Dogpatch Press

Fluff Pieces Every Week

Category: Opinion

Costume bans and security, part 2: A furry movie theater worker’s opinion.

by Patch O'Furr

This guest post is by a furry and usher for Cinemark, one of America’s largest theater chains.  He asked not to be named for employment reasons.

He raised an international issue I didn’t think of in Part 1. France has had some high-profile riots and political violence. As a result, since 2011, the country has a law making it “illegal to wear a face-covering veil or other mask in public places”. It’s caused interesting enforcement, like banning costumes on Halloween.  Comments wanted from French furries – has this affected anyone personally?

(UPDATE:) This article was completed on November 13, only hours before a mass shooting in France hit the news. Relevant detail: “Julien Pierce, a Europe 1 journalist… has described what he saw: ‘Several armed men came into the concert. Two or three men, not wearing masks…'”  Fans watching the band “Eagles of Death Metal” were shot.  It’s interesting how heavy metal and violent movies have been unfair scapegoats for moral panic in the past.  Will it increase for costumers?  From tiny conventions to large shows, let’s value culture and liberties.  Let’s also send community sympathies to those affected in France.

– Patch

Guest opinion from a furry theater employee about costume bans.

For a second, I thought the US was considering a rule where costumes aren’t allowed anywhere except homes and conventions (kinda like what France is doing).

First off, I think the rule these theaters made are over-paranoid. I’ve taken a look at the 2012 Aurora Shooting (which started it all).  Here are some important facts I noticed that I think Cinemark overlooked when they made this rule.  (PLEASE NOTE: I got most info from wikipedia, so you may want to verify on your own.)

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Bad news for fans who plan to see highly anticipated movies in costume.

by Patch O'Furr

In March, Zootopia is going to bring all the furries!

Everywhere furries are, they’re talking about meets for Zootopia’s opening week.  My area has a proposed meet (without even a location) and already 44 are signed up. At this rate, they’ll pack a whole theater of their own (and it’s being arranged.)  Mention the idea, and without fail everyone loves it. Many want to go in fursuit.  I won’t be surprised if furmeets makes headlines.  I feel like this movie will bring Furry Fever like no other.  Is this happening in your area, too?

Why go to the movies in costume?  You’re just sitting in the dark.  Well, for some it’s just a great excuse to celebrate a shared experience with fandom. (NOTE: There has been a lot of confusion about this.  It doesn’t mean to wear a costume DURING the movie.)

Here’s a sign of the hype.  In June, maker Crafty Critters went outside furry preference for all-original characters by making a Nick Wilde Cosplay fursuit.  It appeared astonishingly early after Disney’s June 11 release of the Zootopia trailer – just in time for Anthrocon.

Nobody knows who the owner is.

At Anthrocon. Nobody knows who the owner is.

Buzz kill – Theaters are getting paranoid about security and banning masks. (NOTE: the entire article was completed prior to tragedies in France.)
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Far-Seer, Fossil Hunter, and Foreigner, by Robert J. Sawyer – Book reviews by Fred Patten.

by Patch O'Furr

Here’s one for the scalies! Submitted by Fred Patten, Furry’s favorite historian and reviewer.  Originally written for Quentin Long’s Anthro Magazine.

Far-Seer, by Robert J. Sawyer. Map by Dave Dow.
NYC, Ace Books, June 1992, paperback 0-441-22551-9 $4.99 ([6 +] 257 [+ 1] pages).FRSR1992

Fossil Hunter, by Robert J. Sawyer. Map by Dave Dow.
NYC, Ace Books, May 1993, paperback 0-441-24884-5 $4.99 ([6 +] 290 [+ 1] pages).

Foreigner, by Robert J. Sawyer. Map by Dave Dow.
NYC, Ace Books, March 1994, paperback 0-441-00017-7 $4.99 ([8 +] 285 [+ 1] pages).

Science fiction novels about talking dinosaurs are rare. Robert J. Sawyer’s Quintaglio Ascension trilogy is unique in making the dinosaurs the intelligent evolved descendants of Earth’s tyrannosaurs on an extra-solar planet where they have created their own civilization, which is about to end if they do not discover space flight soon and leave their doomed world.

Unlike other series that consist of a popular original novel followed by its sequels, Sawyer planned his Quintaglio novels as a series from the start. They may be considered as a single novel in three parts, then.

The Quintaglio Ascension was very popular. Far-Seer and Fossil Hunter won the HOMer Award in 1992 and 1993, on the Science Fiction and Fantasy Literature Forum on the CompuServe Information Service. All three were agreed in s-f discussion groups as deserving further awards, and Far-Seer was reprinted in hard covers by the Science Fiction Book Club. The Canadian Sawyer was invited as a Guest of Honor at ConFurence 8 in 1997 because of them (one of the themes of ConFurence 8 was “Reptiles”), and all three were reissued by Tor Books in 2004-’05.

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Guardian Cats and the Lost Books of Alexandria, by Rahma Krambo – Book Review By Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

519eO6qQBPLGuardian Cats and the Lost Books of Alexandria, by Rahma Krambo
Yuba City, CA, Reflected Light Books, July 2011, trade paperback $6.99 (261 pages), Kindle $2.99.

This is an attractive and easily-read fantasy for Young Adult and adult cat lovers, announced as the first in a series. It emphasizes “magical realism” rather than any s-f or fantasy nature. The animals can just talk, that’s all.

Marco is a pampered young housecat who learns to read when his human, young Lucy, leaves books out where he can get at them at night. Soon he is lost in what Lucy likes to read, which is Young Adult adventure and fantasy. The reader will recognize The Lion, the Witch, and the Wardrobe and The Three Musketeers. “In the wee hours of the night, Marco became a warrior, a wizard, a wanderer, but he was always the hero. When Marco read, he forgot he was a cat.” (p. 2) An emergency – the reader will recognize Lucy’s grandmother being rushed to a hospital – empties the house of humans. After a couple of days alone, Marco ventures outside.

Marco does not fare well as an urban feral cat. His wandering takes him to an old library full of so many wonderful books that he almost forgets his search for food. He is shy, and he avoids anyone until he comes to one room:

“Marco moved into the doorway. On a long table sat a cat. Not the same as the one in the window. This one, larger and silver-spotted, was hunched over a book. All around him were stacks of books, and he seemed not to notice anything except what he was reading. His tail, laid out to the side, quivered in annoyance.” (p. 18)

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The Stolen Guardian, by R. A. Meenan – Book Review By Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Stolen Guardian, by R. A. Meenan.zyearth
Los Angeles, CA, Starcrest Fox Press, October 2015, trade paperback $10.99 (430 pages), Kindle $1.99.

“Ouranos crept through the dense green forest, following an overgrown path leading toward the sea. He scratched the black fur under the short quills that topped his head and bent a catlike ear back with a frown, his bare, clawed feet padding noiselessly on the dirt. His simple red clothes, while appropriate for his royal status, made him feel too conspicuous against the green of the trees. He chanced a glance behind him.” (p. 9)

Ouranos is a quilar from the planet Zyearth. This first paragraph shows that The Stolen Guardian, Book One of The Zyearth Chronicles, isn’t set on Earth, and that the lead characters are furry but not based on any Earth-evolved animals.

With Chapter 2, though, we get a space patrol team, still not on Earth; the Zyearth Defenders (whose top agents are the Golden Guardians), and they are just funny animals in spiffy uniforms.

“A tall gray stag with silver antlers in velvet stood in front of Matt with a manic look on his face and a pistol aimed at Matt’s snout.” (p. 38)  – “A white wolf with thin glasses and dark yellow eyes appeared in the hologram. His face looked worried at first, but immediately relaxed with relief. Matt allowed himself a smile. Lance Tox, Master Guardian of the Defenders. He’d normally never make personal calls, but Matt could tell he had been concerned.” (p. 67)

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It was so much fun to be in an outrageous Rap CD and a live comedy show!

by Patch O'Furr

You never know what Halloween will bring in San Francisco.  You can tour an Erotic Haunted House based on “Dante’s Inferno”, at a landmark castle (used as a BDSM porn studio), full of circus performers ready to give an amazing show.  That’s Hell In The Armory.  It’s the only place around that has great job opportunities for evil masturbating clowns.  I guess it’s a living in a dog-eat-dog economy, where workplaces are literally Hell.

It’s part of San Francisco’s lively scene of subcultural circus theater, avant-cabaret, and burlesque, that crosses over with comedy and music.  If you’re bold enough to get a taste – soon you might be throwing your own ingredients into this strange, sexy mix of alternative media and shows.

That’s how I ended up in this rap video, wearing bling and drinking from the potty like a happy puppy dog.  There’s no excuse, it just tasted so refreshing… Mmm!  Here’s the story of MC Crumbsnatcher and his Nerdcore comedy rap with furries. (The naughty potty part is at 3:09). NSFW:

Now I’m inside the CD.  Thanks, Crumby for this super classy opportunity.

It's actually a guy in a toilet suit - a Pottysona.

Actually a guy dancing in a potty suit – a Toiletsona.

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Wild Dog City, by Lydia West – Book Review By Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

wild dog cityWild Dog City, by Lydia West
Raleigh, NC, Lulu.com, September 2014, hardcover $35.99 (iii + 264 pages), trade paperback $17.99, Kindle $5.99.

The opening of Wild Dog City is deliberately confusing.

“It was utterly dark, the cold air sinking in the high concrete tunnel with a dull rushing sound, like the long sigh of an invisible giant. The blackness was really absolute; the platforms and the blandly tiled walls and the trench lined with a metal track were all blanketed in that whispering emptiness. The electric lights that had once lit the subway had long since sputtered out.

But there was a sound, under the humming of air; claws softly scratching concrete.

‘Mother!’

The voice was high and strange, the word sharp in the blackness. It came again.

‘Mother! Mother, are you here?’” (p. 1) Read the rest of this entry »

Eludoran: The Legend of Lorelei in a Geste of Grave Misconceptions, by Jonathan Goh – Book Review By Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

eludoran coverEludoran: The Legend of Lorelei in a Geste of Grave Misconceptions, by Jonathan Goh. Illustrated, map, by Anya Ewing.
Singapore, Partridge Publishing, December 2014, hardcover $48.38 (877 pages); Bloomington, IN, Xlibris, February 2015, trade paperback $32.25 (868 [+ 1] pages), Kindle $3.99.

(As far as I can tell from the fine print, Eludoran was published in hardcover by Partridge Publishing in Singapore in December 2014, then in an almost but not quite identical trade paperback edition by Xlibris, which is headquartered in Bloomington, Indiana but has offices all around the world. Its edition of Eludoran comes from Xlibris’ office in Gordon, NSW, a suburb of Sydney. Does anyone besides me care about this trivia?)

Eludoran is furry epic poetry in alliterative verse, inspired by J. R. R. Tolkien. It begins with a quote from Tolkien’s The Lay of Leithian, and is “In memory of John Ronald Reuel Tolkien”. It is presented in three Acts; the first two of 16 Cants (cantos) each, and the third of 12 Cants. Each Act opens with a detailed map or a full-page illustration. Read the rest of this entry »

Cat Crimebusters and Other P.I.’s on Paws – Book Review By Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

31Ys21veVpLI have written lots of reviews of French talking-animal comic books. It’s time to also cover talking-animals in text in the mystery/detective novel field. Here is a profile of one of the oldest series of all; the Midnight Louie novels by Carole Nelson Douglas. Future articles will present other cat crimebusters, dog detectives (mostly the Chet and Bernie series by Spencer Quinn), and a whole slew of German animal sleuths from Akif Pirinçci’s brutal Felidae novels to Moritz Matthies’ “ultra-cool” novels about meerkat detectives who sneak out of the Berlin Zoo to investigate animal murders.

This is a sort-of milestone in the annals of the cat crimebusters. By that, I mean the feline murder mysteries that have been so popular among mystery fans for the past three decades. And I don’t mean all the “cat cozies” in which an unanthropomorphized pet cat tags along with the human amateur detective while she solves the crime. I mean those in which the cat is the real detective – and usually the narrator – finding the clues, and surreptitiously batting them out for the human amateur detective or the police to find.

The milestone is the almost-conclusion after two and a half decades of Carole Nelson Douglas’ Midnight Louie alphabet series. She has been writing one or two a year in alphabetical order for over twenty-six years. This year, in 2015, she has reached the end of the alphabet with Cat in a Zebra Zoot Suit, published on August 24. Temple Barr is a young publicist in colorful Las Vegas living in a rundown but exotic apartment house. She is “adopted” by Midnight Louie, a stray slightly-overweight black cat (about 20 pounds) who moves in. While Louie detects for the animals, the main crimes are human that Temple has to solve. Louie surreptitiously helps. There are Temple Barr, the Las Vegas publicity agent who is Louie’s apparent owner and unsuspecting cover for his detecting – Max Kinsella and Matt Devine, Temple’s two lovers – Carmen Molina, the hard-as-nails Las Vegas female police detective who gives Temple and Louie a hard time – Electra Lark, Temple’s elderly Circle Ritz apartment-house manager, and Van von Rhine, owner of Vegas’ high-end Crystal Phoenix hotel, Temple’s main client – Louie’s Midnight Investigations, Inc., later expanded into his Vegas Cat Pack assistants including Midnight Louise, his (probable) daughter, and Ma Barker, his mother – and too many to list here. Next year the 28th novel in the series, Cat in an Alphabet Endgame, will wrap it all up. (Though Douglas has promised that Louie will go on to new adventures.)

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The Prophecy Machine and The Treachery of Kings – Book Reviews by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

the Prophecy MachineThe Prophecy Machine, by Neal Barrett Jr.
NYC, Bantam Books/Spectra, November 2000, 0-553-58195-3 paperback $6.50 (342 [+ 1] pages).

The Treachery of Kings, by Neal Barrett Jr.
NYC, Bantam Books/Spectra, August 2001, 0-553-58196-1 paperback $6.50 (326 [+ 1] pages).

In works of fiction, usually the focus is upon the plot, or the main characters. In The Prophecy Machine by Neal Barrett, Jr. and its sequel, The Treachery of Kings, it is the setting: the weird, wonderful world in which the stories take place.   In its land of Makasar, to quote The Prophecy Machine’s blurb, “Its two major religions are Hatters and Hooters. During the day, Hatters, wearing hats of course, wander about jabbing pointy sticks into bystanders. The night is ruled by the Hooters, who hoot and set fire to people and things. Hospitality is considered a capital crime. And Newlies, the humanized animals, are treated lower than scum.”

The protagonist in this fey world is Master Lizard-Maker Finn, who runs The Lizard Shoppe in Ulster-East, where he makes mechanical lizards such as the one on his shoulder when he is introduced aboard the ocean vessel Madeleine Rose:

“‘What I thought is,’ the captain said, rubbing a sleeve across his nose, ‘I thought, with the salt air and all, the ah–object on your shoulder there, that’s the thing I mean, might be prone to oxidation, to rust as it’s commonly called.’

‘Indeed.’

‘I’ve been some curious, as others have as well, just what it might be. Now don’t feel we’re trying to intrude . . .’

‘Of course not, sir.’ Finn smiled, taking some pleasure in finding the captain ill at ease. ‘What you speak of is a lizard. I design and craft lizards of every sort. Lizards for work, lizards for play. Lizards for the rich and poor alike. I make them of metal, base and precious too, sometimes with finery, sometimes with gems. The one you see here is made of copper, tin, iron, and bits of brass.’

The captain closed one squinty eye, looked at Finn’s shoulder, then looked away again.

‘And these–lizards, what exactly do they do, Master Finn?’

‘Oh, a great number of things,’ Finn said. ‘When we have some time I’d be pleased to explain. It might be I can make one for you.’” (The Prophecy Machine, p. 3)

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