Dogpatch Press

Fluff Pieces Every Week

Iris Jay Hacks The Planet With 90’s Infused Anthro-Cyberpunk In Crossed Wires

by Bessie

Welcome to Bessie, of Marfedblog, a comics review and criticism site. There’s furry stuff there, and much more, with the devoted curation of a fan doing exactly what they love. It’s my favorite kind of writing – thoroughly researched, thoughtfully presented, in magazine style long form. I suspect it may be underexposed considering the high quality, so if you like this, give it a follow. And expect more syndicated content reposted here.  (- Patch)

Each and every single one of Iris Jay’s comic creations sounds like one of the greatest film that was never made, ever. The descriptions of each read like the fevered elevator pitch of some fresh-faced starry-eyed youngster who has grown up on a diet of the trashiest entertainment, 90’s nostalgia and a deep love of forgotten films. Comic worlds inhabited by gun totting robots, gangster piloted mechs and laser-firing wolves partnered with grizzled FBI agents, all armed with the perfect action movie one liners. You are kidding yourself if you didn’t want to see a hulking supernatural fluorescent rat declaring “I  couldn’t free your minds. But I can free your teeth!”

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Dubiously Canon, by Rukis – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dubiously Canon, by Rukis
Dallas, TX, FurPlanet Productions, June 2017, trade paperback, $19.95 (199 pages), e-book $9.95.

This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region. (publisher’s advisory)

“Synopsis: Tales from Red Lantern (that may or may not have happened)

A collection of stories chronicling the lives of characters in the Red Lantern universe, and their sexy misadventures.”

This collection contains five stories that originally appeared online. Four were written by reader demand to introduce two popular characters from throughout Rukis’ Red Lantern cartoon-art universe to each other, whether or not such a meeting would be possible by the story logic of this universe. So the stories are “dubiously canon”.

The four are “Language Barrier”, “Sinful Behavior”, “By Touch”, and “Ship to Ship”. All are narrated in the first person by one of the characters, most of whom are strangers to each other. Almost no names are mentioned. For readers familiar with Rukis’ Red Lantern art pages and her other novels, the descriptions of the characters will make it obvious who they are. In “Sinful Behavior”, for example, the wolfhound is Johannes Cuthbert from Red Lantern and Heretic and the bobcat is Shivah from the Off the Beaten Path trilogy. (That’s Shivah on the ship’s cannon on Rukis’ cover.) If you’re not familiar with Rukis’ Red Lantern universe – Mataa’s rocky coast in Legacy, the colony of Serwich in The Long Road Home, and so on – the locales and the characters won’t matter. All that really matters is that two healthy individuals come together, and erotic nature takes its course. M/m and m/f. Each of the four stories has a full-page NSFW illustration.

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Felicia: The Night of the Basquot, by Chas. P. A. Melville – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Felicia: The Night of the Basquot, by Chas. P. A. Melville. Illustrated by the author.
Seattle, WA, CreateSpace, September 2017, trade paperback, $12.00 (257 pages), Kindle $9.99.

“‘So!’ crowed Felicia happily. And then she frowned. ‘So,’’ she repeated, more uncertainly. And then, in puzzlement, ‘So.’ Her ears flicked as she turned to stare at the rising sun. ‘So, what’s a ‘Basquot’ anyway?’” (p. 86)

Felicia cla di Burrows, the vixen renegade sorceress blackballed from the Magic Council, is thirty years old this year. She first appeared as an enigmatic background character when Melville began self-publishing The Champion of Katara comic book, #1 dated August-September 1987. Now she has her first novel.

Spiteful and egocentric, all that was really clear was that Felicia had been horribly mistreated as a child. She began studying sorcery — including forbidden black magic — to gain revenge against those who had destroyed her family. But her heart was not really in being evil, and she kept using her magic to help others while postponing her vendetta against her family’s enemies. As a flawed ‘good guy’ and a colorful, charismatic character, Felicia became the most popular of Melville’s anthro animal cast when he moved to Seattle and became active in the furry community there, and he resumed his comic-book stories for Edd Vick’s MU Press in the 1990s. Felicia’s most dramatic and complex adventure was the 184-page graphic novel Felicia: Melari’s Wish (August 1994). Later in the ’90s, she starred in three lighter stand-alone stories as a sorceress-for-hire without the dark background of her vengeance goal, written by Melville and drawn by Bill Schmickle, in MU’s anthology comic-book ZU.

Melville later brought Felicia back in a series of text novelette booklets, with illustrations every few pages, published by CaféPress. These continued the lighter stories in ZU. Felicia became a professional sorceress-for-hire/detective who got involved with finding and dispelling ancient evils, or preventing their escape to wreak havoc in Katara and its neighboring animal kingdoms of Dogonia, Bruinsland (bears), Scentas (skunks), Rodentia (mice), and others. Melville wrote five of these, from Felicia and the Dreaded Book of Un (February 2004) to Felicia and the Border Collie Patrol (January 2008). One, Felicia and the Tailcutter’s Curse (June 2004), won that year’s Ursa Major Award in the Best Short Fiction category. All five were republished as a single book, The Vixen Sorceress (CreateSpace, December 2008).

Melville began producing a Felicia webcomic, Felicia, Sorceress of Katara, in December 2007, but for the last nine years there have been almost no Felicia text adventures. Now Felicia is back in a 257-page novel.

Felicia: The Night of the Basquot is her origin story, and an introduction to her world (which might be described as Tolkien lite, with funny animals). It begins when Felicia emerges in Katara from a mysterious seven-year disappearance, crackling with magic energy and ready to join the all-powerful Magi Council (a.k.a. the Brotherhood of the Candle) as its newest and youngest sorceress. Instead, she is shocked and infuriated to learn that she has been rejected.

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Griffin Ranger. Volume 2, The Monster Lands, by Roz Gibson – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Griffin Ranger. Volume 2, The Monster Lands, by Roz Gibson. Illustrated by Cara Mitten, Amy Fennell, and Roz Gibson.
Dallas, TX, FurPlanet Productions, August 2017, trade paperback, $19.95 (557 pages), Kindle $2.99.

Griffin Ranger. Volume 1, Crossline Plains, 369 pages, was published in January 2015.   It ends on a cliffhanger. This book is not so much a sequel as the conclusion of a single 926-page novel. There is a 3-page What Has Gone Before, but you really need to have read Volume 1 and then continue directly with this Volume 2.

To condense what I said about Crossline Plains:

“Griffin Ranger is set in a totally alien alternate universe. The land masses are the same as on our Earth, but the life forms and civilization that have evolved are dominated by birds. (The reader will have fun identifying both geographical features such as the Twin Continents, the Alpha River, the Five Lakes, and the Endless Ocean, and the cities and towns like Defiance, Flatlands City, and Foggy Bay.) Since birds don’t have hands, the main intelligent landbound mammals are the raccoon/lemur-like ‘hanz’ that are their symbiotic partners, and two species of canines: the wild wolfen, and the more domestic herders that have evolved from them. This Earth’s civilization is dominated by the griffins, who are the principal inhabitants of what the reader will recognize as the Americas, Europe, and Asia. But in the last few hundred years the greenies, an aggressive bird species, have erupted from the Emerald Isles (New Zealand) to spread over the world. The griffins of the Northern Continent have allowed the greenies’ partial settlement there under strict supervision, but there are suspicions that the greenies are preparing to take over totally.

“Griffins during their adolescence traditionally go on a continent-wide ‘wander’ of exploration. Harrell, the Griffin Ranger in charge of an area north of Earthquake City, learns that his daughter Aera, who is on a joint wander with four companions, is a week overdue. They went missing near the central Northern Continental agricultural city of Crosstown Plains, populated about equally with griffins and greenies. Harrell is worried, but not enough to abandon his territory to search for the missing youths, until his ex-mate Vaniss, the Ranger in charge of Earthquake City and his organizational superior, assigns him to find them. To aid Harrell, Vaniss gets him two assistants: Kwaperramusc (Kwap), an exotic griffin from the islands north of the Dry Continent (Indonesia and Australia) and the Rangers’ best Investigator, and Tirrsill, an inexperienced but willing young female hanz.

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The Fox of Richmond Park, by Kate Dreyer – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Fox of Richmond Park, by Kate Dreyer
London, Unbound, July 2017, trade paperback, £11.99 (287 pages), Kindle $1.99.

“If the Animals of Farthing Wood had lived in London and hated each other a little bit more, their story may have been a lot like this one.

‘Get out of the way or get an antler up the arse, yeah? I’m sick of these glorified donkeys.’” (blurb)

Almost all the (British) reviewers have compared this British novel to Colin Dann’s 1979 classic The Animals of Farthing Wood. In it, the woodland community of Farthing Wood is paved over by human developers. The wildlife inhabitants, led by Fox, undertake a dangerous trek to the safety of a distant nature reserve.

The Animals of Farthing Wood is a Young Adult novel. All the animals act together in brotherhood. No one eats anybody.

The Fox of Richmond Park is an Adult novel. Richmond Park is a large wildlife park in London that Wikipedia says is known for its deer. In this talking-animal novel, the deer are the arrogant elite class of the Park’s fauna. When the deer decide they want the lakeside area where several foxes have had their dens for generations, they just tell the foxes to move out. Most accept the order without protest. Vince does not.

“‘Why I should leave,’ Vince snarled as he prowled back and forth in the semi-circle of bare earth that marked the entrance to his den, black ears flat to his head, ‘just because some over-entitled deer want to be near the lake?’

‘It’s not like that. And you can dig a new, bigger den in a day or two. I don/t see what the problem is. Other animals have moved without a fuss.’ Edward tilted his antlers towards the small skulk of foxes several leaps away, who had gathered at the edge of the woodland to wait for the sun to set. ‘And your friends are being very cooperative.’

‘That’s because you’ve told them a load of scat about how great the cemetery is.’ Vince said, the copper fur on his back bristling. He’d had every intention of talking this through civilly with the stag, but his temper had other ideas. Just like last time.” (p. 1)

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Announcing Crimestrikers, a Furry RPG Supplement, plus chat with author Mark Lungo.

by Patch O'Furr


Mark Lungo, thanks for chatting. What’s your game about?

Crimestrikers, an RPG supplement set on the futuristic furry word of Creaturia, will be published in November by Spectrum Games as part of their Cartoon Action Hour series. Soon you can enter a new world of fun and adventure, as a colorful team of heroic agents protects Creaturia from the crime syndicate Outrage and other supervillains. Crimestrikers is created and written by Mark Lungo, with game stats by the Spectrum staff and illustrations by various artists (including Cindy Ramey of Ringtail Cafe Press, Derek Van Deusen, Jon Kemerer, Alishka Jolitz, and Rick Yurko). Stay tuned to http://www.spectrum-games.com/ for further announcements.

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HappyWulf’s Furry KickStarters – Ep. 4

by Dogpatch Press Staff

I must again apologies for a very short breathed post this month, but I’m still in a cast and my one good arm is tired. Prep your butt for another quick and dirty list.

For any videos, click on the little ‘K’…

… Right here… to go to the campaign page.

v

v

GAMES

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Magnificats: Return of the Demon Wind, by Gwyn Dolyn – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Magnificats: Return of the Demon Wind, by Gwyn Dolyn. Illustrated, map by the author.
La Jolla, CA, Plowshare Media, January 2017, trade paperback, $15.95 ([11 +] 239 [+ 9] pages), Kindle $3.95.

Magnificats is an unusual mixture of Young Adult fantasy and several specialized ethnic vocabularies, beginning with both faerie mythology and commonplace Irishisms; not to mention Big Words that aren’t in most Young Adult novels. 13-year-old redhaired Aoife “Apple” Standish, taunted as Red Apple Stand by her classmates in today’s Dublin, is blown by a sheegee wind to where a Magnificat is watching.

“Meanwhile, just down the street and past the cheese shop where her brother worked, Tak, the lanky old cat who lived under the ancient parish church on Apple’s route to school, sensed something awry in the autumn air. This sheegee was a concern. Sniffing, he tickled the air with his whiskers, then remarked, ‘Hmm. Interesting autumn wind; deliberate, with a stench of malice.’

While Tak was indeed a cat, he was not your everyday, meowing, rodent-chasing, scratching-up-the-furniture sort of cat. He was the leader (to be exact, Littern) of a clandestine order of numinous nine-life cats, known far and wide in creature kingdoms as Magnificats – keepers of sacred knowledge and masters of the winds.” (pgs. 1-2)

Dolyn peppers her novel with obscure words, Irish at first and later Egyptian, then others. “The strange sight of a girl caught in a whirlwind caused car screeching, men’s caubeens flying, and children diving for cover under their mums’ waving skirts.” (p. 4) Wikipedia defines a caubeen as an Irish peasant beret. “Gwyllion” is another Celtic magical word used a lot in just the first chapter – strangely, Wikipedia says it’s from Welsh mythology, not Irish. (It’s all Celtic.) Some other Irishisms in Chapter 1 that aren’t mythology-based are hooligan, shamrock, shenanigan, Finn-McCool, and gobsmacked. But when Apple goes to Egypt with other students on an archaeological dig, the vocabulary switches to Egyptian. “‘Hey App,’ Dan’s voice echoed across the flat sand, ‘we’re going to wrap this up. The winds are getting bad; looks like a haboob coming.’” (p. 29) You’ll learn more about cultures, winds, and mythologies (especially Irish) than you wanted to know:

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Furry Publishers – A Resource for Artists and Authors

by Summercat

Welcome to guest poster Summercat – a great friend to Dogpatch Press, with a cool interest in Furry Comics and Zines History.

Publisher Dealer Table. Photo provided by Rabbit Valley

When I first joined the Furry Fandom, there weren’t many fandom publishers, and most printed works were vanity press or self-publishing. These days, it seems that the world of Furry Publishing has exploded in size, with many relatively new companies plowing ahead and looking strong.

However, there aren’t too many resources available for those looking to get their works published on whom to go with, and sites like Wikifur confusingly list long-dormant and dissolved companies under active publishers. So I went ahead and compiled a list of currently active fandom publishers looking at submissions, either regularly or periodically. I do not pretend this to be exhaustive, so these listed may not be the only options available.

A word of warning: What these publishers accept may change without notice. Some only publish through submissions to anthologies, while others may open or close their submissions for certain types of media. Many of these publishers are selective in what they publish under their imprint, and are often flooded with submissions and proposals. Always do your research before sending a submission in!

When discussing a contract with a publisher, keep special care to know what rights are being sold. While most publishers only require a period of exclusivity, some may be intending to purchase complete rights to the work. Make certain that you and the publisher are both clear on what is expected from either of you! Read the rest of this entry »

“Truly, my life is a low budget horror movie”- Scott Zelman’s Wilde and much missed webcomic

by Bessie

Welcome to Bessie, of Marfedblog, a comics review and criticism site. There’s furry stuff there, and much more, with the devoted curation of a fan doing exactly what they love. It’s my favorite kind of writing – thoroughly researched, thoughtfully presented, in magazine style long form. I suspect it may be underexposed considering the high quality, so if you like this, give a follow. And expect syndicated content reposted here too.  (- Patch)

“Don’t be scared! He doesn’t bite. That’d be gauche”

Scot Zellman’s Buster Wilde first appeared on-line around the mid-nineties back in the prehistoric days of the internet. Following the exploits of our eponymous hero, lover and maybe most importantly, gay lycanthrope as we quickly discover the he twist in the familiar folk tale and pop culture staple. Sinewy, flamboyant party animal by night at sunrise Buster switches back to his beleaguered alter ego, Bernard. Stressed, uptight and again most importantly, straight. As Buster humorously and enthusiastically throws himself into his new life, navigating the gay club scene with its drama and clichés, Bernard struggles with a double life he doesn’t remember and more often than not waking up in other guys beds. It was among one of the first web comics I discovered when I finally got on-line and I quickly made my way through every strip on the now broken and mostly forgotten geocities site. You heard that right, Geocities. It’s been around fourteen years since the final strip was posted and it’s a testament to both the quality of the strips and Zellman’s considerable skills as a writer and gifted cartoonist that those who saw it at the time still hold it in such high regard over a decade later. Apart from one of two references that date them (Buffy, who Buster declares is a bitch because of her treatment of fellow werewolf Oz) the Buster Wilde strips have a timeless quick paced humour to them that’s still as funny today as when they were first conceived.

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