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Tag: post apocalypse

French anthro comic: Solo, T. 2, by Oscar Martin – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Solo. T.2, Le Coeur et le Sang, by Oscar Martin.
Paris, Delcourt, January 2016, hardcover €16,95 (109 [+ 1] pages).

Oops. This volume 2, The Heart and the Blood, almost got away from Lex Nakashima & me. Volume 3 is out already. Expect a review of it soon.

I said of volume 1, “The setting: a bleak, war-destroyed future Earth. Think MGM’s/Hugh Harman’s 1939 animated Peace on Earth, where the last humans on Earth kill each other and leave the world to the peaceful funny animals; or the similar sequence in Alexander Korda’s 1936 live-action feature Things to Come, where England (and presumably the whole human race) has been bombed and shot up back to the Stone Age. It’s Mad Max with furries.”

That’s still true of vol. 2. Quoting from my review of volume 1 again, I said, “Solo is a brawny teenaged rat-equivalent of the young Conan the Barbarian, but a lot smarter. In the first few pages, he and his warrior father are shown fighting giant, mutated monsters in a freezing winter landscape for food for their family, and killing rival mustelid warriors ready to eat them. Solo and his father win, but it is obvious to all that Solo’s family is slowly starving. Solo, a huge teenager, decides to leave so his parents and siblings won’t have to share their food with him.”

Solo spends most of volume 1 as an almost brain-dead gladiatorial warrior in a human-run arena. It’s clear that he could escape whenever he wants, but is there anyplace else in the world worth escaping to? He finally finds such a place; a new home and a wife. He finds that life is worth living again.

Of course, this now gives him responsibilities – to his wife and to his community.

The Heart and the Blood is divided into two sections; the story of 73 pages, and a mixture of “technical notes” (some of the other intelligent species of Solo’s “cannibal world”) and short independent stories.

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Between The Crow and Dark City, movie maker Alex Proyas had a lost project, revealed here.

by Patch O'Furr

Do those titles perk your ears up?  They had major impact on cult movies from the 1990’s to now.  The Crow won a new level of respect for comic-based movies, which had never been so dark before.  (The soundtrack alone was a gateway for countless black-clad kids.)  Then, Dark City created a visionary sci-fi dystopia world with only a handful to compare: like Brazil, The City of Lost Children, or Blade Runner.  It was stellar work from director Alex Proyas.  1994-1998 may have been his peak (so far.)download (2)

There was supposed to be a movie in between: an adaptation of Freak’s Amour, an obscure but highly praised cult novel by Tom De Haven.  It was optioned and scripted for Proyas.  The project fell by the wayside for two sad reasons.  One was aftershocks from the tragic death of Brandon Lee on set of The Crow. The other was critical success but financial failure for Dark City. Even though it’s called the best movie by Proyas, it hurt his career.  It was triumph and tragedy.  A year later, The Matrix came along (sharing studio and style) and won all the attention. Dark City has continued to influence movies like Inception.

Proyas followed up with 3 features that got mixed reviews.  There’s mentions of a number of projects in development.  The next one for sure is Gods of Egypt in 2016. (Hey furries, I wonder if there will be characters like Anubis?)

As far as I can tell, almost nobody in the fan world has talked about this lost movie project. (As a fan of the novel, I’d never known about it until now!) Stories like this are why I blog.

It’s an indirect topic for a Furry blog.  The anthropomorphism is Monster Movie style – not funny animals.  This is for sci-fi fans in general, especially ones for the niche called Body Horror. But it’s inspired by comics, and it’s relevant.

“…The story of Freak’s Amour is, in it’s own way, a story of body dysphoria.” – Dana Marie Andra, artist for the comic.

FreaksAmourCovers1

More about the underappreciated “Freak’s Amour”, by Tom De Haven- and what Tom told me about the movie project.

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The Prince Who Fell from the Sky, by John Claude Bemis – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Prince Who Fell from the Sky, by John Claude Bemis.download (4)
NYC, Random House, May 2012, hardcover $16.99 (259 [+ 1] pages), Kindle $5.98.

In this Young Adult fantasy (recommended for ages 8-12; grades 3-7), humanity is long extinct. Intelligent but feral animals have taken over the Earth. The Forest is a wilderness with a few crumbling ruins of mankind covered in greenery. The wolves rule the Forest, but a tribe of black bears is powerful and non-threatening enough that the wolves do not bother them. The animals are divided into the voras and the viands; predators and prey. The voras all speak a common Vorago language that the viands don’t, although there are exceptions:

 “Cassiomae [a bear] reared up in surprise. The rat was speaking in Vorago, the common tongue used by all the vora hunters. How could a rat speak Vorago? None of the viands spoke Vorago.” (p. 7)

They are also divided into the Faithful, those such as the dogs who were the servants of the Skinless Ones, the now-extinct humans, and those who weren’t. The Skinless Ones are called the Old Devils by some of the animals.

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French anthro comic: Solo, by Oscar Martin – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Solo. T.1, Les Survivants du Chaos, by Oscar Martindownload (2)
Paris, Delcourt, September 2014, hardcover €16,95 (107 [+ 13] pages).

Thanks, as always with French bandes dessinées, to Lex Nakashima for loaning this to me to review.

The setting: a bleak, war-destroyed future Earth. Think MGM’s/Hugh Harman’s 1939 animated Peace on Earth, where the last humans on Earth kill each other and leave the world to the peaceful funny animals; or the similar sequence in Alexander Korda’s 1936 live-action feature Things to Come, where England (and presumably the whole human race) has been bombed and shot up back to the Stone Age. It’s Mad Max with furries.

Solo’s blurb, translated by the publisher, is:

“Ravaged by nuclear and chemical weapons, the Earth has mutated and many animal species have developed a size and intelligence similar to that of humans. To make life easier for his family, Solo, a young rat, decides to take the road. In this hostile world of predators, cannibals, monsters or pirates, Solo will have to become the best fighter to survive.”

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