Dogpatch Press

June 5, 2015

Blue Horizon: The Captain’s Journal, Book 2, by Ted R. Blasingame – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Blue Horizon: The Captain’s Journal, Book 2, by Ted R. Blasingame (with Eileen Blasingame and Steve Carter). Revised edition.
Raleigh, NC, Lulu.com, March 2015, trade paperback $16.99 (346 pages).

Blue Horizon, Book 2 follows smoothly after Book 1, reviewed here in March. If you liked Book 1, what are you waiting for to get Book 2? If you haven’t read Book 1 yet, you should start there to introduce yourself to Captain Merlin Sinclair (wolf) and the anthro crew of the interstellar freighter SS Blue Horizon, and the human and Furred worlds of the galactic Planetary Alignment.

Ted Blasingame, his wife Eileen, and Steve Carter originally wrote 31 adventures of the Blue Horizon on their early website during 1996 to 2003. They were published in separate Books, then combined in one Lulu.com volume in December 2003 that was HUGE – I literally could barely lift it. Blasingame and the others continued to write new online adventures until 2009, when they closed their website and went on to new projects. Now Blasingame is revising and polishing the out-of-print stories, adding the newer ones to them for a total of 45, and dividing them into four more easily-held Books with new covers by Elizabeth Jackson. Books 1 and now 2 have been published so far.

Book 2 contains Episodes 12 through 22. Although they are presented as separate stories, they flow smoothly into one another like the chapters of a novel. It is assumed that the reader is familiar with the characters and events covered in the first eleven episodes. These second eleven episodes are no longer all presented in the format of an opening excerpt from Captain Sinclair’s journal, with a flashback to the full adventure.

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June 4, 2015

Cat Out of Hell, by Lynne Truss – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Cat Out of Hell, by Lynne Truss.
London, Hammer Books, March 2014, hardcover £9.99 (233 pages), Kindle £4.31.

British cover

As usual, this review lists the first, British, edition. American readers will find it easier to get one of the American editions (Melville House, March 2015).

An unnamed narrator is writing from an isolated English seaside vacation cottage. His wife of many years has died; despondent, he quits his dead-end Cambridge librarian’s job and rents this cottage in an off-season winter month to wallow in grief. But it is too lonely, and he becomes bored. He has his laptop computer, and when a Cambridge ex-colleague e-mails him some lengthy mysterious text and audio files named “Roger”, he opens them.

The files, from Roger and a man identified only as “Wiggy”, make it clear that Roger is supposedly a talking cat. Although incredulous at first, the narrator gradually comes to believe that the files are genuine. Roger really is a talking cat. What most convinces the narrator is Wiggy’s unmistakable denseness. The witty, sarcastic Roger constantly makes references and comments that go over Wiggy’s head, which the narrator gets. (Wiggy also tells enough about himself in bits and pieces to identify himself as a youngish amateur actor in Coventry named Will Caton-Pines.)

The first files relate to a screenplay about a talking cat that Wiggy is writing and is enthusiastic about selling. Roger is bored out of his mind. He doesn’t want to reveal himself to the public, and he is sure that Wiggy’s screenplay will be unsaleably bad. Different parts of the files explain how Wiggy acquired Roger (he was the pet of Wiggy’s sister, who has disappeared), and give Roger’s life story at length.

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June 3, 2015

Great news on the West Coast: PAWcon promises to bring back a legendary experience.

by Patch O'Furr

Pacific Anthro Weekend (PAW CON)

October 30th – November 1st, 2015

San Jose, California

It’s “Survival of the Furriest” this Halloween, with an end-of-the-world party to die for! Pacanthro.org has details. Follow their Twitter for updates.

Last year was their inaugural event. It snuck in under the radar of many. About 200 furries showed up for low-key fun. Fine-tuning of publicity and planning has brought great pawgress. PAWcon is following in the pawprints of the other well-established Furry con in San Jose, Further Confusion. (How many places are lucky enough to get two great cons?) Now they’re stepping up to stage it at Fur Con’s original venue, the Doubletree. Many people have missed the unique magic of that venue after outgrowing it. Those who remember (or missed it) can have it again!

Whoa, hang on. @pacanthro is at the San Jose Double Tree? Are you effing joking me?! 😀
— Lucipurr Meowingstar (@StripeyButt) May 1, 2015

They have kings, queens, and suites open for booking:

It is official, or room reservations link is up on the site and active! Go have fun 🙂 https://t.co/y0mdiWTu1X
— Pac Anthro League (@pacanthro) May 4, 2015

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June 1, 2015

Did the Axis Have Any Funny Animals? – WWII history from Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

SEE BOTTOM: At Fred’s request, a gallery of rare book illustrations from Van den Vos Reynaerde was scanned for this post by the UCRiverside Library.
Animal fables traditionally tell morals – this article shows a historically fascinating misuse of anthropomorphism for fascist and Social Darwinist goals.
“Dear Patch; This is basically rewritten from my article for Flayrah, Retrospective: Talking Animals in World War II Propaganda.“

Did the Axis Have Any Funny Animals?

Yes. Whether the Nazis and Italians did is technically debatable, but the Japanese certainly did.

(Oops! I am reminded that many younger people today do not know what “the Axis” was. “The Enemy” during World War II. Nazi Germany and Fascist Italy signed a mutual defense treaty on October 25, 1936 that Italy’s Benito Mussolini described in a speech on November 1 as putting Europe on a Rome-Berlin axis. Imperial Japan joined in 1937. On September 27, 1940, Germany, Italy, and Japan signed a Tripartite Pact and formally declared themselves the “Axis powers”. They were joined during the next month by Hungary, Romania, and Slovakia. “The Axis” during World War II meant Germany, Italy, Japan, and their allies.)

There were more funny animals assigned to them by American cartoonists for anti-Axis propaganda than there were of their own. The best-known today are probably the Leon Schlesinger/Warner Bros. animated short cartoons The Ducktators and Scrap Happy Daffy, and MGM’s Blitz Wolf.

In The Ducktators, directed by Norm McCabe and written by Melvin Millar, released on August 1, 1942, Adolf Hitler and the Nazis are ducks, Benito Mussolini is a goose, and “the Jap” (a stereotypical “Jap”) is presumably also a duck (although he looks more like a coot).

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May 30, 2015

Light: A Tale of the Magical Creatures of Zudukii, by T. S. McNally – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Light: A Tale of the Magical Creatures of Zudukii, by T. S. McNally.
Syracuse, NY, Bounding Boomer Books, February 2015; trade paperback $9.99 (151 pages), Kindle $4.99.

“Magical creatures” are the operative words here. I usually divide anthropomorphic fiction into either furry or funny-animal fiction, depending upon whether the anthro animals show some semblance of reality as to species, or whether they are “animal-headed humans”. In Light, though, the inhabitants of Zudukii are totally, blatantly fantastic. It is rare when two characters, say a brother and sister, are the same species, and all are basically humans. A bear has an otter sister, who has a kangaroo boyfriend.

Actually, he’s not exactly a kangaroo. While Garoo is usually called a kangaroo, he is more accurately described (disparagingly) as a kangabuck, a kangaroo with antlers; the son of a stag father and a kangaroo mother. See the cover by Selkie. But most characters do not display a mixed heritage. They are either one animal or the other.

Does Garoo hop or walk? The reader can’t tell. Does he have other non-kangaroo attributes? Page 29 says, “The crowd had grown to such a size that the kangaroo wrapped his tail around one of the posts as to keep himself from accidently falling into the water.” Kangaroo tails are not that prehensile.

Do the animals, including anthro birds, wear clothes or not? This is vague until page 31, when “Enveloped in a long green dress, a grey bushy form of a squirrel female […]” — although it’s still unclear as to whether all of the animals wear clothes or only some of them.

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May 29, 2015

Who Wacked Roger Rabbit? – book review by Fred Patten.

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Who Wacked Roger Rabbit?, by Gary K. Wolf.
Colorado Springs, CO, Musa Publishing, December 2014, trade paperback $14.00 (306 pages).

This is the third “Roger Rabbit” novel by Gary K. Wolf in 30+ years. The first, Who Censored Roger Rabbit? (St. Martin’s Press, October 1981), was bought by Walt Disney Productions and turned into the considerably different animated feature Who Framed Roger Rabbit (June 1988). (For example, there is no Toontown; Roger talks through speech balloons; does not spray his P’s; and he is killed in the novel.) The movie was a mega-hit, and Wolf wrote a second novel, Who P-P-P-Plugged Roger Rabbit (Villiard Books, August 1991) that was not as much a sequel as a movie media tie-in. The title emphasized Roger’s distinctive stutter from the movie, and the dust jacket showed Roger and his wife Jessica as they appear in the Disney cartoon design in the movie. But the second novel’s new background was not that of either the first novel nor of the movie.

Now Wolf has written a third novel. Who Wacked Roger Rabbit? seems betwixt & between the first two. The date is 1947 or ’48, when “Walter Windchill” and “Luella Parslips” are still active gossip columnists.

Eddie Valiant, the private eye, is the hard-boiled narrator. “Me and my smog machine rattled our way down Sunset Boulevard to Columbia Studios, the toniest movie lot in Hollywood, where the bungalows are painted with the pixie dust that coats silver screens and the streets are paved with pure movie gold. A schmoe like me rarely gets an invite to a top shop like this. My gumshoes stick to the seamier sidewalks of Tinsel Town.” (p. 3)

Columbia is about to make a new movie starring Gary Cooper, but a deliberate change from his usual Westerns and sophisticated roles. Producer Barney Sands (a human) explains to Eddie that it’s to be set in Toontown, with Coop playing a low-class human living there.

“‘Coop will immerse himself in his role, actually living the life of the character he plays. I want him to hang out in Toontown. Get inside the heads of his Toon co-stars, find out what makes them tick. Use those emotions to structure his own performance.’ Sands flipped his Zip and lit another cigarette. I never saw a guy smoke so fast. Like he had a pair of suction fans inside him instead of lungs. ‘The end result will be sensational. The new Cooper. Crude, basic, and untamed. Giving a performance that delivers a punch straight to the gut.’
[…] Read the rest of this entry »

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May 28, 2015

There’s furries in Peru too, sad mascot documentary, Furrycon article – Newsdump (5/28/15)

by Patch O'Furr

Headlines, links and little stories to make your tail wag. Tips are always welcome.

Documentary: The Anti Mascot.

Lou Seal is the one Giants fans love.

The story of the San Francisco Giants’ Crazy Crab, the most outrageous mascot of them all. The 1984 San Francisco Giants were dreadful. But the team’s ill-conceived “Crazy Crab” mascot endured worse.

Shared by Excelsior30 on FurAffinity … a cautionary tale of how anthropomorphic costuming could make you a magnet for abuse. Professional performer Wayne Doba documents his experiences with water balloons full of pee, and back injuries from a “macho” attack by players from a rival team. (Get happier with Hulu’s mascot documentary series, Behind the Mask, that had an Emmy nomination for Outstanding New Approaches in Sports Programming.)

MNFurs becomes a registered 501(c)3 nonprofit.

News announcement. On FurAffinity, Aerak shares what it means to him: now the organization can officially host charitable activities like hospital fursuiting to brighten people’s days. MNFurs have a lot to be proud of:

In a matter of six years, with only the word-of-mouth advertising, MNFurs has gone from a small group of close friends and associates with a weekly meeting number of less then a dozen people to 40 to 60 people in the same room every other Saturday night. At the same time, we went from 20 to over 200 people on our mailing list.

Their growing presence in the world of fluffy stuff is bringing Furry Migration, “Minnesota’s first furry convention having its second year on August 28-30, 2015.”

Furrycon in Rochester gets a great media spokeskitty, Zeigler Jaguar. Read the rest of this entry »

3 comments

May 27, 2015

Hero’s Best Friend; An Anthology of Animal Companions – book review by Fred Patten.

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Hero’s Best Friend; An Anthology of Animal Companions, edited by Scott M. Sandridge
Lexington, KY, Seventh Star Press, February 2014, trade paperback $20.95 ([iv] + 447 pages), Kindle $3.99.

Hero’s Best Friend; An Anthology of Animal Companions is a fantasy anthology of “twenty stories of heroic action that focuses on the furries and scalies who have long been the unsung heroes pulling their foolish human buddies out of the fire”. Superficially, this is not necessarily a furry book. The blurb cites comparisons with Gandalf’s horse Shadowfax, the Vault Dweller’s dog Dogmeat, and the Beastmaster’s “fuzzy allies”; all famously loyal animal companions, but under their human partners’ control. Those animals are no more anthropomorphic than the Lone Ranger’s horse Silver.

But these are stories by fantasy authors, and they emphasize the animals’ conscious partnership or dominance over their human companions. “[T]he unsung heroes pulling their foolish human buddies out of the fire” is the operative m.o.

In “Toby and Steve Save the World” by Joy Ward, Steve is the human and Toby, a Pembroke corgi, appears to be his dumb pet. But the story is told from Toby’s view, and it’s clear that the dog recognizes the menaces and deliberately maneuvers his clueless human into taking care of them. The story is definitely anthro. It also wallows in self-conscious cuteness.

“Dusk” by Frank Creed is narrated by Dusk, a housecat in the future. Dusk is the partner of a man codenamed Whisp, but here the human is aware of the cat’s strengths, and they trust each other. Whisp and Dusk are undercover police agents seeking a criminal gang in 2038 Chicago’s Chinatown slums, and Dusk (among others) is bionically enhanced.

“I sniffed the alien scents on the shelves in my aisle – and also the faint charcoal bouquet of expensive whiskey – while Whisp did what the wanted. From the back of the shop I eyeballed inside the stairwell where sat a thin middle-aged yellow-skinned man on a stool. He wore suspenders over a plain white stained tee and held a cup. He looked at me, but it felt wrong.
Other eyes saw through his eyes, and the fur on my spine spiked.” (p. 18)

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May 26, 2015

Anniversary of the New Jersey FurBQ Hoax – this bullshit cost $185,000.

by Patch O'Furr

Update: read to bottom for new details of the $185,000 cost!

Remember this sad thing? On May 26, 2012, the final New Jersey FurBQ was held for nearly 200 attendees. It ended seven years of a party loved by a community of friends. But it didn’t just die – it was killed with controversy and nasty headlines. The truth was buried under biased and false reporting.

It’s a tale of intolerance and ridicule. Misinformation and dishonesty. Exploiting and scapegoating. Shaming and moralizing against “offenses” like having fun and serving alcohol to adults over 21. A fake sex scandal, that provoked our own anti-sex hysteria. Beneath it all, dirty town politics.

They said they had photos of two costumers doing “simulated” public sex. Everyone freaked out and pointed at each other – but it was a wild rumor. The accusations failed burden of proof. Accusers are responsible to give evidence, but they failed to produce photos or even names, when harm made it critical to be fair. I say if it happened, we’d at least know names. If you’re a furry, you know how rumors go. Sure, evidence could have been held for confidentiality – but there’s no credibility for that. Photos didn’t just fail to exist – there were extra allegations of lying, a money incentive, and an unreasonable rush to judgement that was too perfectly provoked. It’s way past time to call it a HOAX. This may be the first headline to do it. (I found support from this DJ who was there.)
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May 25, 2015

Scale’s paintings push the limits of furry art, with surprising mainstream crossover.

by Patch O'Furr

(NSFW – nude paintings below!)

In “Furry Good Ideas“, Scale commented on my suggestion about starting a Furry art gallery:

Not sure if the times are ripe for a dedicated furry art gallery, but for what it’s worth I’m having some success entering furry paintings in local art shows… I’m also making a bet that a market niche for paintings actually exists within the the fandom and that a decent number of fans would like to own furry art which can be displayed alongside other kinds of art. The results are very encouraging so far.

The article was meant to encourage feedback like this, revealing a cool new story. Nice to meet you, Scale!

Scale does classical style anthropomorphic figure painting. Public display of his work puts him in a favorite focus of this blog: crossover. He isn’t just showing regular fantasy art to the public, either. It’s both painterly, and super hot! It’s the best of both worlds. Look at the dragoness below… the attitude, the pose, the voluptuous sculpted butt… excuse me while I fan my face for a minute.

Yeah.

I’m happy to share this as a nice surprise to the chairman of Eurofurence. He commented on my article about Biohazard’s crossover art stunt: Screen Shot 2015-05-11 at 5.43.25 PM

We’re seeing a little subcultural eruption, from as far across the line of “low art” as you can get. Scale’s art is pushing limits. His cool, thoughtful style speaks of Old Master sensibility, but the hot-blooded subjects are a weird combination that makes sparks. Isn’t that what art is for? The way people respond to it brings interesting thoughts about art meaning:

The bunny painting was accepted in the show without any problem. I keep finding evidence that most non-furries don’t read a picture like that one as a sexy pinup… I suspect most people just see it as a parody of human nudes.

OK, it’s sexy to furry fans (5,000 on his popular FurAffinity account), but he thinks it doesn’t communicate like that to the “normal” public. Is that a failure? Would they show it if it doesn’t speak to them? It has to work as simply good painting. It’s an example for furry artists: don’t make good furry art – make good art. Read the rest of this entry »

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