Dogpatch Press

Fluff Pieces Every Week Day

Category: Movies

Representing furries in 2018 with 10,000 at Midwest Furfest, Dogbomb’s magic, and more (Part 2)

by Patch O'Furr

Being fluffy is its own reward. Fun and creativity don’t need representing. What is this, a religion? But if a spotlight happens, it could be for hard work to help others, a lucky chance, or having the right dance moves at the right time.  Chasing attention might not be necessary, but it’s nice to show how cool this group is because that helps make it cooler. So here’s why the fandom is great in 2018.

Part 1 had good media: CNN’s This Is Life with Lisa Ling, Sonicfox at The Game Awards in Los Angeles, and Bucktown Tiger on Jeopardy. For Part 2 here’s conventions, charity, art, celebrities, awards, spending, and more.

Conventions and charity:

 

Midwest FurFest got the first five-figure furry con attendance! It took 29 years since ConFurence 0 to match the biggest WorldCon (started in 1939, that’s perhaps one of the longest running nerd events, where they hand out fancy awards like the Hugos). Now we’re giving Science Fiction fandom a run for its money. It’s not on Comic Con level and may never be (…good?) but that’s millions of dollars of support to build and share the wealth. And furry is still grassroots with little outside investment and high DIY power.

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Furries vs. Evil: Habits in geek social spaces

by Patch O'Furr

This was written as introduction for a planned series. I edited it to stand alone in response to recent events of bad things being exposed. Expect to see it reposted in the future to fit a series. It’s kind of a thinkpiece to provoke open ended conversation. Let’s start with a weird question… (- Patch)

Q: How are furries like Catholic Nuns? 

Aside from silly headgear or being anthropomorphic penguins… this isn’t about being moralistic, but it involves contrasting black-and-white appearances.

Do nuns make you think nice thoughts about The Sound of Music or Mother Teresa, with harmless ladies playing guitar and taking care of orphans?

For a huge contrast, now think of scandals with abusive priests, where churches shift them from diocese to diocese to cover it up. It’s easy to assume nuns don’t do abuse like that. Until news comes out that they do, but the church hasn’t been accountable. This news may be loaded with a certain counterintuitiveness that increases the WTF factor. But in both cases, it’s dishonest to blame individuals for an institutional problem.

Furry fandom is made of loose federations of groups. Almost all of them are super positive and friendly and it would be gross exaggeration to suggest an institutional problem like above. It’s not a church with a pope. At worst, dramatic stories like a ring of abuse in Pennsylvania was limited to personal friendships that didn’t go as far as alleged. (Lupinefox, who was accused of hosting it at his house, was found not guilty on all charges in court.)

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Furry Awakenings

by Patch O'Furr

Where do furries come from? Here’s how ones who answered were zapped. Below: A picture is worth 1000 words. Classics & nostalgia (blame the 80’s!) Born This Way. Self Discovery and forbidden curiosity. A community or even family, and a fascinating hobby. – Patch

A picture is worth 1000 words

Classics & nostalgia

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Discover the best of furry fandom with the 2017 Ursa Major awards, and 2017 Cóyotl Awards.

by Patch O'Furr

Thank you for helping Dogpatch Press to win the Ursa Major Award for Best Magazine of 2017!

 

Ever have a hard time knowing where to start with furry media? Does the horizon get lost in the digital sands?

Look no further than the Ursa Major Awards.  That’s the Furry equivalent of science fiction fandom’s Hugo Awards, mystery fandom’s Anthony Awards, or horror fandom’s Bram Stoker Awards. The Hugos also have the Nebulas to  complement them – and Furry has the Coyotl Awards for literature, as voted by the Furry Writers’ Guild. That’s not all – furry literature will also soon have the first Leo Awards, to be announced at AC 2018. (What’s the difference? The Leos are fandom-specific and voted on by a panel of judges.) The Ursa and Coyotl winners were both announced this month, so they’re all listed below to encourage you to check out some cool stuff you might not have seen.

URSA MAJOR NEWS

The winners for 2017 were announced at a presentation ceremony at the Furry Down-Under 2018 convention in Surfer’s Paradise, Queensland, Australia, on Saturday May 5.  FurDu posted a video of the ceremony including a slide show created by Ed Otter:

There was a lot of talk about it here before they were announced. Fred Patten saw growth in activities like fursuiting competing for attention with fan media, while maybe the awards could use a boost for reach after lower voting this year than in the past. A lack of staffing and funding led to appeals for help, while Anthrocon began offering matching donation to support writers. For 2019, the Awards will be presented at AnthrOhio.

Here’s a few things that stood out about the winners:

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Rukus, the indie furry movie, is coming to Furry Weekend Atlanta

by Patch O'Furr

On April 6, catch the convention debut of an Official Selection from SF IndieFest and the SXSW Film Festival. 

FWA just updated their schedule with all the details. Director Brett Hanover and collaborators will be in attendance. It will be an “After Dark Panel.” FWA is part of the story of the movie – it’s a local con for the film makers who come from Memphis.

Rukus (2018, 87 min):

In January I helped bring a large furry group to SF Indiefest. It was an awesome experience, and cinema lovers who appreciate the art form should get a thrill from it. Rukus is punk influenced storytelling between queer coming-of-age story, experimental fiction, and a love letter to fandom. This isn’t a sunny movie but it has joy and passion in it. There’s suicide, sex, and finding identity. It rewards multiple watches where you can peel up the rough edges to find a lot going on underneath. My favorite part is how it takes chances with a shoestring budget, and it’s something a community can count as a DIY product from itself. (I’d love to see that become a scene.) Plus, screening at SXSW is a big deal in the larger scheme of things.

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Rukus is a furry movie premiering on Feb 2 – here’s the trailer and a review by Marbles.

by Patch O'Furr

The director of Rukus wrote in with a new trailer:

I’ve been reading Dogpatch Press for a long time and am a big fan. The film is called Rukus and it’s a feature-length doc-fiction hybrid, centered around my friendship with a furry from Orlando, Rukus, who took his own life in 2008. It goes into his life, and childhood, and some of the people he was close to in the furry community, but then also goes into my teenage years in Memphis, and stories relating to mental health, sexuality, and the politics of documentary filmmaking.

I hope you enjoy it, and I would love to hear what you think!

Brett Hanover
www.bretthanover.com

Movie synopsis:

A hybrid of documentary and fiction, ‘Rukus’ is a queer coming of age story set in the liminal spaces of furry conventions, southern punk houses, and virtual worlds. Rukus is a 20-year-old furry artist, living with his boyfriend Sable in the suburbs of Orlando, Florida. In his sketchbooks, Rukus is constructing an imaginary universe – a sprawling graphic novel in which painful childhood memories are restaged as an epic fantasy. Brett is a 16-year-old filmmaker with OCD, working on a documentary about kinky subcultures in spite of his own anxiety. After an interview leads to an online friendship, their lives entwine in ways that push them into strange, unexplored territories.

facebook.com/rukusmovie/
bretthanover.com/rukus/

Written and Directed by: Brett Hanover
Assistant Directors: Alanna Stewart and Katherine Dohan
Additional Art and Writing: Rukus
Animation: Karolina Glusiec, Ben Holm, Eusong Lee
Original Music: Brian Saia

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Rukus premiere at SF Indie Fest (2/2/18) – a furry movie says Lights, Camera, Anthros!

by Patch O'Furr

RUKUS at the 20th annual SF Indie Fest

February 2, 7:00 PM / February 5, 9:15 PM

Roxie theater, 3117 16th Street, San Francisco

RSVP at Meetup to join the furmeet – 2nd showfest info

Rukus – a fiction/documentary hybrid by Brett Hanover

Birth of an indie furry movie scene

Videowolf’s documentary Fursonas [2016] was a landmark, even if it split watchers between love and hate. (Wag your tail if good movie making comes before “does it make the fandom look good?”) It wasn’t the first feature-length indie production by furries – that was the only-fandom-seen Bitter Lake [2011].  It wasn’t the first high quality movie that had them in it – that was the German arthouse gem Finsterworld [2013].  But it was a movie that broke through to more than only a “furry movie” by aiming for a thoughtful, critical look at subculture and identity. It just happened to be directed by and about furries. Now they don’t just follow behind mass media that many claim not to depend on. They also make it and play on bigger screens.

At roughly the same time, Zootopia [2016] was a huge event. Animation may be the holy grail for furriness on screen, but a behemoth budget from Disney is light years from the cottage industry where fandom gets its strength. Zootopia was merely a “furry” movie, as in, one whose directors won’t let you call it that. Journalist Joe Strike had a story about that in his book Furry Nation (another first for publishing in 2017.)

I was invited to a Zootopia press junket the week before the film premiered and was granted one-on-one time with Byron and his directing partner, Rich Moore. I immediately — and perhaps not too wisely — asked if the teaser was a “dog whistle” to the furry community. Howard deftly dodged my questions, and not long after the interview I received an email from my upset editor, who’d been contacted by an upset Disney PR person. – (Joe Strike, Furry Nation, p. 333)

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Mascot Fur Life – movie reviews by Rex Masters and Flash Hound

by Patch O'Furr

Thanks to Rex and Flash for their reviews! Dogpatch Press welcomes community access writers – get in touch. – Patch

A review of Mascot Fur Life

I have just watched a film titled Mascot Fur Life (2016 German with English subtitles). To be honest I was a bit apprehensive to watch another “furry film/ documentary” – the last one I watched left me feeling betrayed and hollow inside. Anyway, on to this film.

The main character is a Lion named Willion Richards.  Willion’s dream is to be the mascot of a soccer team.  He trains very hard with the help of his coach Berk.  Life is difficult for Willion, who struggles as a greeter in a large hardware store.

The film is professionally made, with excellent editing, good camera angles, great sets, and most scenes being shot on location.  I’m sure none of us will argue that the costumes aren’t first rate!

Can Willion make the tryouts?  Will this lion be happy, or forever doomed to work at a hardware store?  Will he overcome despair and the prejudice against him? Can he even pay the rent for his flat?

I found this film to be most enjoyable; in fact, I highly recommend you see it!

It most assuredly receives a Five Paw rating from this old dog.

– Rex Masters

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Talking Animal Films in South Africa (Part 1)

by Duncan R. Piasecki

Submitted by guest writer Duncan R. Piasecki – don’t miss his amazing previous article, The Forgotten History of the Furry Musical.

South Afrifur logo – see a con report.

Of all the things you’d expect a country in Africa to have in common with whatever first-world place you’re reading this in, I bet nowhere on that list was CGI animation studios. But it’s true, for better or for worse, and (un?)luckily for all of us, all the major CGI films produced by this country fall into the talking animal genre. Furry appeal, it’s an international thing!

Preface: important things that will colour how you understand the rest of the article

Before we get too deep into this, some context is important to understand the nature of this country.

First and foremost, you need to understand something of the way that stories are told here. This is mostly about books, but it speaks to the way film and television are made here as well. We like to fool ourselves into thinking we’re cosmopolitan, but we’re really, really not. We’ve fallen a long way since JRR Tolkien moved away from here. Fictive literature here can be mostly divided into two categories: classic and modern. Classics are largely about sociopolitical concerns (most famous is probably Cry, the Beloved Country by Alan Paton – most likely you’d know it from the 1995 film adaptation starring James Earl Jones, if you knew it at all). Modern however… well. Publishers down here tend to want you to write stories with an African bent all the time. In theory, it leads to more Afrocentric storytelling, but in practice, if you go look under general fiction, everything is either just described as “X, but in Africa!” or just a rip-off of whatever the Americans are doing. Not all books, of course, but certainly enough that you wouldn’t even be able to find the local fiction that’s not like this in most stores. For example, a big hit here a few years ago was Spud by John van de Ruit, which is basically “Adrian Mole, but in Africa!“. On the other side of the coin are writers like Wilbur Smith, who writes what look like fairly cheesy adventure/thrillers generally. As a writer myself, who falls under the oft-confusing literary movement of postmodernism, it is beyond frustrating and annoying to see, and there is no way I’d ever be published by anyone down here as a result of these weird stipulations (hooray for self-publishing).

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Cinéma Anthropomorphique – the monthly movie meet for furries of Oslo, Norway

by Patch O'Furr

There’s lots of furry movie outings, and sometimes they even rent a theater for a special occasion, but I’m not aware of many permanent furry movie clubs. Oslo’s Cinéma Anthropomorphique isn’t just well established, it seems to be the premiere fur meet for the capital of Norway. I’m going purely on stereotype about the frozen northlands of Scandinavia, but I imagine that in between good cold weather fursuiting and, I dunno, pulling sleds with husky friends under the Northern Lights, indoor movie time has to be a great pastime there.  I’m also assuming that the fur community there must be close-knit, making this an inviting gateway to fur stuff. Here’s what I learned about it from TF Baxxter – founder and administrator of the Norwegian furry community Norwegian Paws and department head for NordicFuzzcon. Extra questions are further down. (- Patch)

TF Baxxter continues:

Cinéma Anthropomorphique started in December, 2012. We were only four people. Now we average at around 20 – 25 (maybe closer to 20; our record was 27 attendees). The event is held in someone’s home in the Oslo-area (which means it can get really cramped); we have main hosts, but like to vary it when we can.

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