Dogpatch Press

Fluff Pieces Every Week

Tag: anthropomorphic

Endtown 3, by Aaron Neathery – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

41PLlraNpaL._SX362_BO1,204,203,200_Endtown 3, by Aaron Neathery. Foreword by Carol Lay.
Bellevue, WA, Jarlidium Press, December 2015, trade paperback $25.99 (279 [+ 1] pages).

Endtown is an Internet M-W-F comic strip of the dramatic serialized variety rather than the gag humor sort; a Dick Tracy rather than a Pearls Before Swine. It’s dystopian post-apocalyptic science fiction with funny animals.   To quote a blurb, “A mutagenic plague followed by a global war fought with disintegration weaponry has left much of the Earth a desert of fine powder and what remains of humanity fragmented into humans, animal-like mutants, and bloodthirsty monstrosities with lots of teeth. The surface, still teeming with the mutagenic virus, has become the domain of the dreaded Topsiders; well-organized, technologically advanced, and heavily armed un-mutated humans sworn to exterminate mutations of any kind in order to clear the way for the eventual resurgence of a new, genetically clean humanity. Faced with annihilation, mutants and “impure” humans have retreated into the depths of the planet to form communities and hope to win, or at least survive, what may prove to be mankind’s final war.”

Endtown is set six years after the global doomsday war. The surface of the world is a lifeless desert. Most humans are dead, either killed in the war or mutated by the plague into mindless, horrific, ravening monsters. The only exceptions are those who were unconscious or asleep when the plague changed them; those became anthropomorphized animals with their minds and memories intact. Six years later, the world is divided between the Topsiders, the remaining humans who live in airtight protective suits and kill anyone else they find as a non-human plague carrier, and the animal-peoples who live underground in hidden towns.

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Syrians, Zootopians, and all the love in the media – NEWSDUMP (3-15-16)

by Patch O'Furr

Headlines, links and little stories to make your tail wag.  Tips: patch.ofurr@gmail.com. Thanks to Dronon for editing help!

furparazzi5Furry Media Events have never been so frequent!

Big stories come in clusters.  A blog reports something, more blogs catch on, and the story trades up to syndicated news. In Furry fandom, that used to happen maybe once a year… and that could be predictable stories about Anthrocon.

Dogpatch Press is only 2 years old, but there’s been a noticeable spike. There was the chlorine attack at MFF. #TonyTigerGate hit the “weird news” section. Not 6 weeks later, there’s THREE in the same week – Zootopia marketing to Furries; Syrian refugees at VancouFur; and notices for the Fursonas documentary.

It’s so much that you get two Newsdumps this week.  Soon: “all the controversy in the media”.  The pace makes it hard to keep up with the Year Of Furry!

Zootopia marketing to Furries – (Look for another article about this soon.)

It blew up with a Buzzfeed column full of fetish-snark: Proof Disney Is Actually Marketing “Zootopia” To Furries.

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Barsk: The Elephants’ Graveyard, by Lawrence M. Schoen – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

UnknownBarsk: The Elephants’ Graveyard, by Lawrence M. Schoen
NYC, A Tim Doherty Associates Book/Tor Books, December 2015, hardcover $25.99 (384 pages), Kindle $12.99.

In the very far future, civilization has spread throughout the galaxy, but there are no longer any humans. Humanity has been replaced by the descendants of uplifted animals.

Chapter One, “A Death Detoured”, features Rüsul, an elderly Fant, alone and naked, on a raft six days at sea. He is on his death journey, the traditional final rite of passage of every Fant on the world of Barsk. Rüsul expects to sail alone until he dies. He does not expect to be picked up by a spaceship of Cans (canines; Dogs) commanded by a Cheetah, Nonyx-Captain Selishta. She tells her Cans, “‘Maybe this one will know something useful about whatever shrubs and leaves the drug comes from. Hold him here a moment while the rest of the crew secures his flotsam, and then put him below in one of the vacant isolation cells.’” (p. 19)

The importance of Barsk’s drug, koph, is explained in Chapter Four, “Solutions in Memory”, in this description of Lirlowil the Otter and her ability to talk with the dead:

“Beautiful by Otter standards, she’d spent the last few years enjoying the peaks of privilege earned not by any acts of her own, but by the random chance that gifted her with being able to both read minds and talk with the dead. Unless you had the misfortune to be one of those disgusting Fant on Barsk, you could go your entire life without encountering a Speaker. The drug that triggered the ability was fiendishly expensive, and rarely worked the first few times. Alliance science had yet to determine what genetic markers resulted in the talent. Off Barsk, Speakers were unlikely, though hardly uncommon. True telepaths though, people who could effortlessly slip inside the mind of other beings and sample their memories and knowledge as easily as flipping the pages of a book, were orders of magnitude more rare.

The number of individuals with both sets of abilities would make for a very small dinner party indeed. Lirlowil’s mental gifts emerged with puberty and elevated her social status a thousand-fold. The discovery that her talents included Speaking occurred a couple of years later when she’d sampled some koph at a party and began seeing nefshons over the next hour’s time.” (pgs. 42-43)

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Windfall, by Tempe O’Kun – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

windfallWindfall, by Tempe O’Kun. Illustrated by Slate.
Dallas, TX, FurPlanet Productions, July 2015, trade paperback $19.95 (325 pages), electronic edition $9.95.

This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region. (publisher’s advisory)

It has been six months since the popular TV series Strangeville was cancelled after five seasons. The cast has split up and gone their own ways. For Max Saber (husky) and Kylie Bevy (otter), teenage supporting actors who played a high-school boy & girl on the series, this has meant returning to their homes across America. Yet they have remained in touch through texting, and after six months, both are wondering whether their TV romance might have been more serious than they realized. When Max, on his parents’ Montana ranch, gets an invitation from Kylie to spend a three-week vacation in her old New England town of Windfall – the town that the creepy, surrealistic Strangeville was modelled upon – he takes it. Yep, their romance is real. So is the horror of Windfall.

As readers of my reviews know, I don’t think much of funny-animal novels in which the characters are really humans with superficial animal features. But Windfall presents them in depth. There are constant mentions of fur, wagging tails, perked or drooping ears, the female otters’ whiskers and webbed paws. A teen rhino fan asks Max to autograph his horn. “The otter threaded her tail through the hole in the [car] seat and popped the key into the ignition.” (p. 41) Max calls Kylie “rudderbutt”. Some of it is occasionally anthro-specific, as when Kylie finds a deer’s skull while she and Max are camping in the woods:

“She knew that [the deer had been feral]. The eyes were too far to the sides and the neck attached at the wrong angle, leaving little room for the brain. Still it looked enough like a sapient deer’s skull to give her the creeps.” (p. 57)

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Zootopia – movie review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

posters-for-disneys-zootopia-and-pixars-finding-doryZootopia, directed by Bryon Howard and Rich Moore; co-directed by Jared Bush; produced by Walt Disney Motion Pictures. 108 minutes. March 4, 2016.

Zootopia has already been anticipated, seen, and covered more thoroughly than any other anthropomorphic motion picture in furry fandom history.

We know that its theatrical release has stretched from February 10 in Belgium to April 23 in Japan. (Dogpatch Press has covered its furry fandom theater parties throughout the U.S. and in Brazil, Canada, Mexico, the Philippines, Russia, Singapore, and Sweden.) We know that it was originally intended to be released as Zootopia worldwide, but due to various legal reasons it has become Zootropola in Croatia, Zootopie in France, Zoomania in Germany, Zootropolis in Denmark, Spain, and other countries, Zveropolis in Russia, and Zwierzogród in Poland.

It grossed $75,063,401 on its opening weekend in 3,827 theaters in the U.S. and $232,500,000 worldwide, breaking the records for the premiere of a Disney animated feature (Frozen with $67,400,000 in November 2013) and for any March animated feature (Illumination Entertainment’s The Lorax; $70,200,000 in March 2012). Its voice cast features Ginnifer Goodwin as Judy Hopps, Jason Bateman as Nick Wilde, and numerous others ranging from celebrity actors to professional voice actors, and including directors Howard, Moore, and Bush as minor characters. It debuted with a 100% rating on Rotten Tomatoes from 92 reviews. Disney reportedly hired at least one marketing agency to promote Zootopia to the furry community.

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The Art of Zootopia, by Jessica Julius – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

91QvZofgFfLThe Art of Zootopia, by Jessica Julius. Preface by John Lasseter. Foreword- Byron Howard, Rich Moore.
San Francisco, CA, Chronicle Books, March 2016, hardcover $40.00 (160 pages), Kindle $16.19.

Here it is! The coffee-table animation-art book that you’ve been waiting for! Note that the blurb says, “This lushly illustrated book offers a behind-the-scenes view of the elaborate artistry involved in creating the film.” The villain is revealed, but if you want the film’s story in detail, get Disney’s Zootopia Junior Noveliation.

The Art of Zootopia presents 160 pages of Zootopia artwork in closeup detail, with commentary by the Disney staff. There are not only finished designs, there are preliminary sketches and models showing early designs that were discarded.

“In an early iteration of the film, prey animals were dominant in Zootopia, so the motifs used in buildings reflected ther reality. We used vegetable patterns, leaf shapes, and flower murals in the architecture. –Dave Goetz, production designer” (p. 21).

“In early versions of the story, this division was overt, with prey animals exploiting their strength in numbers to dominate predators, who were forced to wear collars that prevented accidental expressions of their natural aggression.” (p. 28)

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Secrets of Bearhaven, Book One, by K. E. Rocha – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

9780545813037Secrets of Bearhaven, Book One, by K. E. Rocha. Illustrated by Ross Dearsley.
NYC, Scholastic Press, January 2016, hardcover $14.99 (242 [+4] pages), Kindle $9.24.

Here is the first novel in another talking-animal series for 8-to-12s. 11-year-old Spencer Plain has grown up immersed in bears. His parents, Shane and Jane Plain (well, some parents do give their children goofy names), are bear activists; wildlife specialists devoted to bears and founders of Paws for Peace. They know all about bears and have taught Spencer all about them. They give presentations on bears to the public. But Spencer has never lived with bears – not in nature, or in a secret bear civilization in the forest; a high-tech society where the bears have communicators around their necks that translate their growls into English. He has never imagined working with bears to rescue his parents from human villains.

The book begins at a breakneck pace:

Roooaaaaaarrr!

Spencer Plain raced through the forest, his heart pounding. He dodged trees and skidded across patches of slick moss, trying desperately not to fall. Now was not the time to fall.

There was a bear behind him.” (p. 1)

Or this:

“‘What’s going on, Uncle Mark?’ Spencer said, his voice coming out too high and a little shaky. ‘I talked to Mom and Dad this morning, and they were fine.’ It was one o’clock now. How could so much have changed in only seven hours?

‘Same here,’ said Uncle Mark, slowing the car to idle at a red light. ‘But then I got a message from your mom around eleven, and I haven’t been able to get in touch since.’

‘What kind of message?’ Spencer asked. He looked out the window, trying to get his bearings, but they were stopped at an intersection in an unfamiliar neighborhood in the middle of a long stretch of brownstones. None of them offered any clues.

‘Your parents made an important plan a long time ago, Spence. Your mom’s message today was that I should put that plan in motion …’ The light turned green and Uncle Mark shifted into gear, quickly pulling ahead of a garbage truck. ‘So here we are. In motion.’

‘What important plan?’

‘I’m taking you to a safe place,’ Uncle Mark answered.” (pgs. 10-12)

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The Art of The Good Dinosaur – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

good dinosaur coverThe Art of The Good Dinosaur. Foreword by John Lasseter. Introduction by Peter Sohn.
San Francisco, CA, Chronicle Books, November 2015, hardcover $40.00 (168 pages), Kindle $23.99.

Have we all seen Pixar Animation Studios’ November 2015 feature The Good Dinosaur? Good.

“All about” coffee-table art books about the making of an animated feature have evolved recently, and I don’t think it’s for the better. Where such as The Art of Puss in Boots or The Art of Mr. Peabody & Sherman used to be “by somebody”, full of background details by some expert, The Art of The Good Dinosaur has only two pages of writing; the very brief foreword by Pixar’s Chief Creative Officer John Lasseter and the movie’s director Peter Sohn. The book is presented to speak for itself. Frankly, compared to all of the earlier coffee-table animated-feature art books, it’s not enough.

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Losing My Religion, by Kyell Gold – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51YUeCdXDQL._SX322_BO1,204,203,200_Losing My Religion, by Kyell Gold. Illustrated by BlackTeagan.
Dallas, TX, FurPlanet Productions, September 2015, trade paperback $9.95 (126 pages), Kindle $7.99.

This Red Velvet Cupcake (a novella) released at RainFurrest 2015 is not age-restricted. Oh? It emphasizes male/male relationships and lots of explicit masturbation, and a close-up of cock-sucking in one of BlackTeagan’s full-page interior illustrations. But as usual with Kyell Gold, the writing is of extreme high-quality. There should be writing this good in the rest of furry literature!

Losing My Religion is a standalone story in Gold’s Forrester U. setting. Jackson Alley, the narrator, is a 25-year-old coyote in an all-male R.E.M. cover band, REMake, on a two-week tour. Jackson (guitar) is bi, Matt (drummer and their manager; wolf) and Lars (singer; arctic fox) are gay lovers, and Zeb (bassist; kit fox who’s just joined the band) is too young and inexperienced to know what his orientation is yet. The living is unrestricted while they’re on tour, and Jackson hopes to hook up for one-night or a couple-of-days stands with a girl, but he’ll settle for a guy if the guy is cute enough. Zeb is, but he hasn’t figured out his orientation yet. Jackson offers big-brotherly advice that he doesn’t intend to lead to any long-term commitments.

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First amendment furries, elephant balls, and woot for #Zootopia. NEWSDUMP (3/2/16)

by Patch O'Furr

Headlines, links and little stories to make your tail wag.  Tips: patch.ofurr@gmail.comThanks to DRONON for guest editing help!  

Zootopia: IT’S HAPPENING and I hope you’re ready for the peak of The Year of Furry!  The article about furries renting their own theaters got 3 times more traffic than any other article ever posted here.

by Spalding

by Spalding

Fursuiting and Freedom of Expression:  Anti-mask law challenged by Vermont Furs.

 had frustration with getting their events shut down in the City of Burlington.  Fursuits were banned for vague, unsubstantiated reasons.  Supposedly, it was for protection from “panhandling” offenses.

Now WCAX.com reports a brave effort to change this.  The furs have support from the ACLU to challenge the local anti-mask law on First Amendment grounds.  Following consultation with the Ordinance committee, the City council sounds like they’re on the way to fixing the law to apply to only crime-related activity.  Great work everyone!  This is a silly hobby, but sometimes having fun is about upholding freedom.

It’s about identity, not sex – Bringing fursonas to life.

Sarah Dee, fursuit maker at Menagerie Workshop, gets an excellent write-up about her business by The Guardian.  There’s a great video!  Her story was repeated soon after by The Onion A.V. Club.

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