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Fluff Pieces Every Week

Tag: anthropomorphic

May 20, 2015

Funny-animal comics retrospective: The History of Hi-Jinx and the Hepcats – by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

6a00d83451c29169e20192ac126c01970d-450wiI would like to thank Perri Rhoades for giving me the inspiration for this article and for making most of it easy. I used to have a complete set of Hi-Jinx, but when I had a paralyzing stroke in 2005 and was permanently hospitalized, some friends boxed up all my books, magazines and comic books and donated them to the Eaton Collection of Science Fiction and Fantasy at the UCRiverside Library. I have not seen them since. Fortunately, Rhoades has called my attention to the fact that much about Hi-Jinx and the Hepcats has been posted online since 2005. She has scanned all but one of the seven issues of Hi-Jinx for her LiveJournal, and she gave me her URL so that I could reread them at leisure for this retrospective. Even more, her scans have included the different covers of the Australian edition of Hi-Jinx, which I never knew about. Thanks, Perri!

Much of the remaining information is from The Comic Art of Jack Bradbury, a website created by his son, Joel (http://jbrad.org/index.html); and from Dave Bennett, a Hollywood animator and funny-animal fan for decades who knew Hi-Jinx’s artist Jack Bradbury personally. Bennett says, “Jack told me himself that all the Hepcats stories he drew were written by Cal Howard — he raved about how good he thought they were!  Other than those stories and the Disney work he did, Jack wrote all of his ACG/Nedor/Pines/Standard stories himself.  They were lettered by Tubby Millar.” And after I had thought that this retrospective was completed, Alter-Ego #112, August 2012 came along with “‘Something … ?’; A Study of Comics Pioneer Richard E. Hughes” by Michael Vance, containing never-before-published information about Hi-Jinx’s obscure publisher.

The American Comics Group’s Hi-Jinx, “Teen-Age Animal Funnies”, only lasted for seven bi-monthly issues in 1947/48. But it was – different. It was the only comic book to mix funny animals with teenage humor.

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May 16, 2015

Catalyst and Catacombs – book review by Fred Patten.

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Catalyst; A Tale of the Barque Cats, by Anne McCaffrey and Elizabeth Ann Scarborough
NYC, Ballantine Books, January 2010, hardcover $26.00 (256 [+ 5] pages), Kindle $7.99.

Catacombs; A Tale of the Barque Cats, by Anne McCaffrey and Elizabeth Ann Scarborough
NYC, Ballantine Books, December 2010, hardcover $26.00 (236 [+ 3] pages), Kindle $9.99.

9780345513762_p0_v1_s600 McCaffrey and Scarborough, two well-known cat-lovers, focus upon cats of the interstellar future in this two-volume series. “Hood Station, where they had just docked, was a backwater facility providing the interface between the agro-based planet Sherwood and the rest of the universe.” (Catalyst, p. 3) The opening lead characters are Janina Mauer, a human Cat Person, and her charge, Chessie, the Barque Cat of the interstellar freighter Molly Daise. They have just arrived at Hood Station. Janina’s exact age is not given, but clues make her a rather naïve young woman. Barque Cats “are highly prized, as [they] are not only superbly bred but have all grown into the best ships’ cats in the universe.” They “save lives […] patrol the tight areas of our spaceships, keeping rodents from eating the coating on cables, smelling hazardous gases and even escaping oxygen”. (p. 4) They are extremely valuable, leading to Chessie being bred as often as is safe.

It is obvious in the first chapter that, although Catalyst is packaged and priced as an adult book, this is really an adventure for teenagers. Janina has a chaste crush on Dr. Jared Vlast, Sherwood’s handsome young veterinarian, which he reciprocates. As important as the humans seem, it is Chessie who is the focus of the opening of the story. The writing is “cozy”: “Chessie was surprised her human friends couldn’t hear each other’s chests pounding. Or maybe they could and just wouldn’t admit it. Humans were so strange about mating matters.” (p. 10)
And although Barque Cats are already highly intelligent cats, clues tell the reader that something in their diet on the frontier planet Sherwood is making both them and other Earth animals mutate or evolve into real sentience.

“As Jared then moved on to a quick, competent feel of her [Chessie’s] fecund belly, he asked Jenina what was concerning her.

‘Well, she’s been regurgitating a lot, and it’s strange looking.’ Janina showed him the vial that contained the latest of her spit-up. Humans collected the strangest things! Janina turned it in the light. ‘You see it’s got these sparkly bits that I can’t account for at all.’” (p. 12)

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May 15, 2015

Dude, Where’s My Fox?, by Kyell Gold – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dude, Where’s My Fox?, by Kyell Gold. Illustrated by BlackTeagan.
Dallas, TX, FurPlanet Productions, September 2014, trade paperback $9.95 ( [3] + 115 pages), Kindle $7.99.

DWMF-Cover-smallThis is “A Red Velvet Cupcake”, FurPlanet’s eighth “Cupcake” novella for fiction between the short story and novel lengths. It does not have FurPlanet’s usual Adults warning for NC-17 content of a M/M erotic relationship, but it probably – no; definitely! — should. Here is FurPlanet’s back-cover blurb:

“Lonnie’s slept with exactly two guys in his life: his ex-boyfriend of three years Steven, and the fox he just hooked up with while drunk at a party. The fox didn’t leave his name, just his scent in Lonnie’s fur—but a scent is enough for a wolf to follow a trail. With his friends Derek the gym wolf and Jeremy the fashionplate rat helping him, Lonnie will learn lessons of dating, sex, and trust, and maybe he’ll find the fox whose scent is just right before the clock chimes midnight.”

Lonnie (no last names here), the narrator, is a young, slightly small (5’5”) wolf. He’s a recent college graduate and structural geologist who seems to devote more of his life to his gay proclivities than to his professional career. He is still getting over his breakup with Steven, his previous red fox boyfriend, when he gets so drunk at a party that, when he wakes up the next morning, he can’t remember much about the male fox that he had sex with the night before, except that it was so good that Lonnie is determined to find him again:

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May 7, 2015

PULP! Two-Pawed Tales of Adventure – book review by Fred Patten.

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

PULP! Two-Pawed Tales of Adventure, edited by Ianus J. Wolf
Las Vegas, NV, Rabbit Valley Books, September 2014, trade paperback $20.00 (255 pages).

pulp-two-pawed-tales-of-adventure-edited-by-ianus-j-wolf-67151“The Pulps” were the rough-edged inexpensive, popular fiction magazines that were published from the late 1890s through the early 1950s, on the cheapest wood-pulp paper available. There were general-fiction magazines like All-Story and Argosy, and specialized magazines like Black Mask (mystery), Exciting Western (Western), Fight Stories (sports), G-8 and His Battle Aces (aerial warfare), Love and Romance (romance), Railroad Stories (railroad adventure), Ranch Romances (romantic Western), South Sea Stories (sea adventure), Thrilling Wonder Stories (science fiction), Weird Tales (horror), and many others. The 1920s to the ‘50s was also a period of similar weekly radio adventure-fiction dramatizations.

Now Rabbit Valley Books has recreated that era, but with anthro animal casts. Editor Ianus J. Wolf presents eight stories as though they were episodes of “The RVO Radio Evening of Adventure”.

PULP! Two-Pawed Tales of Adventure is a very mixed bag. Some of the stories are just standard adventure stories with funny-animal casts. (Boring.) Some seem to be standard adventures with funny animals, but the animal natures of the characters turn out to be pertinent. (Clever.) And some present a new kind of adventure designed for a furry world. (Admirably imaginative!) But it would be a spoiler to say which is which.

“The Ruins” by Tym Greene is an Indiana Jones-type Amazonian adventure. Liam Felton, an experienced explorer (zebra), and Stewart Brace (Dalmatian dog), an inexperienced youth but the son of the company president who ordered the expedition, search through the South American jungle for the ancient Indian temple that holds the Secret of the Gods. An unscrupulous rival, Maicon Klauss (magpie), and his hulking henchman Bernard (Clysdale horse) are ahead of them.

“Prey” by Ocean Tigrox is a Western. A nameless grizzled badger bounty hunter comes into a dusty Nevada town looking for a rabbit outlaw. “The rabbit could run but he couldn’t hide.” (p. 23) He finds that the whole town is hiding a more deadly secret. There are a vulture saloonkeeper, a bobcat mayor, an eagle sheriff and his hyena deputy, a cougar callgirl, a jackal clergyman, and more. Read the rest of this entry »

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May 6, 2015

Abandoned Places – Book Review by Fred Patten

by kiwiztiger

 

Submitted by Fred Patten, Furry’s favorite historian and reviewer – with pawesome assistance from Kiwi Tiger.

abandonedplaces_webThis anthology of 16 original furry horror stories was published to debut at Midwest FurFest 2014 on December 5-7. Each story has a full-page frontispiece by Silent Ravyn. To quote FurPlanet’s blurb:

“From stories about being abandoned in the heart of civilization to stories about forced abandonment for the sake of science to how abandoned places affect the mind; the stories in this anthology cover a large range of genres and types of abandoned places.
Each one with their own little piece of personal horror laying among the ruins, ready to strike when you least expect it.”

“Empathy” by Rechan doesn’t say so, but it is obviously inspired by the Kitty Genovese incident in 1964. Morty, an old man, falls on an icy sidewalk during winter and breaks his hip. He calls for help, but everyone who passes just ignores him – except the hungry rats in the garbage. The talking rat that taunts the dying Morty is what makes this a furry story. Nice but too slight.

In “Belief” by Bill Rogers, Fosse (badger) is hired by Alexander (bear) and Nicky (doe) to take them into a “spooky” abandoned mine to get video footage that can be sold to the Haunted Places TV show. There is a cave-in and Fosse is trapped alone in the black tunnel. Does he see real ghosts of miners killed long ago, or is it just his imagination? “They can’t hurt you if you don’t believe in them…”

In “Stared Too Deeply” by Tyler David Coltraine, four college students – Rick (wolf), Rodney (Rottweiler), Bella (rabbit), and Dave (raccoon) – explore an abandoned long, dark, underground service tunnel. At least one of them is not what it appears. This story should not have been placed so closely to the one before it. Read the rest of this entry »

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May 5, 2015

The Furry Future: Today’s Furry Fiction? – book review by Phil Geusz.

by Patch O'Furr

Esteemed Furry author Phil Geusz submits this guest review of…

The Furry Future; 19 Possible Prognostications, edited by Fred Patten
Dallas, TX, FurPlanet Productions, January 2015, trade paperback $19.95 (445 pages)

Furry book reviewers must always begin their task at a marked disadvantage to the critics of other genres, because in order to be comprehensible to non-fandom readers we must first define what a furry story actually is. No one seriously questions what does and does not constitute a mystery story, for example. Nor must romance critics explain or defend the basic elements of their particular flavor of literature. I’d assume that this sort of problem automatically goes along with being a new kid on the literary block except that most readers seem to have a fairly good grasp of steampunk, which is perhaps even more recent a phenomenon than furry.

So, what makes furry different?

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May 1, 2015

Lost on Dark Trails – Book Review by Fred Patten

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Lost on Dark Trails, by Rukis. Illustrated by the author.
Dallas, TX, FurPlanet Productions, January 2015, trade paperback $19.95 (312 pages), electronic edition $12.95.

This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region.

15390853@400-1420409110This is the sequel to Rukis’ Off the Beaten Path, reviewed here in January 2015. It is also the middle volume of a trilogy, “The Long Road Home”. It begins immediately following the events in the first volume.

Shivah (bobcat), the narrator, is an Amurescan native “squaw” in an anthropomorphic world roughly similar to late 18th-century North America. She is searching — along with Ransom, a coyote trapper, and Puck (Puquanah), a blind silver fox shaman — for vengeance against Methoa’nuk (also bobcat), Shivah’s ex-husband, a cruel native warrior who has joined a band of raiders that have wiped out Shivah’s tribe and now threaten the Otherwolf colonies along the Eastern Seaboard. Shivah, Ransom, and Puck join a party of Otherwolf lawmen led by Grant Wickham (husky) who also search for the raiders, led by Rourke (otter). But in a bloody battle at the end of Off the Beaten Path, the raiders escape and Puck is apparently killed.

Lost on Dark Trails begins with Shivah nursing Puck back to health, while Grant has been fired for allowing the raiders to escape. Ransom, believing Puck dead, has left; the others fear to commit suicide. So Shivah (a “weak woman”) is alone and apparently sidelined with the blind and recovering Puck to support. Instead, she rallies Grant (and a friend) to join her and Puck in finding Ransom; then continuing (without the friend) unofficially after Rourke and his raiders. She and Puck join them as two of the new pursuers, rather than as Grant’s tagalongs. The surprise ending of Lost on Dark Trails wraps up most of the loose threads from Off the Beaten Path, but indicates that the conclusion of the trilogy, also titled The Long Road Home, will take an unexpected new direction.

Shivah has always been a strong protagonist, and by the end of this middle novel, everyone recognizes this.

“I smiled back, and tried to look confident for them all. I was rather liking being in charge, I was finding day by day. There had been so many times in the past I’d wanted to be the one to corral the chaos amongst my comrades, to ground the menagerie of rowdy, strange men who’d become a part of my life into something more orderly. And now I could.” (p. 43) Read the rest of this entry »

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April 30, 2015

Dancing With Bears – Book Review by Fred Patten

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dancing With Bears, by Michael Swanwick.
San Francisco, CA, Night Shade Books, May 2011, hardcover $24.99 (268 pages).

51wb22YvMqLThis is the first “Darger and Surplus” novel, although it follows two short stories and a novelette; “The Dog Said Bow-Wow”(2001), “The Little Cat Laughed to See Such Sport” (2002), and “Girls and Boys, Come Out to Play” (2005). Aubrey Darger and Sir Blackthorpe Ravenscairn de Plus Precieux (“Call me Sir Plus”) are two charismatic con-men in the postutopian future. Darger is human; Surplus is a dog. To quote the opening of “The Dog Said Bow-Wow”:

“The dog looked like he had just stepped out of a children’s book. There must have been a hundred physical adaptations required to allow him to walk upright. The pelvis, of course, had been entirely reshaped. The feet alone would have needed dozens of changes. He had knees, and knees were tricky.

To say nothing of the neurological enhancements.

But what Darger found himself most fascinated by was the creature’s costume. His suit fit him perfectly, with a slit in the back for the tail, and – again – a hundred invisible adaptations that caused it to hang on his body in a way that looked perfectly natural.

‘You must have an extraordinary tailor,’ Darger said.

The dog shifted his cane from one paw to the other, so they could shake, and in the least affected manner imaginable replied, ‘That is a common observation, sir.’”

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April 29, 2015

Wolfy, the Incredible Secret – movie review by Fred Patten

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Wolfy, the Incredible Secret. Directed by Eric Omond. 82 minutes. December 18, 2013 in France; March 17, 2015 in the U.S. (DVD).

 51j8S0HiH9L._SY300_Loulou, l’Incroyable Secret was the winner of France’s César Award – “the French Oscars” — in 2014 for the Best Animated Feature shown in France during 2013; not just the best French-produced animated feature of 2013. It competed against the American animated features shown in France during 2013, which was probably all of them. It was also shown at the 2014 Berlin International Film Festival, where it was nominated for the Berlinale’s Crystal Bear, selected by a Children’s Jury as the Best Children’s Film entered in the Festival, animation or live-action.

Loulou, l’Incroyable Secret is based upon the French children’s book series by Grégoire Solotareff, with hand-drawn animation in Solotareff’s art style. Solotareff, born as Gregory El Kayem in Alexandria, Egypt in 1953 of Lebanese parents, has lived in France since 1960 and been an artist of children’s books since 1985. He has written & drawn over 150 children’s books to date, winning ten awards. He began the Loulou books in 1989, about the friendship between Loulou (Wolfy), an orphaned wolf cub, and Tom, a young rabbit, in the Land of the Rabbits. The series has been favorably reviewed for promoting friendship amidst nonconformity. It was first animated in March 2003 as Loulou et Autres Loups … (Wolfy and Other Wolves …), a 29-minute featurette directed by Serge Elissade. Loulou, l’Incroyable Secret is an original story, not based upon a book, with the screenplay, dialogue, and art design by Solotareff (and others).

Wolfy the easygoing wolf cub and Tom the pessimistic rabbit are now adolescents in the Land of Rabbits, with Wolfy adopted into Tom’s family. Cornelia, a mysterious gypsy (the audience sees that she is more than just passing through) tells Wolfy that he is not an orphan as he has always believed! His mother is a princess in Wolfenberg, the Land of Wolves. Wolfy insists on going there to find her. Tom goes along, despite his misgivings. They arrive at the height of Wolfenberg’s Carnifest/Meat-Eaters’ Festival, where everyone assumes that Wolfy has brought the teenaged rabbit to be added to the menu. Read the rest of this entry »

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April 28, 2015

Bête, by Adam Roberts – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Bête, by Adam Roberts
London, Gollancz, September 2014, hardcover £18.00 (311 [+ 1] pages). download (2)

“As I raised the bolt-gun to its head the cow said: ‘Won’t you at least Turing-test me, Graham?’

‘Don’t call me Graham,’ I told it. ‘My wife calls me Graham. My mum calls me Graham. Nobody else.’

‘Oh, Mister Penhaligon,’ the cow said, sarcastically. We’ll have to assume, for the moment, that cows are capable of sarcasm. ‘It won’t much delay you. And if I fail, then surely, go ahead: bye-bye-bos-taurus. But!’

‘You’re not helping your case, ‘ I said, ‘by enunciating so clearly. You don’t sound like a cow.’

‘Moo, ‘said the cow, arching one hairless eyebrow.” (p. 3)

Graham Penhaligon is a farmer. Farmers traditionally slaughter their cattle and serve them at family meals. So Farmer Penhaligon kills his cow, despite its pleading to him to spare it.

And finds himself arrested for maybe-murder. Which he expects.

Bête is set in the near future, when the animal-rights movement – specifically an organization called Deep Blue Deep Green (DBDG) – is going about surreptitiously raising some animals’ intelligence – specifically, in this case, Farmer Penhaligon’s cattle – to force the courts to decide whether an animal with artificially raised intelligence is a thinking animal no different from a person, and thus a legal person. The courts have declared a moratorium on the killing of such animals while the legal debate goes on; which has been going on for seemingly forever, as such social movements tend to do.

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