Dogpatch Press

Fluff Pieces Every Week

Category: Opinion

January 9, 2018

Jack Wolfgang T.1, l’Entrée du Loup, by Stephen Desberg and Henri Reculé – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Jack Wolfgang. T.1, l’Entrée du Loup, by Stephen Desberg (story) and Henri Reculé.
Brussels, Les Éditions du Lombard, June 2017, hardcover €13,99 (62 [+ 2] pages), Kindle €9,99.

Thanks, as always with French bandes dessinées, to Lex Nakashima for loaning this to me to review.

The Jack Wolfgang series looks like it’s designed for the Blacksad market. The main differences are that John Blacksad is a private investigator, and his cases are crime noir with excellently drawn anthropomorphic animals. Jack Wolfgang is a C.I.A. secret agent, and his adventures are, well, too light and too exaggerated for the James Bond market. Say they’re Kingsman clones, with a mixture of funny animal and human secret agents saving the world from megalomaniac funny animal and human villains.

The introduction states that the four Brementown Musicians in the late Middle Ages were the first animals to be recognized as having human intelligence. “They were the first animals to receive a charter from the local authorities guaranteeing their autonomy and freedom among humans.” (my translation)

 

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January 8, 2018

Furry artists among top highest-paid Patreon creators, but face threats to their livelihood.

by Patch O'Furr

This article went out in January 2017 titled “Yiffing for Dollars”. Here’s a re-edited update a year later, to coincide with a bump in notice and a concerning situation. 

Furries have built their own small industry on creativity worth millions. Their membership is rising and it’s likely to see the “furry economy” grow with it. You can see what’s up by watching the small slice who are devoted enough to make a living in the fandom – Profans.

Adult art can have an edge in dollars because it has more of a niche quality. Clean art is perfectly valid, but perhaps the mainstream is where it succeeds most – making an apples/oranges comparison. This look at indie art business will focus on the naughty stuff, but doesn’t exclude other kinds, and it applies outside of fandom too.

Check the list of top creators on Patreon and play Find The Furries!  

When first looked at in January 2017, fandom member Fek was earning $24,000 per month for making furry porn games. (Quote: “Ditch the dayjob and live the dream.”)  He had the stat of #2 best-paid per-patron on all of Patreon.  (See his art on Furaffinity.) Others were in or near the furry ballpark (dogpark?) Most of the NSFW entries in the top 50 had furry content. #12 was the Trials in Tainted Space NSFW game, earning $27,000 per month. #30 was the kinda-anthropomorphic-NSFW artist Monstergirlisland, earning $20,000 monthly.

I haven’t checked these numbers since early 2017, and I think the list changed from “amount of money” to “number of patrons” which knocks furries down the list, but… Artists are getting rich from this, no joke.

Older news:

  • Cracked – We Draw Furry Porn: 6 Things We’ve Learned On The Job. “Every artist agreed it would have been impossible to make a living doing this as recently as 10 years ago. But today they constantly have multiple projects going and portfolios with hundreds of completed works, and they find themselves in ever-increasing demand.”

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January 4, 2018

Furries Among Us 2: More Essays on Furries by Furries – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Furries Among Us 2: More Essays on Furries by Furries, edited by Thurston Howl. Introduction by Thurston Howl. Illustrated by Sabretoothed Ermine.
Lansing, MI, Thurston Howl Publications, August 2017, trade paperback, $7.99 (179 pages), Kindle $2.99.

This non-fiction follow-up anthology to the Ursa Major Award-winning Furries Among Us (2015) presents a dozen more essays on furry fans and furry fandom, by “the Most Prominent Members of the Fandom” as the subtitle of the first volume put it. In his Introduction, Howl says:

“As in the first volume, his one has a three-part organization. The first part of the book focuses on social aspects of the fandom. […] The second section covers new aspects of furries and writing. […] The final section is again reserved for the dedicated and hard-working members of the International Anthropomorphic Research Project.” (p. 8)

In “The Importance of Being Seen: Foucault, Furries, and the Dual-Exchange of (In)visibility” by Televassi, he argues that furry fans need to stop being so insular over the Internet and socialize more openly in furmeets and conventions, even if they do so under their fursona identities. This will help furry fans themselves, who are often shy and introverted to become more social, and improve the general image of furry fandom in general society from that of a closed clique of social misfits to just another social fandom. “The Furclub Movement” by Patch O’Furr concentrates more closely on furry clubs: the mostly-monthly evening dance parties and raves, more than the more organized annual conventions. “Interview with the Foxes of Yiff” is a fictional interview by Kit and Khestra Karamak with Jesus and Satan Fox, two furry brothers with highly (even violently) different outlooks on furrydom and its activities. “Gender: Furry” by Makyo presents a “well-researched article on the correlation between gender identity and expression and furry.” (Howl, p. 8)

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January 3, 2018

Furry Raiders attack a nonfurry business, get chased off with a positive solution for hate.

by Patch O'Furr

  • Raiding: A hostile invasion or forcible entry to destroy or steal something; predatory warfare.
  • Furry Raiders: a Colorado-based and online group that overlaps with “altfurry”, a fringe of furry fandom with a goal to connect racist hate groups inside and outside it.

It’s 2018, and many people have New Years resolutions to accomplish. But a few people are stubbornly against being better. That means the Furry Raiders. This week they gained attention for violent threats meant to silence criticism – (because when they say they want “free speech,” it’s only for them). Their threats followed labeling themselves as “Nazis” – (a look at their member activity in the altfurry chat logs proves it’s really true). Until now their trolling has mostly been inside fandom. But then there was the time when they targeted innocent non-furry outsiders.

We did Nazi that coming! 

On Halloween of 2017, a Colorado event space had a “Big Gay Costume Party”.  Foxler and Kody, the Furry Raiders founder and partner, went in costume with nazi armbands that replaced swastikas with paws.  With nobody else’s help, the staff recognized what the symbolism stood for. The Raiders were kicked out for bringing hate to their space.

Foxler and Kody’s excuses like “it’s just a paw” didn’t work. Anyone can see they’re making a clear reference to nazi iconography. This is good evidence that trolling isn’t just a fandom issue with “both sides” fighting and so-called “SJW’s” inside. Outsiders know these trolls are the source of the problem.

When a business kicks someone out, that’s free market power, freedom of association, and free speech opinion by staff. (A protected social class can claim discrimination, but Nazi isn’t a class.)  Reasonable people would move on and drop it.  But reasonable people doesn’t include a troll whose name means “Fox Hitler”. Again, when they say they want “free speech,” it’s only for them. 

The Furry Raiders retaliated by trolling the business with bad reviews. The review bombing was spread from their Facebook group by trolls who are active in alt-right hate activity (including their member Vetus, who supported trolling FurAffinity with hate images). The story was twisted by people who had never been there; they lied that there was no hate symbolism and pretended a “Big Gay Costume Party” rejected them for being gay.

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January 2, 2018

Danger Money, by John Van Stry – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Danger Money, by John Van Stry
Seattle, WA, CreateSpace, March 2012, trade paperback, $7.49 (206 pages), Kindle $2.99.

Jotun is a leopard animorph. His narration depicts Danger Money as set in a future interstellar society inhabited by humans and animorphs. The morphs started out as laboratory-bred, but many are naturally freeborn now. The morphs that are lab-made are mostly trying to buy their freedom from their corporations. There is some human prejudice against the animorphs depending upon which planet they’re on, but it isn’t strong.

“At about one in the morning local time I became instantly wide-awake as my target entered the restaurant, passing through it to the bar. Using my monocular I tracked him carefully, he was in the company of a very attractive human lady, obviously not staff, with an attendant female skunk morph who just as obviously was. […]” (p. 5)

“A young squirrel walked up, smiled at her [Azelett, a leopardess], ignored me, took the keys and drove off.” (p. 12)

“I did notice two very cute ladies giving me the eye during this time. I had also been keeping a watch on the good captain as I had plans for both of them.

The first was an older black leopard who was very aggressive about letting her wants be known. When we were four hours from breakout I hacked the computer and got her schedule changed. When she got back to her room wondering why she was off duty she found me laying on her bed smiling.

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December 22, 2017

Scurry: The Doomed Colony, by Mac Smith – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Scurry: [Book 1] The Doomed Colony, by Mac Smith. Illustrated.
Vancouver, WA, Easy Prey Entertainment, November 2017, hardcover $30.00 (unpaged [104 pages]), softcover $20.00, Kindle $11.99.

This is the first collection of one of the best, largest (13.7” x 8.3”), and most beautiful anthropomorphic-animal comic strips on the Internet. Mac Smith, a graphic designer in Portland, Oregon, began Scurry: A Post-Apocalyptic Mouse Tale on January 17, 2016, and has been posting about two pages a week. The Doomed Colony contains Part I, Lingering Light, Part II, Beasts of Winter, and Part III, Grim Shadows. These add up to 84 pages, and an Afterword, an extensive Cast of Characters, and samples of Smith’s working process bring The Doomed Colony up to 104 pages.

Smith ran a Kickstarter campaign to raise $8,000 to publish this book. He got $101,230 from 2,129 backers in a month. Smith says in his Afterword that he has not read any of the anthro-animal books that readers have been recommending to him. His influences are 1980s movies like The Secret of NIMH, The Dark Crystal, and The Neverending Story.

Scurry is set in a “post-apocalyptic” world in which the humans are dead or gone but their cities are undamaged. There has been no explanation yet of what happened to the humans (despite the book’s cover, no bodies or skeletons are around), or whether what happened is responsible for the animals’ intelligence (although probably this is just a talking-animal fantasy). The mice in the colony wonder whether the humans could return, or whether there are still some left elsewhere. The setting could be Smith’s Pacific Northwest; the fauna and flora fit it. The rusted and decayed look of the buildings and vehicles, and the overgrown lawns implies that humanity disappeared about a year earlier. Food in the houses has run out. Pets like cats have turned feral and hunt the mice for food.

The Doomed Colony is that of the mice in a house in an unnamed suburban neighborhood. They have eaten all of the food that they can find in their own and other nearby homes. The local ex-pet cats are growing increasingly dangerous. Feral wildlife is moving in; some like beavers and moose are harmless, but others like hawks, wolves, snakes, and owls eat mice. The colony is divided between those who want to stay put and explore farther for food, and those who want to move the whole colony into a nearby city where there may be more food and shelter from wild animals.

Politics makes the debate more convoluted. The mice have been ruled well by an Elder Council, but the Council is literally dying of old age. Is the Council’s preference to stay put based on wisdom, or a refusal to consider new ideas? Is Council Leader Orim’s wish to be replaced by his daughter Pict, whom he has trained to replace him when he dies, a good one, or is it pure nepotism? Is Resher, who leads the faction to move into the city, really working for the colony’s benefit, or does he plan that the colony’s upheaval will give him the chance to take over its leadership?

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December 20, 2017

Marking Territory, by Daniel Potter – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Marking Territory, by Daniel Potter. Illustrated by Johanna T.
El Cerrito, CA, Fallen Kitten Productions, November 2017, trade paperback, $14.99 (381 pages), Kindle $4.99.

Marking Territory is Book Two in Potter’s Freelance Familiars fantasy series. There is no Synopsis or What Has Gone Before of the events of Book One, Off Leash. The Freelance Familiars series is recommended, but if you aren’t familiar with Off Leash, you won’t know what is going on.

For the record, the Kindle edition was published in July 2016, over a year before the paper edition.

The narrator is Thomas Khatt, a cougar who was a young unemployed librarian in Grantsville, Pennsylvania. Off Leash begins with Thomas’s next-door neighbor being killed in a suspicious hit-&-run “accident”, and Thomas being transformed into a mountain lion/cougar/puma. He learns that he has been transported to the “Real World”, and as an intelligent animal, he is expected to become a wizard or witch’s familiar; an involuntary magical assistant – in practice, a slave to a magus.

“Yet one thing had become crystal clear; I wanted no part of this world. Losing my thumbs, my house and my girlfriend in exchange for the chance to be sold off to some pimple-faced apprentice did not sound like a fair deal to me.” (Off Leash, p. 35)

To quote from my review of Off Leash:

“Thomas decides to take charge of his own life, even if he is not familiar with the Real World yet. He faces the dangers of our “world beyond the Veil”, of being a cougar loose in a San Francisco residential neighborhood, and of the Real World, refusing to join the TAU [Talking Animal Union] or to become bound to a magus – or to an apprentice – as a familiar.

“To stay off the leash, he’ll have to take advantage of the chaos caused by the local Archmagus’ death and help the Inquisition solve his murder. A pyromaniac squirrel, religious werewolves, and cat-hating cops all add to the pandemonium as Thomas attempts to become the first Freelance Familiar.” (blurb)

Off Leash ends with Thomas still a cougar, but he’s found and rescued his girlfriend, a werewolf (she’s more like a permanently furry wolf-woman) named Touch, and he’s won his independence as a freelance familiar. He’s become a familiar for hire – and if he doesn’t like his boss, he’ll go elsewhere. He’s satisfactorily bonded as the familiar of O’Meara, a magus who is the Inquisitor (police officer) of the Grantsville of the Real World, but who has been gravely wounded in a magical duel saving his life.

Marking Territory begins six months later. Thomas and Noise – her human name is Angelica – are having dinner at an expensive restaurant “beyond the Veil”, posing as elegantly dressed humans:

“Pity slipped into the waiter’s eyes as I gathered my scattered thoughts. Really, I wanted to savor this moment for as long as I could. Thanks to the Veil that blinded mundanes to any magically-induced weirdness, he surely saw a miserable wretch of a man slumped in a wheelchair despite the snappy tuxedo. I didn’t need pity, for this was a triumph! I sat at the table, instead of hiding under it like a pet. He couldn’t see my smile filled with teeth designed to crush the windpipes of a deer or the huge paws that awkwardly pushed on the armrests of the wheelchair in which I perched. Nobody but Noise saw the nearly three-foot long tail that protruded from the space between the back and the seat of the wheelchair.

No one could comprehend a reason for a cougar to come into their restaurant dressed in a tuxedo and sitting in a wheelchair. Therefore, logically, I must be a man. It was a trick I’d only been able to pull off on the internet or in a dark alley.” (p. 8)

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December 19, 2017

Mist, by Amy Fontaine – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Mist, by Amy Fontaine
Knoxville, TN, Thurston Howl Publications, September 2017, trade paperback, $10.99 (168 [+ 1] pages), Kindle $2.99.

Mist is more like a traditional fairy tale than a usual furry novel.

“‘Where am I?’ said the five children. They startled all at once at the sound of each other’s voices.

They peered at each other through the swirling mist, slowly piecing together each other’s appearance. A broad-shouldered girl with brown eyes as fierce as a hawk’s stood firmly, locking eyes with each of the others in turn and staring them down. A much younger, much smaller girl trembled as she gazed into the mist, twirling a golden curl of hair around her finger. A boy with short-cropped, dirty-blond hair smiled kindly at the others. A tall, lanky boy with messy brown hair glanced all around himself, assessing his surroundings. A pale boy with pointed ears frowned at the others. They all seemed to be teenagers of varying ages, except for the quivering little girl.

‘Who are you?’ the children asked each other.” (p. 1)

The five children do not remember their names. They are in a forest of tall trees shrouded in mist. They find a giant redwood with a treehouse containing shelves of books. A book on a candle-lit table is titled Transformations.

“The book had two parts, ‘Part One: Changing Yourself,’ and ‘Part Two: Changing the World.’” (p. 3)

The five children learn that they each have two animal forms (only one of which is revealed immediately to the reader), and they can all talk telepathically, in their animal or human forms. Since they do not know their names, they take new ones. The hawk-eyed girl, who can become a wolf, becomes Karen Starbroke, their leader. The boy with the gentle smile is Samuel Reed, a red deer. The little girl is Tessa Opal, a golden mongoose. The messy-haired boy is Jack Walsh, a lynx. The pale boy with pointed ears, a python, will not show the others what his other animal form is, and only reluctantly chooses a name when pressed by Karen: Loki Avila.

“‘Well, now that we have that established, we can go and use what we can do to be heroes.’” (p. 5)

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December 18, 2017

Classism in the Furry Fandom: An Opinion by Nightf0x

by Patch O'Furr

Guest post by Nightf0x with a response by Patch.

Flying out to Pittsburgh this past June for Anthrocon was a fantastic experience. I got to spend time with my friends and see this convention for the first time. However there was something that felt a bit off to me.

It took a different experience at Anthro Weekend Utah to make me aware of what exactly I was feeling at Anthrocon. I had never noticed before, but there is a sense of classism in the furry community. (I didn’t experience any of this classism at Anthro Weekend Utah.)

A lot of people in this fandom are successful, and they should be proud of it! However, sometimes this financial success creates an aura of a “holier than thou” attitude that they may not be aware of. By spending copious amounts of money and keeping their social cliques to people in the same financial situation, it creates a feeling of the haves and have nots.

I’m not saying you shouldn’t strive to reach this kind of success. For the most part this fandom is full of people who are intelligent and apply themselves, and they should be happy that they are in their situation. All I’m asking is to just be aware that sometimes, all the extravagance and copious spending creates social rifts. It can be detrimental to a convention’s social experience. This fandom has definitely been through a lot of social change lately, and my hope is that the next change is to be aware that everybody is in a different socio-economic status, and to at least try to be inclusive in that regard. It’s great to see a fandom that is getting more and more inclusive. However I think as a community we could work better on inclusivity across socio-economic barriers.

I’m not saying you’re evil if you own a fursuit or have a lot of money.  But I think everybody should be entitled to have a fun time without feeling the socio-economic barriers they may experience outside of the fandom. In the end, no matter your current socio-economic status, we are all fans of anthropomorphic animals and we all share this in common. Let’s go out there and have fun without class elitism!

– Nightf0x

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December 14, 2017

The Book of Dust. Volume 1, La Belle Sauvage, by Philip Pullman – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Book of Dust. Volume 1, La Belle Sauvage, by Philip Pullman. Illustrated by Chris Wormell.
NYC, Alfred A. Knopf, October 2017, hardcover, $22.99 (449 [+ 1] pages), Kindle $11.99.

The Book of Dust. Volume 1, La Belle Sauvage, by Philip Pullman. Illustrated by Chris Wormell.
London, Penguin Random House Children’s/David Fickling, October 2017, hardcover, £20.00 (560 pages), Kindle £9.99.

This is Pullman’s long-awaited followup to his multiple award-winning His Dark Materials trilogy. Its volume 1 is known as Northern Lights in Britain and was published in July 1995. It was retitled The Golden Compass in the U.S. and not published until March 1996. A little over twenty years later, both the American and British editions of The Book of Dust are published simultaneously and with the same title. Yet they are not physically identical. The two editions are typeset separately, with American and British spellings and terminology as appropriate, and the British edition is over a hundred pages longer. The American edition has almost none of the interior illustrations by Wormell, which are just chapter-heading drawings that are frankly not worth missing.

It is not a sequel. The main character in His Dark Materials is the young woman Lyra Belacqua and her dæmon Pantalaimon. Lyra is 11 and 12 years old, not yet an adolescent, and her dæmon can still take any male animal, bird, or insect form, which he does. At the conclusion of the trilogy Lyra becomes an adolescent, and Pan’s form is fixed as a talking pine marten. But The Book of Dust is Lyra’s story before His Dark Materials. In La Belle Sauvage she is only a baby.

They aren’t really talking-animal novels. The Book of Dust is set in that alternate Earth where everybody has a dæmon, a talking animal personification of their soul, accompanying them. The dæmon cannot stray too far from its person.

The protagonist of La Belle Sauvage is Malcolm Polstead, the potboy at his father’s inn on the shore of the River Thames at Oxford:

“Malcolm was the landlord’s son, an only child. He was eleven years old, with an inquisitive, kindly disposition, a stocky build, and ginger hair. He went to Ulvercote Elementary School a mile away, and he had friends enough, but he was happiest on his own, playing with his dæmon, Asta, in their canoe, on which Malcolm had painted the name LA BELLE SAUVAGE. […]

Like every child of an innkeeper, Malcolm had to work around the tavern, washing dishes and glasses, carrying plates of food or tankards of beer, retrieving them when they were empty. He took the work for granted. The only annoyance in his life was a girl called Alice, who helped with washing the dishes. Se was about sixteen, tall and skinny, with lank dark hair that she scraped back into an unflattering ponytail. […] He ignored that for a long time, but finally rat-formed Asta leapt at Alice’s scrawny jackdaw dæmon, knocking him into the washing-up water and then biting and biting the sodden creature till Alice screamed for pity. She complained bitterly to Malcolm’s mother, who said, ‘Serves you right. I got no sympathy for you. Keep your nasty mind to yourself.’” (p. 2)

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