Dogpatch Press

Fluff Pieces Every Week

Category: Opinion

May 6, 2015

Abandoned Places – Book Review by Fred Patten

by kiwiztiger

 

Submitted by Fred Patten, Furry’s favorite historian and reviewer – with pawesome assistance from Kiwi Tiger.

abandonedplaces_webThis anthology of 16 original furry horror stories was published to debut at Midwest FurFest 2014 on December 5-7. Each story has a full-page frontispiece by Silent Ravyn. To quote FurPlanet’s blurb:

“From stories about being abandoned in the heart of civilization to stories about forced abandonment for the sake of science to how abandoned places affect the mind; the stories in this anthology cover a large range of genres and types of abandoned places.
Each one with their own little piece of personal horror laying among the ruins, ready to strike when you least expect it.”

“Empathy” by Rechan doesn’t say so, but it is obviously inspired by the Kitty Genovese incident in 1964. Morty, an old man, falls on an icy sidewalk during winter and breaks his hip. He calls for help, but everyone who passes just ignores him – except the hungry rats in the garbage. The talking rat that taunts the dying Morty is what makes this a furry story. Nice but too slight.

In “Belief” by Bill Rogers, Fosse (badger) is hired by Alexander (bear) and Nicky (doe) to take them into a “spooky” abandoned mine to get video footage that can be sold to the Haunted Places TV show. There is a cave-in and Fosse is trapped alone in the black tunnel. Does he see real ghosts of miners killed long ago, or is it just his imagination? “They can’t hurt you if you don’t believe in them…”

In “Stared Too Deeply” by Tyler David Coltraine, four college students – Rick (wolf), Rodney (Rottweiler), Bella (rabbit), and Dave (raccoon) – explore an abandoned long, dark, underground service tunnel. At least one of them is not what it appears. This story should not have been placed so closely to the one before it. Read the rest of this entry »

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May 5, 2015

The Furry Future: Today’s Furry Fiction? – book review by Phil Geusz.

by Patch O'Furr

Esteemed Furry author Phil Geusz submits this guest review of…

The Furry Future; 19 Possible Prognostications, edited by Fred Patten
Dallas, TX, FurPlanet Productions, January 2015, trade paperback $19.95 (445 pages)

Furry book reviewers must always begin their task at a marked disadvantage to the critics of other genres, because in order to be comprehensible to non-fandom readers we must first define what a furry story actually is. No one seriously questions what does and does not constitute a mystery story, for example. Nor must romance critics explain or defend the basic elements of their particular flavor of literature. I’d assume that this sort of problem automatically goes along with being a new kid on the literary block except that most readers seem to have a fairly good grasp of steampunk, which is perhaps even more recent a phenomenon than furry.

So, what makes furry different?

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April 30, 2015

Dancing With Bears – Book Review by Fred Patten

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dancing With Bears, by Michael Swanwick.
San Francisco, CA, Night Shade Books, May 2011, hardcover $24.99 (268 pages).

51wb22YvMqLThis is the first “Darger and Surplus” novel, although it follows two short stories and a novelette; “The Dog Said Bow-Wow”(2001), “The Little Cat Laughed to See Such Sport” (2002), and “Girls and Boys, Come Out to Play” (2005). Aubrey Darger and Sir Blackthorpe Ravenscairn de Plus Precieux (“Call me Sir Plus”) are two charismatic con-men in the postutopian future. Darger is human; Surplus is a dog. To quote the opening of “The Dog Said Bow-Wow”:

“The dog looked like he had just stepped out of a children’s book. There must have been a hundred physical adaptations required to allow him to walk upright. The pelvis, of course, had been entirely reshaped. The feet alone would have needed dozens of changes. He had knees, and knees were tricky.

To say nothing of the neurological enhancements.

But what Darger found himself most fascinated by was the creature’s costume. His suit fit him perfectly, with a slit in the back for the tail, and – again – a hundred invisible adaptations that caused it to hang on his body in a way that looked perfectly natural.

‘You must have an extraordinary tailor,’ Darger said.

The dog shifted his cane from one paw to the other, so they could shake, and in the least affected manner imaginable replied, ‘That is a common observation, sir.’”

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April 29, 2015

Wolfy, the Incredible Secret – movie review by Fred Patten

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Wolfy, the Incredible Secret. Directed by Eric Omond. 82 minutes. December 18, 2013 in France; March 17, 2015 in the U.S. (DVD).

 51j8S0HiH9L._SY300_Loulou, l’Incroyable Secret was the winner of France’s César Award – “the French Oscars” — in 2014 for the Best Animated Feature shown in France during 2013; not just the best French-produced animated feature of 2013. It competed against the American animated features shown in France during 2013, which was probably all of them. It was also shown at the 2014 Berlin International Film Festival, where it was nominated for the Berlinale’s Crystal Bear, selected by a Children’s Jury as the Best Children’s Film entered in the Festival, animation or live-action.

Loulou, l’Incroyable Secret is based upon the French children’s book series by Grégoire Solotareff, with hand-drawn animation in Solotareff’s art style. Solotareff, born as Gregory El Kayem in Alexandria, Egypt in 1953 of Lebanese parents, has lived in France since 1960 and been an artist of children’s books since 1985. He has written & drawn over 150 children’s books to date, winning ten awards. He began the Loulou books in 1989, about the friendship between Loulou (Wolfy), an orphaned wolf cub, and Tom, a young rabbit, in the Land of the Rabbits. The series has been favorably reviewed for promoting friendship amidst nonconformity. It was first animated in March 2003 as Loulou et Autres Loups … (Wolfy and Other Wolves …), a 29-minute featurette directed by Serge Elissade. Loulou, l’Incroyable Secret is an original story, not based upon a book, with the screenplay, dialogue, and art design by Solotareff (and others).

Wolfy the easygoing wolf cub and Tom the pessimistic rabbit are now adolescents in the Land of Rabbits, with Wolfy adopted into Tom’s family. Cornelia, a mysterious gypsy (the audience sees that she is more than just passing through) tells Wolfy that he is not an orphan as he has always believed! His mother is a princess in Wolfenberg, the Land of Wolves. Wolfy insists on going there to find her. Tom goes along, despite his misgivings. They arrive at the height of Wolfenberg’s Carnifest/Meat-Eaters’ Festival, where everyone assumes that Wolfy has brought the teenaged rabbit to be added to the menu. Read the rest of this entry »

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April 28, 2015

Bête, by Adam Roberts – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Bête, by Adam Roberts
London, Gollancz, September 2014, hardcover £18.00 (311 [+ 1] pages). download (2)

“As I raised the bolt-gun to its head the cow said: ‘Won’t you at least Turing-test me, Graham?’

‘Don’t call me Graham,’ I told it. ‘My wife calls me Graham. My mum calls me Graham. Nobody else.’

‘Oh, Mister Penhaligon,’ the cow said, sarcastically. We’ll have to assume, for the moment, that cows are capable of sarcasm. ‘It won’t much delay you. And if I fail, then surely, go ahead: bye-bye-bos-taurus. But!’

‘You’re not helping your case, ‘ I said, ‘by enunciating so clearly. You don’t sound like a cow.’

‘Moo, ‘said the cow, arching one hairless eyebrow.” (p. 3)

Graham Penhaligon is a farmer. Farmers traditionally slaughter their cattle and serve them at family meals. So Farmer Penhaligon kills his cow, despite its pleading to him to spare it.

And finds himself arrested for maybe-murder. Which he expects.

Bête is set in the near future, when the animal-rights movement – specifically an organization called Deep Blue Deep Green (DBDG) – is going about surreptitiously raising some animals’ intelligence – specifically, in this case, Farmer Penhaligon’s cattle – to force the courts to decide whether an animal with artificially raised intelligence is a thinking animal no different from a person, and thus a legal person. The courts have declared a moratorium on the killing of such animals while the legal debate goes on; which has been going on for seemingly forever, as such social movements tend to do.

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April 20, 2015

Godsfire, by Cynthia Felice – Book Review by Fred Patten.

by kiwiztiger

Godsfire, by Cynthia Felice. Map.
NYC, Pocket Books, June 1978, paperback 0-671-81472-9 $1.75 (264 pages).

downloadI am surprised by how many people have included this book’s cover by Boris Vallejo on their lists of “Only the worst Sci-fi/Fantasy book covers”, or “25 Worst Book Covers of All Time”, or “I Am Judging You By Your Cover” (16 book covers with snarky feminine hygiene comments). I could come up with at least twenty-five covers worse than this with no trouble. And to wax sexist for a moment, can any cover with a shapely naked cat-woman be really bad?

But this is a review of the novel, not its cover art. Planet of the Apes notwithstanding, 1978 was still before intelligent non-humans were common in science-fiction, judging from the book’s blurb: “Feline creatures in charge and humans as their slaves!”

Godsfire is narrated by Heao, the sixteen-year-old protégé of Academician Master Rellar on a planet inhabited by anthropomorphic felinoids. The opening pages make frequent mention of the characters’ sinuous tails, sharp claws, and other feline characteristics.

“I was prepared to leave, but the man had the most mischievous twinkle in his eyes that I’d ever seen. Then the tip of his tail began to twitch. Without the smiling eyes, that twitch would have warned of battle, but now I realized it was an invitation to play. I laughed.” “His boldness was nearly frightening, yet there was no malice in his eyes and his tail was coiled casually around his ice-laden coat.” “Baltsar delicately slit the belly of the choicest fish with his index claw, and, after a slave took away the entrails, he slivered the tender flesh for me.” “I speared a sliver with my eating claw and chewed gratefully.” “His tail was twitching again and he was smiling. Why had he ignored my shaking tail while we ate?” “I smiled, coiled my tail demurely about my waist, and said, ‘Thank you, Baltsar.’” (pgs. 4-8)

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April 18, 2015

Cat’s Pawn and Cat’s Gambit – book reviews by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

“Dear Patch; Here is an unpublished old review, written years ago for Cubist’s Anthro site and left unpublished when Anthro folded.”

Cat’s Pawn, by Leslie Gadallah.
NYC, Ballantine Books/del Rey, March 1987, paperback 0-345-33742-5 $2.95 (262 pages).

Cat’s Gambit, by Leslie Gadallah.
NYC, Ballantine Books/del Rey, March 1990, paperback 0-345-36478-3, $3.95 (247 pages).

1eb34310fca09d58533ba010.LDespite being action-packed, this duo of space operas is unusually pessimistic, even despondent. Cat’s Pawn begins with a framing story set on Terra centered on Talan, the Oriani ambassador to Terra, glumly failing in his mission to win support from the Terrans in their struggle against the interstellar spreading Kazi. Symptomatic of the problem is that the Oriani do not wear clothes and look like large, bipedal housecats; and what Terran can take a funny-animal cat seriously?

The majority Terran attitude is similar to the American isolationists in 1940 who did not see any need for America to get involved in World War II. Talan stoically watches a TV interview with an average Terran:

“‘Now, you see, that’s just what I mean. They’re not people at all; they’re furry sons-a-bitches. They’re all over the place, trying to take over – furry ones, scaly ones, long ones, round ones, and some with nineteen legs. I tell you, mister, I like my people to look like people. And that’s all I got to say.’ He relinquished the mike, waved at the camera, and strode off.” (p. 11)

Cat’s Pawn opens with Melissa Larkin, a Terran woman who needs to see Talan because, fifty years earlier, he knew her now-dead grandfather, Bill Anderson, one of the few Terrans who ‘went native’ on the Oriani homeworld, Omnicron Orionis. Talan cannot help her, but the query introduces the reader to the Oriani:

“She was determined not to stare, though talking person to person with someone who looked a lot like a big-headed pussy cat gave her a funny feeling. Of course he was rather large for a pussy cat. The tips of his big ears came level with her nose and would have been higher except for the slightly forward posture balanced by the long, swinging tail.” (p. 1)

and

“55 kilos of highly intelligent being with long fangs that hung down below the line of his mouth like ivory daggers was nothing to giggle about.” (p. 5)

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April 17, 2015

Carl Barks’ Duck: Average American, by Peter Schilling Jr. – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Carl Barks’ Duck: Average American, by Peter Schilling Jr. Illustrated.
Minneapolis, MN, Uncivilized Books, January 2015, trade paperback $12.95 (122 pages).download (3)

Furry literature is all well and good, but it’s important to remember that furry fandom did not invent it. One of the most important influences that led to furry fandom, and furry literature today, was the Donald Duck and Scrooge McDuck stories written and drawn by Carl Barks (1901-2000) during the 1940s and 1950s. Today, those comic-book stories are all being reprinted, and are the subject of serious literary analyses. Here is something that is a little lighter.

“Critical Cartoons is a series of books on comics with a new approach. Cut loose the smartest writers on the whole of comic book history: classic comic strips, superhero epics, independent masterpieces, underground transgressions, obscure gems by well known masters, and more. Each volume of Critical Cartoons is long-form criticism that’s passionate, idiosyncratic, provocative and entertaining.” – (publisher’s blurb)

From this example, Critical Cartoons is a series of small, thin books of literary criticism about comic books, each by an expert of sorts. Peter Schilling Jr. is the author of Mark Twain’s Mississippi River: An Illustrated Chronicle of the Big River in Samuel Clemens’s Life and Works, a combination 19th-century travelogue and third-person nostalgia piece, and The End of Baseball: A Novel. Schilling identifies himself in the Introduction as a lifelong hater of “comic books”, but as a youth he made an exception for the Donald Duck comics by “the Good Artist”. Eventually, as he grew up and comic-book scholarship began to be published, he learned who Carl Barks was.

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April 14, 2015

Griffin Ranger. Volume 1, Crossline Plains, by Roz Gibson – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Griffin Ranger. Volume 1, Crossline Plains, by Roz Gibson. Illustrated by Amy Fennell.
Dallas, TX, FurPlanet Productions, January 2015, trade paperback $19.95 (369 pages).

Roz Gibson is better known as an artist than a text author, but she won the Ursa Major Award for Best Short Fiction of 2013 for her novelette “The Monkeytown Raid”. Now with the first volume of her first novel, she shows that she is an excellent text author for longer works as well.unnamed

Griffin Ranger is set in a totally alien alternate universe. The land masses are the same as on our Earth, but the life forms and civilization that have evolved are dominated by birds. (The reader will have fun identifying both geographical features such as the Twin Continents, the Alpha River, the Five Lakes, and the Endless Ocean, and the cities and towns like Defiance, Flatlands City, and Foggy Bay. Griffin Ranger’s publication was funded by a successful Kickstarter campaign, whose donors got a large color map of this alternate Earth. It would have been very helpful to readers if this map had been included as an illustration in the book, even in reduced black-&-white.) Since birds don’t have hands, the main intelligent landbound mammals are the raccoon/lemur-like “hanz” that are their symbiotic partners, and two species of canines: the wild wolfen, and the more domestic herders that have evolved from them. This Earth’s civilization is dominated by the griffins, who are the principal inhabitants of what the reader will recognize as the Americas, Europe, and Asia. But in the last few hundred years the greenies, an aggressive bird species, have erupted from the Emerald Isles (New Zealand) to spread over the world. The griffins of the Northern Continent have allowed the greenies’ partial settlement there under strict supervision, but there are suspicions that the greenies are preparing to take over totally.

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April 11, 2015

Goddess, by Arilin Thorferra – book review by Fred Patten.

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Goddess, by Arilin Thorferra
Dallas, TX, FurPlanet Productions, January 2015, trade paperback $9.95 (141 pages).

“This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region.”

When furry fandom began to develop in the 1980s, one of the first “subgenres” to be seen in traded cartoon art wGoddessas the furry macros – giant anthro animals striding Godzilla-style through cities of tiny-by-comparison furries. Yet when furry literature appeared, this subgenre quietly vanished.  Or went underground.

Here is what may be the first professionally-publicized furry macrophile novella: Goddess, by Arilin Thorferra, “the founder of ‘The Giants’ Club’ and an acclaimed macrophile storyteller.” (blurb)

Russell Rittenhouse (cougar) is the young librarian at Bennett University, one of the leading West Coast private universities. He wants to become a literature professor (with tenure), and has just begun the slow climb of the academic social-political ladder there. He gets a courtesy invitation to an exclusive reception for the visiting King of the small Pacific island of Uli Hahape, near Hawaii. Cornelius Bennett (rabbit), a sixtyish railroad and hotel multimillionaire and benefactor of the university, has arranged the reception to unveil his model of the ritzy superhotel that he hopes to build there, if the king will permit it. King Aremana (otter) is polite but clearly not impressed.

Russell drops out of the social soiree to a sofa to reread one of his favorite novels, The Great Gatsby. He is joined by the king’s daughter, who is also a Fitzgerald fan. They spend the rest of the evening discussing literature. The next day Bennett corners him in the library. Bennett suspects that King Aremana is about to reject the hotel, and he noticed Russell’s and Princess Kailani’s friendly conversation at the party. If Russell will continue to see the Princess, and subtly promote the hotel project, Bennett will make sure that he gets that professorship. Read the rest of this entry »

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