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Tag: anthropomorphic

Garbage Night, by Jen Lee. – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

Garbage Night, by Jen Lee. Illustrated.
London, NYC, Nobrow Ltd., June 2017, hardcover $18.95 (98 pages).

Garbage Night is #2 in Lee’s Vacancy series; what Amazon calls “dystopian graphic novels”. Vacancy, #1 in the series, was published in June 2015. But Garbage Night the book includes the complete Vacancy as a bonus. Garbage Night itself is 70 pages, followed immediately by “Now read Jen Lee’s original comic, Vacancy” for 26 more pages. You should skip directly to Vacancy, read it first, then return to the beginning of Garbage Night. Be warned that it still ends with a “to be continued”.

What is going on is unexplained. The blurb for the first story says, “Vacancy explores the ways that animals think; how they internalize their changing environment and express their thoughts, fears, or excitement.” The blurb for Garbage Night says, “Juvenile animals strive to survive across a post-apocalyptic wasteland in this striking parable about the nature of freedom and friendship.” What it is is about anthropomorphic animals (they wear clothes and are bipedal) living in a deserted, humanless world.

Simon is a pet watchdog left behind when his humans disappeared. But it is obvious that what’s happened is more complex than that. The entire town shows years of having been deserted. Signs are peeling, windows are broken, cloth is rotting, roofs are falling in. Simon roams through his owners’ empty house, wishing that they’d return to fil his food bowl, but not really believing it after so long. What remains of the town has been scavenged out of food by the abandoned pets and nearby wildlife like Monica the opossum. When two forest animals pass through town – Cliff, a raccoon, and Reynard, a deer with a broken antler – Simon asks to go with them. “I need someone to show me the ropes of the wild.”

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D’Arc: A Novel from the War With No Name, by Robert Repino – review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

D’Arc: A Novel from the War With No Name, by Robert Repino. Illustrated by Sam Chung and Kapo Ng.
NYC, Soho Press, May 2017, hardcover $26.95 (386 pages), Kindle $14.99.

I don’t usually quote other writers’ blurbs, but how could anyone resist this from Corey Redekop, the author of Husk, on the front cover:

“Think The Fantastic Mr. Fox, with advanced weaponry, Charlotte’s Web, with armed combat, The Wind in the Willows, with machetes. D’Arc is all this and way more besides.”

S-f author Paul DiFilippo compares D’Arc to Cordwainer Smith’s Underpeople, David Brin’s Uplifted dolphins, Puss in Boots, and Brian Jacques’ Redwall. If I looked hard enough, I could doubtlessly find many comparisons to Animal Farm and Watership Down as well.

D’Arc is a sequel to Mort(e). Almost the first thing that you learn in D’Arc is a big spoiler for Mort(e): yes, Mort(e) the cat, the renamed Sebastian, does find Sheba, the pet dog who he was searching for all through that novel.

The first chapter, though, introduces Taalik and his Sarcops. They will appear again later. They are not Changed animals, but a new mutation. To quote a later description of them: “Part fish, part crab, part cephalopod. A bulbous head. Black eyes. Segmented armor on the spine, with four tentacles unfurling from within. Two jointed claws extending from the shoulders, with longer ones at the pelvis that could be used for walking. A long tail with spikes on the end of it.” (p. 54)

Mort(e) and Sheba appear in Chapter 2. Mort(e) does not join either the Changed animals or the remaining humans. He strikes out on his own – with Sheba. The “strange technology” of the ant Queen that Changed all natural animals into anthropomorphic animals in Mort(e) was actually a pill that the unnoticed ants inserted into each animal; and the Queen had not given this pill to Sheba in order to control Mort(e). After the Queen’s death and the disintegration of the Colony, Mort(e) and Sheba sail up the Delaware River, where Mort(e) gives Sheba the pill that Changes her. They continue past the abandoned ruins of Philadelphia, and finally leave the river and trek into the Pocono Mountains.

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Tucker Grizzwell’s Worst Week Ever, by Bill Schorr and Ralph Smith – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Tucker Grizzwell’s Worst Week Ever, by Bill Schorr and Ralph Smith
Kansas City, MO, Andrews McMeel Publishing, January 2017, trade paperback $9.99 (242 pages), Kindle $8.49.

Laser Moose and Rabbit Boy, by Doug Savage
Kansas City, MO, Andrews McMeel Publishing, September 2016, hardcover $31.99, trade paperback $9.97 (144 pages), Kindle $9.47.

Phoebe and Her Unicorn, by Dana Simpson. Introduction by Peter S. Beagle.
Kansas City, MO, Andrews McMeel Publishing, September 2014, hardcover $13.99, trade paperback $9.99 (222 [+2] pages, Kindle $7.71.

These three books are samples of Andrews McMeel Publishing’s “AMP! comics for kids” series for children 8 to 12 years old (grades 3 to 7). The AMP! books are a combination of original book-length cartoon-art works and collections of newspaper or Internet daily comic strips. Most of them are not animal oriented, but here are two that are, plus Dana Simpson’s Phoebe and Her Unicorn, mostly for her previously-acclaimed hit in furry fandom, Ozy and Millie (although Phoebe does contain Marigold the Unicorn, and sometimes goblins). Furry fans may want to take a look at some of these. Many are in public libraries.

Tucker Grizzwell’s Worst Week Ever, by Bill Schorr and Ralph Smith, is a standalone original 242-page spinoff from Schorr’s The Grizzwells newspaper comic strip (1987 to present), featuring a funny-animal family of grizzly bears and their community. The newspaper strip is gag-a-day without any continuity. Schorr and his assistant Smith have tried to create a coherent novel, but what they have here is really a collection of lame one-liners with a thin connecting plot line. Astronomy class: “Do you know anything about asteroid belts?” “Only that they’re what asteroids wear when they can’t find their suspenders.” The characters compound the groaners by often breaking the fourth wall and looking knowingly at the reader. You can almost hear a drum-roll’s bada-boom.

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reWritten, by Jako Malan – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

reWritten, by Jako Malan
Plainfield, CT, Goal Publications, April 2017, trade paperback $15.00 (200 [+2] pages).

The setting of reWritten is a world from which humans have disappeared and been replaced with anthropomorphized Mammalœ.

It’s best not to dwell on the confusing background. The Mammalœ are aware of man’s past existence:

We are, indeed, not the first to call this world our home. Bright-eyed and naive, our earliest ancestors wandered forth as the sun set on the age of man and rose for Mammalœ. The ruins of their magnificent civilization would be both the foundation and inspiration for our own.” (p. 1)

What happened to man? It doesn’t sound like man became extinct through war, unless it was a war that didn’t include blast damage – the Mammalœ consider man’s ruins to be “magnificent”. Have the Mammalœ (the narrator is an anthro jackal; others are aardvarks, meerkats, springboks, rats, rabbits, mongooses, servals, cheetahs, etc.) evolved to replace man? That would take millions of years. Surely there wouldn’t be anything of man’s left to seem “magnificent”. The Mammalœ civilization seems like a rundown funny-animal imitation of man’s; a smoky city that includes coal power, rickety electric trams, hand-cranked automobiles for the rich; most Mammalœ riding bicycles… The Mammalœ such as the rat and zebra are all the same size, presumably human. It’s easier to just accept that man was here but is gone now, and anthro mammals (Malan is South African; so is the setting – the Mammalœ currency is even rands, not dollars) have replaced him in early-20th-century-style cities.

Professor M. (for Makwassie) van Elsburg (a jackal), head of the Department of Anthropology and History at Mammalaœ University in Bridgend (apparently a major Mammalœ city), is approached at a reception by rich Mr. Oberholzer (a hyrax), the patriarch of the Bridgend Energy Cartel. Prof. van Elsburg recognizes him as one of the most influential and notorious mobsters in Bridgend. (He flaunts it; what’s the point of being influential and notorious if everyone doesn’t know it?) Oberholzer is also interested in the history and disappearance of man, and he has a private museum in his mansion. Five months earlier he and an associate had organized an expedition to the ruins of a human city that they hoped would provide more information. The expedition disappeared; simultaneously Oberholzer’s private collection was burglarized, and his servants began being followed. Oberholzer wants Prof. van Elsburg to lead a second expedition to the ruins, to find the hoped-for information and any clues to the vanished first expedition. Elsburg objects that he’s late-middle-aged and sedentary, without any experience in exploring, but Oberholzer’s request is similar to Don Vito Corleone’s offer that can’t be refused.

“‘Take the train to the Ashton precinct.’ Mr. Oberholzer’s last instructions interrupted my train of thought. ‘That is as far as the railways will take you. In town, I will arrange for my associate to meet you. He will brief you from there onwards. I have already contacted him with the particulars of the assignment. Be vigilant, Professor. Don’t discuss your task with anyone. And don’t disappoint me.’” (pgs. 31-32)

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Hot Dish Vol. 2, Edited by Dark End – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Hot Dish. Volume 2, edited by Dark End. Illustrated.
St. Paul, MN, Sofawolf Press, December 2016, trade paperback $17.95 (viii + 307 pages)

Hot Dish #2 is an anthology intended for an adult audience only and contains some explicit sexual scenes of various sexual orientations. It is not for sale to persons under the age of 18. (publisher’s rating)

Hot Dish #1 (edited by Alopex) was published in March 2013. Sofawolf described it as “Hot Dish is a collection of stories about the romantic and erotic relationships between characters of disparate species and sexual orientations. It is a hearty portion of quality fiction which was too long to fit into our yearly adult anthology, Heat.” It won the 2013 Cóyotl Award for Best Anthology.

Hot Dish #2 does not have only stories that were too long for Heat. Sofawolf solicited stories especially for it during 2014. But otherwise this is a good description of Hot Dish #2: eight long novelettes of romantic and erotic s-f & fantasy relationships with humanoid animals, each illustrated by one of three artists. Romance and eroticism are presented in an extremely wide range of backgrounds and emotions.

These eight novelettes are so lengthy that each feels almost like a short novel. This is a long review.

“Loops and Knots” by Tempe O’Kun (illustrated by Anyare) is a time-travel comedy. Tess, a jackal, and Erik, her golden retriever mad scientist/hippie lover, can’t get enough of each other. So Eric turns their large refrigerator into a time machine and brings his one-week-future self to join them for three-way fun-&-games. When Tess is too tired and needs a break, she gets an erotic thrill watching present-Ertk and future-Erik making love to himself.

“‘It’s more like retro-chronal masturbation, really.’ Erik draped a blanket over her lap.” (p. 10)

“Still in a post-orgasmic daze, Tess watched her boyfriend’s temporal tryst. His silken shag blended together, every shade of gold shining in the autumn sun. His muzzle locked with itself. Feeling an odd pang of jealousy, she crossed her arms. ‘You’re completely shameless, aren’t you?’

[…]

She pressed a hand to her forehead, trying not to smile. ‘Oh, all right. Go fuck yourself.’” (p. 17)

It’s very lewd, very sticky, and very funny.

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Furry Fandom, by Wikipedians – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Furry Fandom, by Wikipedians. Illustrated.
Limburg an der Lahn, Germany, PediaPress, —–, trade paperback $21.65 ([v +] 258 pages).

Furry Fandom is supposedly an “all that you want to know” book about furry fandom, but with a major flaw. It’s only current to around 2010. It’s a fine book at 258 well-indexed pages and with 46 illustrations (mostly photographs) to give to a non-furry who asks what furry fandom is all about. It presents a complete overview. But the fandom has grown and otherwise changed so much since 2010 that anyone becoming a furry fan today will need more information to be brought up to date.

PediaPress is a modern print-on-demand publisher in a suburb of Mainz, Germany that is closely associated with Wikipedia. According to Wikipedia, “PediaPress was established to provide an online service that enabled Web users to create customized books from wiki content, an example of web-to-print technology.” Anyone can request a book on any subject, and “the Wikipedians” will collate all the information on that subject spread throughout “the over 4 million articles on Wikipedia in English alone” into a handy book – officially.

This Furry Fandom book does not have any publication date other than a statement that this copy was printed on April 24, 2017 at 23:51 UTC. But that does not mean the book has all Wikipedia’s information on furry fandom up to April 2017. It states that Anthrocon was held from 1997 to 2009. EuroFurence and Further Confusion are covered up to 2010. The Ursa Major Awards were presented from 2001 to 2008. (p. 44) The Furry Writers’ Guild and its Cóyotl Award, created in 2010 and 2011, are not mentioned. A four-page list of active furry conventions does not include anything after November 2010. The list of furry comic strips and webcomics includes some titles that have been discontinued since 2010 and does not include some that have become major since then. There is no section on furry specialty publishers, although Sofawolf Press is briefly mentioned – FurPlanet and Rabbit Valley are not. Dr. Kathy Gerbasi and the Anthropomorphic Research Project are not mentioned.

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Of Cloak and Fangs Vol.12, If It Isn’t You…, by Alain Ayroles & Jean-Luc Masbou – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

De Cape et de Crocs. Acte 12, Si Ce N’Est Toi…, by Alain Ayroles & Jean-Luc Masbou.
Paris, Delcourt, November 2016, hardbound €14,50 (47 [+3] pages).

The Fred Patten & Lex Nakashima plan to bring you the best French-language talking-animal comics has a real winner this time: Of Cloak and Fangs. Vol. 12, If It Isn’t You…, the twelfth & final(!) volume of De Cape et de Crocs, the 17th-century swashbuckling series parodying Cyrano de Bergerac, Molière, Montesquieu, and Co. that has been running since 1995.

Confusingly, volume 10 was originally announced as the end of the series. The main characters through vol. 10 are two wandering gentleman-swordsmen, Armand Raynal de Maupertuis (French fox) and Don Lope de Villalobos y Sangrin (Spanish wolf). They are introduced in 17th-century Venice, then a powerful Mediterranean nation. In the first volume they are betrayed and sentenced to serve as galley-slaves in Venice’s navy, where they meet fellow-slave Eusèbius, the cutest bunny-rabbit in the world. They escape, bringing Eusèbius with them. Eusèbius becomes their loyal squire-valet for the rest of the series, through adventures in Europe and on the Moon; so naïve and self-effacing that you almost forget he’s there. Volume 10 appeared to wrap everything up with a happily-ever-after ending, but the ten albums never said what the cutest bunny-rabbit in the world was doing as a Venetian galley-slave when they met him. Did readers demand an explanation? Volumes 11 and 12 answer the question.

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MoonDust: Falling From Grace, by Ton Inktail – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

MoonDust: Falling From Grace, by Ton Inktail
Seattle, WA, CreateSpace, December 2015, trade paperback $14.99 (380 [+1] pages), Kindle $4.99

This is one of the best science-fiction novels I’ve ever read.

It’s also one of the best furry novels I’ve ever read. Humanity is extinct; transgenic animal people, created for the war effort, are all that are left. The protagonist, Imogene Haartz, is a young caribou (reindeer)-human hybrid; she shaves her fur when sent by the military to a hot climate, and takes prescribed drugs to suppress her antlers’ growth. Who needs antlers in the Army? Everyone is a boar or a rabbit or a ferret or an otter or a tiger or some other animal, whether the species is specified or not.

It’s also one of the bleakest novels I’ve ever read. Everyone is miserable until they die. (Metaphorically.) Imogene has grown up in the mid-22nd century in the rubble of Helsinki. The world has evolved until there are only two super-powers left, the UNA (United Nations of America) and the Pan-Asian Federation. If they aren’t in a shooting war, they’re in a cold war so frigid that everyone expects it to boil over at every moment. Imogene’s father was killed in the last active fighting.

“Imogene stared up at her mother’s apartment building. Old and gray, it rose to ten stories of utilitarian serviceability. Of the four buildings that had surrounded a small park, only it survived. Two others were rubble, while the fourth clawed at the sky with broken, concrete fingers.

Most of Helsinki was like that. Twelve years after the United Nations of America ‘liberated’ the city, the cleanup effort was far from complete. Especially away from the wealthy neighborhoods. Imogene couldn’t remember what it was like before the UNA. Derelict buildings and mounds of broken concrete seemed the natural state of things.” (p. 11)

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Murrin Road, by L. B. Kitty – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Murrin Road, by L. B. Kitty
Seattle, WA, CreateSpace, October 2016, trade paperback $9.00 (171 pages), Kindle $3.00.

This is an Irish novel with funny animals. It begins:

“Lexy stood hunched and huddled by a billboard as the rain came streaking down, sometimes blowing along Murrin Road in waves. His fur matting where the moisture had penetrated, droplets resting on his whiskers and breathing heavily, he looked at the gleam of shining rails before him, and as he took a step out from the end of the road he could hear the hum of the vibrating steel.” (p. 1)

Lexy is a black cat in the gritty industrial part of London. While he is standing out and getting soaked in the rain, a truck roars up, throws something out, and speeds away.

“He walked slowly towards whatever it was the moved in curled flicking motions like a leech sucking goodness from the gutter. The rain was now really running through his clothes, it felt like it was pouring through his soul, could it cleanse him? He stood two foot away and looked down; in the faint orange glow of a distant street-lamp he saw a familiar shape. Except for its lumpy looking end, he recognized a Feline figure, he leaned down and saw that whoever it was looked like they had been beaten, bloodied, tied up and even had a sack placed over their head. He reached his paw slowly down ‘Just a little further…’” (p. 2)

Excuse me for not putting [sic.] throughout that quotation. The something is a sack with a white cat in it, who says to just call him Kitty. Brian O’Connor, “The Celtic Tiger” (he’s a Tiger – Kitty the author capitalizes all animal nouns), a mob boss, has ordered that Kitty be disposed of. Lexy objects to having trash dumped on his doorstep, so he takes Kitty and marches into Brian’s working-class pub headquarters to complain. Brian tells all his lieutenants to shoot Lexy. Kitty saves him, and the black and white cats become an Odd Couple-type best friends and eventually very chaste gay lovers.

Murrin Road is a good example of how not to write a furry novel – or a novel at all. The characters are unusually superficially funny animals. A couple of major supporting characters are Terri, a barmaid, and Lee, a biker. Terri and Lee are identified as a Fox and a Tiger when they are introduced, and then their species is hardly mentioned for the rest of the novel. They might as well be humans. “By this time Lee was awake and making coffee, Junior was sitting up eating plain toast.” (p. 92) That’s a tiger drinking coffee and a wolf eating toast. Inconsistently, some characters are named by species almost every time they are mentioned, like Marriot, an Otter:

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Discover the best of furry fandom with the 2016 Ursa Major awards, and 2016 Cóyotl Awards.

by Patch O'Furr

Since 2001, the Ursa Major awards have promoted public choice for the best furry stuff in many categories (movies, art, books, magazines, and etc.)  Since 2011, The Coyotl Awards have featured the Furry Writer’s Guild choice for best fiction – “an anthropomorphic Nebula equivalent to the Ursas’ Hugos.”

The Ursas are popular and the Coyotls are juried by merit.  Both are an awesome way for fans to discover works by each other, and prove how furries are more than underdogs compared to other fandoms anchored on central media properties.  They can help furries to Be The Media.

The Ursas will have a new Fursuit category next year. That has been demanded for many years but not added while there was debate about defining it. Designers, builders, wearers, and even photographers have some claims about inclusion – how do you award a team? Find out when voting starts for 2017.

The staff of Dogpatch Press (Fred, Pup Matthias, and I) are honored to win the 2016 Ursa for Best Magazine. That helps to keep cool stuff coming. Give yourselves pats for inspiring it.  If you want more good stuff in the furry news niche, try these: Flayrah, Culturally F’d, Furry.Today, InFurNation, Fur Media, Furrymedia, [adjective][species], Furry News Network, Gaming Furever, Furryfandom.es, and Furry Stammtische.

Fred Patten tells more. (- Patch)  

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