Dogpatch Press

Fluff Pieces Every Week

Category: Opinion

February 14, 2017

Skeleton Crew, by Gre7g Luterman – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

gre7gSkeleton Crew, by Gre7g Luterman. Illustrated.
Seattle, WA, CreateSpace, August 2014/October 2016, trade paperback $8.95 (259 pages), Kindle $3.99.

This is the first hard science-fiction novel I’ve ever read with absolutely no humans in it. The cover by H. Kyoht Luterman (the author’s wife) shows two of the main characters; Commissioner Sarsuk, a kraken, holding Kanti, a geroo. All of the other characters in the novel are geroo. There are over a dozen full-page illustrations, most by Rick Griffin of Housepets! fame, showing such geroo characters as Kanti, Saina, Tish, Captain Ateri, Chendra, and more.

The geroo are unclothed, with thick tails and fur. There are frequent mentions in the text of twitching ears, tail rings, and the like. Kanti is called Shaggy for his unruly fur.

Skeleton Crew is set entirely on, or within, the huge generation exploratory starship White Flower II in interstellar space. There is a two-page cutaway diagram of the White Flower II by Brandon Kruse. Four centuries earlier, the krakun came to the primitive planet Gerootec and offered to hire thousands of the overpopulated geroo as their starship crews. The geroo who went into space and their descendants would never see Gerootec again, but they would live in luxury compared to the backward geroo on their homeworld. Technically, the White Flower II belongs to the krakuns’ Planetary Acquisitions, Incorporated, with a mission of finding new planets that can be colonized.

New planets for the krakun. Never for the geroo.

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February 13, 2017

On February 17, don’t go to work – go fursuiting for a General Strike in the USA.

by Patch O'Furr

Political Animals.

animalfarmWhat does Furry have to do with politics?  Nothing. Or a lot.  (Kinda like kink). It’s up to you. Maybe you just like talking-animal media.  Or maybe you like media that’s inseparable from a culture that’s cracking apart.

This group is about talking animals, but it’s made of people, and we don’t exist in a vacuum. (The vacuum is just there to pick up all the shedding.) So for those who care… Let’s recap some previous stories that relate to this, then see what’s up now.

Start with the San Francisco Bay Area.  It has the world’s most dense population of furries, and it’s the epicenter for a rent crisis. That big trend hit the local group when their premiere monthly event, Frolic furry dance was pushed out of it’s home.

Across the bay, on the day Frolic restarted, the Ghost Ship warehouse fire killed 36 fellow party goers at an electronic music show.  It instigated a national purge of underground cultural spaces.  This blog is written from one of those spaces, and narrowly escaped being forced out in a wave of evictions.  Economic class issues are personal here.

Go back to 2012 and the East Coast.  Money, sex and politics crashed into furry fandom in a mini-scandal of “fake news” with the New Jersey FurBQ Hoax.  Looking back now, you might see some of the sparks that turned into 2017’s political dumpster fire. I’m talking about the way the group was split up by dishonesty and xenophobia, and manipulated as pawns for politics.

Furries got scapegoated for having a harmless party. It made me say: “Fun is serious business because it has to do with liberties.”

There’s some examples of how furries have long experience with fake news, they can be vulnerable as a subculture, and they can share a common cause with other marginal communities. (Don’t forget their sizeable queer membership.) You don’t have to agree about politics, but there are good reasons to pay attention. From anti-mask laws, to anti-LGBT legislation and anti-kink moral panic, furries will be part of many fights to come.

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February 8, 2017

Domino, by Kia Heavey – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51tou2Wni4LDomino, by Kia Heavey.
Greenwich, CT, Unfiltered Creative, January 2016, trade paperback $11.95 (267 pages), Kindle $3.49.

Domino is a large black-&-white barn cat on the Browns’ farm, encouraged to roam it for rodent control. He is unneutered to make him more aggressive. He is complacent as one of the socially dominant cats in the nearby residential neighborhood prowl, along with his best friend Flufferdoodle and others such as Tiger, Cricket, Mister, Lady, Rudy, and Izzy.

Then two new cats enter the neighborhood. Celine is a black field stray who likes a free life, living outside of being a housecat. She becomes Domino’s equal, supporter, and eventually mate. Socrates is a supercilious but charismatic Siamese intellectual who spellbinds most of the other cats with the philosophy that all animals are transcendent – they can transcend their feral instincts if they only try. They all have souls and similar emotions. The cats all have humans who feed them, so they don’t need to go hunting for prey. Domino is amused at first, then alarmed as he sees more and more of his friends listening to Socrates. He is gradually isolated and sidelined as a social boor and killer of helpless wildlife. Domino suspects that Socrates and his housemate, Max the dog, have an ulterior motive, but he can’t figure out what it is.

Then Socrates introduces the rats.

The cover by Damon Bowie shows that either Domino is a small cat, or those are large rats. Domino is a very large cat.

Heavey writes clever dialogue:

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February 6, 2017

Culdesac; A Novella from the War With No Name, by Robert Repino- review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Culdesac; A Novella from the War With No Name, by Robert Repino.
NYC, Soho Press, November 2016, trade paperback $9.99 (110 pages + an 11-page preview of D’Arc), Kindle $7.99.

CuldesacThis is a side-story to Repino’s Mort(e), reviewed here in June 2015. In Mort(e), the ants declare a war of extinction against mankind. In addition to fighting humanity by themselves, including producing human-sized ant warriors, they use their “mysterious technology” to transform all animals into anthropomorphic intelligent beings. “Suddenly, farm animals, ferals, and pets could think and speak. Their bodies changed, allowing them to walk on their hind legs and use their hands like a human.” (p. 1)

The protagonist of Mort(e) is Sebastian, a pet housecat. When he is transformed, he takes the name Mort(e) and becomes a warrior in the elite Red Sphinx guerilla company under Captain Culdesac, a bobcat. When the ants and animals win, he is given ownership of the home he used to live in as a pet. But he remains a loner, skeptical about the animals’ alliance with the Colony, the underground ant super-nest; and about the animals’ ability to build a new society more successful than the humans’ had been. When the last human survivors resume the war with a new weapon, Mort(e) rejoins the Red Sphinx. The conclusion of the novel reveals whether the animals’ new world is stable, what the Colony’s true goal is, and what happens to Mort(e).

Culdesac takes place during Mort(e). It focuses upon the bobcat commander of the Red Sphinx, who is only a minor supporting character in Mort(e). Unlike Mort(e), who had known humans as a pampered pet and had doubts about turning upon them, Culdesac was a wild predator who grew up knowing only the law of kill-or-be-killed. He brings that attitude to the Red Sphinx.   “Relentless, bloody, and unforgiving, Culdesac is the story of an antihero with no soul to lose, carving a path of destruction that consumes the innocent and the guilty alike.” (blurb)

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February 3, 2017

More Furries Are Being Featured in the Media, and That’s Good

by Pup Matthias

drakerogers-furries-in-the-media-with-aberguine

Art by Aberguine

Is it me or are Furries popping up in news stories more? It feels strange to bring it up, but I swear the fandom has been getting more media attention and a good amount of it has been positive. Yes, I know, it weirds me out too. The reason I’m writing this opinion piece is, in part, because of my own history in the fandom. I got involved with the Furry Fandom around 2009. If you were a Furry around that time you were under the shadow of, what I prefer to call, the “Vanity Fair Era”. Named that cause of the infamous article published by Vanity Fair titled, “Pleasures of the Fur”, in 2001. Which presented the Furry Fandom as a sexual fetish and only as a sexual fetish. Along with MTV’s Sex2K episode, “Plushies and Furries,” and the famous CSI episode, “Fur and Loathing,” in 2003 that painted a clear picture of the fandom to mainstream audiences. Supposedly we are about sex and only sex.

Of course that isn’t true. It’s a part of the fandom but it’s not what defines the fandom. Furries are people who love walking talking animals and how they show that love depends on the person. It is as silly for people as it is serious. You can have a fursuit or not. You can create artwork in the fandom or be an observer. It can be sexual for you and it cannot. We all have different levels based around that same love and as long as we are respectful and understand people’s different viewpoints we bring forward a beauty of community the Furry Fandom provides. Anyone who has been in or actually explores the fandom understands that, but with stories like CSI that wasn’t what people were seeing. It’s why for the longest time, and still to a degree, Furries don’t talk to the media because the media has done a poor job with representing us.

Which has lead to moments like the Inside Edition undercover story at FC in 2015 or several smaller press organizations trying to sneak in to get the right sound bite that fits into the ‘Furries as only a sexual fetish’ narrative. I remember when getting involved with the fandom watching those Uncle Kage videos about how to interact/ avoid the media or how he responded when the media went to him. There was no question about it. If you were a Furry under the Vanity Fair Era you were one of the lowest of the low. Someone to be openly mocked and ridiculed. Something you had to hide.

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January 25, 2017

Artstuffs, by Melody Wang – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

40593Artstuffs, by Melody Wang
Toronto, Ontario, The artist, November 2016, $20.00 (unpaged [48 pages]).

This is not a book as much as a book-format folio of 48 pages of the artist’s color illustrations, drawings, and sketches, on thick glossy paper. There is no subject. Like most artist’s sketchbooks, this is a hodgepodge of whatever the artist has felt like drawing.

What Melody Wang has felt most like drawing is anthropomorphic animals. There are Constable Nips and Inspector Porkington, of her student film. There are rabbits, pigs, and other animals in late-Victorian dress. Even when she is sketching the plants in a greenhouse, she usually has added an anthropomorphic animal or two. Her birds, “Wingfolk”, are particularly wonderful. A couple, such as the one of a man turning into a mandrill to his young daughter’s delight, cry out for having a story behind them.

Some of these are in black-&-white linework, but most are in full color. There are experiments in pastels and linocuts as well.

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January 20, 2017

Urchin and the Raven War, by M. I. McAllister – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51Nh4vyr8BL._SY346_Urchin and the Raven War, by M. I. McAllister. (The Mistmantle Chronicles, Book 4.) Illustrated by Omar Rayyan.
NYC, Hyperion Books for Children, October 2008, hardcover $17.99 (284 pages), Kindle $6.99.

Urchin and the Rage Tide, by M. I. McAllister. (The Mistmantle Chronicles, Book 5.) Illustrated by Omar Rayyan.
NYC, Disney • Hyperion Books, July 2010, hardcover $17.99 (268 pages), Kindle $6.99.

This is a guilty review. I reviewed the first three Mistmantle Chronicles for Cubist’s Anthro magazine in 2007 and 2008. Then Anthro ceased publication. An additional complication was that the first three books appeared first as British paperbacks, with the American hardcovers as reprints. When I looked for any subsequent books, I looked on Amazon.uk and didn’t find any. This was because there weren’t any more British editions. Books 4 and 5 were only published in America. So I never reviewed them when they were first published.

Fortunately, they are still available, so I am correcting that error now. The Mistmantle Chronicles are technically children’s books, but they are very similar to Brian Jacques’ Redwall novels, and those are enjoyed by readers of all ages. If you are fond of serious adventures featuring talking animals, don’t miss The Mistmantle Chronicles.

The setting of Urchin of the Riding Stars (January 2005), Urchin and the Heartstone (April 2006), and The Heir of Mistmantle (March 2007) is the isolated island of Mistmantle, hidden by thick sea mists (I was going to say fog, but McAllister makes a distinction between fog and mists). It is a kingdom shared by four British woodland animal species living in harmony: hedgehogs, moles, otters, and squirrels. When the series starts, Mistmantle is ruled by good King Brushen, a hedgehog. But there have been other dynasties in the past, and there is no prejudice against a new king from one of the other species. Whenever a dynasty does not have an heir, the senior captain becomes the next king. The captain (there are traditionally three) is a combination of a royal advisor and leader of the royal guards.

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December 20, 2016

Goddess, by Arilin Thorferra – book review by Greyflank.

by Patch O'Furr

Goddess by Arilin Thorferra – guest review submitted by Bill Kieffer, AKA Grayflank (author of The Goat: Building a Perfect Victim.)  See also Fred Patten’s review of Goddess.  Guests are invited to submit articles to: patch.ofurr(at)gmail.com.

GoddessA childhood full of monster of the week movies made me into the horse I am today. As a horror fan, giants hold a very special place in my heart. Giants played no small (ahem) part in helping me see monsters as more often dangerously misunderstood creatures than outright evil figures.

And, yet, I don’t particularly find myself attracted to the giant mythos. Not that I’m against Macrofurry stuff. I do like transformation stories and I do like submissive characters; so there’s quite a bit of overlap there with size shifting.

In this tale, set in a furry universe in a vague period prior to Hawaii’s statehood, Russel the cougar is looking to become a literature professor at a very posh American University in San Francisco. It’s probably in the 1950’s, even if the villain of the piece, Cornelius Bennett, is known as a “rail baron.” The first few pages felt nearly as staid and boring as any academic event that one might expect, but when the curvaceous otter Kailani enters the scene, things to pick up. I enjoyed every scene Kailani was in; even the scene where they are discussing The Great Gatsby. She is simply one of those people who are larger than life. *ahem*

And it’s to the authors credit that Kailani’s robust presence doesn’t overshadow the other characters in the scene with her. Russell becomes a bigger personality when he’s with her and, later, trying to be with her. Often in stories with this type of transformation from quiet protagonist with a plan to hero of the tale, the author relies on the cast to tell the hero/heroine that she changed. Here, I felt it.

No one had to tell me.

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December 15, 2016

The Art of Moana, by Jessica Julius and Maggie Malone – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer

9781452155364_flatcoverThe Art of Moana, by Jessica Julius and Maggie Malone. Preface by John Lasseter. Foreword by Ron Clements and John Musker.
San Francisco, CA, Chronicle Books, November 2016, hardcover $40.00 (160 pages), Kindle $16.19.

Moana is a 103-minute 3D computer-animated comedy fantasy feature film from Walt Disney Animation Studios, released on November 23rd, 2016. The Art of Moana is a coffee-table, full-color art book describing that film, and its making, in detail. Jessica Julius and Maggie Malone, the book’s authors, are both veteran executives at Walt Disney Animation. Julius wrote The Art of Big Hero Six and The Art of Zootopia. The preface is by John Lasseter, the director responsible for turning the Pixar and Disney studios into the powerhouses of theatrical feature animation in the last two decades. The foreword is by Ron Clements and John Musker, the co-directors of many other Disney features including The Little Mermaid and Aladdin.

The Art of Moana is a de luxe art book about the film and its making, with detailed visual samples and background information. For those interested in the film, this book is worth getting for the names of all the characters alone. The rejected preliminary designs of the main characters will be fascinating, also.

The film’s plot is summarized in its official blurb.

“Three thousand years ago, the greatest sailors in the world ventured across the Pacific, discovering the many islands of Oceania. But then, for a millennium, their voyages stopped—and no one today knows why. From Walt Disney Animation Studios, Moana is a CG-animated adventure about a spirited teenager who sails out on a daring mission to prove herself a master wayfinder and fulfill her ancestors’ unfinished quest. During her journey, Moana meets the once-mighty demi-god Maui and together they traverse the open ocean on an action-packed adventure, encountering enormous fiery creatures and impossible odds.”

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December 2, 2016

Wishing Season: Holiday Tales of Whimsy and Wonder, by Renee Carter Hall – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer

51nkl1nx7zlWishing Season: Holiday Tales of Whimsy and Wonder, by Renee Carter Hall
Seattle, WA, CreateSpace, December 2015, trade paperback $7.99 (125 pages), Kindle, December 2014, $2.99.

This little collection presents seven gentle short fantasies “for all ages” about the Christmas spirit. The title implies that these may cover the different holidays of the year, but they are all about either a snowy Christmas, a snowy winter, or Santa Claus – in any case, stories to read while relaxing in a warm home during a snowy December. If you want to read them aloud to small children; why, some of these were originally heard as broadcasts of the Anthro Dreams Podcast. Two tales, “The First Winter” and “Santa’s Summer Vacation”, are written especially for this booklet. Wishing Season itself was published as an e-book for the Christmas 2014 season, and as a trade paperback for Christmas 2015.

Hall’s tales are imbued with a modern Christmas mythology – that of Rudolph the Red-Nosed Reindeer, the Grinch, It’s a Wonderful Life, and all those animated movies and TV specials showing Santa’s elves as having automated the North Pole.

In “The Gingerbread Reindeer”, Santa’s eight reindeer are having trouble pulling the sled of presents on Christmas eve because Rudolph has broken a bone and can’t lead the others. Boreas, the spirit of winter, enchants a little girl’s reindeer gingerbread cookie into Cinnamon, a gingerbread real flying deer to replace Rudolph. When the Unmaker, the anti-Christmas, attacks, it’s Cinnamon who saves them all.

“The visitor bore the form of a frost-elf, slender and sharp, with knowing eyes, but his body faded like silver fog at the edges. Boreas was winter given shape, the power by which the run was made each year, by which time was frozen for a single night while magic was worked for the young. It was not often that he appeared.” (p. 11)

Hall’s evocative writing makes you wish that her original characters like Boreas and Cinnamon were permanent parts of the Christmas spirit – though we could do without the Unmaker.

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