translated by Richard Kutner.]61QEi8btoPL
NYC, Candlewick Press/TOON Books, May 2015, hardcover $16.95 (45 [+ 1] pages).

The Wild Piano (Le Piano Sauvage) is Book 2 in the Philémon series by Fred (Frédéric Othon Théodore Aristidès, 1931-2013), serialized in the classic French comics magazine Pilote. The weekly strip was collected into 15 books between 1972 and 1987. Fred retired leaving Philémon’s adventures uncompleted, until he wrote/drew a 16th volume to finish the series just before his death.

Book 1, Cast Away on the Letter A, was reviewed here in January. I won’t repeat the gushing praise that I lavished upon it, but briefly: Philémon was/is a surrealistic cartoon strip in the tradition of Winsor McCay’s Little Nemo in Slumberland and George Herriman’s Krazy Kat. Philémon is a teenage farmboy in the French countryside of the 1960s-‘70s who falls down a well and has psychedelic adventures on the literal letters ATLANTIC of the Atlantic Ocean of a parallel world. Philémon, and Fred’s other works, were instant hits in France, reprinted so often that Fred was able to retire and live off his royalties. It is a sad commentary on the lack of interest in non-American cartoon art in America that the Philémon books are only now being published here after 40+ years. A Philémon live-action movie full of VFX, French-produced but in English, was announced as in pre-production in 2013.

Read the rest of this entry »

1 comment
June 13, 2015

French anthro comic: De Cape et de Crocs. T. 11, Vingt Mois Avant – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Previously: De Cape et De Crocs is back! French anthro comic announcement, by Fred Patten.

De Cape et de Crocs. T. 11, Vingt Mois Avant, by Alain Ayroles & Jean-Luc Masbou.
Paris, Delcourt, November 2014, hardbound €14,50 (48 pages).

1590_couvThe book has a back-cover quote from Hercule Savinien Cyrano de Bergerac’s 1654 comic play Le Pédant Joué that roughly translates as, “What the devil are you going to do with this mess?” An excellent question, both for this book and to indicate the setting.

“The faithful rabbit Eusebius, once sentenced to life imprisonment, finally reveals his past.” (blurb) The De Cape et de Crocs series (With Cape and Fangs) has been set in a mid-17th-century Europe (and on the Moon), starring the gentlemen-adventurers Sieur Armand Raynal de Maupertuis (anthro French fox) and Don Lope de Villalobos y Sangrin (Spanish wolf). In the first “Act”, The Janissary’s Secret, they rescue Eusebius, the cutest bunny-rabbit in the world, from life imprisonment as a Venetian galley-slave. Eusebius becomes their loyal squire all through Europe (and on the Moon) in the next nine, but he never reveals how he came to be chained as a rower in a Venetian war galley.

With “Act” 11, the series switches to Eusebius’ story before he met Sieur Armand and Don Lope. The setting is Vingt Mois Avant – Twenty Months Earlier. This pastiche of Alexandre Dumas’ title of his famous sequel to his The Three Musketeers, Vingt Ans Après, establishes this bande dessinee’s new direction as both a parody of French 17th-century heroic action-adventure in general and of The Three Musketeers in particular.

Eusebius is not only the cutest bunny-rabbit in the world, he is the most naîve. He does not set out, as d’Artagnan does, to join the King’s Guard, but the Cardinal’s Guard! The King and the Cardinal are friends, aren’t they? Eusebius is introduced on page 1 as addressing a field full of peasant serfs as “My good men”, a well-meaning insult to them. The story, and Eusebius’ prospects, go downhill from there.

Read the rest of this entry »

Leave a comment
April 29, 2015

Wolfy, the Incredible Secret – movie review by Fred Patten

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Wolfy, the Incredible Secret. Directed by Eric Omond. 82 minutes. December 18, 2013 in France; March 17, 2015 in the U.S. (DVD).

 51j8S0HiH9L._SY300_Loulou, l’Incroyable Secret was the winner of France’s César Award – “the French Oscars” — in 2014 for the Best Animated Feature shown in France during 2013; not just the best French-produced animated feature of 2013. It competed against the American animated features shown in France during 2013, which was probably all of them. It was also shown at the 2014 Berlin International Film Festival, where it was nominated for the Berlinale’s Crystal Bear, selected by a Children’s Jury as the Best Children’s Film entered in the Festival, animation or live-action.

Loulou, l’Incroyable Secret is based upon the French children’s book series by Grégoire Solotareff, with hand-drawn animation in Solotareff’s art style. Solotareff, born as Gregory El Kayem in Alexandria, Egypt in 1953 of Lebanese parents, has lived in France since 1960 and been an artist of children’s books since 1985. He has written & drawn over 150 children’s books to date, winning ten awards. He began the Loulou books in 1989, about the friendship between Loulou (Wolfy), an orphaned wolf cub, and Tom, a young rabbit, in the Land of the Rabbits. The series has been favorably reviewed for promoting friendship amidst nonconformity. It was first animated in March 2003 as Loulou et Autres Loups … (Wolfy and Other Wolves …), a 29-minute featurette directed by Serge Elissade. Loulou, l’Incroyable Secret is an original story, not based upon a book, with the screenplay, dialogue, and art design by Solotareff (and others).

Wolfy the easygoing wolf cub and Tom the pessimistic rabbit are now adolescents in the Land of Rabbits, with Wolfy adopted into Tom’s family. Cornelia, a mysterious gypsy (the audience sees that she is more than just passing through) tells Wolfy that he is not an orphan as he has always believed! His mother is a princess in Wolfenberg, the Land of Wolves. Wolfy insists on going there to find her. Tom goes along, despite his misgivings. They arrive at the height of Wolfenberg’s Carnifest/Meat-Eaters’ Festival, where everyone assumes that Wolfy has brought the teenaged rabbit to be added to the menu. Read the rest of this entry »

1 comment
April 23, 2015

French Anthropomorphic Animal Animated Features, Part 4 – by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Series: Part 1 – Part 2 – and Part 3.  This is the last of four parts. Continuing from where we left off …

20521275.jpg-r_160_240-b_1_D6D6D6-f_jpg-q_x-xxyxxBlackie & Kanuto (Black to the Moon 3D), directed by Francis Nielsen. 81 minutes. April 17, 2013.

Blackie (or Blacky) is a black sheep who goes out of her way to be “different”. Kanuto is an exasperated sheepdog who is in love with her. When Blackie decides to travel to the Moon, Kanuto reluctantly joins her. Other characters include Blackie’s loyal followers, Pepe (horse) and Marvin (duck); Fancy, Cloe, and Victoria, the sheep fashionistas who are jealous of Blackie; Theodora, the motherly operatic cow who thinks that Blackie should be a ballerina; Karl Wolf, the haughty lupine fashion designer; Hu Flung Pu, the martial artist spider and his illegal spider seamstresses; the three Patrino Russian canine cosmonauts who have a rocket ship; Rainbow (Grumbo), the macho U.S. Army dog and rival sheepdog who acts more like Rambo; two Bulgarian birds from a singing TV reality show contest; and Pinkie, the sheep who is experimented upon and becomes as large (also as unfriendly) as Godzilla.

Blackie & Kanuto was a CGI Spanish-French-Italian animated feature premiered at the May 2012 Cannes Film Festival, and first released in Spain on February 15, 2013. It was shown in different countries (it was extremely popular in Russia) in different edits. Other titles included Head Over Hooves and Pup. Read the rest of this entry »

1 comment
April 7, 2015

French Anthropomorphic Animal Animated Features, Part 3 – by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Series: French Anthropomorphic Animal Animated Features, Part 1 and Part 2.  There will be four parts.

Continuing from where we left off …

l_2279083_8fbe683dLes As de la Jungle – Operation Banquise, directed by David Alaux and Éric Tosti. 58 minutes. December 31, 2011.

When a band of walruses terrorizes the South Pole, stealing the penguins’ eggs, the penguin brother and sister Ping (Tommy) and Pong travel to the jungle where “the Great Tiger Warrior” lives, to ask him to rescue them. The Great Tiger Warrior is Maurice, a penguin raised and striped like a tiger who believes he is one. Maurice agrees, and summons the rest of the Jungle Aces (the Jungle Bunch): Miguel the poetic tap-dancing gorilla, Fred the singing warthog, Gilbert the tiny paranoid tarsier (the brains of the team), Al & Bob, the two frogs of unknown talents, and last but by no means least, Junior the little tiger fish, Maurice’s adopted son (he travels with Maurice in a fishbowl) and kung-fu expert. On their way to Antarctica, they meet and add Batricia, a bat, to the Aces. Each fights the walruses with his or her own specialty, until the grand finale free-for-all. A children’s feature, for the 6+ age group.

Les As de la Jungle – Operation Banquise (The Jungle Aces – Operation Ice), also titled Les As de la Jungle – le Film, was an original CGI feature following David Alaux & Éric Tosti’s Toulouse-based TAT Productions’ Les As de la Jungle TV series of October 23 – November 4, 2011; 26 1½-minute episodes. It was shown as a TV movie on New Year’s Eve 2012, and released theatrically on April 10, 2013. Les As de la Jungle has been popular enough to return as Les As de la Jungle – A la Rescousse (The Jungle Bunch – To the Rescue) in 11-minute TV episodes from December 29, 2013. The movie has been sold as a theatrical or DVD feature to over 150 countries. In the U.S., the feature is a DVD as The Jungle Bunch: The Movie, with John Lithgow voicing Maurice. The movie won the Procirep French TV producers’ award in the animation category; the Audience Awards at the 7th Animpact Max (November 28 – December 2) in Seoul, South Korea and the LUCAS International Children’s Film Festival in Frankfurt-am-Main, Germany; and the 2013 Kidscreen Award in New York; and was nominated for a 2014 Emmy.

Read the rest of this entry »

3 comments
March 9, 2015

French Anthropomorphic Animal Animated Features, Part 2 – by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Previously: French Anthropomorphic Animal Animated Features, Part 1.  There will be four parts.

Continuing from where we left off …

12862-b-le-chateau-des-singesLe Château des Singes (The Castle of Monkeys), directed by Jean-François Laguionie. 76 minutes. June 2, 1999.

Kom, a brash young monkey, is a member of the Woonko tribe which lives in the treetops, believing that the earth below them is inhabited by demons. Kom scoffs at this, and generally makes himself unpopular. One day he accidentally falls to the ground, where he meets the Lankoo tribe; monkeys like himself. He falls in love with Gina and is adopted into the Lankoos, although Gina is repelled by his boastfulness. But Kom and Gina become enmeshed in Lankoo politics when they discover that Sebastian the Chancellor is plotting to kill the king, poison Princess Ida, and rule with Ida’s evil governess. They are too late to save the king, but they expose the plotters and save Ida, who becomes the new queen. Kom brings Gina back to the Woonkos, where they will work to unify the two monkey tribes

Laguionie is an international award-winning animation director whose previous shorts and feature did not include any anthro animals. His second feature (international title: A Monkey’s Tale) won the Best Animated Feature Film award at the 5th Kecskemét (Hungary) Animation Film Festival, and was the first to bring him international attention.

A Monkey’s Tale website – Full movie:

Read the rest of this entry »

Leave a comment
February 18, 2015

French anthro comic: Solo, by Oscar Martin – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Solo. T.1, Les Survivants du Chaos, by Oscar Martindownload (2)
Paris, Delcourt, September 2014, hardcover €16,95 (107 [+ 13] pages).

Thanks, as always with French bandes dessinées, to Lex Nakashima for loaning this to me to review.

The setting: a bleak, war-destroyed future Earth. Think MGM’s/Hugh Harman’s 1939 animated Peace on Earth, where the last humans on Earth kill each other and leave the world to the peaceful funny animals; or the similar sequence in Alexander Korda’s 1936 live-action feature Things to Come, where England (and presumably the whole human race) has been bombed and shot up back to the Stone Age. It’s Mad Max with furries.

Solo’s blurb, translated by the publisher, is:

“Ravaged by nuclear and chemical weapons, the Earth has mutated and many animal species have developed a size and intelligence similar to that of humans. To make life easier for his family, Solo, a young rat, decides to take the road. In this hostile world of predators, cannibals, monsters or pirates, Solo will have to become the best fighter to survive.”

Read the rest of this entry »

5 comments
February 12, 2015

French anthro comic: L’Epée d’Ardenois – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

L’Épée d’Ardenois. T. 3/4, Nymelle, by Étienne Willem.
Geneva, Switzerland, Éditions Paquet, February 2014, hardbound €13,50 (48 pages).

downloadThis is part of Lex Nakashima’s & my project to bring American furry fans the best of new French-language animalière bandes dessinées. Volumes 1 and 2 of this 4-volume series were reviewed on Flayrah on April 29, 2013. Here is volume 3, Nymelle.

The warfare in the Medieval funny-animal realm of the three kingdoms has devolved into bloody chaos. Garen (rabbit), the young peasant boy who hero-worships the legendary Companions of the Dawn — four unstoppable knights who led the three kingdoms of Bohan, Herbeutagne, and Valdor against the demonic armies of wizard-king Lord Nuhy a generation ago, then retired – is eager to see them reunite when Nuhy’s army reappears under his “eternal captain”, Hellequin of the Cursed Wood (goat). But the Companions are old and out of training today, and Sir Godefroid (hound), who is Garen’s personal hero among the Companions, is carefully killed by Hellequin before he relaunches the war. The other Companions dubiously accept Garen as their squire to honor Godefroid’s memory, but they are all shocked to find that the three kingdoms of today are not what they were a generation ago. Then, they were three monarchies united by strong rulers working together. Now, they are three separate monarchies each under weak rulers who do not even have the support of all their own nobility and knights, and who are jockeying for leadership among themselves – divisions that Hellequin skillfully encourages. Hellequin is supposedly trying to find and collect the Black Armor of Nuhy, which was divided among the victors after Nuhy’s death in battle. Some believe that this is just Hellequin’s pretext to use Nuhy’s name and armies for his own benefit, while others believe that Nuhy had real demonic powers, and that he will be resurrected if Hellequin does find all of his Black Armor. There are more complications, and volume 2, The Prophecy, ends with Garen, the other three Companions of the Dawn (Sir Grimbert, fox; Lord Arthus, bear; and La Fouine, marten), and the peasant refugees left behind the Wall of Ambrosius where they are supposed to be safe, suddenly attacked by Skernovite pirate raiders led by their King Rothgard the Bald (hawk) and Hellequin’s lieutenant Sigwald the Rash (bull terrier).

Read the rest of this entry »

Leave a comment
January 23, 2015

French Anthropomorphic Animal Animated Features, part 1 – by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer. There will be four parts.

French (meaning French-language, whether produced in France, Belgium, Luxembourg, or the French-speaking part of Switzerland) anthro theatrical features have been in the news since the subtitled 2013 U.S. release (English-language dub in 2014) of the 2012 Belgian Ernest & Célestine, about the forbidden friendship between a mouse and a bear in a civilization of both. Right now, there is also Yellowbird.

French-language anthro theatrical features are older than most Americans think. Here is a chronological annotated list.

First, some rules. This list consists of those French-language theatrical features (no shorts or TV animation like the 1987 Moi Renart) that feature anthropomorphic animals as the only or majority of the cast. It does not include those featuring mostly humans with only one or two anthro animals, such as the Lucky Luke Westerns with Jolly Jumper, Luke’s talking horse; even when the animal(s) is the main star, such as the 2008 Fly Me to the Moon (three housefly astronauts meet Buzz Aldrin; ho ho) or the 2009 La Véritable Histoire du Chat Botté (The True Story of Puss in Boots) or the 2012 Sur la Piste du Marsupilami (On the Trail of the Marsupilami). It does not include any movies about living toys, fairies, gremlins, elves, or Smurfs.

Le Roman de Renard (The Story of the Fox), directed by Ladislas Starevich. 65 minutes. April 10, 1941.Roman_renard

This is a dubious “French” film with a dubious release date. Starevich (or Starewicz) began making stop-motion films in Russia in 1911. He emigrated to escape the Russian Revolution, and only happened to be in Paris during 1929 and 1930 when he and his wife Irene animated Le Roman de Renard. The animation turned out to be easier than the sound track, which was finally funded in Germany and premiered in Berlin as Reinicke Fuchs on April 10, 1937. The French edit, which is the best-known today, was released exactly four years later on April 10, 1941.

The film is presented as “the oldest and most beautiful story known to us animals”, as narrated by an elderly monkey dressed as a Medieval scholar. The scenario is credited to Irène Starevich, but it is essentially Le Roman de Renart as finalized in literary form by the Renaissance, especially in Wolfgang von Goethe’s 1794 Reineke Fuchs epic poem. By the 1920s almost every standard edition of Goethe’s poem had the 1840s illustrations by Wilhelm von Kaulbach, and the Starevich’s stop-motion models look very similar to these. If you know the 12th-century animal folk tale about Baron Renard the Fox at the court of King Lion, you know the plot of the movie.

Read the rest of this entry »

Leave a comment
January 13, 2015

Cast Away on the Letter A – book review by Fred Patten.

by Patch O'Furr

Fred Patten, Furry’s favorite historian and reviewer, submits this review:

Cast Away on the Letter A, by Fred. [Translated by Richard Kutner.]download (2)

NYC, Candlewick Press/TOON Books, September 2014, hardcover $16.95 (45 [+ 1] pages).

I have been waiting for over forty years for this book! In the 1960s and early ‘70s, before I concentrated upon Japanese comics and furry literature, I was an obsessive fan of French-language cartoon albums; bandes dessinées. I did not only buy those that came to Los Angeles; I mail-ordered them from Paris and from Brussels. I also got the three major weekly magazines; Spirou, Tintin, and Pilote.

In 1965, Pilote began serializing the work of a new cartoonist: Fred. There was nothing quite like it, but it was in the same surrealistic, psychedelic league as Little Nemo in Slumberland by Winsor McCay, The Kin-der Kids by Lyonel Feininger, and Krazy Kat by George Herriman. Fred became an instant star among the creators of French-language comics. His greatest work was the Philémon series, 15 volumes from 1972 to 1987. Other memorable works, short series or single albums, were (titles translated) The Little Circus; The Bottom of the Air is Fresh; Timoléon (three volumes); Okay, I’m Coming; Hmm; and The Story of the Crow in Tennis Shoes.

Read the rest of this entry »

2 comments