Dogpatch Press

Fluff Pieces Every Week

Month: March, 2019

March 6, 2019

Marney the Fox, by Scott Goodall and John Stokes – review by Roz Gibson

by Dogpatch Press Staff

Welcome to Roz Gibson, furry artist and animator in Southern California. Roz was guest of honor at Confurence and created the Jack Salem comic character that first appeared in Rowrbrazzle in 1987. This is Roz’s furry graphic novel review part 3 of 6 on the way. Read in order as they post: 1) Myre 2) Angelic Book 1  3) Marney the Fox 4) Shanda the Panda  5) Cinderfrost 6) Tim’rous Beastie. See Roz’s tag for the rest. Roz is a community access guest and contents are hers.

Marney the Fox 

Story by Scott Goodall
Art by John Stokes

I discovered this by accident in the local comics shop. Other than the fact it’s about a fox, it probably wouldn’t appeal to the average furry fan. All the characters are ‘regular’ animals (although the fox does have thoughts and can talk to other foxes), the traditional pen and ink art is in black and white, and I’m sure it all looks terribly dated to people used to slick digital work. It was originally done as a magazine serial in the UK during the early 1970’s, so it plays fast and loose (to put it mildly) with real animal behavior, and some story elements may grate on modern politically correct sensibilities. 

Still… considering the success of the modern French “Love” graphic novels about realistic animals, there may be a place for Marney the Fox.  The book reads very much like one of those endlessly ongoing manga comics—short story arcs that end with weekly cliffhangers, but with no particular goal until the writer simply decides to end it. 

Poor Marney is subjected to just about every injury and indignity a fox could experience during the course of the book. His mother and siblings are killed by hunters in the first few pages, and that’s just the beginning. A partial list of things he endures includes: nearly drowning (several times), being attacked by dogs, otters, birds of prey, ferrets and weasels, bitten by a poisonous snake, being buried alive, snared, trapped, shot at, blinded by chemicals, captured by evil gypsies and nearly blown up by the military. 

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March 5, 2019

Galactic Camp sets record with 742 furries, a San Francisco Bay warship and a Soviet time traveler

by Patch O'Furr

“A breathtaking view of the San Francisco skyline from the deck of the USS Hornet at Galactic Camp. Featuring the extra fluffy Bandit Raccoon” – Muffle the Fox. (Previous story: A furry con takes flight on the USS Hornet, Feb 23, 2019)

Galactic Camp showed how nobody has weird fun like furries.

Photo by Orzel

Lucky Fox (Udachny Lisa), a 1970’s Soviet Podpolkovnik (Lieutenant-Colonel), was traveling through time on a mission to explore the future of fully automated luxury gay space communism. Unfortunately, due to budget shortages, his time machine was missing a few pieces. When he arrived, instead of seeing moon communes, he was astonished to be on The USS Hornet aircraft carrier surrounded by rainbow animal-people.

The future was a silly place. But Comrade Lucky Fox wouldn’t abandon his mission. It was time to sample alcoholic beverage drinks and dance for science and the glory of workers. (Worry to Glorkers!)

The uniformed time traveler made a furry party on a warship even weirder. But to those who already know him, he’s loved for running 10 years of “The Communist Party” annually at the Further Confusion convention in San Jose CA. (His party isn’t for politics… it’s for themed celebration of culture and donating to a Russian LGBT charity.) He was happy to do a Q&A about it below.

Mixing weird ingredients makes incredible events, and that’s why furry activity is steadily growing.

Galactic Camp set a record for biggest one-night event ever in furry fandom.

The furries who danced with Lucky Fox totaled 742 (corrected for double-counting of ticket upgrades and staffers.) Attendance of 742 sets a fandom record, according to some who helped make it happen.

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March 4, 2019

Vote for the 2018 Ursa Major Awards to support the best works of furry fandom.

by Patch O'Furr

Go here to vote for the 2018 Ursa Major Awards. The deadline is March 31.

Before nominees were chosen, the 2018 Recommended Anthropomorphics List made a much longer collection of suggested works. It’s useful as a guide for those looking for new furry stuff (and those interested in the recently added fursuit category may want to see the special requirements there.)

Please share this announcement, and help raise attention for the furry fandom equivalent of the Hugo awards for science fiction. They’re chosen by fans, not committee. Volunteers do the hard work of publicizing, organizing, counting votes, and mailing out engraved awards. These volunteers are the Anthropomorphic Literature and Arts Association (ALAA), a membership organization dedicated to promoting works that furries love. They welcome suggestions for how to expand this effort.

The ALAA is supported by donations via PayPal (paypal@ursamajorawards.org) with 100% of the money going towards cost of the awards. Please consider donating.

The ALAA has done this for many years with only very modest help, and previously had stories here about lacking resources. One of the founders, Fred Patten, has recently passed away. In March 2018, member Bernard Doove commented:

The ALAA has needed volunteers for years, but we have lost members rather than gained, and we are all doing as much as possible to keep the Ursa Major Awards running. I’ll be donating money from my personal funds once again for the 2017 Award trophies, and I will be flying up to Queensland where the awards ceremony will be held at FurDU this year in order to run the event. The cost of that comes out of my own pocket too. I’m willing to do my bit for the cause, but we desperately need more people with the skills required to improve it.

Check out the UMA tag to learn more about them. Here’s the nominees for 13 categories. Winners will be announced on May 23–26 at AnthrOhio 2019.

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March 1, 2019

Sonic the Hedgehog artist injured by hate crime; life can be prickly for struggling artists

by Patch O'Furr

Milton Knight has a hand in works of animation and cartoon art seen by millions. For the 1993 Adventures of Sonic the Hedgehog TV series, he did storyboards and animation and is credited with design for the villain Robotnik. In nearly 40 years as a pro, he’s made countless fans happy. But on February 25, he was hospitalized with “cuts, a broken nose, and more” at the hands of a racist stranger. Knight described enduring 15 minutes of provocative hate speech before it exploded with “endless punches to the head”. The attacker injured his fist and was jailed for battery.

Knight’s creative drive is inspired by retro style from the Golden Age of animation, and traditional ink and paint. As a pro since 1980, he got into animation on Ralph Bakshi‘s Cool World and The Twisted Tales of Felix the Cat. In comics, he worked on Teenage Mutant Ninja Turtles and Mighty Mouse. Like his inspiration from untamed 1930’s cartoons, he also did mature work like Heavy Metal and his own indie comic Midnite the Rebel Skunk. A fact that readers here may like is that he experimented with “extremely adult furry” work in the independent spirit of 1980’s fandom. In the network where pros, fans, and art curators meet, he has done archiving for the International Animated Film Association (whose president Jerry Beck was very close to “fandom founder” Fred Patten.)

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