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Fluff Pieces Every Week

Tag: anthropomorphic

February 23, 2015

The Hero of Color City – animated movie review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Hero of Color City, directed by Frank Gladstone. 77 minutes. October 3, 2014.164396

Since I have already reviewed The Nut Job and Thunder and the House of Magic, I may as well review the third similar animated feature here: October 2014’s The Hero of Color City. I am reviewing it primarily to let you know about it, in case you want to see it. You’ve seen the Transformers movies, about anthropomorphized whatever-they-are’s. Now here are anthropomorphized crayons! You won’t get many opportunities to see anthropomorphized crayons.

I criticized most of the reviews of The Nut Job and Thunder and the House of Magic, which were very negative, as irrelevant because they judged the movie as an adult theatrical feature, whereas it was a children’s film. The Hero of Color City is for even younger children – preschoolers – and the reviews tend to be of two types. Those that do review it as kidnergarteners’ fare are generally positive. Those that review it for the parents who will accompany those kindergarteners are really negative. And I can’t say that I disagree with them.

Here is the plot synopsis from the review from Variety, October 2, 2014, by Geoff Berkshire:

“Lacking any of the visual sophistication customary in contemporary bigscreen toons, The Hero of Color City more closely resembles the by-the-numbers smallscreen product churned out overseas to fill time on countless tyke-oriented cable channels. The youngest members of the film’s target audience aren’t likely to care much about the lack of craft here, but grown-ups will immediately spot a generic rip-off and tune out accordingly. They won’t be missing much.

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February 18, 2015

French anthro comic: Solo, by Oscar Martin – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Solo. T.1, Les Survivants du Chaos, by Oscar Martindownload (2)
Paris, Delcourt, September 2014, hardcover €16,95 (107 [+ 13] pages).

Thanks, as always with French bandes dessinées, to Lex Nakashima for loaning this to me to review.

The setting: a bleak, war-destroyed future Earth. Think MGM’s/Hugh Harman’s 1939 animated Peace on Earth, where the last humans on Earth kill each other and leave the world to the peaceful funny animals; or the similar sequence in Alexander Korda’s 1936 live-action feature Things to Come, where England (and presumably the whole human race) has been bombed and shot up back to the Stone Age. It’s Mad Max with furries.

Solo’s blurb, translated by the publisher, is:

“Ravaged by nuclear and chemical weapons, the Earth has mutated and many animal species have developed a size and intelligence similar to that of humans. To make life easier for his family, Solo, a young rat, decides to take the road. In this hostile world of predators, cannibals, monsters or pirates, Solo will have to become the best fighter to survive.”

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February 17, 2015

Chakat in the Alley, by James R. Jordan – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Chakat in the Alley, by James R. Jordan. Illustrated.
North Charleston, SC, CreateSpace, June 2014, trade paperback $14.95 (318 pages), Kindle $4.95. 

download (1)Chakat in the Alley is James Jordan’s third annual novel in what has become a regular series. It is a direct continuation of Jordan’s May 2012 Bound to Play, and his June 2013 The Cat’s Eye Pub; and it ends with “To Be Continued In: It Takes Two: The Story of Diamondstripe”, presumably coming around June 2015. Each novel is complete in itself, but for how long will the overall saga continue?

What’s more, Jordan’s novels do not exist alone. They are set, with permission, in Bernard Doove’s “Chakat’s Den” universe. Doove began writing about the chakats, his 24th-century hermaphroditic felinoid centauroids in an interstellar civilization, in 1995. By now Doove has six volumes of their adventures (one of which, Flight of the Star Phoenix, won the 2012 Ursa Major Award for Best Anthropomorphic Novel of the year), plus another set in their universe. Doove is writing My Little Pony: Friendship Is Magic fanfiction today (see his December 2013 Change of Life, his May 2014 Growing Up Dandy, and his December 2014 Conversations in a Canterlot Café), so Jordan (among others) is keeping his chakat universe alive.

By now, everyone in furry fandom should be at least aware of the chakats, foxtaurs, skunktaurs, Caitans, and other species (including humans, of course) of the Chakat’s Den universe. If you’re not, it’s easy enough to pick up within the first few pages. The chakats take the most getting used to, because of their hermaphroditic nature. Each chakat is both female and male. That makes family life among chakats a bit unusual, with each parent able to be both a mother or a father. Since chakats are neither a “him” or a “her”, they have their own pronouns of “shi”, “shir”, and “hir”. You’ll pick it up fast.

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February 12, 2015

French anthro comic: L’Epée d’Ardenois – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

L’Épée d’Ardenois. T. 3/4, Nymelle, by Étienne Willem.
Geneva, Switzerland, Éditions Paquet, February 2014, hardbound €13,50 (48 pages).

downloadThis is part of Lex Nakashima’s & my project to bring American furry fans the best of new French-language animalière bandes dessinées. Volumes 1 and 2 of this 4-volume series were reviewed on Flayrah on April 29, 2013. Here is volume 3, Nymelle.

The warfare in the Medieval funny-animal realm of the three kingdoms has devolved into bloody chaos. Garen (rabbit), the young peasant boy who hero-worships the legendary Companions of the Dawn — four unstoppable knights who led the three kingdoms of Bohan, Herbeutagne, and Valdor against the demonic armies of wizard-king Lord Nuhy a generation ago, then retired – is eager to see them reunite when Nuhy’s army reappears under his “eternal captain”, Hellequin of the Cursed Wood (goat). But the Companions are old and out of training today, and Sir Godefroid (hound), who is Garen’s personal hero among the Companions, is carefully killed by Hellequin before he relaunches the war. The other Companions dubiously accept Garen as their squire to honor Godefroid’s memory, but they are all shocked to find that the three kingdoms of today are not what they were a generation ago. Then, they were three monarchies united by strong rulers working together. Now, they are three separate monarchies each under weak rulers who do not even have the support of all their own nobility and knights, and who are jockeying for leadership among themselves – divisions that Hellequin skillfully encourages. Hellequin is supposedly trying to find and collect the Black Armor of Nuhy, which was divided among the victors after Nuhy’s death in battle. Some believe that this is just Hellequin’s pretext to use Nuhy’s name and armies for his own benefit, while others believe that Nuhy had real demonic powers, and that he will be resurrected if Hellequin does find all of his Black Armor. There are more complications, and volume 2, The Prophecy, ends with Garen, the other three Companions of the Dawn (Sir Grimbert, fox; Lord Arthus, bear; and La Fouine, marten), and the peasant refugees left behind the Wall of Ambrosius where they are supposed to be safe, suddenly attacked by Skernovite pirate raiders led by their King Rothgard the Bald (hawk) and Hellequin’s lieutenant Sigwald the Rash (bull terrier).

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February 4, 2015

The History of Furry Publishing, Part Two: Current Publishers – by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer. Continuing Part One: Beginnings.

Sdownload (4)ofawolf Press, founded by Tim Susman and Jeff Eddy and currently run by Jeff Eddy, originally from his homes in East Falmouth, Massachusetts and later St. Paul, Minnesota, and now from a warehouse in the latter, was the first really successful furry publishing company in the U.S. Sofawolf became official in October 1999 as a sole proprietorship, with its first publication, the furry general fiction magazine Anthrolations #1, in January 2000.   Anthrolations was originally scheduled for semiannual publication in January and July, but it soon ran into the drying up of submissions – except for furry erotica, which Susman & Eddy did not accept for Anthrolations. #7 was published in July 2003, and #8, the final issue, was not until November 2006.

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February 3, 2015

The History of Furry Publishing, Part One: Beginnings – by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer. Part Two, Current Publishers, posts tomorrow.

rowrbrazzle090xThis is to some extent a “define your terms” question. Furry fandom got started, depending upon whom you ask, with the amateur press associations (APAs) Vootie and Rowrbrazzle. Vootie, “The Fanzine of the Funny Animal Liberation Front”, run by Reed Waller & Ken Fletcher of Minneapolis s-f fandom, lasted from April 1976 to February 1983; 39 bi-monthly issues. Vootie self-destructed when its Official Editors, Waller & Fletcher, grew too disinterested to continue it any longer. A member, Marc Schirmeister of Los Angeles, tried to keep it going, failed, and started its replacement, the quarterly Rowrbrazzle, beginning in February 1984. Rowrbrazzle was designed so that, when the Official Editor steps down or is unable to continue, another member is selected to replace him. Rowrbrazzle is still going after thirty years; the current O.E. is William Earl Haskell of Houston, Texas. So it’s technically a current furry publication.

HUZZAH-48-2002-1-2252-6298Vootie and Rowrbrazzle, and later furry APAs such as the Furry Press Network, Huzzah!, and Canada’s FURthest North Crew, exist(ed) as membership clubs averaging 25 to 30 members, whose members print their own fanzines in enough copies for all members, and send them all to the O.E. for assembly into a super-fanzine of 25 to 30 copies that are sent to each member. The only way to get a copy is to join the APA and publish your own pages. Private membership APAs are traditionally not counted as furry publishing.

The earliest generally available publication in furry fandom was the fanzine FurVersion, published by Kyim Granger (real name: Karl Maurer) of the San Francisco Bay area. FurVersion ran for twenty-one issues from May 1987 to November 1990. It began as a simple mailing list of furry fans’ names and addresses, so they could keep in touch with each other in pre-Internet days. Fans began sending in their sketches and amateur fiction for publication, and FurVersion quickly turned into an amateur magazine for furry art & fiction. It had a cover price and subscription. FurVersion was the first of many amateur magazines published by furry fans from the late 1980s through the early 2000s. The most famous and successful was Yarf!; the Journal of Applied Anthropomorphics, edited and published by Jeff Ferris of the San Francisco Bay area, with the help of Bay Area furry fandom. It lasted for 69 issues, from January 1990 to September 2003. Yarf! is currently being republished as five-issue volumes by Jarlidium Press of Seattle (see below).

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January 29, 2015

Off the Beaten Path, by Rukis – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Off the Beaten Path, by Rukis. Illustrated by the author.
Dallas, TX, FurPlanet Productions, July 2014, trade paperback $19.95 (385 pages).

(publisher’s advisory):
“This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region.” 

Rukis_OTBP_web“When I turned thirteen years of age, the village elder told me I had become a woman. When I had turned fourteen years of age, my mother told me I had become a burden. When I had turned fifteen years of age, my father told me I had become a wife. He had been paid [by] a man from the Anukshen to take me away from everything I knew and every person I cared for, to become his third wife.” (p. 9)

This is one of those books that is almost impossible to review without giving away spoilers. Basically, except for the anthropomorphic-animal and fantasy-world aspects, the setting is North America shortly after the British colonies along the Eastern Coast have won their independence. Shivah, the narrator (bobcat), is a young woman of a native tribe in a valley beyond the “Otherwolf” lands. She has only known two tribes, her own Katoshen and the neighboring Anukshen. They barely tolerate each other, grudgingly trading together. Both are extremely patriarchal, treating women as little more than slaves and baby-making machines. Shivah is married against her will to Methoa’nuk, an arrogant and brutal Anukshen Honored Warrior for two horses and a brick of salt. Despite her attempts to be a “good wife”, she disgraces him (or maybe he just blames his disgrace on her). Methoa kills their year-old son, and encourages the Anukshen to stone her to death. She recovers consciousness weeks later, having been nursed back to health by two wandering trappers from faroff differing tribes, Ransom, a tall coyote, and Puck (Puquanath Roatok), a blind white fox medicine man who “sees” with his ears:

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January 27, 2015

Spirit Hunters: The Way of the Fox, by Paul Kidd – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Spirit Hunters. Book 1: The Way of the Fox, by Paul Kidd. Illustrated by Angie Kae (KaeMantis).
Raleigh, NC, Lulu.com/Perth, Western Australia, Kitsune Press, September 2014, trade paperback $31.97 (470 pages), Kindle $7.99.

product_thumbnailSpirit Hunters is set in the realm of traditional Japanese mythology, vaguely around 900 or 1000 A.D. if you know your Japanese history. It begins with the rebel lord Sanuki nō Tazadane trying to annex the lands of Kitsune Mountain.

“Lord Sanuki’s castle and treasury both mysteriously burned to the ground two days later …” (p. 3)

Asodo Kuno, a young and handsome, but not terribly bright human samurai, a junior deputy of the sixth rank (a bottom-rung position) in service to Magistrate Masura of the Imperial court, is traveling on foot to the sword tournament at Iris Castle, where Magistrate Masura is presiding over contests of swordsmanship. Kuno hopes to win the tournament to achieve promotion to a higher position. He meets Kitsune nō Sura along the road:

“A fox woman lounged upon a fallen log like a reclining Buddha, eating a roasted chicken leg. Beside her, there were the embers of a camp fire and a pair of backpacks ready for travel. The fox woman had a long, clever pointed muzzle, and great, green eyes filled with humour. Her body was human in size an shape – excepting for its lush pelt of fur, her fox head with muzzle and long pointed ears, and her long, elegant red tail. She wore a priestess’ robes decorated with images of peaches – with each peach missing a single bite. The fox called out to Kuno in a loud and merry voice while she wriggled her black-furred toes.” (p. 12)

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January 23, 2015

French Anthropomorphic Animal Animated Features, part 1 – by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer. There will be four parts.

French (meaning French-language, whether produced in France, Belgium, Luxembourg, or the French-speaking part of Switzerland) anthro theatrical features have been in the news since the subtitled 2013 U.S. release (English-language dub in 2014) of the 2012 Belgian Ernest & Célestine, about the forbidden friendship between a mouse and a bear in a civilization of both. Right now, there is also Yellowbird.

French-language anthro theatrical features are older than most Americans think. Here is a chronological annotated list.

First, some rules. This list consists of those French-language theatrical features (no shorts or TV animation like the 1987 Moi Renart) that feature anthropomorphic animals as the only or majority of the cast. It does not include those featuring mostly humans with only one or two anthro animals, such as the Lucky Luke Westerns with Jolly Jumper, Luke’s talking horse; even when the animal(s) is the main star, such as the 2008 Fly Me to the Moon (three housefly astronauts meet Buzz Aldrin; ho ho) or the 2009 La Véritable Histoire du Chat Botté (The True Story of Puss in Boots) or the 2012 Sur la Piste du Marsupilami (On the Trail of the Marsupilami). It does not include any movies about living toys, fairies, gremlins, elves, or Smurfs.

Le Roman de Renard (The Story of the Fox), directed by Ladislas Starevich. 65 minutes. April 10, 1941.Roman_renard

This is a dubious “French” film with a dubious release date. Starevich (or Starewicz) began making stop-motion films in Russia in 1911. He emigrated to escape the Russian Revolution, and only happened to be in Paris during 1929 and 1930 when he and his wife Irene animated Le Roman de Renard. The animation turned out to be easier than the sound track, which was finally funded in Germany and premiered in Berlin as Reinicke Fuchs on April 10, 1937. The French edit, which is the best-known today, was released exactly four years later on April 10, 1941.

The film is presented as “the oldest and most beautiful story known to us animals”, as narrated by an elderly monkey dressed as a Medieval scholar. The scenario is credited to Irène Starevich, but it is essentially Le Roman de Renart as finalized in literary form by the Renaissance, especially in Wolfgang von Goethe’s 1794 Reineke Fuchs epic poem. By the 1920s almost every standard edition of Goethe’s poem had the 1840s illustrations by Wilhelm von Kaulbach, and the Starevich’s stop-motion models look very similar to these. If you know the 12th-century animal folk tale about Baron Renard the Fox at the court of King Lion, you know the plot of the movie.

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January 16, 2015

Tales from the Guild: Music to Your Ears – book review by Fred Patten.

by Patch O'Furr

Fred Patten, Furry’s favorite historian and reviewer, submits this review:

tales-from-the-guild-music-to-your-ears-edited-by-anthroaquatic-67102Tales from the Guild: Music to Your Ears, edited by AnthroAquatic. Illustrated by Blaquetygriss.

Las Vegas, NV, Rabbit Valley Books, September 2014, trade paperback $14.95 (133 pages).

The Furry Writers’ Guild was, to quote its website, “founded in 2010 to promote quality anthropomorphic literature and provide support to writers active in this field.” To put it another way, also quoting its website, “The aim of the Furry Writers’ Guild is to be a place where writers of all demographics, genres, and abilities can come together and help improve the quality of anthropomorphic fiction and support its creators.” One must have “at least one short story, poem, or novel-length work featuring anthropomorphic characters/themes published in a paying venue (either inside or outside the furry fandom), paying either a flat fee or a per-word rate for your work, [or have] at least two short stories, poems, or novel-length works featuring anthropomorphic characters/themes published in a non-paying venue (either inside or outside the furry fandom). This includes conbooks. Please note that comics/graphic novels and self-published writing (including work posted on personal websites and gallery sites like FurAffinity) do not count toward membership.”

The FWG created the annual Cóyotl Awards in 2012 for excellence in anthropomorphic literature, as voted upon by the FWG membership. The FWG currently has 101 regular members and 6 associate members; the difference being that the regular members are all authors, while the associate memberships are open to others active in the anthropomorphic literary community such as furry anthology editors, furry specialty book publishers, furry book reviewers, and the like.

Now the FWG has started its own anthology series, “a collaboration of the Furry Writers’ Guild”, to showcase the writing of its members. This first tiny (5” x 8”; 133 pages) volume, Tales from the Guild, consists of eight original short stories, edited by AnthroAquatic (a.k.a. Sean Rivercritic), and illustrated by Blaquetygriss (identified on the publisher’s website as Aisha Galland).

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