Dogpatch Press

Fluff Pieces Every Week

Category: Opinion

The Latte Segment, by Zoe Landon – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

The Latte Segment, by Zoe Landon
Portland, OR, Leporidae Media, February 2016, trade paperback $14.99 (282 pages), Kindle $4.99.

This is the purest funny-animal novel that I have ever read. Other than that the characters are all described as animals, there is nothing to differentiate this from any all-human novel.

Sarah Madsen is a young woman working as a marketing analyst in Portland, Oregon. Her boyfriend, Sean, is an unemployed computer programmer from Silicon Valley in California. Sarah relaxes alone almost every Sunday at the Deadline Cafe over an expensive latte laced with mint; her only vice.

“Sarah fidgeted and the corner creaked. She was worrying about money.

Her finances were safe, by most reasonable standards, yet there was a nagging sense that she should be doing better. Perhaps she could save a little more. She could go to fewer movies with Sean and their whole circle of friends. She couldn’t get rid of her television like Sean did; she relied on it too much for work. But she could stop coming to the Deadline Cafe every Sunday. It did feel like the lattes got more expensive the last year or so.

Everything in Portland felt like it was getting more expensive lately. Most of it was inevitable. She moved here when things weren’t very good anywhere, and now things were especially good here. New businesses were popping up in her neighborhood left and right. Businesses that, for one reason or another, she rarely went to.” (pgs. 5-6)

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D’Arc: A Novel from the War With No Name, by Robert Repino – review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

D’Arc: A Novel from the War With No Name, by Robert Repino. Illustrated by Sam Chung and Kapo Ng.
NYC, Soho Press, May 2017, hardcover $26.95 (386 pages), Kindle $14.99.

I don’t usually quote other writers’ blurbs, but how could anyone resist this from Corey Redekop, the author of Husk, on the front cover:

“Think The Fantastic Mr. Fox, with advanced weaponry, Charlotte’s Web, with armed combat, The Wind in the Willows, with machetes. D’Arc is all this and way more besides.”

S-f author Paul DiFilippo compares D’Arc to Cordwainer Smith’s Underpeople, David Brin’s Uplifted dolphins, Puss in Boots, and Brian Jacques’ Redwall. If I looked hard enough, I could doubtlessly find many comparisons to Animal Farm and Watership Down as well.

D’Arc is a sequel to Mort(e). Almost the first thing that you learn in D’Arc is a big spoiler for Mort(e): yes, Mort(e) the cat, the renamed Sebastian, does find Sheba, the pet dog who he was searching for all through that novel.

The first chapter, though, introduces Taalik and his Sarcops. They will appear again later. They are not Changed animals, but a new mutation. To quote a later description of them: “Part fish, part crab, part cephalopod. A bulbous head. Black eyes. Segmented armor on the spine, with four tentacles unfurling from within. Two jointed claws extending from the shoulders, with longer ones at the pelvis that could be used for walking. A long tail with spikes on the end of it.” (p. 54)

Mort(e) and Sheba appear in Chapter 2. Mort(e) does not join either the Changed animals or the remaining humans. He strikes out on his own – with Sheba. The “strange technology” of the ant Queen that Changed all natural animals into anthropomorphic animals in Mort(e) was actually a pill that the unnoticed ants inserted into each animal; and the Queen had not given this pill to Sheba in order to control Mort(e). After the Queen’s death and the disintegration of the Colony, Mort(e) and Sheba sail up the Delaware River, where Mort(e) gives Sheba the pill that Changes her. They continue past the abandoned ruins of Philadelphia, and finally leave the river and trek into the Pocono Mountains.

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How furry fandom is rejecting neo-nazis, “Altfurs” and Furry Raiders who target kids for hate.

by Patch O'Furr

Get ready for a big topic about toxic behavior, the cult-like groups doing it, how they’re targeting kids, and how the fandom is cutting ties with it for positive progress.  This is a followup to last week’s article: “The Confederate fursuit incident shows how you can’t be a troll and a victim at the same time“. It focuses on the source of the problem:

  • At Anthrocon 2017, a troll provoked drama with defenders who claimed he was being unfairly censored.
  • The defense missed a basic point – he was an antagonistic outsider who was banned and didn’t register or support the con.
  • It showed how trolls twist facts about consequences for bad behavior, so they can pretend to be the victims.
  • Posing as victims requires a scapegoat (“SJW’s”). The misinformation is being spread like cult propaganda.

Anthrocon’s letter recognizes how the troll was pushing a “political message” on others.  It’s an example of recent fandom activity by alt-right altfurs and their enablers.  They do it with a twofaced pose that they want freedom, want politics out of fandom, and are just giving their side. But their side relies on false middle ground. (In other words, saying the earth is round doesn’t require Flat Earthers to give their side.  Newspapers don’t interview vandals to get their side.) The real goal is to exploit and undermine the fandom behind a false front of “freedom”.  That includes grooming and recruiting kids, trolling and harassing, dodging accountability, and worse things like welcoming literal neo-nazis (see below.)

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Tucker Grizzwell’s Worst Week Ever, by Bill Schorr and Ralph Smith – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Tucker Grizzwell’s Worst Week Ever, by Bill Schorr and Ralph Smith
Kansas City, MO, Andrews McMeel Publishing, January 2017, trade paperback $9.99 (242 pages), Kindle $8.49.

Laser Moose and Rabbit Boy, by Doug Savage
Kansas City, MO, Andrews McMeel Publishing, September 2016, hardcover $31.99, trade paperback $9.97 (144 pages), Kindle $9.47.

Phoebe and Her Unicorn, by Dana Simpson. Introduction by Peter S. Beagle.
Kansas City, MO, Andrews McMeel Publishing, September 2014, hardcover $13.99, trade paperback $9.99 (222 [+2] pages, Kindle $7.71.

These three books are samples of Andrews McMeel Publishing’s “AMP! comics for kids” series for children 8 to 12 years old (grades 3 to 7). The AMP! books are a combination of original book-length cartoon-art works and collections of newspaper or Internet daily comic strips. Most of them are not animal oriented, but here are two that are, plus Dana Simpson’s Phoebe and Her Unicorn, mostly for her previously-acclaimed hit in furry fandom, Ozy and Millie (although Phoebe does contain Marigold the Unicorn, and sometimes goblins). Furry fans may want to take a look at some of these. Many are in public libraries.

Tucker Grizzwell’s Worst Week Ever, by Bill Schorr and Ralph Smith, is a standalone original 242-page spinoff from Schorr’s The Grizzwells newspaper comic strip (1987 to present), featuring a funny-animal family of grizzly bears and their community. The newspaper strip is gag-a-day without any continuity. Schorr and his assistant Smith have tried to create a coherent novel, but what they have here is really a collection of lame one-liners with a thin connecting plot line. Astronomy class: “Do you know anything about asteroid belts?” “Only that they’re what asteroids wear when they can’t find their suspenders.” The characters compound the groaners by often breaking the fourth wall and looking knowingly at the reader. You can almost hear a drum-roll’s bada-boom.

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Balance in Chaos by Lilith K. Duat – book review by Alecta Andromeda.

by Patch O'Furr

Thanks to Alecta Andromeda for contributing a first guest post.

This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region.

I keep hoping that a new renaissance in furry erotica is upon us, bringing hot, sexy anthro copulation in increasing quality, but the search for real stars in the genre is tough one as the field still needs to find it’s legs.

On that note, I am excited to highlight an exciting name to watch. Lilith K. Duat and Maria Delynn collaborated on the E-book Balance in Chaos. It’s an oddball title with an overload of exposition in places, but overall the furry and erotic elements are well balanced and hot.

The concept itself is also quite the page turner. Anup is a corollary to Egypt’s Anubis, ruling the realm of the dead as an obsessive (and dominant!) master. Some may say that the furry aspect of this novel is light, and it is, but I have a huge thing for Jackals and always wanted to get laid by Anubis. Egypt and Greek gods are colliding in a conflict of souls and waging war over followers. Turns out as one nation invades another, the Gods of the defeated faith suffer a loss of power. The give and take of this conflict laid a great backdrop for the characters, and it was nice to go into the book with a sense of familiarity.

The plot also gives us a perfect backdrop for the sex! Anup is disciplined and moral. Discordia is a God of Chaos. While first embroiled in combat and disdain, Anup takes a sensual control of Discordia and dominates her with the sheer might of his Jackal manhood. The hesitation, the temptation, the wrongness and star crossed lover plot is a little cliche, but works every way it should.

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reWritten, by Jako Malan – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

reWritten, by Jako Malan
Plainfield, CT, Goal Publications, April 2017, trade paperback $15.00 (200 [+2] pages).

The setting of reWritten is a world from which humans have disappeared and been replaced with anthropomorphized Mammalœ.

It’s best not to dwell on the confusing background. The Mammalœ are aware of man’s past existence:

We are, indeed, not the first to call this world our home. Bright-eyed and naive, our earliest ancestors wandered forth as the sun set on the age of man and rose for Mammalœ. The ruins of their magnificent civilization would be both the foundation and inspiration for our own.” (p. 1)

What happened to man? It doesn’t sound like man became extinct through war, unless it was a war that didn’t include blast damage – the Mammalœ consider man’s ruins to be “magnificent”. Have the Mammalœ (the narrator is an anthro jackal; others are aardvarks, meerkats, springboks, rats, rabbits, mongooses, servals, cheetahs, etc.) evolved to replace man? That would take millions of years. Surely there wouldn’t be anything of man’s left to seem “magnificent”. The Mammalœ civilization seems like a rundown funny-animal imitation of man’s; a smoky city that includes coal power, rickety electric trams, hand-cranked automobiles for the rich; most Mammalœ riding bicycles… The Mammalœ such as the rat and zebra are all the same size, presumably human. It’s easier to just accept that man was here but is gone now, and anthro mammals (Malan is South African; so is the setting – the Mammalœ currency is even rands, not dollars) have replaced him in early-20th-century-style cities.

Professor M. (for Makwassie) van Elsburg (a jackal), head of the Department of Anthropology and History at Mammalaœ University in Bridgend (apparently a major Mammalœ city), is approached at a reception by rich Mr. Oberholzer (a hyrax), the patriarch of the Bridgend Energy Cartel. Prof. van Elsburg recognizes him as one of the most influential and notorious mobsters in Bridgend. (He flaunts it; what’s the point of being influential and notorious if everyone doesn’t know it?) Oberholzer is also interested in the history and disappearance of man, and he has a private museum in his mansion. Five months earlier he and an associate had organized an expedition to the ruins of a human city that they hoped would provide more information. The expedition disappeared; simultaneously Oberholzer’s private collection was burglarized, and his servants began being followed. Oberholzer wants Prof. van Elsburg to lead a second expedition to the ruins, to find the hoped-for information and any clues to the vanished first expedition. Elsburg objects that he’s late-middle-aged and sedentary, without any experience in exploring, but Oberholzer’s request is similar to Don Vito Corleone’s offer that can’t be refused.

“‘Take the train to the Ashton precinct.’ Mr. Oberholzer’s last instructions interrupted my train of thought. ‘That is as far as the railways will take you. In town, I will arrange for my associate to meet you. He will brief you from there onwards. I have already contacted him with the particulars of the assignment. Be vigilant, Professor. Don’t discuss your task with anyone. And don’t disappoint me.’” (pgs. 31-32)

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What’s Yiffin’? – July 2017 edition of syndicated furry news.

by Louis Kohn

2017 is officially halfway over, and boy has it been one hell of a year for the fandom. We’ve covered the official demise of Rainfurrest, 2’s fall from grace and subsequent cancellation at Anthrocon, and more than one fake bomb threat being called into a convention… and we still have six months left to go! Fret not, because while we’ve collected four more of the top stories in the fandom to present to you today most of them aren’t that soul crushing. Most.

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Hot Dish Vol. 2, Edited by Dark End – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Hot Dish. Volume 2, edited by Dark End. Illustrated.
St. Paul, MN, Sofawolf Press, December 2016, trade paperback $17.95 (viii + 307 pages)

Hot Dish #2 is an anthology intended for an adult audience only and contains some explicit sexual scenes of various sexual orientations. It is not for sale to persons under the age of 18. (publisher’s rating)

Hot Dish #1 (edited by Alopex) was published in March 2013. Sofawolf described it as “Hot Dish is a collection of stories about the romantic and erotic relationships between characters of disparate species and sexual orientations. It is a hearty portion of quality fiction which was too long to fit into our yearly adult anthology, Heat.” It won the 2013 Cóyotl Award for Best Anthology.

Hot Dish #2 does not have only stories that were too long for Heat. Sofawolf solicited stories especially for it during 2014. But otherwise this is a good description of Hot Dish #2: eight long novelettes of romantic and erotic s-f & fantasy relationships with humanoid animals, each illustrated by one of three artists. Romance and eroticism are presented in an extremely wide range of backgrounds and emotions.

These eight novelettes are so lengthy that each feels almost like a short novel. This is a long review.

“Loops and Knots” by Tempe O’Kun (illustrated by Anyare) is a time-travel comedy. Tess, a jackal, and Erik, her golden retriever mad scientist/hippie lover, can’t get enough of each other. So Eric turns their large refrigerator into a time machine and brings his one-week-future self to join them for three-way fun-&-games. When Tess is too tired and needs a break, she gets an erotic thrill watching present-Ertk and future-Erik making love to himself.

“‘It’s more like retro-chronal masturbation, really.’ Erik draped a blanket over her lap.” (p. 10)

“Still in a post-orgasmic daze, Tess watched her boyfriend’s temporal tryst. His silken shag blended together, every shade of gold shining in the autumn sun. His muzzle locked with itself. Feeling an odd pang of jealousy, she crossed her arms. ‘You’re completely shameless, aren’t you?’

[…]

She pressed a hand to her forehead, trying not to smile. ‘Oh, all right. Go fuck yourself.’” (p. 17)

It’s very lewd, very sticky, and very funny.

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Furry Fandom, by Wikipedians – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Furry Fandom, by Wikipedians. Illustrated.
Limburg an der Lahn, Germany, PediaPress, —–, trade paperback $21.65 ([v +] 258 pages).

Furry Fandom is supposedly an “all that you want to know” book about furry fandom, but with a major flaw. It’s only current to around 2010. It’s a fine book at 258 well-indexed pages and with 46 illustrations (mostly photographs) to give to a non-furry who asks what furry fandom is all about. It presents a complete overview. But the fandom has grown and otherwise changed so much since 2010 that anyone becoming a furry fan today will need more information to be brought up to date.

PediaPress is a modern print-on-demand publisher in a suburb of Mainz, Germany that is closely associated with Wikipedia. According to Wikipedia, “PediaPress was established to provide an online service that enabled Web users to create customized books from wiki content, an example of web-to-print technology.” Anyone can request a book on any subject, and “the Wikipedians” will collate all the information on that subject spread throughout “the over 4 million articles on Wikipedia in English alone” into a handy book – officially.

This Furry Fandom book does not have any publication date other than a statement that this copy was printed on April 24, 2017 at 23:51 UTC. But that does not mean the book has all Wikipedia’s information on furry fandom up to April 2017. It states that Anthrocon was held from 1997 to 2009. EuroFurence and Further Confusion are covered up to 2010. The Ursa Major Awards were presented from 2001 to 2008. (p. 44) The Furry Writers’ Guild and its Cóyotl Award, created in 2010 and 2011, are not mentioned. A four-page list of active furry conventions does not include anything after November 2010. The list of furry comic strips and webcomics includes some titles that have been discontinued since 2010 and does not include some that have become major since then. There is no section on furry specialty publishers, although Sofawolf Press is briefly mentioned – FurPlanet and Rabbit Valley are not. Dr. Kathy Gerbasi and the Anthropomorphic Research Project are not mentioned.

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Of Cloak and Fangs Vol.12, If It Isn’t You…, by Alain Ayroles & Jean-Luc Masbou – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

De Cape et de Crocs. Acte 12, Si Ce N’Est Toi…, by Alain Ayroles & Jean-Luc Masbou.
Paris, Delcourt, November 2016, hardbound €14,50 (47 [+3] pages).

The Fred Patten & Lex Nakashima plan to bring you the best French-language talking-animal comics has a real winner this time: Of Cloak and Fangs. Vol. 12, If It Isn’t You…, the twelfth & final(!) volume of De Cape et de Crocs, the 17th-century swashbuckling series parodying Cyrano de Bergerac, Molière, Montesquieu, and Co. that has been running since 1995.

Confusingly, volume 10 was originally announced as the end of the series. The main characters through vol. 10 are two wandering gentleman-swordsmen, Armand Raynal de Maupertuis (French fox) and Don Lope de Villalobos y Sangrin (Spanish wolf). They are introduced in 17th-century Venice, then a powerful Mediterranean nation. In the first volume they are betrayed and sentenced to serve as galley-slaves in Venice’s navy, where they meet fellow-slave Eusèbius, the cutest bunny-rabbit in the world. They escape, bringing Eusèbius with them. Eusèbius becomes their loyal squire-valet for the rest of the series, through adventures in Europe and on the Moon; so naïve and self-effacing that you almost forget he’s there. Volume 10 appeared to wrap everything up with a happily-ever-after ending, but the ten albums never said what the cutest bunny-rabbit in the world was doing as a Venetian galley-slave when they met him. Did readers demand an explanation? Volumes 11 and 12 answer the question.

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