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Category: Reviews

Felicia: The Night of the Basquot, by Chas. P. A. Melville – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Felicia: The Night of the Basquot, by Chas. P. A. Melville. Illustrated by the author.
Seattle, WA, CreateSpace, September 2017, trade paperback, $12.00 (257 pages), Kindle $9.99.

“‘So!’ crowed Felicia happily. And then she frowned. ‘So,’’ she repeated, more uncertainly. And then, in puzzlement, ‘So.’ Her ears flicked as she turned to stare at the rising sun. ‘So, what’s a ‘Basquot’ anyway?’” (p. 86)

Felicia cla di Burrows, the vixen renegade sorceress blackballed from the Magic Council, is thirty years old this year. She first appeared as an enigmatic background character when Melville began self-publishing The Champion of Katara comic book, #1 dated August-September 1987. Now she has her first novel.

Spiteful and egocentric, all that was really clear was that Felicia had been horribly mistreated as a child. She began studying sorcery — including forbidden black magic — to gain revenge against those who had destroyed her family. But her heart was not really in being evil, and she kept using her magic to help others while postponing her vendetta against her family’s enemies. As a flawed ‘good guy’ and a colorful, charismatic character, Felicia became the most popular of Melville’s anthro animal cast when he moved to Seattle and became active in the furry community there, and he resumed his comic-book stories for Edd Vick’s MU Press in the 1990s. Felicia’s most dramatic and complex adventure was the 184-page graphic novel Felicia: Melari’s Wish (August 1994). Later in the ’90s, she starred in three lighter stand-alone stories as a sorceress-for-hire without the dark background of her vengeance goal, written by Melville and drawn by Bill Schmickle, in MU’s anthology comic-book ZU.

Melville later brought Felicia back in a series of text novelette booklets, with illustrations every few pages, published by CaféPress. These continued the lighter stories in ZU. Felicia became a professional sorceress-for-hire/detective who got involved with finding and dispelling ancient evils, or preventing their escape to wreak havoc in Katara and its neighboring animal kingdoms of Dogonia, Bruinsland (bears), Scentas (skunks), Rodentia (mice), and others. Melville wrote five of these, from Felicia and the Dreaded Book of Un (February 2004) to Felicia and the Border Collie Patrol (January 2008). One, Felicia and the Tailcutter’s Curse (June 2004), won that year’s Ursa Major Award in the Best Short Fiction category. All five were republished as a single book, The Vixen Sorceress (CreateSpace, December 2008).

Melville began producing a Felicia webcomic, Felicia, Sorceress of Katara, in December 2007, but for the last nine years there have been almost no Felicia text adventures. Now Felicia is back in a 257-page novel.

Felicia: The Night of the Basquot is her origin story, and an introduction to her world (which might be described as Tolkien lite, with funny animals). It begins when Felicia emerges in Katara from a mysterious seven-year disappearance, crackling with magic energy and ready to join the all-powerful Magi Council (a.k.a. the Brotherhood of the Candle) as its newest and youngest sorceress. Instead, she is shocked and infuriated to learn that she has been rejected.

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Griffin Ranger. Volume 2, The Monster Lands, by Roz Gibson – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Griffin Ranger. Volume 2, The Monster Lands, by Roz Gibson. Illustrated by Cara Mitten, Amy Fennell, and Roz Gibson.
Dallas, TX, FurPlanet Productions, August 2017, trade paperback, $19.95 (557 pages), Kindle $2.99.

Griffin Ranger. Volume 1, Crossline Plains, 369 pages, was published in January 2015.   It ends on a cliffhanger. This book is not so much a sequel as the conclusion of a single 926-page novel. There is a 3-page What Has Gone Before, but you really need to have read Volume 1 and then continue directly with this Volume 2.

To condense what I said about Crossline Plains:

“Griffin Ranger is set in a totally alien alternate universe. The land masses are the same as on our Earth, but the life forms and civilization that have evolved are dominated by birds. (The reader will have fun identifying both geographical features such as the Twin Continents, the Alpha River, the Five Lakes, and the Endless Ocean, and the cities and towns like Defiance, Flatlands City, and Foggy Bay.) Since birds don’t have hands, the main intelligent landbound mammals are the raccoon/lemur-like ‘hanz’ that are their symbiotic partners, and two species of canines: the wild wolfen, and the more domestic herders that have evolved from them. This Earth’s civilization is dominated by the griffins, who are the principal inhabitants of what the reader will recognize as the Americas, Europe, and Asia. But in the last few hundred years the greenies, an aggressive bird species, have erupted from the Emerald Isles (New Zealand) to spread over the world. The griffins of the Northern Continent have allowed the greenies’ partial settlement there under strict supervision, but there are suspicions that the greenies are preparing to take over totally.

“Griffins during their adolescence traditionally go on a continent-wide ‘wander’ of exploration. Harrell, the Griffin Ranger in charge of an area north of Earthquake City, learns that his daughter Aera, who is on a joint wander with four companions, is a week overdue. They went missing near the central Northern Continental agricultural city of Crosstown Plains, populated about equally with griffins and greenies. Harrell is worried, but not enough to abandon his territory to search for the missing youths, until his ex-mate Vaniss, the Ranger in charge of Earthquake City and his organizational superior, assigns him to find them. To aid Harrell, Vaniss gets him two assistants: Kwaperramusc (Kwap), an exotic griffin from the islands north of the Dry Continent (Indonesia and Australia) and the Rangers’ best Investigator, and Tirrsill, an inexperienced but willing young female hanz.

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Magnificats: Return of the Demon Wind, by Gwyn Dolyn – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Magnificats: Return of the Demon Wind, by Gwyn Dolyn. Illustrated, map by the author.
La Jolla, CA, Plowshare Media, January 2017, trade paperback, $15.95 ([11 +] 239 [+ 9] pages), Kindle $3.95.

Magnificats is an unusual mixture of Young Adult fantasy and several specialized ethnic vocabularies, beginning with both faerie mythology and commonplace Irishisms; not to mention Big Words that aren’t in most Young Adult novels. 13-year-old redhaired Aoife “Apple” Standish, taunted as Red Apple Stand by her classmates in today’s Dublin, is blown by a sheegee wind to where a Magnificat is watching.

“Meanwhile, just down the street and past the cheese shop where her brother worked, Tak, the lanky old cat who lived under the ancient parish church on Apple’s route to school, sensed something awry in the autumn air. This sheegee was a concern. Sniffing, he tickled the air with his whiskers, then remarked, ‘Hmm. Interesting autumn wind; deliberate, with a stench of malice.’

While Tak was indeed a cat, he was not your everyday, meowing, rodent-chasing, scratching-up-the-furniture sort of cat. He was the leader (to be exact, Littern) of a clandestine order of numinous nine-life cats, known far and wide in creature kingdoms as Magnificats – keepers of sacred knowledge and masters of the winds.” (pgs. 1-2)

Dolyn peppers her novel with obscure words, Irish at first and later Egyptian, then others. “The strange sight of a girl caught in a whirlwind caused car screeching, men’s caubeens flying, and children diving for cover under their mums’ waving skirts.” (p. 4) Wikipedia defines a caubeen as an Irish peasant beret. “Gwyllion” is another Celtic magical word used a lot in just the first chapter – strangely, Wikipedia says it’s from Welsh mythology, not Irish. (It’s all Celtic.) Some other Irishisms in Chapter 1 that aren’t mythology-based are hooligan, shamrock, shenanigan, Finn-McCool, and gobsmacked. But when Apple goes to Egypt with other students on an archaeological dig, the vocabulary switches to Egyptian. “‘Hey App,’ Dan’s voice echoed across the flat sand, ‘we’re going to wrap this up. The winds are getting bad; looks like a haboob coming.’” (p. 29) You’ll learn more about cultures, winds, and mythologies (especially Irish) than you wanted to know:

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Furry Nation: The True Story of America’s Most Misunderstood Subculture, by Joe Strike – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

Furry Nation: The True Story of America’s Most Misunderstood Subculture, by Joe Strike. Illustrated.
Jersey City, NJ, Cleis Press, October 2017. Trade paperback, $17.95 ([ix +] 342 pages), Kindle $10.99.

Yes!

Here it is! What we’ve all been waiting for! The book about furry fandom!

Full disclosure: I’m quoted by name on a back-cover blurb, and cited as “a founding father of furry fandom”.

Is it perfect? No, but it’s probably better than any of us could have written. I gave up writing a book “all about” furry fandom long ago. If I may be permitted a moment of “I told you so”, I told those who asked me to write such a book in the late 1990s that it would take me around ten years to fully research and write such a book. They turned from me to find someone else who could do it right away. They couldn’t.

Joe Strike has been in furry fandom since the 1980s. He has been working on Furry Nation for at least fifteen years. It’s full of both his own knowledge and the interviews that he conducted. He has interviewed not only all the earliest furry fans, and the current leaders of furry fandom – Mark Merlino, Rod O’Riley, Jim Groat, Mitch Marmel, Dr. Sam Conway, Boomer the Dog, leading furry artists like Heather Bruton and Kjartan Arnórsson, fursuit makers like Lance Ikegawa and Denali, academics like Dr. Kathy Gerbasi, and so on – but those outside the furry community who have impacted it. The writers of newspaper and TV news stories about furry fandom? He interviewed them. The executives of Pittsburgh’s tourist bureau? He interviewed them. The directors of TV programs and theatrical animation features that have used furry themes? He interviewed them.

What Furry Nation covers: a definition of furry fandom, the influences that gave rise to it back to prehistoric times, the history of how it started, profiles of the earliest furry fans, how the rise of the Internet affected it, a description of furry fandom in North America today, with emphasis on its conventions and a profile of Anthrocon in depth, its artists and furry art, its fursuits, its public perception, an acknowledgement of its seedier side, and how it has grown from a tiny, unnoticed subgroup to an important influence on popular culture today. The book has 189 footnotes throughout it. There are over two dozen photographs and samples of furry illustrations from the 1980s (early fanzines and Furry Party flyers) to the present.

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Furry Book Month – Some Recommendations

by Summercat

Welcome to guest poster Summercat! October is Furry Book month (better late than never). -Patch

Started in 2016 by an alliance of Furry Publishers, Furry Book Month is about showcasing the written word from the Furry Fandom. To support the efforts I decided to write up a list of Furry books I’ve enjoyed in recent years that are currently available for sale. These are just short blurbs rather than full reviews, and are in no particular order. 

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Sabrina Online: The Tail of Two Decades, by Eric W. Schwartz – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Sabrina Online: The Tail of Two Decades, by Eric W. Schwartz. Illustrated.
Keston, Kent, UK, United Publications, June 2017, hardcover, $22.95 (unpaged [148 pages]).

This large (8½” x 11”) collection presents the last half – the last ten years — of Eric Schwartz’s Internet Sabrina Online comic strip: four strips per page from November 2006 (annual collection 11) through the end of the annual collections with #14, and the following individual strips through the end of December (Xmas) 2016. “835 strips in 20 years? I guess it’ll have to do.” But wait! There’s more! The last 24 pages of this book are Schwartz’s history of Sabrina Online, gag strips of Sabrina’s Transformer toys, and some of the better art tributes by Sabrina’s fans like gNAW, Steve Gallacci, Shawntae Howard, Max Black Rabbit, and Brian Reynolds.

Schwartz explains in his “Brief History” that he began Sabrina Online in September 1996, after becoming a Big Name Fan in furry fandom thanks to his animation short films produced on his primitive Amiga computer (done partly just to prove that he could create animation on an Amiga). This is where his first popular character, Amy the Squirrel, appeared. He had ideas for a more detailed, continuing storyline featuring Amy and her best friend and roommate, Sabrina the Skunk, so Sabrina Online was born. It was a monthly comic strip in an unusual presentation; all four weeks online together on the first of the month. It was basically a comedic slice-of-life rambling story about Amy and Sabrina. Amy gets married to Thomas Woolfe and has a son, but Sabrina remains sharing her and Thomas’ apartment; Sabrina gets a secretarial job with Zig Zag, a producer of adult entertainment; Sabrina develops a long-term relation with her boyfriend, R.C. (a raccoon), and eventually moves in with him; and finally Sabrina and R.C. get married. Sub-themes and characters include Sabrina’s parents, R.C.’s parents, Sabrina’s collection of Transformers toys (which are often anthropomorphized), Zig Zag, an extroverted zebra-striped skunk (a tiger-skunk hybrid – Schwartz doesn’t have any trouble with interspecies romances and hybrid children), Amy’s infant son Timmy who Sabrina often babysits and Sabrina’s little sister Tabitha, Thomas’ workmates, R.C.’s workmates … lots!

“I created the Sabrina Online comic strip to tell the story ideas I had built up. These were used up after the first few years.” After that he continued the strip on a day-to-day basis for a long time. “That was when I noticed that the twentieth anniversary of the first Sabrina Online comic strip from 1996 was on its way, and looked into the prospect of finishing the strip. Suddenly I had a definite purpose and goal again.” Unfinished story ideas were finished; floating story lines were tied up; and Sabrina Online was brought to a final conclusion with Sabrina and R.C. (Richard Conrad) getting married.

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Always Gray in Winter, by Mark J. Engels – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Always Gray in Winter, by Mark J. Engels
Knoxville, TN, Thurston Howl Publications, August 2017, trade paperback, $12.99 (178 pages).

Always Gray in Winter is one of those novels that is deliberately mysterious at first, and only gradually reveals what is going on. To avoid my own spoiler, here is the blurb on the author’s website:

“The modern day remnant of an ancient clan of werecats is torn apart by militaries on three continents vying to exploit their deadly talents. Born in an ethnic Chicago neighborhood following her family’s escape from Cold War-era Poland, were-lynx Pawly flees underground to protect her loved ones after genetically-enhanced soldiers led by rogue scientist and rival werecat Mawro overrun her Navy unit in the Gulf of Oman. Pawly’s family seeks her out in a desperate gambit to return [to] their ancestral homeland and reconcile with their estranged kinsmen. But when her human lover arrives to thwart Mawro’s plan to weaponize their feral bloodlust, Pawly must face a daunting choice:  preserve her family secrets and risk her lover’s life or chance her true nature driving him away forever.”

Pawly is Pawlina J. Katczynski, a mid-twenties Polish-American in love with Lennart “Lenny” Reintz, a mid-twenties German-American U.S. Coast Guard Maritime Security specialist. However, Pawly has become a were-lynx vigilante superhero in combat against Mawro, another werecat who uses his shapeshifting powers for sinister and unethical purposes: he is the leader and head scientist of the North Korean “ailuranthropic” R&D program. Here is Pawly, in text and also an illustration by Amy Sun Hee “inspired by the novel”, on the author’s website:

“Her fangs bit into the fur below her lower lip. Pawly fell forward and thrust out her legs against the railing. Claws sprouted forth from the tips of her fingers with a flick of each wrist. She dove toward the car and yowled to goad the driver into turning her way. Her claws sank into the skin above the bridge of his nose as she slid across the car’s hood on her butt. With a grunt she yanked her hand free, tearing both of the man’s eyes free from their sockets. He screamed and crumpled to the pavement, cradling his ruined face, weapon all but forgotten. His partner whirled around with his shotgun in one hand, leaving his chest wide open. Before reaching the wall, Pawly raked the toe claws on both feet across the man’s abdomen. She pushed off with her legs and landed past the front bumper. When she spun around, the wide-eyed man stood before her, trembling as he stuffed his entrails back inside him with both hands. Pawly responded to his horrified whimper with but a shrug before he collapsed.” (p. 7)

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Legacy: Dusk, by Rukis – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Legacy: Dusk, by Rukis. Illustrated by the author.
Dallas, TX, FurPlanet Productions, June 2017, trade paperback $1.95 (249 pages), e-book $12.95.

This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region. (publisher’s advisory)

This is the sequel and conclusion to Legacy: Dawn, reviewed here last August and set in Rukis’ Red Lantern world. Rukis has said on e621, “Legacy is a story set in the Red Lantern world, and takes place roughly 20 years before the events of Red Lantern. You do not need to follow Red Lantern to understand this story, it can be read entirely independently, but if you follow the series, it will certainly enrich the world for you.”

But you do need to know Legacy: Dawn. This begins right after. Right after. Rukis serialized the complete Legacy online on Patreon, and you can’t help suspecting the two halves are meant to be republished as a single book someday soon. You should certainly read the review of Legacy: Dawn first and then this one together. That ends “Legacy: Dawn is about Kadar’s and Ahsin’s struggle for the freedom to be together, in a society where both are treated as property that can be casually separated. It is also about Kadar’s confused instinct to be a dominant personality in a society where he is of low caste, and those of higher caste do not hesitate to punish those below them who get ‘uppity’.” That’s more recapitulation than you will get in Legacy: Dusk.

Kadar (the narrator), a golden jackal, and Ahsin, a hyena, are homosexual lovers and indentured servants – read “slaves” – together. They have escaped from a plantation of the powerful Sura Clan in the desert nation of Mataa, following a slave revolt. Mataa is ruled by hyenas, but homosexuality is socially forbidden; especially for them, since the lower-caste Kadar is the dominant and the upper-caste Ahsin is the subordinate in their relationship. They can expect to be brutally tortured and then slaughtered together if they are recaptured. They and a few other Sura escapees had been taken in by a pride of free lionesses on one of Mataa’s oases, but bands of pursuers from the Sura Clan have made it too dangerous to stay there:

“We parted ways with Dela five nights ago, and we’ve been wandering ever since. She’d given us enough provisions to last at least a week, more than enough to make it out of the dunes, if we wanted to. But each time we neared a watering hole or a small town on the outskirts, we dipped our toes only to retreat back into the desert soon after. The pinpricks of civilization around the desert’s edge were bristling with hyenas from merchant caravans and plantations selling their wares, and we’re not sure how known we are to each of the clans, but we know there are hunters looking for us, and that’s reason enough to be cautious.” (p. 11)

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Monster Island, Directed by Leopoldo Aguilar – Movie Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Monster Island. Directed by Leopoldo Aguilar, from a script by Billy Frolick & Alicia Núñez Puerto. Sony Home Pictures Entertainment, September 12, 2017, 80 minutes, direct-to-DVD, $14.99.

Distributed in the U.S. & Canada by Vision Films (Sherman Oaks, California). Produced by Ánima Estudios (México City).

Is Monster Island worth an article for DP? How can we ignore any movie with a character like Verónica, the pig-girl?

This 80-minute CGI animated movie premiered theatrically on July 21st in the U.K. It got devastating reviews. Newspaper The Guardian said the day before, “… it’s […] dispiriting to encounter this ploddingly mediocre knockoff, with its budget effects, utterly uninspired visual design and flatlining dialogue. […] The whole forgettable movie looks as if it has been generated by ageing software.” As if that wasn’t enough, The Guardian followed it up with an even worse review three days later. “There are few things more unpleasant to look at than bad animation. And Monster Island’s Technicolor yawn of regurgitated influences is monstrous in all the wrong ways. The eyeball-melting colour palette is just the tip of the tentacle – this is a cobbled-together, plotless mess […]” It got a 14% rating on Rotten Tomatoes. It’s just been released theatrically in South Korea (September 7th) and China (September 9th). We get it in the U.S. as a direct-to-DVD “family entertainment” (kids’ movie) release.

Lucas Frunk (voice of Philip Adrian Vasquez) is a stereotypical 13-year-old nerd at Brown Middle School. His best pal is also-nerdish Peter Kavinsky. They are both picked on by school bully Cameron (voice of Michael Robles) and made to do his science class experiments (the frog explodes). Lucas discovers the hard way at school social queen Melanie’s (Jenifer Beth Kaplan) Halloween dance that his “asthma inhaler” actually delivers a medicine that keeps him from turning into a towering orange ogre.

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Seven Deadly Sins: Furry Confessions, edited by Thurston Howl – book review by Fred Patten

by Dogpatch Press Staff

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Seven Deadly Sins Cover

Seven Deadly Sins: Furry Confessions, edited by Thurston Howl. Illustrated by Joseph Chou.
Knoxville, TN, Thurston Howl Publications, January 2017, trade paperback $16.99 ([4 +] 411 pages).

The seven deadly sins are Lust, Wrath, Greed, Envy, Sloth, Gluttony, and Pride. This anthology presents 27 stories divided into those seven deadly sins. Each sin is introduced by an Interlude by Thurston Howl in which three punk youths, Derek (German shepherd), Zinc (tiger), and Barba (horse), tell stories about those sins in a ruined church. They suspect that one of them is a demon…

An advisory usually fits an entire book, but the stories in this anthology are so widespread from G to NSFW that I’ve put my own advisory on each story.

In “Don’t Judge Me” by Sisco Polaris (Lust), an unnamed human man goes to a mixed human-animal gym, steamhouse, and sauna that is a gay hookup spot. He spends an evening playing enthusiastic submissive slut to the male dom anthro-menagerie that passes through, to get into the mood to go home and do his sexual duty to his wife. Very NSFW.

“Down in the Valley” by Billy Leigh (Lust) is narrated by Ralph Walter Travers, a Fennec British civil servant posted in Kenya at the beginning of World War II. He is invited to a dinner party of upper-class Collies, Foxes, Cougars, and others that turns out to be a wildly degenerate orgy, with excesses of drink and sex. There is a death. The police investigate. To tell what happens would give away a spoiler. PG for the orgy and some mild gay romance in a British early-1940s setting.

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