Dogpatch Press

Fluff Pieces Every Week

Tag: warner brothers

Lola Bunny fans are bustling about her design for Space Jam sequel — Q&A with a huge fan.

by Patch O'Furr

If you love bunnies, VOTE HERE for the Ursa Major Awards! From March 1-31, support furry creators.

I have to get something off my chest. I’ve never seen Space Jam. I’ll let others judge if it’s a “shoe commercial” and I’m not concerned about bunny bosoms. But this site honors all kinds of fans. If it stirs something in you, it’s worthy! Now the movie has an upcoming sequel and some talk about a redesigned Lola Bunny. It’s not just furries; there’s titters in the news from Entertainment Weekly to Newsweek.

Lola’s new design is “desexualized”, according to Space Jam: A New Legacy director Malcolm D. Lee.

“Lola was very sexualized” … “we reworked a lot of things, not only her look, like making sure she had an appropriate length on her shorts and was feminine without being objectified, but gave her a real voice. For us, it was, let’s ground her athletic prowess, her leadership skills, and make her as full a character as the others.”

For an interesting bit of story, Lola’s origin now includes Wonder Woman’s Amazonian homeland.

You might hear this is making debate or even complaints about PC culture run amok. I believe my friend’s comment that it’s “99% ironic” with people being nostalgic, or at most it’s making mountains out of molehills. But for your amusement, here’s one looney-tunes source.

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How did Disney inspire Furry fandom? A look at early influences by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

How Disney Influenced Furry Fandom is an artist’s thoughts shared in this week’s Newsdump.

(Patch:)  Furry artist Joe Rosales focuses on California fandom in its formative years, including fursuiting.  It concludes that Disney should get major credit.  I liked it, but it doesn’t give enough credit for sci fi fandom, and misses early fursuiters like Robert Hill who were not professional (and not G-rated, either.)  The unnamed animator must be Shawn Keller, maker of the notorious Furry Fans flash animation and comic.  (If he didn’t want to be named, he shouldn’t have published “Shawn Keller’s Horrifying Look at The Furries.“)

I sent it to Fred Patten and asked for his thoughts.  In between, a similar media article happened on a psychic wavelength:

VICE: Furries Love Zootopia.

Here’s what Fred wrote in response to the first one.

(Fred:) This is very good, but you’re giving Disney credit for too much influence.

First, define early furry fandom. 1980 to … 1983? 1985? 1990? Don’t forget, by 1980 and for the next decade, Walt Disney and the Disney Studio were pretty much Old History. Carl Barks was retired. In comics, Marvel’s Howard the Duck (Steve Gerber), DC’s Captain Carrot and His Amazing Zoo Crew! (Scott Shaw!), and Pacific Comics’ Destroyer Duck (Jack Kirby) were the New Wave; the new influences. In underground comix, there were Robert Crumb and Gilbert Shelton. In independent comics, there were Steve Leialoha and Michael Gilbert in Quack!.  … (Fred, what about the great Bucky O’Hare comic? – Patch)

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Fred Patten discusses history of adult and mature cartoons in response to Zootopia article.

by Patch O'Furr

Yesterday’s extra long post about Zootopia described complicated relationships between fans and marketers, and asked: are they intentionally winking at furries, but keeping it hidden?  According to Fred’s wisdom, the sensitivity is nothing new.  

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Dear Patch;

Cartoon Brew’s article described the petition against fan pornography of Disney’s forthcoming Zootopia and the reaction to the subject.

What seems most interesting to me is the apparent assumption that furry fandom (and people in general) are just discovering the pornography of high-profile animated cartoon characters with Zootopia.  Doesn’t anyone remember the furry fan pornography of Warner Bros.’ Tiny Toon Adventures TV series in the early 1990s, with the series’ own emphasis on gags about Buster Bunny’s not wearing any pants? It faded away after the program went off the air. It’s discussed in Reading the Rabbit by Kevin Sandler, an anthology of articles about Warners’ cartoon characters from Rutgers University Press.

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