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Category: Opinion

The Confederate fursuit incident shows how you can’t be a troll and a victim at the same time.

by Patch O'Furr

TROLLING ANTHROCON

The infamous Confederate fursuit got a lot of views on social media. The issue started with complaints during Anthrocon and Midwest Furfest in 2015.  By no coincidence, the symbol was pushed on the fandom at the same time as racist mass murder by Dylann Roof led to taking down Confederate flags across the USA.  Then in 2017, during a huge amount of positive news about Anthrocon, the issue bubbled up again like a turd in a punchbowl.

The fursuiter is Magnus Diridian, AKA Rob Shokawsky. He was previously known for causing disturbances by copying the fursuit of Lemonade Coyote to exploit his death for attention. For several years, Magnus was reputedly banned from MWFF and Anthrocon.  He came back to troll with the Confederate fursuit and a Trump sign that violated AC’s Code of Conduct:

Any action or behavior that causes significant interference with convention operations, excessive discomfort to other attendees, or adversely affects Anthrocon’s relationship with its guests, its venues or the public is strictly forbidden and may result in permanent suspension of membership.

Harassment includes … Conduct, dress, or speech that targets, threatens, intimidates, or is otherwise intended to cause distress to other attendees, or to members of protected classes (such as those based on race, age, religion, national origin, disability, gender, or sexual identity).

Magnus chose to bring that suit even though he has many others. There’s no pretending that it was anything but forcing politics on others, since he admits he did it because of “attack” on the flag. According to his helper, he was even  “ghosting” the con to do it. He could have attended like anyone else if he didn’t set out to cause entirely predictable negativity. To be perfectly clear, Magnus was an antagonistic outsider who did not register or support Anthrocon.

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MoonDust: Falling From Grace, by Ton Inktail – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

MoonDust: Falling From Grace, by Ton Inktail
Seattle, WA, CreateSpace, December 2015, trade paperback $14.99 (380 [+1] pages), Kindle $4.99

This is one of the best science-fiction novels I’ve ever read.

It’s also one of the best furry novels I’ve ever read. Humanity is extinct; transgenic animal people, created for the war effort, are all that are left. The protagonist, Imogene Haartz, is a young caribou (reindeer)-human hybrid; she shaves her fur when sent by the military to a hot climate, and takes prescribed drugs to suppress her antlers’ growth. Who needs antlers in the Army? Everyone is a boar or a rabbit or a ferret or an otter or a tiger or some other animal, whether the species is specified or not.

It’s also one of the bleakest novels I’ve ever read. Everyone is miserable until they die. (Metaphorically.) Imogene has grown up in the mid-22nd century in the rubble of Helsinki. The world has evolved until there are only two super-powers left, the UNA (United Nations of America) and the Pan-Asian Federation. If they aren’t in a shooting war, they’re in a cold war so frigid that everyone expects it to boil over at every moment. Imogene’s father was killed in the last active fighting.

“Imogene stared up at her mother’s apartment building. Old and gray, it rose to ten stories of utilitarian serviceability. Of the four buildings that had surrounded a small park, only it survived. Two others were rubble, while the fourth clawed at the sky with broken, concrete fingers.

Most of Helsinki was like that. Twelve years after the United Nations of America ‘liberated’ the city, the cleanup effort was far from complete. Especially away from the wealthy neighborhoods. Imogene couldn’t remember what it was like before the UNA. Derelict buildings and mounds of broken concrete seemed the natural state of things.” (p. 11)

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Murrin Road, by L. B. Kitty – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Murrin Road, by L. B. Kitty
Seattle, WA, CreateSpace, October 2016, trade paperback $9.00 (171 pages), Kindle $3.00.

This is an Irish novel with funny animals. It begins:

“Lexy stood hunched and huddled by a billboard as the rain came streaking down, sometimes blowing along Murrin Road in waves. His fur matting where the moisture had penetrated, droplets resting on his whiskers and breathing heavily, he looked at the gleam of shining rails before him, and as he took a step out from the end of the road he could hear the hum of the vibrating steel.” (p. 1)

Lexy is a black cat in the gritty industrial part of London. While he is standing out and getting soaked in the rain, a truck roars up, throws something out, and speeds away.

“He walked slowly towards whatever it was the moved in curled flicking motions like a leech sucking goodness from the gutter. The rain was now really running through his clothes, it felt like it was pouring through his soul, could it cleanse him? He stood two foot away and looked down; in the faint orange glow of a distant street-lamp he saw a familiar shape. Except for its lumpy looking end, he recognized a Feline figure, he leaned down and saw that whoever it was looked like they had been beaten, bloodied, tied up and even had a sack placed over their head. He reached his paw slowly down ‘Just a little further…’” (p. 2)

Excuse me for not putting [sic.] throughout that quotation. The something is a sack with a white cat in it, who says to just call him Kitty. Brian O’Connor, “The Celtic Tiger” (he’s a Tiger – Kitty the author capitalizes all animal nouns), a mob boss, has ordered that Kitty be disposed of. Lexy objects to having trash dumped on his doorstep, so he takes Kitty and marches into Brian’s working-class pub headquarters to complain. Brian tells all his lieutenants to shoot Lexy. Kitty saves him, and the black and white cats become an Odd Couple-type best friends and eventually very chaste gay lovers.

Murrin Road is a good example of how not to write a furry novel – or a novel at all. The characters are unusually superficially funny animals. A couple of major supporting characters are Terri, a barmaid, and Lee, a biker. Terri and Lee are identified as a Fox and a Tiger when they are introduced, and then their species is hardly mentioned for the rest of the novel. They might as well be humans. “By this time Lee was awake and making coffee, Junior was sitting up eating plain toast.” (p. 92) That’s a tiger drinking coffee and a wolf eating toast. Inconsistently, some characters are named by species almost every time they are mentioned, like Marriot, an Otter:

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Plowed, edited by Andres Cyanni Halden – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer. 

Plowed, edited by Andres Cyanni Halden.
Dallas, TX, FurPlanet Productions, December 2014, trade paperback $19.95 (212 pages), e-book $9.95.

This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region. (publisher’s advisory)

The catchphrase for Plowed is “Ten Foxes – Ten Farms – Loads of Plowing”. This is an anthology of “ten saucy stories” all featuring foxes on farms with much explicit m/m sex.

The fox in “A Little Drop of Poison” by editor Andres Cyanni Halden is narrator Taslim Hajjar, a 20-year-old fennec. Since fennecs are North African foxes, it makes sense that Taslim is a Muslim. He’s the son of a rich Saudi father who is specializing in acquiring European vineyards and selling expensive wines to restaurants. (The Qur’an just says that Muslims shouldn’t drink alcohol; not that they can’t raise and sell it to unbelievers.) Tas is with his father inspecting a vineyard he intends to buy. The bored youth sneaks off to relax alone in the solitude of the vineyard’s wine cellars. He’s found there by one of the vineyard’s workers, “a very large, jet black bull setting down a wine cask beside one of the large racks.” The massive bull, Leeroy, can scent that the little fennec is very aroused by him. And Leeroy is a dom while Tas is a sub.

“‘Now,’ he said, his free paw trailing up my arm, across my shoulder, all the way up to lightly brush across one of my ears. ‘I’ve always been told fennec foxes like having their ears rubbed.’ He ran his rough finger along the edge, his touch surprisingly delicate. ‘Friend of mine told me it gets ‘em all hot and heavy.’” (p. 12)

That’s only the beginning of a very NSFW scene.

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The Art of Cars 3, Foreword by John Lasseter – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Art of Cars 3. Foreword by John Lasseter. Preface by Brian Fee.
Introduction by Bill Cone and Jay Shuster.
San Francisco, CA, Chronicle Books, May 2017, hardcover $40.00 (167 [+ 1] pages), Kindle $16.19.

This is the official de luxe coffee-table art book of the Disney•Pixar animated film Cars 3, released on June 16, 2017. It presents sample storyboards, pastels, digital paintings, preliminary character designs, computer models, and more, usually in full color; plus research photographs of the actual racing cars and the Daytona Speedway that were a main inspiration for the 99-minute feature film.

It has been acknowledged that these “art of” books featuring animated films are money-losers, subsidized by the advertising budgets for those films, made for the promotion of those films and for the morale of the artists and technical crews that produced them. The Art of Cars 3 is full of the art of the animators, layout artists, production designers, story artists, digital renderers, graphic designers, modelers, and others who created Cars 3. As usual for these “art of” books, each piece of art is identified by its artist: Paul Abadilla, Grant Alexander, Bert Berry, Bill Cone, Craig Foster, Louis Gonzales, John Hoffman, Josh Holtsclaw, Katherine Kelly, Noah Klocek, Ivo Kos, Kyle MacNaughton, Scott Morse, George Nguyen, Bob Pauley, Laura Phillips, Jerome Ranft, Xavier Riffault, Tony Rosenast, Andrew Schmidt, Jay Shuster, Garret Taylor, J. P. Vine, and others.

In addition, there are quotes from these artists. “The film opens with an exuberant burst of racing, reintroducing McQueen at the top of his game. The goal was to immerse the audience in the excitement of racing and show the camaraderie between racers. It can be bewildering to know how to begin, but having a temporary piece of music helps set the tempo. Then I’ll thumbnail, usually discarding tons of shots until it starts to flow and build in the right way.” –JP Vine, story artist. (p. 25)

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Harassment in fandom needs to be taken seriously – guest post by Lamar.

by Patch O'Furr

Thanks to Lamar for submitting. His articles on Flayrah include this recommended one: “Furry, not an obscure little fandom any more” – it’s as relevant today as in 2011.

A couple of weeks ago I put out a call via Twitter, helpfully reposted by some high profile people, to see if I could get any first hand reports of how Convention and Security staff handled issues at Conventions.

I had exactly three replies in total. One saying that they had once reported someone vaping inside the convention space. One security staffer who was unable to discuss any details but expressed that incidents of harassment do happen, and have to be handled correctly and with care. And finally, another con staffer who accused me of being on a “fishing expedition” and using rumours to ascribe bad faith.

And outside of twitter I talked to a young member of the fandom, who continues to receive targeted convention related harassment. I’m going to call him Adrian, but that’s not his real name. Adrian shared copies of the messages. They include slurs and rants, including for instance “You ATTENTION seeking c***”. Adrian received this harassment, for speaking out about what happened to him at a convention some years ago. I ask him to talk about it.

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Léonid T. 2, La Horde, by Frédéric Brrémaud & Stefano Turconi – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Léonid. T. 2, La Horde, by Frédéric Brrémaud & Stefano Turconi.
Toulon, France, Soleil, May 2016, hardcover 10,95 (48 pages).

My thanks to Lex Nakashima, as usual for this French bande dessinée album.

Brrémaud is the author-artist of those French wordless “Love” animal albums that many fans collect, but in this case he is only the author. Turconi is the artist.

To repeat what I said about the first album, “The locale is the farming district of Deux-Sèvres, in central-west France. ‘Léonid is a cat, not yet an adult, but not a kitten, either. Just a young cat. He lives in a house in the district, in the midst of trees, pretty far from any city and close to a farm.’ Léonid is a young housecat, living with two other housecats (Hoa Mai, a Siamese, and Rosso, an elderly orange Pekinese) and a dog (Mirza, a toy terrier). His household is also the home of Atchi, a mouse constantly sneezing because he’s allergic to cat hairs. Léonid is allowed outside during the daytime to associate and play with the local feral cats; the female black-&-white Ba’on, and the males Bouboule (the fat one), Arsène (the nervous one), and an anonymous one (because he’s almost immediately killed). […] The Two Albinos is mostly the story of how Ba’on is kidnapped by the two albinos to be their slave, and how Léonid and Atchi, the sneezing mouse, venture outside to her rescue. They’re successful, but not really because Ba’on reveals that while she was in the albino cats’ power, they boasted that they are just the vanguard of ‘the horde’, ‘the avant-garde of the terror of Great Attila, our guide’ who will kill or enslave all the animals of the district.   Léonid, Ba’on, Aichi, Hoa Mai, Rosso, and Mirza are left wondering what to do when Attila and his horde arrive?”

In t.2, the Horde arrives. The animals in Léonid’s house – three housecats, Mirza the toy terrier, and Atchi the mouse are enjoying their daily life. Old Rosso, who is suffering erratic memory loss, sleeps most of the time. Young Léonid goes out each day to associate with the local feral cats, Bouboule, Arsène, and especially the female Ba’on. They are under the dubious protection of Zeus and Apollo, the farmer’s two large, fierce guard dogs who watch over his small flock of sheep. Before the coming of the Horde’s bloody outliers, Zeus and Apollo would tear apart any cat they could catch; but after the animals’ adventures together against the Horde’s scouts led by the two sadistic albino cats, the neighborhood pets and the guard dogs have made common cause against Attila’s coming Horde.

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Youtube’s popular Reptile Channel has a history of banned animal abuse by JonahVore.

by Patch O'Furr

Reptile Channel (UPDATE: 450,000+ subscribers in 2020, joined in 2016) — not the same as former The Reptile Channel (joined in 2014).

Love your pets. But don’t eat your pets.  And definitely don’t stomp them to death for sadistic sexual pleasure. That’s known as crush fetish, a thankfully illegal practice that qualifies for the Internet Hall Of Shame because of kitten murder. Such animal abuse has earned news and legal bans, but corporations have a problem with keeping it off their platforms. (Gizmodo: YouTube Won’t Ban A Guy Who Crushes Animals to Death.)

We can talk about weird stuff here. If you have gone down some shady alleys on the internet, you might have seen vore fetish. (That’s the erotic fantasy for consuming others or being consumed, which might involve dragons.) It’s usually harmless and imaginary in fiction and role-play.

A tip came in about a story that blurs the lines between those things.  Youtube’s Reptile Channel is a producer of videos that show small animals being fed to larger ones. They use a reasonable-sounding cover story about science, education and necessary feeding. But it’s tainted with a nasty secret: it was founded in vore fetishism, with a history of being protested.

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Monkey Wars, by Richard Kurti – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Monkey Wars, by Richard Kurti
NYC, Delacorte Press, January 2015, hardcover $17.00 (409 [+1] pages), Kindle $10.99.

Monkey Wars has been described as “a dark fable in the tradition of” – different reviewers have compared it to several other adult talking-animal novels; but almost always including Animal Farm and Watership Down. The British edition was nominated for two literary awards. It has been translated into French, German, and Japanese.

The novel, set in India, is based on the proliferation of wild street monkeys, usually rhesus macaques, in Delhi and Kolkata. They travel in troops and attack people if they are disturbed – sometimes when not provoked. The specific event that inspired Monkey Wars was from The New Delhi Times for 21 October 2007: “In a sinister development, the deputy mayor of Delhi, S. S. Bajwa, died this morning after being attacked by a gang of rhesus macaques.” But whenever the authorities try to curb the monkey problem, they are attacked by devout Hindus because all monkeys are believed to be sacred to Hanuman, the monkey god. Authorities have tried importing langur monkeys, a larger species, to scare the rhesus monkeys away, but with mixed success.

(This is still a problem. The New Indian Express reported on April 6, 2017 the discovery of a wild naked girl about 8 to 10 years old living with a troop of monkeys in the forests in northern India. When local police tried to remove her, they were attacked by the monkeys acting as though they were protecting one of their troop. The story was almost immediately disproven – the girl was wearing rags, and the monkeys ran away without attacking anyone. Authorities now believe that the girl, who is severely retarded, was recently abandoned by her family. But the story of a wild child being adopted and raised in the forests for years by monkeys was considered plausible.)

“They struck at noon.

Monkeys shrieked in confusion as langur fighters sprang down from the cemetery walls, howling in an attacking frenzy. As they stormed through the tombs, fear and panic flashed everywhere. And with the screams came the smell of blood.” (p. 5)

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The Mask of Bone, by Brian Panthera – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Mask of Bone, by Brian Panthera
Bloomington, IN, iUniverse, November 2016, trade paperback $20.99 (xvii + 331 pages), Kindle $3.99.

The Mask of Bone – which is only Book 1 of the Otherworlds saga – is High Fantasy. Really High Fantasy, replete with lots of footnotes. The first footnote is: “To reduce confusion, calendar dates in the text will use the Universal Calendar (UC), based on the Central Timekeeping System used by the kitsune of the dimension of Escher. 11973 UC corresponds to roughly 2001 A.D. in the Gregorian Calendar used in most dimensional variations of Earth, and 1507 KI in the calendar on most of Tayrik, which dates back to […]” Does that reduce confusion? The world of Tayrik is where the action begins.

“Long ago, the mask of bone was shattered, its bearer slain, the pieces stolen. They were scattered through the dimensions to prevent its reassembly.” (blurb) Xolotl, the Aztec guide to the dead, wants the Mask reassembled, and he drafts Pflarrian to do it. Pflarrian Collifox is a student at the Mirial’s Rock Academy of Magic (and Mayhem) on Tayrik who is slowly turning into a fox. He looks like a gaunt human with “a long, bushy red tail sticking through a hole in his jeans, and a pair of large, pointy, red, furry, fox ears sticking up from under a shock of long reddish-brown hair that was usually pulled back in a rough ponytail.” (p. ix)   Professor Verdigris, who is a dragon, has assigned Pflarrian to do something entirely different, but Xolotl waylays him and persuades him to search the dimensions for the pieces of the Mask before he finishes turning into a fox. Got all that?

Oh, and Pflarr’s girlfriend Marani is a sometimes-impulsive anthro jaguaress:

“She paused in the kitchen just long enough to wash Pflarrian’s blood from her claws before returning to bed.” (p. 78)

Despite The Mask of Bone’s being set in a supposedly predominantly human dimension, there are more anthropomorphic animals than humans in this novel; including gods taking on anthro animal forms:

“It was here, finally, that the goddess [Isis] found the one she had come here to speak with. He stood slightly stooped over as he leaned on the edge of a great carved-marble reflecting pool, gazing at something only he could see. Her quarry [Xolotl] was an impressive sight. Tall and broad-shouldered, he was a humanoid canine like the goddess’s current form, but where she had taken the form of a jackal, he bore the form and shape of heavier-set dog-being, looking more like a rough-coat collie. His fur was a dark, almost metallic bronze in most places, accented here and there with white and bone-colored highlights. Fine robes fit for an emperor draped his body, glowing with the colors of the setting sun. They were resplendent in rich tones of orange and red. His head was adorned with a heavy-looking gold crown of sorts, bedecked with an array of long, brightly colored feathers. They swept back from just behind his canine ears to a point almost two feet over his head. Matching golden bracelets rode his wrists. A chunky, heavy necklace formed of square blocks of gold graced his neck and shoulders, barely visible through the thick ruff of fur about his neck.” (p. xiv)

I’ve quoted that at length to give you a taste of Panthera’s opulent writing style. The book is full of furry references. Isis has issues with cat-headed Bastet. One of a college professor’s assistants is Kalya, an anthro black-footed ferret. Someone mentions getting in a shipment of citrus fruits from the Felinid Empire. “It [a doorknock] was answered by a diminutive female mouse in pale blue student’s robes. She looked up at Pflarrian, who towered a good two feet over her, and blinked in surprise.” (p. 55) “The immortal had rented a private room at the Sign of the Nine Tails, a kitsune-run restaurant of some renown near Temple Road.” (p. 83) “The wide variety of beings that inhabited the city caught the wolf’s attention. Humans, felines, canines, something with long, furless, pointed ears that Dashell figured must have been an elf, and a myriad variety of others!” (p. 49) Pflarr’s turning into a fox is constantly kept before the reader: “With a resigned sigh, Pflarrian knelt on the stone floor, making sure not to kneel on his own tail.” (p. 7)

To cut to the admittedly-confusing plot, the first page of the story (as distinct from the 17-page Prologue) begins:

“Dashell awoke to pain. It filled his head to the tips of his fuzzy black ears, ran down his arms and legs, and caused his furry wolf’s tail to twitch in irritation. It made him feel is if someone had been trying to use him as a pincushion.

In other words, he had a hangover.” (p. 1)

Dashell Grauvolf, an alternating black-&-white-furred anthro wolf, is also a college student (computer sciences major) in his dimension. He is kidnapped by a wannabe-demonic mad scientist in Pflarrian’s dimension, escapes before he can be experimented upon (MUHAHAHA!), and is rescued (kind of) by Pflarrian (they think by coincidence, but not really).

Xolotl, who has been scrying what is happening to Dashell (read the book to learn why), has his attention drawn to Pflarrian. He is shocked to find that the same spell that is turning Pflarrian into a fox has made him Xolotl’s champion, even if no one is aware of it. So he appears to Pflarrian to persuade him to search the dimensions for the pieces of the Mask of Bone. But Pflarr doesn’t go alone! He brings Dashell, Marani, and her big (over 8 feet tall) sister Hakarra with him.

They set sail for the Felinid Empire (and promptly get into a sea battle with anthro animal pirates) on page 107. The rest of the 331-page novel is Pflarr’s & Dashell’s adventures looking for the pieces of the Mask of Bone. They don’t find them yet. To be continued in Otherworlds, Book 2: The Fated Ones.

The Mask of Bone (cover imagery © Thinkstock) is good fun, especially if you like a lot of transformations. Be prepared for one of the characters (a wolf) to have a thick German accent:

“She sighed. ‘I vill explain later, D’shal. Meanvile, ve haf to make sure neizzer Faylarrian nor Zaul do anyzing rash, ja?’” (p. 64)

Fred Patten

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