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Tag: anthropomorphic

Buckley and Bogey Cat Detective Capers – Book Reviews by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Case of the Cat ShowThe Case of the Cat Show Princess, by Cindy Vincent
Houston, TX, Whodunit Press, November 2011, trade paperback $9.97 (162 pages), Kindle $2.99.

The Case of the Crafty Christmas Crooks, by Cindy Vincent
Houston, TX, Whodunit Press, October 2013, trade paperback $9.97 (170 pages), Kindle $2.99.

The Case of the Jewel Covered Cat Statues, by Cindy Vincent
Houston, TX, Whodunit Press, September 2014, trade paperback $9.97 (242 pages), Kindle $2.99.

The Case of the Clever Secret Code, by Cindy Vincent
Houston, TX, Whodunit Press, October 2015, trade paperback $10.97 (222 pages), Kindle $2.99.

“Cat cozy” adult mystery series in which talking cats actively detect crimes have become very popular, though arguably more with cat-fanciers and some mystery fans (others revile them) than with furry fans. The Midnight Louie series by Carole Nelson Douglas, the Mrs. Murphy series by Rita Mae Brown, and the Joe Grey series by Shirley Rousseau Murphy have made cat-detective fantasies both popular and respectable. Here, then, is one for the kiddies that should also be called to furry fans’ attention, especially since it is not obvious on the Amazon.com listings that these are juvenile rather than adult novels.

These four Buckley and Bogey Cat Detective Capers by Cindy Vincent are attractive trade paperbacks published by Vincent’s own Whodunit Press, “A Division of Mysteries by Vincent, LLC”. They are talking-cat detective novels recommended for middle-grade readers, ages 8 to 12. Frankly, they are overly cute adventures mostly suitable for the younger end of that range, which is why I described them as for the kiddies rather than as for kids. As is typical with the most banal of this sub-sub-genre, all the cats can understand human language. In this series, they even regularly speak English as well, except when humans are listening.

“Of course, the humans aren’t exactly aware of our detective duties. Probably because us cats always switch to cat language whenever humans are around.” (The Case of the Clever Secret Code, p. 2)

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Inhuman Acts: A Collection of Noir – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51i6Fzbl+wL._SX322_BO1,204,203,200_Inhuman Acts; A Collection of Noir, edited by Ocean Tigrox.
Dallas, TX, FurPlanet Productions, September 2015, trade paperback $19.95 (316 pages), Kindle $9.95.

According to the publisher, this is a horror anthology. “Explore thirteen anthropomorphic noir stories about betrayal, corruption and deceit from award-winning authors and up-and-coming writers. Pour your favourite whiskey and light up a cigarette as Stanley Rivets, PI shares with you his collection of case files from dim to dark to downright ugly.” (blurb)

Stanley Rivets, the stereotypical sable P.I. who tells these stories — “A sable in a long beige trench coat sits behind the desk, dark ears perking at the entrance of the newcomer. The wide brim of his fedora raises to see what visitor would stop by this late at night.” –p. vii. He wears his trench coat and fedora while sitting in his office? Well, maybe he’s just returned, exhausted, from a case — appears only in the very brief Foreword and Afterword. Too bad. It would have been nice to get a full story with him.

Rivets tells 13 stories; not cases of his own, but 13 that he’s heard of. Ocean Tigrox has started out with one of the best here; “Muskrat Blues” by Ianus Wolf. It’s specifically a pastiche of The Maltese Falcon, with Mike Harrison, a pig P.I., investigating the murder of his best friend, another P.I. – a muskrat; two prey animals in a grim & gritty city where the prey animals are usually at the bottom of the anthro-animal social pole. But Alex Richards didn’t take any guff, and neither does Harrison. Wolf packs a neat summary of Hammett’s novel (or Warner Bros.’s movie; take your pick) into a taut 25 pages of noir, with enough originality that even if you’re a fan of The Maltese Falcon, you’re not likely to guess whodunit. And enough presence of predator & prey animal traits to make this a satisfying furry story, too.

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New episodes from Culturally F’d: Twisted Tempting Furry Demons!

by Patch O'Furr

If culturallyfdyou’re not reading Dogpatch Press, you should be watching Culturally F’d!  It’s the Furry youtube series that asks:

Where does the love of anthropomorphics come from? How far back can we dig in history and mass media to really get to the bottom of it? Why does every culture across the face of the earth have a fascination with animal-people?

Here’s what’s been going on with Culturally F’d in the past month:

Episode 20: Tempting St. Anthony

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Huntress – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51z9E3D32yL._SX334_BO1,204,203,200_Huntress, by Renee Carter Hall.
Dallas, TX, FurPlanet Productions, September 2015, trade paperback $9.95 (213 pages), Kindle $4.99.

Leya is a young adolescent lioness in an anthropomorphic African veld who lives in the village of Lwazi. But she doesn’t want to grow up to become just another tribal wife and mother. She dreams of becoming a karanja, a member of the nomadic band of female expert huntresses who hunt for meat for all the villages. Becoming a karanja is a prestigious, almost religious goal, but it means rigorous training and the renunciation of living with men — of ever getting married, or having children.

“The first time she’d seen them, she had been very young. But she hadn’t been afraid. The other cubs, male and female alike, had hidden behind their mothers, frightened by the huntresses’ fierce eyes and sharp weapons. Where the villagers wore beads or stones, the karanja sported necklaces of bone and hoof and claw, and their loincloths were made of zebra hide in deference to Kamara’s first kill, a material only they were permitted to wear.

They were all mesmerizing, exotic and dangerous and beautiful, their eyeshine flashing like lightning-strikes as they took their places around the fire. But there was one Leya could not look away from.

Masika, the karanjala, first among the karanja. Her headdress of fish-eagle feathers stood out from her noble face like a mane, and her loincloth was of giraffe hide, just as their first male wore. Her eyes were sharp and watchful, her every muscle toned and tensed, and like all the karanja, she proudly bore the twin scars on her chest where her breasts had been cut away. Leya sat silently, drinking in Masika’s presence, watching everything the huntress did, every movement, every manner.” (pgs. 10-11)

Leya follows her goal relentlessly, tirelessly as she grows up. She leaves her village to follow the karanja on their outskirts, and finally her perseverance impresses them enough that she is made one of their group.

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Scarlett: Star on the Run – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

scarlett_COVERfinalwebScarlett: Star on the Run, by Susan Schade and Jon Buller. Illustrated by Jon Buller.
NYC, Papercutz, November 2015, trade paperback $14.99 (173 pages), Kindle $8.81.

Here is another all-ages novel by Susan Schade & Jon Buller (wife & husband) in their signature format of alternating chapters in comic-book format and in traditional-novel text. (I reviewed their three-novel The Fog Mound in 2007.) It is mostly for 8- to 12-year-old children, but it has aspects that adult furry fans will enjoy. This would be a simplistic talking-animal comic book/novel for young children, if it weren’t for the revelation that the talking animals have been scientifically made intelligent and given speech.

Is Shane Pafco, the dictatorial owner of Pafco Studios, a movie producer/director or a Mad Scientist? What year is Scarlett set in, with futuristic cars and flying spycams? When Scarlett, the cat movie star of Pafco Studios, gets the chance to escape, she is quick to take it even into a snowy, freezing outdoors. She is lucky enough to be taken in by grouchy old Frank Mole, a half-crazy, gun-waving hermit who doesn’t trust any people and hears voices. He believes that a talking cat is only part of his delusion; and when Scarlett finds out that Trotter, Pafco’s experimental talking dog, has followed her, she fast-talks Frank into believing that he needs a dog, too. Scarlett wants to be a natural cat and catch mice, until Frank’s messy, vermin-filled cabin gives her the opportunity to do so.

“I don’t know,” she muses. “Something about all that SKIN and HAIR is making me lose my appetite.” (p. 29)

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My Little Pony: The Art of Equestria – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

MLP CoverMy Little Pony: The Art of Equestria, by Mary Jane Begin. Foreword by Jayson Thiessen. Illustrated.
NYC, Abrams, October 2015, hardcover $29.95 (215 [+ 1] pages), Kindle $13.49.

Furry fandom has had a sometimes adversarial relationship with the My Little Pony: Friendship Is Magic TV series and its fandom, or at least its Brony often-extremist fans. The TV animated cartoon series that premiered on October 10, 2010 is in its fifth season/year now. It has won the Ursa Major Award as the Best Anthropomorphic Dramatic Short or Series for 2010, 2011, 2012, and 2013, resulting in screams of both (from within furry fandom), “Oh, no! How could it have lost!?” (in 2014, to Furry Force), and (from Brony fandom), “How dare you furry fans try to hijack our program!? MLP:FIM is totally unanthropomorphic! The ponies of Equestria can just talk and sometimes fly, that’s all!”

My Little Pony: The Art of Equestria is an Everything You Want To Know About MLP:FIM, lavish, heavily-illustrated, full-color coffee-table art book. It has already been reviewed and analyzed in detail by the MLP:FIM fans, to general praise. Here is a review for furry fandom.

The book is a how-to and how-it-was-done about the TV animation series and the development of its world of Equestria, rather than an exploration in detail of Equestria and the “Mane Six” ponies, although the reader does get that, too. It begins with a double-page map, described below. A Foreword by the Supervising Director at DHX Media, the animation studio in Vancouver, outlines on one page the basic framework of the series.

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Swords and Sausages by Jan – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

coverSwords and Sausages, by Jan
Hong Kong, Tiger Knight Comics, September 2015, trade paperback $30.00 (unpaged [128 pages]).

“Once upon a time, nestled somewhere amongst the rolling hills of Vale Valley, was a lively, albeit small, kingdom. And in this kingdom was …”

The main things that there “was” are Tor (a hunky tiger) and Silver (a svelte white vixen), two inept street thieves, would-be con artists, and even more would-be road warriors (robbers), plus the local sheriff (lion). Other supporting characters include the sheriff’s town guard (wolves), and varied town merchants (assorted anthropomorphized mammals, reptiles, and birds). The gryphons are unanthropomorphized and are treated as eagles. Read the rest of this entry »

Foxcraft: Book One, The Taken by Inbali Iserles – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

foxcraft-cover-usFoxcraft: Book One, The Taken, by Inbali Iserles. Illustrated by the author. Map by Jared Blando.
NYC, Scholastic Press, September 2015, hardcover $16.99 ([3] + 252 [+ 8] pages), Kindle $8.87.

Foxcraft: Book One, The Taken, by Inbali Iserles. Illustrated by the author. Map by Jared Blando.
London, Scholastic Press, October 2015, paperback £5.99 ([3] + 252 [+ 8] pages), Audio CD £27.70.

Foxcraft: Die Magie der Füchse, by Inbali Iserles. Illustrated by the author. Map by Jared Blando. Translated by Katharina Orgaß.
Frankfurt, Fischer KJB, September 2015, hardcover €14.99 ([3] + 252 [+ 8] pages), Kindle €12.99.

I won’t guarantee the accuracy of the descriptions of the British and German editions, because I have not seen them. The American cover by Liam Peters is actually a wraparound digital painting, but the back cover portion does not seem to be online anywhere.

Foxcraft is another series for Young Adults; recommended for 8- to 12-year-olds or grades 4 to 7. The blurb calls it “The first book in a thrilling fantasy trilogy”, so we know that it will be only three novels.

“My paws slipped on dry earth. I kicked up shrouds of dust as I hurtled toward the fence. Swerving to avoid it, I righted myself and dived under the splintering dead wood. My pursuer was gaining on me as I grasped for the wildway, the tangle of greenery on the other side. I caught the rich aroma of hazel and cedar, the quiet and peace of the world beyond the web of grass.” (p. 1) Read the rest of this entry »

Fuzzy Business 3: End Game, by Amelia Ritner – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Fuzzy BusinessFuzzy Business 3: End Game, by Amelia Ritner
Seattle, WA, CreateSpace, November 2015, trade paperback $7.99 (173 pages), Kindle $1.99.

You would think that any book in a series subtitled “End Game” would be the final volume, wouldn’t you? Well, maybe you’d be right and maybe not.

In Fuzzy Business (May 2013) and Fuzzy Business 2: Fuzz Harder (December 2013), the young humanimal cat-girl Miara Cooper (she has cat ears, whiskers, a tail, and light fur) in San Francisco in the last half of the 21st Century finds herself the target of PAGE, a brutal anti-humanimal hate group who intend to make her a fatal example of what they do to anyone not 100% human. She is defended by the mysterious hunky coyote-man biker John, who starts out by kidnaping her, and the equally-handsome human Connor who, when she asks for help, comes running with “[…] An AR-15, a scoped hunting rifle with a wooden stock, a pump action shotgun, two .38 revolvers, a Glock identical to the one that John had pointed earlier, a laser-equipped Glock 26 that John snickered at when he saw, ten varying boxes of ammunition, a stun gun, a .22 semiautomatic rifle with an obscenely huge magazine of bullets attached to it […]” (Fuzzy Business, p. 113) and a lot more. She also has the help, whether she wants it or not, of pro-humanimal activists who insist on recruiting her into their groups. And PETA. Read the rest of this entry »

A Menagerie of Heroes; A Rainfurrest Anthology – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dear Patch;

FurPlanet is advertising that its appearance at Further Confusion will be the final opportunity at present to buy the RainFurrest charity anthologies.  FurPlanet is no longer carrying them after last December 31st and it is bringing its final printed copies for sale at FC 2016.  The book is at least temporarily unavailable, because it will be up to the con to take over printing and selling after this year. – Fred

rainfurrest2015A Menagerie of Heroes; A Rainfurrest Anthology, edited by Ryan Hickey and Garrett Biggerstaff.
Dallas, TX, FurPlanet Productions, September 2015, trade paperback $15.00 (320 pages).

Seattle’s annual RainFurrest convention has published a charity anthology every year since 2011, growing from 108 pages in 2011 to 269 pages in 2014. All stories are donated to RainFurrest by mid-June, and the anthology is printed by FurPlanet Productions in Dallas to be sold at the convention in September, with all proceeds donated to that year’s charity. RainFurrest 2015’s total donation was over $10,000 to the Cougar Mountain Zoo in Issaquah, Washington. The anthologies are subsequently sold through the FurPlanet catalogue.

In 2015 for the first time there were two charity anthologies; the “clean” A Menagerie of Heroes with 14 stories totaling 320 pages, and the “adult” Naughty Sexy Furry Writing; Enter at your own Risk with six stories totaling 124 pages. Here is the G- and PG-rated one, featuring RainFurrest 2015’s theme of Swords and Sorcery.

“Fox Confessor Brings the Flood” by Wilfred B. Wolf is a charming story, but you have to get through some clunky writing to read it. In a medieval Japanese fantasy setting, Gasu Yeo is a Bard, a gifted musician and a royal official sent out to spread the news and the latest royal pronouncements to the farthest corners of the Empire. He is also one of the first Kitsu Bards; one of the first of the Empire’s foxlike anthros to be accepted into the Bards. When he is assigned to visit a distant village that has never seen a Kitsu, he is mistaken for a mythical fox trickster bringing bad luck or a curse. Yeo must convince the human peasants that while he may look like a humanoid fox, he is as human and peaceful (and a royal official) as any of them. The story is delightful, even though given a choice of words, Wolf picks a flat one every time. Read the rest of this entry »