Reviews | Dogpatch Press

April 26, 2016

Anubis: Dark Desire – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Anubis: Dark Desire
St. Paul, MN, Sofawolf Press, September 2015, hardcover $59.95, softcover $39.95 (189 pages).

Anubis: Dark Desire is intended for an adult audience only and contains explicit sexual material. It will not be for sale to persons under the age of 18. (publisher’s advisory)

Anubis: Dark Desire began as an adults-only comic book published by Radio Comix under its Sin Factory label in June 2002. It contained stories and stand-alone pages featuring the anthropomorphic animals and gods of Egyptian mythology, mainly Anubis, the black-furred, jackal-headed god of the dead, having erotic encounters. The short comic-book stories were by many of the most prominent artists in furry fandom: Dark Natasha, Heather Bruton, Sara “Caribou” Palmer, Terrie Smith, Diana Harlan Stein, and Michele Light. The black-&-white comic book was extremely popular, running for four biannual issues to June 2008.

There was an immediate demand from the furry fandom for somebody, anybody, to publish a collection of the four issues. Sofawolf Press announced that it would, but not in a black-&-white comic-book format. Sofawolf would contact the artists to get their permissions, and their collaborations to produce a full-color, high-quality volume. It took over six years. On March 6, 2015 Sofawolf announced a Kickstarter campaign to raise $18,000 to produce such a book. It reached its goal by March 15. By the time the one-month Kickstarter ended on April 5, Sofawolf Press had $32,413 from 413 backers. The additional money was used to commission 17 new pages by Dark Natasha and Heather Bruton (plus appropriate bonuses that only the backers got such as stickers, lapel pins, shot glasses, and T- and bowling shirts).

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April 25, 2016

Krazy Kat: A Novel in Five Panels, by Jay Cantor – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Krazy Kat: A Novel in Five Panels, by Jay Cantor. Illustrated by George Herriman.
NYC, A. A. Knopf, January 1988, hardcover $16.95 ([x] + 245 + [viii] pages).

The reviews for this unauthorized (since it was written long after Herriman’s death) sequel to George Herriman’s classic Krazy Kat comic strip, all praise how imaginative it is. But they use terminology like “an elaborate intellectual game”, “post-narrative techniques”, “Psychoanalysis, Hollywood, radical politics, television, popular and high art are all grist for Cantor’s satirical mill”, “an X-rated sort-of-sequel to the comic strip”, and “simultaneously maddening, shocking, funny and quite disturbing.” It is, in short, an absurdist, post-modernist novel that carries the cast of the gentle (despite Ignatz’s constant bopping of Krazy’s bean with a brick), isolated Kokonino Kounty into the full complexity of modern civilization.

Cartoonist George Herriman died on April 25, 1944. The Alamogordo test explosion of the atomic bomb was on July 16, 1945. Despite the bomb blast being in the wrong state and over a year later, it is Cantor’s postulate that it was Krazy Kat’s traumatization by the atomic bomb that was responsible for the comic strip’s disappearance.

“Krazy’s unexpected retirement has put the entire cast out of work: KWAKK WAKK, the gossipy duck who sang out Coconino’s dirty linen, has no one to tattle on. JOE STORK, a lean decent creature who brought the babies and the mail from Outside, is a nearly dead letter man, for fickle fans no longer want to get in touch. DON KIYOTI, native-born long-eared snob, lacks an audience to lord it over. BEAU KOO JACK, the black rabbit of thumping paws, finds fancy trade falling off at his grocery store. KOLIN KELLEY, who fired the bricks that Ignatz threw, cleans and recleans his cold kiln, knowing that if Krazy never works again he is cursed king of useless rocks. And MRS. MICE, Ignatz’s big-footed spouse, with MILTON, MARSHALL and IRVING, her Joe-delivered progeny, bicker pointlessly, Dad out of work and time on their hands.

Why did Krazy, they wonder, suddenly shy from the spotlight? And if only she would work again …” (p. x)

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April 14, 2016

Forest Gods, by Ryan Campbell – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Forest Gods, by Ryan Campbell. Illustrated by Zhivago.
St. Paul, MN, Sofawolf Press, September 2015, trade paperback $19.95 (343 [+ 2] pages), Kindle $7.99.

6147FNg4eeL._SX326_BO1,204,203,200_ This is the direct sequel to Campbell’s September 2013 God of Clay, and the middle novel in his The Fire Bearers trilogy. As with all too many trilogies of this sort, The Fire Bearers is a single novel in three volumes more than a series of three novels. If you have not started it yet, get and read God of Clay first, then immediately read Forest Gods. Be aware that it ends with a cliffhanger, and that it may be another two years until Book Three is published.

In a fantasy prehistoric Africa, the great Saharan savanna is drying up. Animals and human tribes migrate south and further south again to the forest-jungle as the new desert inexorably spreads after them. But the forest itself will not let them enter. The trees and vines come alive and kill any humans who venture among them. This is apparently because the forest gods – Kwaee, king of the gods who looks like an anthropomorphized leopard; Asubonten, the giant crocodile goddess of the rivers; Atetea, the little ant god; and many others – have turned against them. Most of the forest gods blame the humans for turning to Ogya, the powerful god of fire and destruction, and becoming his worshippers. But Kwaee, sulking on his forest throne, isn’t doing anything about it. Kwaee doesn’t even believe in the Fire Bringers (humans).

Doto, Kwaee’s son who also looks like an anthro leopard, worries that his father is abdicating his responsibility by ignoring the desert’s spread. When Doto begs Kwaee to Do Something, Kwaee angrily orders Doto to capture a Fire Bringer if they’re real.

The forest gods’ story is intermixed with that of two young human brothers whose tribe has slowly been pushed from the shrinking savanna to the edges of Africa’s forest-jungle. Clay and Laughing Dog, the second and third sons of their tribal ruler, hold different beliefs: Clay worships the tribe’s traditional animal gods, while Laughing Dog is an atheist. Clay is captured by Doto and dragged into the forest-jungle to be presented to Kwaee, who will almost certainly kill him.

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April 13, 2016

Over Time, by Kyell Gold – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Over Time, by Kyell Gold. Illustrated by Rukis and Kenket.
St. Paul, MN, Sofawolf Press, January 2016, hardcover $39.95 (432 pages), trade paperback $19.95 ([5] + 376 [+ 2] pages), Kindle $9.99.

Over Time is a romance novel intended for an adult audience only and contains some explicit sexual scenes of a primarily Male/Male nature. It is not for sale to persons under the age of 18. (publisher’s advisory)

Over Time is the final volume in this series; Out of Position Book 5. It’s hard to write a meaningful review of this Book 5 alone without covering all the background. If you’re familiar with the first four novels – Out of Position (January 2009), Isolation Play (January 2011), Divisions (January 2013), and Uncovered (July 2014) – you’ve probably already gotten this Book 5. If you’re not, you’ll do better to read all five in the proper order. They’re all five worth it.

They’re also all very homoerotic, with explicit gay m/m sex scenes. They are about two young men (who happen to be a tiger and a red fox) falling in love and going through considerable lovemaking with all the erect penises and the sticky bodily fluids, as they go through life. Kyell Gold is a prize-winning, top-quality author, and these five novels are so well-written that you will be caught up in the lives of Devlin Miski (the tiger) and Wiley “Lee” Farrel (the fox), even if you don’t care for the gay sex scenes. Or even if you don’t care for football – there are also many scenes of explicit extended football action.

The five novels are narrated in the first person by Dev and Lee, in mostly alternating chapters. In the first book, Out of Position, Dev and Lee are adolescent seniors at Forester University. Dev is a cornerback on the university’s football team, and Lee is a gay activist. Dev has a one-night stand with what seems to be a sexy vixen who turns out to be Lee in drag. Dev realizes that his sexual orientation is gay and that he is in love with the male Lee, while Lee realizes that his practical joke on a football jock has led him to a real romance. After carrying on their romance in secrecy, the novel ends with Dev publicly “coming out of the closet”; the first football player to do so. (Out of Position was published several years before the first admittedly gay football player in real life.)

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April 6, 2016

Cat Crimebusters and Other P.I.’s on Paws, Part 5 – Book Reviews by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Cat Crimebusters, Part 1

Cat Crimebusters, Part 2

Cat Crimebusters, Part 3

Cat Crimebusters, Part 4

As far as I am concerned, all of the other “cat cozy” series with cat detectives are phonies. The only two that “sort of” qualify are (1) the Magical Cats Mysteries by Sofie Kelly.

Curiosity Thrilled the Cat. February 2011.

Sleight of Paw. September 2011.

Copycat Killing. May 2012.

Cat Trick. February 2013.

Final Catcall. October 2013.

A Midwinter’s Tail. October 2014.

Faux Paw. October 2015.

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April 4, 2016

Soldiers of Ice, by David Cook – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Soldiers of Ice, by David Cook. Map. (Forgotten Realms – The Harpers, Nº 7)
Lake Geneva, WI, TSR, Inc., December 1993, paperback $4.95 ([2 +] 312 pages), Kindle $7.99.

There are anthropomorphic novels hidden among the authorized books of popular fantasy-role-playing games. Case in point: TSR’s 1987 Forgotten Realms spinoff of Dungeons & Dragons.

According to Wikipedia: “Forgotten Realms is the name of an imaginary fantasy world that exists somewhere beyond the real world. The setting is described as a world of strange lands, dangerous creatures, and mighty deities, where magic and seemingly supernatural phenomena are quite real. The premise is that, long ago, the Earth and the world of the Forgotten Realms were more closely connected. As time passed, the inhabitants of planet Earth have mostly forgotten about the existence of that other world—hence the term Forgotten Realms.”

The Forgotten Realms merchandising includes well over two hundred novels and short fiction anthologies from 1987 to September 2012, in hardback and paperback editions, from TSR, Inc. (Tactical Studies Rules) and its successor, Wizards of the Coast (including one by furry author Paul Kidd, The Council of Blades). Soldiers of Ice by David Cook, the seventh in the subseries about The Harpers, features the fierce doglike gnolls of the valley of Samek.

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April 1, 2016

La Saga d’Atlas & Axis, T. 3, by Pau – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

La Saga d’Atlas & Axis, t.3, by Pau.
Roubaix, France, Ankama Éditions, November 2015, hardcover €12.90 (60 + [3] pages).

Once again, Lex Nakashima & I present our conspiracy to get you to read French animalière bandes dessinées that aren’t likely to be published in English.

Has it really been 2 ½ years since I reviewed tomes 1 & 2 for Flayrah? Well, Jean-Marc Pau has been busy. Not only has he written & drawn this volume, he has made a “movie” of the whole series. If you look closely, you can find a little animation in it. The 3:25-minute “movie” starts with images from the first two albums; tome 3 starts at 2:09 minutes.

I described La Saga d’Atlas & Axis as “Their world looks like a doggy version of Astérix & Obélix …” Cutely drawn but without the humor. The setting, allowing for the anthropomorphic animals, is around the 9th & 10 centuries when the Vikings were taking over Armorica so thoroughly that it’s been called Normandy ever since. This series also differs from Astérix & Obélix in being one continuous adventure rather than standalone albums.

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March 29, 2016

Claw the Way to Victory, Edited by AnthroAquatic – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Cover by Jenn ‘Pac’ Rodriguez

Claw the Way to Victory, edited by AnthroAquatic
Capalaba, Queensland, Australia, Jaffa Books, January 2016, trade paperback $17.50 (285 pages), Kindle $5.00.

Claw the Way to Victory is an original-fiction anthology of eleven short stories by nine authors, “each showcasing a different sport and [showing] just how the instincts of an animal matched with the intelligence of a human can help or hurt a player. Scratching? Biting? Against the rules? Not this time.” (blurb) It is published by Jaffa Books in Australia, but printed and also sold by editor AnthroAquatic in the U.S., and was released by him at Anthro New England 2016 in Cambridge, MA on January 21-24; hence the price in U.S. dollars and the Amazon Kindle edition.

In “Descent” by TrianglePascal (gliding), Anthony, a mallard TV reporter, interviews Lacy Gallant, a golden eagle who is about to attempt the first unassisted thousand-foot descent off a cliff into a sheer gorge in history – without a parachute.

“With the camera off, Anthony let himself slouch back into his camp chair, then eyed Lacy again. The eagle was watching the bear and the squirrel [Anthony’s camera crew] with curiosity while she sipped her coffee. She looked impossibly relaxed considering what she was going to be attempting that day. She was dressed in a tank top and a tight pair of shorts, both of them specifically designed to reveal as much of her plumage as possible. It showed off the impressive musculature that stretched from her shoulders down to her powerful arms. Despite how dirty and ragtag the rest of her looked, the flight feathers hanging down from those arms were more immaculately cared for than the claws of most supermodels. There was a healthy sheen about them that bespoke hours of daily care.” (p. 11)

The mammals in the sports camera crew think she’s crazy. Anthony, as a bird but not a hunter-diver, can dimly appreciate what she feels when she’s gliding.

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March 28, 2016

The Shadows That Linger, by M. Andrew Rudder – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Cover by Randy Thompson

The Shadows That Linger, by M. Andrew Rudder.
Dallas, TX, Argyll Productions, July 2015, trade paperback $17.95 (314 pages), Kindle $7.99.

The Shadows That Linger is a superhero comic book in text form, in a funny-animal world.

“Superpowers had begun to appear five years ago, and with those powers came superheroes. With superheroes simultaneously came supervillains, government agencies to try and sponsor, control, or extinguish them, and a different kind of warfare.” (p. 5)

Among anthropomorphic animals or humans. Well, if I suddenly gained superstrength, superspeed, the ability to fly or to phase through solid objects, invulnerability, or anything else like that, I don’t think that the first things I’d do are to design a flamboyant costume and name for myself, and get together with similar individuals to form a club of superheroes – or, if I decided to become a supervillain, to join others in a society of supervillains. But maybe that’s just me.

Let’s see: The Protectors in Seattle are the good guys. They include Thunderwolf, a “muscular wolf” with a “shockingly blue Mohawk crackling with static electricity”; White Magus, an arctic fox with shimmering fur dressed in a tuxedo, “brandishing a ruby-topped cane like a sword”; Pathfinder, the leader, “a husky, tall and muscular, dressed in segmented body armor that gave her freedom of movement while also protecting her from those criminals who preferred guns to lasers” who can track anything; Zahnrad, a diminutive female pine marten with a thick German accent “dressed in functional overalls” who can undo property damage – well, you get the idea. The Consortium are the supervillains, with Puppeteer, “a fox in black leather motorcycle gear” who controls minds; Firestarter, a superfast female dhole dressed in “a tight outfit in red, black, and blue, completed by a streamlined helmet with a tight visor over her eyes”; Dazzlewolf, garishly costumed who can create multiple copies of himself; and others.

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March 25, 2016

Dudley & Gilderoy: A Nonsense, by Algernon Blackwood – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dudley & Gilderoy: A Nonsense, by Algernon Blackwood.
London, Ernest Benn Ltd, December 1929, hardcover 8/6 (281 pages).

Algernon Blackwood (1869-1951) was a prominent British author who wrote many literary fantasies and ghost stories during the early 20^th century. His John Silence was one of the most popular psychic detectives during the heyday of that literary genre just before World War I. H. P. Lovecraft named him as a “modern master” of supernatural horror.

Dudley & Gilderoy, published toward the end of his literary career, is an anomaly. Because it features a talking cat and a parrot, and is not a supernatural novel in the horror sense, it has been described as a children’s fantasy although there is no evidence that Blackwood or the book’s British or American publishers ever considered it to be for children. Everett F. Bleiler, in his monumental The Guide to Supernatural Fiction (1983), describes it as “A moving story, although the tragic ending is disconcerting.”

The novel begins with a quotation from the then-recent The Modern Cat: Her Mind and Manners. An Introduction to Comparative Psychology, by G. S. Gates (Macmillan, 1928):

“an attempt to prove that the cat is a more delicate organism and of a higher order of intelligence than any other four-footed beast … also possesses a language much like the Chinese and possibly derived from it. In the word part of the language there are, probably, not more than 600 fundamental words, all others being derivatives.”

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