Dogpatch Press

Fluff Pieces Every Week

Month: September, 2015

September 3, 2015

Camp Feral!: Fifteen Years, 1998 – 2012 (Part 2) – by Fred Patten.

by Patch O'Furr

Article with Part 1, Part 2, and Part 3.  Submitted by Fred Patten, Furry’s favorite historian and reviewer.

“Camp Feral! An all-inclusive furry summer camp where the registration fee covers your food, lodging and activities for the most unique and memorable furry experience of your life! Your fee covers all the coffee you can drink, [and] all the breakfast lunch or dinner you can eat.” (from the Camp Feral! 2012 website)

Camp Feral! is the oldest of the recorded outdoor furry conventions, going back to 1998. It is also Canada’s oldest furry event, and the fourth oldest continuing furry convention (after EuroFurence in 1995 and Anthrocon and Mephit FurMeet in 1997). It was started after the oldest furry annual convention, ConFurence in Southern California (1989), gave rise to U.S. East Coast furry conventions in 1995 to 1997 (Furtasticon, Confurence East, Albany Anthrocon), inspiring Canadian furry fans to start their own convention – but with a difference.

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Camp Feral!:  Fifteen Years, 1998 – 2012, Part 2

“The park had brought in a naturalist to lead a Wolf Howl.  Apparently this is a regular event in Algonquin Park.  First there was a very informative slide show and presentation, then the naturalist took us outside and tried to get the wolves to howl.  What he does is that he howls three times, then waits to see if the wolves respond.  If after a few rounds they do not, then several naturalists howl together as though it was a pack howling, sometimes that will get the wolves to howl back. Unfortunately, on this night they didn’t howl.  Might have been the rain. I could imagine them sheltering themselves from the rain and laughing at the stupid humans out getting soaked and howling.

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September 2, 2015

Snow White vs. All Dogs Go To Heaven: A Look at How Kid’s Movies Encouraged the Founding of the Furry Fandom.

by Patch O'Furr

 Here’s a fantastic guest post by Amanda Riesling. Her blog’s recent post about Furries is highly recommended. – Patch

Note: This article concerns itself exclusively with fully animated feature films produced in America and released prior to 2000. The article’s scope is limited so narrowly mainly because it is a blog post and therefore too short to cover a wide range of media. If you care why the parameters were chosen, there’s a note at the bottom of the article.

Cartoons are a fantastic storytelling medium because all you need to do is make sure your story can be translated into visual images. That’s it. Once you tick that box, you can cast off the confines of reality and tell whatever story you want.

tumblr_mhhr8dPvpq1rmnmfuo1_250However, despite the visual freedom, a good storyteller still needs to tell a story the audience can relate to. In my opinion, this is the real key to why anthropomorphic stories encouraged the furry fandom.

An audience needs to see themselves in the hero. They need to be able to project themselves and relate to that character. If they can’t bond with the main character somehow, they won’t enjoy the movie. If your main characters are human, half the battle is done for you. In fact, the blander, more generic your human hero is, the easier it will be for the audience to relate. You can have the goddamn Matrix going on, but as long as your main dude is an expressionless white guy with a vague backstory, people can pretend to be him. For a more pop-culture version of what I’m saying, watch Cracked.com’s video.

If your main character is a human, this is great news for your film. Your character can be bland, and your story can be as shallow as a Petri dish, and people will still relate because they see a human face. (Not that all human-centered movies are shallow. I said can be. They don’t have to be.)

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September 1, 2015

Theatrical Panto-animals, Part 3: History book reviews by Fred Patten.

by Patch O'Furr

These “Panto-animal” history articles share a discovery of amazing proto-Furry happenings, in an overlooked era of Pantomime theater in Victorian Britain.  Stunning photos show why the topic is worth uncovering.  From those scarce records, a handful of actor names stood out with wide publication in their time for “animal impersonation”.  They were not necessarily playing specific “fursonas”, a difference from Furries today – but they earn fan author Phil Geusz’s general label, “paleo-furry.” Charles Lauri was mentioned in Part 1 – and Fred Conquest in Part 2.

51R-RcAYq6LFred Patten reviews the Conquest biography, loaned by the LA public library.

The best Pantomime theater actors seemed highly diverse in their talents.  That only included a small amount of animal costuming, although a few like Fred Conquest specialized in that.   This biography was reviewed in hopes of picking out scarce Panto-animal details, which have been forgotten by time, because very little was ever printed about them.

This Amazon.co.uk review of the book earned a quote in Part 2:

Now that it has become respectable to admit enjoying popular entertainment, the story of the Conquest family deserves to be better known. They were one of those colourful theatrical dynasties who flourished from Victorian times until well into the twentieth century. Many of them were actors who, between them, took on everything from Shakespeare to pantomime; my favourite was the one who played the animals or “skin” roles.

Fred did find amazing costuming stories, even if most of it wasn’t of the animal kind.  These shows must have been incredible spectacles, the “big budget movie” productions of their time.  I’m very sad I couldn’t find any illustration for the giant floating demon head! Let Fred explain more. ( -Patch)

Conquest: The Story of a Theatre Family, by Frances Fleetwood; W. H. Allen, 1953; 282 pages.

(Fred:) The book includes many illustrations, both photographs of actors, and reproductions of 19th century engravings of fantastic stage plays of acrobatic actors in grotesque costumes cavorting about.  The plays included many scenes of fairies and demons flying above the stage on wires, and there are many accounts of wires and ropes breaking and actors being seriously injured. Read the rest of this entry »

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