Dogpatch Press

Fluff Pieces Every Week

Category: Reviews

September 11, 2017

The Tower and the Fox by Tim Susman – review by Summercat

by Patch O'Furr

Thanks to Summercat for this guest post.

The Tower and the Fox is the Kyell Gold novel I’ve been waiting for him to write for years, and it has been worth the wait.

Like many people, I was entranced with The Prisoner’s Release and the rest of the Volle stories, but most of Kyell Gold’s work did not resonate with me, as he primarily wrote for the genre of “Coming of Age Gay Romance”. There’s nothing wrong with the genre, and the struggle to find one’s place in the world in the context of romance (and lots of gay sex) certainly can speak to multiple generations of furries.

Only, I never had those struggles and I tend to skip sex scenes in my furry novels. The prevalent nature of the genre has turned me off to a lot of written Furry fiction, even to the point I hesitate to read what I know would be clean. Yet even then, I enjoyed Kyell’s worldbuilding and storytelling. I felt Shadow of the Father was a fine novel that would have been improved by the removal of the sexual content, and had hoped to one day see Kyell’s skill turned towards a more traditional fantasy.

There’s not even a romance subplot in The Tower and The Fox, and the story is stronger for it.

The Tower and The Fox takes place in an alternate and magical history, set sometime after the Napoleonic Wars have ended. The North American colonies remain part of the Empire, with the only mention of a historical figure being John Adams. However, this is a world of humans, and the Calatians – magically-created animal-human hybrids – are a minority, and an ill-treated one at that, for many humans see them as naught but beasts, with many rights denied to them.

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September 9, 2017

The Tower and the Fox, by Tim Susman – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Tower and the Fox, by Tim Susman. Illustrated by Laura Garabedian.
Dallas, TX, Argyll Productions, June 2017, trade paperback $17.95 (265 pages, ebook $9.95.

Grump! This begins in media res, with 19-year-old fox-Calatian Kip Penfold grasping the locked gate of Prince George’s College of Sorcery in New Cambridge, Massachusetts in the early 1800s. Anything further that I say about it would be a spoiler.

Well, if the book’s blurb can give away several spoilers, so can I. The setting is a world like ours, but with magic. Think Harry Potter. Magic has apparently always existed. There were Sumerian and Akkadian sorcerers. The first Calatians (anthropomorphic animals) were created by magic in 1402. Magic helped win the War of the Roses in 1480. There has not yet been an American Revolution, and the British North American Colonies are still loyal to the Crown, although some people are restive about that. Others are unhappy with the social order of the times: Europeans › Colonists › Irish › slaves/Negroes › women › Calatians. The social order of the last four is uncertain; maybe females rank slightly higher than male Irish or Negroes, or Calatians are higher than them. But all four are definitely inferior to human Caucasian menfolk, Continental or Colonial. (Where the American Indians stand in this is uncertain.)

“He turned on his heel. Emily shouted after him, ‘Why do we have to prove ourselves?’ but he did not respond, nor turn, and this time she did not pursue him.

Kip felt a sinking feeling in his chest, watching the sorcerer walk away. ‘Because we always have to prove ourselves,’ he said. ‘Because of how we look.’

‘Rubbish,’ Emily said. ‘We’re living in the age of enlightenment, for God’s sake. There’s no reason a woman can’t be a sorcerer. Nor a Calatian, for that matter.’

‘I hope not.’ Kip rubbed his paws together. ‘But none has, not ever.’

Because of people like him.’ She didn’t have to specify whom she meant. ‘Because of people who think men are the only capable creatures God made. Only men can own property or have a voice in government. Can you own property?’” (p. 11)

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September 7, 2017

Ask a Cat [and] The Fuzzy Princess, by Charles Brubaker – Book Reviews by Fred Patten.

by Pup Matthias

Ask a Cat, by Charles Brubaker. Illustrated.
Martin, TN, Smallbug Press, June 2017, trade paperback $9.99 (127 pages).

The Fuzzy Princess, vol. 1, by Charles Brubaker. Illustrated.
Martin, TN, Smallbug Press, July 2017, trade paperback $10.99 (184 pages).

Charles Brubaker is a fan and expert of comic strips and Japanese TV anime. He has been drawing his own comics for several years. Both The Fuzzy Princess and Ask a Cat currently appear on the internet, the former in color and the latter in black-&-white. Now he is producing collections of them through his own Smallbug Press.

Brubaker says in his Introduction to Ask a Cat that it began as a minor throwaway panel within a comic strip about a little witch that he was preparing to submit to a syndicate. It was a parody of the “ask a character” fillers in other strips where readers can send in questions about the strip. Since Brubaker’s strip about the witch hadn’t come out yet, he filled the “ask” panel with a cat, and asked on a message board for silly questions about cats for him to answer. He got more questions about cats than he expected, and the syndicate liked his throwaway panel better than his strip about the witch. Ask a Cat began on June 22, 2015. The solicited message board questions were soon replaced by genuine questions submitted by his readers. Now, after two years, here is a collection of his panels.

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September 6, 2017

The Art of Racing in the Rain; A Novel, by Garth Stein – review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Art of Racing in the Rain; A Novel, by Garth Stein
NYC, HarperCollinsPublishers/Harper, May 2008, hardcover $23.95 (321 [+ 1] pages), Kindle $9.99.

“Gestures are all that I have; sometimes they must be grand in nature. And when I occasionally step over the line and into the world of the melodramatic, it is what I must do in order to communicate clearly and effectively. In order to make my point understood without question. I have no words I can rely on because, much to my dismay, my tongue was designed long and flat and loose, and therefore, is a horribly ineffective tool for pushing food around my mouth while chewing, and an even less effective tool for making clever and complicated polysyllabic sounds that can be linked together to form sentences. And that’s why I’m here now waiting for Denny to come home – he should be here soon – lying on the cool tiles of the kitchen floor in a puddle of my own urine.” (p. 1)

The narrator is Enzo, a mixed-breed retriever, the pet dog of Denny Swift, a human retired racecar driver. Enzo is dying of canine old age, but he is looking forward eagerly to his death. He has educated himself by watching television with Denny, and has accepted a documentary on Mongolian belief in reincarnation as reality. He believes that when he dies as a dog, he will be reborn as a human and will become Denny’s best friend.

The novel is Enzo’s autobiography.

“I remember the heat on the day I left the farm. Every day was hot in Spangle, and I thought the world was just a hot place because I never knew what cold was about. I had never seen rain, didn’t know much about water. Water was the stuff in the buckets that the older dogs drank, and it was the stuff the alpha man sprayed out of the hose and into the faces of dogs who might want to pick a fight. But the day Denny arrived was exceptionally hot. My littermates and I were tussling around like we always did, and a hand reached into the pile and found my scruff and suddenly I was dangling high in the air.

‘This one,’ a man said.” (p. 11)

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August 31, 2017

Bleak Horizons, edited by Tarl “Voice” Hoch – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Bleak Horizons, edited by Tarl “Voice” HochDallas, TX, FurPlanet Productions, March 2017, trade paperback $19.95 (338 pages), e-book $9.95.

Tarl Hoch states on Amazon that he “is a Canadian writer of primarily horror, mythos and erotic fiction”, with stories of his own in several non-furry horror anthologies. Bleak Horizons is his second book for FurPlanet. His first was the 2014 Abandoned Places, a furry horror anthology. Bleak Horizons is also a horror anthology; “fifteen stories about what horrors lie waiting for those who look to the future.”

Ha! To me, the horror is that most of these fifteen are just funny-animal stories that might as well be with humans. But they are all – well, fourteen of the fifteen — good s-f technological suspense stories.

“Adrift” by Kandrel distinguishes fear, terror, and panic through Evan, an anthropomorphic cat passenger on a starship with his wife Mia and his young son Sammy. There is a disaster:

“The hall is blocked by a family of warthogs trying to drag luggage with them. Stupid, he thinks. You can’t bring luggage into the life pods. There’s no room. This isn’t a time to worry about your things. Leave them. The burly male shouts something as Evan leaps over shoulders and uses the wall to get height. With a bound, he climbs over the unfortunate’s head. A hairy fist swings wildly but misses. He spares no more thought for the warthogs. They’d probably be too slow anyway.” (pgs. 10-11)

Evan, Mia, and Sam make it to the life pod and launch into space. But something goes wrong. Evan wakes from cryosleep in the faulty made-by-the-lowest-bidder life pod while his wife and son are still frozen. Can Evan fix it, or must he watch his wife and toddler die? There are references to Mia’s long horns and muzzle before it’s revealed what she is, but obviously she’s no cat (so what is Sammy?). There’s a plot point to Evan and his wife being different species, which makes “Adrift” more than a funny-animal story.

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August 24, 2017

The Big Bad Fox, by Benjamin Renner – Book Review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

The Big Bad Fox, by Benjamin Renner. [Translated by Joe Johnson.] Illustrated.
NYC, First Second, June 2017, trade paperback $15.99 (187 pages), Kindle $9.99.

Benjamin Renner is a French animator and cartoonist. He first became known in America as the co-director of the 2012 Belgian animated feature Ernest & Célestine, released in America in 2013. That was an adaptation of Belgian children’s books by Gabrielle Vincent, and featured Vincent’s art style. It was an international animation festival favorite, winning many awards, and was a 2014 Oscar Best Animated Feature nominee.

In 2015 Renner began to develop Le Grand Méchant Renard, a cartoon idea for a series of three French half-hour TV specials in his own art style. He wrote and drew his own cartoon-art book to promote them, published by Delcourt in January 2015. The TV cartoon specials grew into an 80-minute theatrical feature, Le Grand Méchant Renard et Autres Contes … (The Big Bad Fox and Other Tales …), released in France on June 21, 2017.

Now Renner’s French book has been published in English as a trade paperback by First Second Books, an American publisher of literary graphic novels.

The main characters in The Big Bad Fox are the title fox, a wimpy loser; the fearsome Mr. Wolf; what Amazon calls an idiot rabbit, a gardener pig, a lazy guard dog, and a typical hen who organizes the other hens into The Fox Exterminators’ Club; and the three little chicks that the fox becomes the Mommy of.

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August 22, 2017

Les Ailes du Singe. T.2, Hollywoodland, by Étienne Willem – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

Les Ailes du Singe. T.2, Hollywoodland, by Étienne Willem.
Geneva, Switzerland, Éditions Paquet, June 2017, hardbound €14,00 (48 pages).

The Lex Nakashima-Fred Patten plot to make American furry fans read the best of new French-language animalière bandes dessinées strikes again. This is the second album of Étienne Willem’s over-the-top thriller Les Ailes du Singe (The Wings of the Monkey), set in a funny-animal America during 1933, the depths of the Depression. Things got so desperate at the time that there were serious worries about a Communist revolution. That’s one theme of this album.

The stars of Les Ailes du Singe are Harry Faulkner (macaque monkey), a top pilot in the Lafayette Escadrille during World War I, and the owner of his own barnstorming and movie stunt-flying Jenny biplane; his mechanic-friend Lumpy (pig), apparently Italian since he regularly swears in Italian; and his girlfriend Betty Laverne (deer), a newspaper reporter for the New York Herald-Tribune. In t.1, Wakanda, Harry gets involved in and prevents the skyjacking of the U.S. Army’s zeppelin Wakanda by unknown enemy agents led by a sultry night club singer, Lydia Lessing (jaguar). However, Harry could only prevent the enemy from unleashing poison gas over NYC by crashing the Wakanda into the Hudson River. He is blamed for wrecking the zeppelin and, to escape warrants for his arrest in New York and New Jersey, Harry and Lumpy flee to Hollywood where Harry becomes a stunt pilot for Paramount. (In real life I think he could be extradited – isn’t it illegal to cross state lines to avoid arrest?)

Hollywoodland contains so much hugger-mugger that, frankly, it destroys the suspension of disbelief for me. The Depression has gotten so bad that the South is threatening to re-secede, setting off a second Civil War – or, as Harry finds out, that’s what Communist agents are trying to make the public believe. There’s a plot to assassinate President Franklin D. Roosevelt that only Harry, Betty, and Lumpy can foil, in stolen Paramount stunt planes. There are lots of real famous people as funny animals: FDR is a goose (Willem seems to show him as unparalyzed, as he was popularly believed to be at the beginning of his administration; but take a close look at the bottom panel on page 46), Howard Hughes is a Doberman, Cecil B. De Mille is a Boston terrier, Douglas Fairbanks is a – cougar? (A Big Feline of some kind.) Marilyn Monroe wasn’t a star yet, so Hollywoodland substitutes a fictional Clara Palmer – that’s her on the cover. (There’s a nude shot of her in the story.) Willem takes advantage of the urban legend that Howard Hughes may have been a spy for someone, or at least working against America’s best interests, to put him into suspicious situations. There are car chases all over Los Angeles, gunfights, a major character is killed, and Harry’s & Friends’ pursuit in old World War I warplanes through the New Mexico desert of the presidential streamlined train to prevent the president’s murder

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August 21, 2017

Review – Furry Nation: The true story of America’s most misunderstood subculture, by Joe Strike.

by Patch O'Furr

Furry Nation: The true story of America’s most misunderstood subculture, by Joe Strike.
Cleis Press, October 2017, paperback $17.95 (288 pages), Kindle $10.99.

Here’s what I wrote for a cover blurb:

Like herding cats, gathering the history of furry fandom has been called impossible.  Furries love impossible things, so this is long overdue.  I’m happy to say it was worth the wait.  Joe Strike puts solid ground under the legs of the Furry Nation – genre, subculture, and yes, even kink – with his experience of watching it grow.  This book is for original 1980’s fans, new ones looking back, and outsiders drawn to the weird coolness of talking animals.  There’s many ways to get into it, but this is a unique view of how furries are breaking out.

Joe’s book isn’t the perfect bible for everyone – but expecting that from one book is unrealistic.  It’s just the kind of book that comes from a devout fan, and that’s why I recommend it.

I’ll summarize some reaction to the news that this book will exist: “It’s gonna suck! Who is Joe Strike?” – I knew who Joe was before I knew he was a furry, from his animation journalism. He does scriptwriting and his own comic too. He brings us a history that can live beyond bit-rot, supported by a firmly established publisher. Cleis has a 36-year history as “the largest independent sexuality publishing company in the United States.” It’s smart to focus on the word independent, which means open-minded support from the first ones to take the chance.

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August 7, 2017

A Dog’s View of Love, Life, and Death, by J. R. Archer – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

A Dog’s View of Love, Life, and Death, by J. R. Archer
Hove, England, White Crow Books, June 2017, trade paperback $14.99 (ix + 299 pages), Kindle $4.99.

This is an intriguing fantasy, but from an anthropomorphic point of view, it’s ultimately unsatisfying.

The locale is New York City. The chapters are short. In chapter one, Svetlana witnesses Robbie commit suicide, leaving Rosie, a small dog. In chapter two, rich, elderly Margaret Roper and her small dog Rags are introduced. In chapter three, young Black police officer Teddy Dwight investigates Robbie’s suicide and takes charge of Rosie. In chapter four, Margaret has a fatal heart attack. Her son Will, who has anger issues, is mostly resentful at the inconvenience her funeral will cause him. He breaks his promise to look out after Rags, who is sent to a dog shelter.

Most of the first nine chapters are entirely about the human cast. The dogs are little more than props. Other important characters are young Milo McGarry, the conscientious Black receptionist at the East 110th Street dog shelter (which is expected to go out of business soon), where Rosie and Rags are taken; two other dogs there: Lennon, a hulking but kindly Great Dane, and Darcy, a rescued Greyhound ex-racing dog; Sebastian, Svetlana’s pet Borzoi-German Shepherd mix; and Elton, Milo’s long-haired Chihuahua.

The dogs finally talk in chapter Ten. Chapters Thirteen, Fifteen, and some others are also devoted to the dogs, but for an anthropomorphic novel, it’s too little, too late.

The dogs don’t talk verbally but mind-to-mind.

“‘Allow me to introduce myself, Lennon, my name is Rags.’

The Great Dane sat up, looking surprised. ‘How’d ya know my name?’

‘It came to me as soon as we connected.’

‘Seriously? … I’ve never been able to do that. Have you just arrived, little fella?’

‘I got in early this morning.’

‘Rags, if you want a heads up, I’ve been here for a while now, and for me it’s home. I don’t know how long you’re gonna be here but, while you are, let’s be friends.’” (p. 47)

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August 4, 2017

ArCANIS: A Modern Animal Tarot, by David DePasquale – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer

ArCANIS: A Modern Animal Tarot, by David DePasquale. Illustrated.
Los Angeles, The author, July 2017, hardcover $30.00 (unpaged [168 pages).

I went to the Center Stage Gallery in Burbank, CA during August to see the “ArCANIS: A Modern Animal Tarot” art exhibit by David DePasquale; a full 78-card Tarot deck in color, divided into 22 Major Arcana cards and 56 Minor Arcana cards split into 14 cards each of the four Tarot suits (swords, wands, pentacles, and cups), with each card featuring an anthropomorphized animal. Besides the original art (for sale), there were the printed cards, a rotating enlargement slide show so the attractive stylized art could be easily seen in detail, and brief notes on the history of Tarot and the meanings of the cards.

In addition to the exhibit, visitors could buy in advance (the publication date is in September) the printed 3.5” x 5.5” deck of 78 cards in a customized tuck box, and a de luxe hardcover book showing the 78 cards individually on right-hand pages with a one-page explanation of each on the left-hand page:

THE NINE OF WANDS

Upright: Determination, Hope, Persistence

The Nine of Wands can represent searching inside yourself for the inner strength to overcome a final hurdle. You have worked through many obstacles to get to where you are now, so do not give up when you are so close!

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