Dogpatch Press

Fluff Pieces Every Week

Category: Reviews

Cat’s Pawn and Cat’s Gambit – book reviews by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

“Dear Patch; Here is an unpublished old review, written years ago for Cubist’s Anthro site and left unpublished when Anthro folded.”

Cat’s Pawn, by Leslie Gadallah.
NYC, Ballantine Books/del Rey, March 1987, paperback 0-345-33742-5 $2.95 (262 pages).

Cat’s Gambit, by Leslie Gadallah.
NYC, Ballantine Books/del Rey, March 1990, paperback 0-345-36478-3, $3.95 (247 pages).

1eb34310fca09d58533ba010.LDespite being action-packed, this duo of space operas is unusually pessimistic, even despondent. Cat’s Pawn begins with a framing story set on Terra centered on Talan, the Oriani ambassador to Terra, glumly failing in his mission to win support from the Terrans in their struggle against the interstellar spreading Kazi. Symptomatic of the problem is that the Oriani do not wear clothes and look like large, bipedal housecats; and what Terran can take a funny-animal cat seriously?

The majority Terran attitude is similar to the American isolationists in 1940 who did not see any need for America to get involved in World War II. Talan stoically watches a TV interview with an average Terran:

“‘Now, you see, that’s just what I mean. They’re not people at all; they’re furry sons-a-bitches. They’re all over the place, trying to take over – furry ones, scaly ones, long ones, round ones, and some with nineteen legs. I tell you, mister, I like my people to look like people. And that’s all I got to say.’ He relinquished the mike, waved at the camera, and strode off.” (p. 11)

Cat’s Pawn opens with Melissa Larkin, a Terran woman who needs to see Talan because, fifty years earlier, he knew her now-dead grandfather, Bill Anderson, one of the few Terrans who ‘went native’ on the Oriani homeworld, Omnicron Orionis. Talan cannot help her, but the query introduces the reader to the Oriani:

“She was determined not to stare, though talking person to person with someone who looked a lot like a big-headed pussy cat gave her a funny feeling. Of course he was rather large for a pussy cat. The tips of his big ears came level with her nose and would have been higher except for the slightly forward posture balanced by the long, swinging tail.” (p. 1)

and

“55 kilos of highly intelligent being with long fangs that hung down below the line of his mouth like ivory daggers was nothing to giggle about.” (p. 5)

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Carl Barks’ Duck: Average American, by Peter Schilling Jr. – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Carl Barks’ Duck: Average American, by Peter Schilling Jr. Illustrated.
Minneapolis, MN, Uncivilized Books, January 2015, trade paperback $12.95 (122 pages).download (3)

Furry literature is all well and good, but it’s important to remember that furry fandom did not invent it. One of the most important influences that led to furry fandom, and furry literature today, was the Donald Duck and Scrooge McDuck stories written and drawn by Carl Barks (1901-2000) during the 1940s and 1950s. Today, those comic-book stories are all being reprinted, and are the subject of serious literary analyses. Here is something that is a little lighter.

“Critical Cartoons is a series of books on comics with a new approach. Cut loose the smartest writers on the whole of comic book history: classic comic strips, superhero epics, independent masterpieces, underground transgressions, obscure gems by well known masters, and more. Each volume of Critical Cartoons is long-form criticism that’s passionate, idiosyncratic, provocative and entertaining.” – (publisher’s blurb)

From this example, Critical Cartoons is a series of small, thin books of literary criticism about comic books, each by an expert of sorts. Peter Schilling Jr. is the author of Mark Twain’s Mississippi River: An Illustrated Chronicle of the Big River in Samuel Clemens’s Life and Works, a combination 19th-century travelogue and third-person nostalgia piece, and The End of Baseball: A Novel. Schilling identifies himself in the Introduction as a lifelong hater of “comic books”, but as a youth he made an exception for the Donald Duck comics by “the Good Artist”. Eventually, as he grew up and comic-book scholarship began to be published, he learned who Carl Barks was.

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Griffin Ranger. Volume 1, Crossline Plains, by Roz Gibson – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Griffin Ranger. Volume 1, Crossline Plains, by Roz Gibson. Illustrated by Amy Fennell.
Dallas, TX, FurPlanet Productions, January 2015, trade paperback $19.95 (369 pages).

Roz Gibson is better known as an artist than a text author, but she won the Ursa Major Award for Best Short Fiction of 2013 for her novelette “The Monkeytown Raid”. Now with the first volume of her first novel, she shows that she is an excellent text author for longer works as well.unnamed

Griffin Ranger is set in a totally alien alternate universe. The land masses are the same as on our Earth, but the life forms and civilization that have evolved are dominated by birds. (The reader will have fun identifying both geographical features such as the Twin Continents, the Alpha River, the Five Lakes, and the Endless Ocean, and the cities and towns like Defiance, Flatlands City, and Foggy Bay. Griffin Ranger’s publication was funded by a successful Kickstarter campaign, whose donors got a large color map of this alternate Earth. It would have been very helpful to readers if this map had been included as an illustration in the book, even in reduced black-&-white.) Since birds don’t have hands, the main intelligent landbound mammals are the raccoon/lemur-like “hanz” that are their symbiotic partners, and two species of canines: the wild wolfen, and the more domestic herders that have evolved from them. This Earth’s civilization is dominated by the griffins, who are the principal inhabitants of what the reader will recognize as the Americas, Europe, and Asia. But in the last few hundred years the greenies, an aggressive bird species, have erupted from the Emerald Isles (New Zealand) to spread over the world. The griffins of the Northern Continent have allowed the greenies’ partial settlement there under strict supervision, but there are suspicions that the greenies are preparing to take over totally.

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Goddess, by Arilin Thorferra – book review by Fred Patten.

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Goddess, by Arilin Thorferra
Dallas, TX, FurPlanet Productions, January 2015, trade paperback $9.95 (141 pages).

“This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region.”

When furry fandom began to develop in the 1980s, one of the first “subgenres” to be seen in traded cartoon art wGoddessas the furry macros – giant anthro animals striding Godzilla-style through cities of tiny-by-comparison furries. Yet when furry literature appeared, this subgenre quietly vanished.  Or went underground.

Here is what may be the first professionally-publicized furry macrophile novella: Goddess, by Arilin Thorferra, “the founder of ‘The Giants’ Club’ and an acclaimed macrophile storyteller.” (blurb)

Russell Rittenhouse (cougar) is the young librarian at Bennett University, one of the leading West Coast private universities. He wants to become a literature professor (with tenure), and has just begun the slow climb of the academic social-political ladder there. He gets a courtesy invitation to an exclusive reception for the visiting King of the small Pacific island of Uli Hahape, near Hawaii. Cornelius Bennett (rabbit), a sixtyish railroad and hotel multimillionaire and benefactor of the university, has arranged the reception to unveil his model of the ritzy superhotel that he hopes to build there, if the king will permit it. King Aremana (otter) is polite but clearly not impressed.

Russell drops out of the social soiree to a sofa to reread one of his favorite novels, The Great Gatsby. He is joined by the king’s daughter, who is also a Fitzgerald fan. They spend the rest of the evening discussing literature. The next day Bennett corners him in the library. Bennett suspects that King Aremana is about to reject the hotel, and he noticed Russell’s and Princess Kailani’s friendly conversation at the party. If Russell will continue to see the Princess, and subtly promote the hotel project, Bennett will make sure that he gets that professorship. Read the rest of this entry »

Legacy of the Claw, by C. R. Grey – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Legacy of the Claw, by C. R. Grey. Illustrations by Jim Madsen. Map by Kayley LeFaiver.download
NYC, Disney•Hyperion, October 2014, hardcover $16.99 (295 [+ 1] pages), Kindle $9.99.

 Legacy of the Claw is Book 1 of the Animas series, described by reviewers as like a combination of J. K. Rowling’s Harry Potter series and Philip Pullman’s His Dark Materials trilogy. In the Kingdom of Aldermere, all humans are magically bonded to an animal from birth. A human is known by the animal that he is bonded with; Animas Cat, Animas Horse, and so on. People travel with their life-bonded Animas padding, hopping, or flying with them; Longfoot the hare, Dillweed the badger, etc. “Civilized” people – farmers, townsfolk – have domestic or small forest animal companions.

Bailey Walker, 12 years old, has just graduated from his local school and been accepted by Fairmount Academy, the most prestigious institute of higher learning in Aldermere. He is enthusiastic about going there, and scared because he will be traveling alone. Bailey is an orphan, adopted as a foundling baby by the Walker farmers; and although they have been loving foster parents, they could never get Bailey to bond with an Animas. Bailey hopes that the teachers at Fairmount can help him find his Animas, but he is equally scared that not having an Animas will be grounds for expulsion, or will make him a freak and a social outcast during his adolescent years.

Bailey, like Harry Potter, travels to Fairmount on an impressive fantasy train:

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The Godson’s Triumph, by M. C. A. Hogarth – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Godson’s Triumph, by M. C. A. Hogarth. Illustrations; map by the author.
St. Paul, MN, Sofawolf Press, June 2014, trade paperback $17.95 (viii + 227 pages), Kindle $5.99.

FotGG2_CoverFront_lgBesides being the sequel to Flight of the Godkin Griffin (reviewed on Flayrah on 14 June 2012), this is The Godkindred Saga, Book 2. Collect ‘em all; they are very good reading.

Flight of the Godkin Griffin introduced Mistress Commander Angharad Godkin, a middle-aged griffin (but totally unlike traditional griffins) and her furry world. Angharad is a military commander in the army of her semi-divine sovereign, the Godson, ruler of the greatest (but unofficial) empire this world has ever known. She is also distantly related to the Godson. She expects to retire after a grueling career of conquest. Instead, she is appointed as the new provincial governor of recently-conquered Shraeven. To quote from my review:

“In just the first two pages, Hogarth establishes that this is another world (with three moons), that Angharad can fly (her wings were injured in the battle for Glendallia; also, “A warm breeze presages spring and sweeps my fine hair off my shoulders, tickling my wings.” – Angharad wears a backless blouse with breeches), that the creatures of this world can interbreed and do not look like each other, and that the royal court is REALLY anxious for the politically inexperienced Angharad to take command of the large province of Shraeven (until recently an independent kingdom) as soon as possible. She is promised all the additional troops she wants, a new support staff, an almost unlimited expense account – but she, personally, has to be the new Governor. Angharad suspects that the “newly pacified province” is in fact a hellhole, and that she is expected to fail – but who wants her, personally, to be a scapegoat?”

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Blue Horizon: The Captain’s Journal, Book 1, by Ted R. Blasingame – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Blue Horizon: The Captain’s Journal, Book 1, by Ted R. Blasingame. Revised edition.
Raleigh, NC, Lulu.com, April 2014 trade paperback $18.99 (391 pages).

My clearest memory of mail-ordering the one-volume compendium of all Blue Horizon storiproduct_thumbnailes back in 2003 is receiving a massive “telephone book” tome that was almost too large and heavy to lift. And it was in small type, too! Now Ted Blasingame is revising and expanding the stories, and is wisely dividing them into four more-easily held volumes. He is also omitting the illustrations by Eileen Blasingame & Steve Carter that, while pretty, were amateurish and added unnecessarily to the older version.

The earlier edition, first written between 1996 and 2003 and published together in December 2003, included only 31 stories. It listed Ted Blasingame, Eileen Blasingame, and Steve Carter as co-authors. Now Ted Blasingame is the main author, with assistance by the other two. He gives a more complete history in his Introduction. Blue Horizon was an exciting fannish project of the three and their readers, starting online in 1996 and printed in 2003. It went on until 2009, but the newer stories were not printed, and everyone gradually moved on to other interests. Now, Blasingame has gone back to revise the entire series, rewriting the earlier stories and adding those from 2004 to 2009, for a new total of 45 stories.

These are the voyages of the interstellar freighter SS Blue Horizon PA1261. Book 1 contains the first 11 stories: “Drug Running”, “Unexpected Partners”, “Out of the Frying Pan” (by Steve Carter), “Vexed of Kin” (by Steve Carter), “A Little Liberation”, “Recruitment” (by Steve Carter), “Lost, Distant World”, “Dragon, Wolf & Tiger”, “Vixen’s Nightmare”, “The Blood of Aris”, and “Blue Horizon Down” (by Steve Carter). Although each story is distinct, they flow from one to the next, so the book is more like a novel than a collection of short stories.

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Housepets! Don’t Criticize Your Lovelife – comic review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Housepets! Don’t Criticize Your Lovelife (Book 5), by Rick Griffin
North Charleston, SC, CreateSpace, November 2014, trade paperback $13.95 (52 pages).

Does Book 5 have a real title page? After five volumes!? (Gasp! Choke!)

THUMBNAIL_IMAGEYes, Book 5 has a real title page! However – well, my reviews of the first four books have all recommended that unless you have them all, you should start with an earlier volume to get to know the cast. That is particularly true of Book 5. It begins with the dogs and cats of Babylon Gardens “imaginating” their own version of Guys and Dolls by Loesser, Swerling & Burrows. If you’re familiar with the Broadway musical and with Peanut, Grape, Tarot, Max, Sabrina, and the other housepets of Housepets!, fine. If not, Book 5 is a really confusing one to start with.

Fortunately, practically all readers of Dogpatch Press already follow Housepets! regularly don’t you? Housepets! is an online Monday-Wednesday-Friday comic strip that began on June 2, 2008. It has won the Ursa Major Award for Best Anthropomorphic Comic Strip for every year since 2009. The four previous collections are Housepets! Are Naked All the Time, Housepets! Hope They Don’t Get Eaten, Housepets! Can Be Real Ladykillers, and Housepets! Are Gonna Sniff Everybody; all previously reviewed on Flayrah. Housepets! Don’t Criticize Your Lovelife (Book 5) starts with the online strip from June 6, 2012 and ends with that from June 3, 2013. These are the story-arcs #56, “Let’s Imaginate Guys and Dolls” to #69, “The King and I”, plus one-off gag strips between those.

Housepets! is the story of the dogs, cats, ferrets, rabbits, and other pets of Babylon Gardens, a typical residential suburban neighborhood – in an alternate universe. The animals are larger than in our universe (but not human-sized), can talk, are usually bipedal, and address their human owners as “Mom” and “Dad”. Their status is somewhere between pets and children. Points established over the years are that humans can bequeath their belongings to their pets, who do not need a human guardian; human storekeepers are not allowed to sell catnip to cats; human police forces have an auxiliary of Police Dogs who are not all police dogs; the pets comment sardonically on how they can go naked in public but their human “parents” can’t; and – lots of other stuff. Read the rest of this entry »

The Labyrinth, by Catherynne M. Valente – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Labyrinth, by Catherynne M. Valente. Introduction by Jeff VanderMeer.
Germantown, MD, Prime Books, April 2006, hardcover $29.95 (181 [+1] pages).download (3)

The introduction and blurbs emphasize this slim novel’s surrealism. Publishers Weekly reviewed it as, “…a female Theseus details the bizarre landscape of the Minotaur’s maze and its unique flora and fauna. […] Readers who luxuriate in the telling of a tale and savor phrases where every word has significance will enjoy the challenge of this fantasy. Others may find its maze of language an impenetrable mystery.”

You can put me among those who find its maze of language an impenetrable mystery. The jacket-flap blurb is, “A lyrical anti-quest through a conscious maze without center, borders, or escape–a dark pilgrim’s progress through a landscape of vicious Angels, plague houses, crocodile-prophets, tragic chess-sets, and the mind of an unraveling woman, driven on by the mocking guide who seeks to destroy as much as save.” The book’s murky cover by Aurélien Police fits it wonderfully. Can you tell what this is about?

But The Labyrinth is undeniably richly anthropomorphic. The nameless (or manynamed) narrator wanders through a maze filled with Doors. Each opens into a different dimension that threatens to sidetrack her from the Labyrinth’s end. And many are inhabited by an anthropomorphic animal.

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Ribbit – animated movie review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Ribbit, directed by Chuck Powers. 88 minutes. September 4, 2014.

This CGI animated feature was released theatrically in Malaysia, in Malay, on September 4, 2014. But I saw it at my sister’s on On Demand TV in English on January 16, 2015.

It is not the worst movie that I have ever seen, but it comes close.

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