Dogpatch Press

Fluff Pieces Every Week

Tag: cartoons

September 28, 2017

“Suburban Jungle: Rough Housing” – Comic review by Ace.

by Patch O'Furr

Review: Suburban Jungle: Rough Housing
Guest review by Ace

Suburban Jungle was a web comic done by John “The Gneech” Robey that started on February 1, 1999. It starred a young tigress, named Tiffany, who is trying to make a career of acting and modeling while holding down numerous temp jobs. Along the way she meets the Kurt Russell-esque Leonard Lion, Leona Lioness (no relation to Leonard), and many others such as Drezzer Wolf and Conrad Tiger. It was slice of life with the characters residing in the fictional city. It was light, campy and a general good read.

It was the web comic that made me become a furry.

When Suburban Jungle ended in November 6, 2009 it felt like a giant punch to the gut. I had only been in the fandom ten years in the fandom because of Suburban Jungle. I loved the characters, especially Tiffany, Leona, as well as Leonard, Conrad and everyone’s favorite gay uncle, Drezzer. It was hard to fill those holes. I had never gotten to the opportunity to read Never, Never (which I found out actually came before SJ in terms of production) and while I liked other web comics, they didn’t hold my attention like SJ did.

So imagine my surprise when found out that The Gneech did another SJ comic starting in 2016. This one was a sequel but didn’t feature the same characters. Instead, the main character was a cheeger (the hybrid result of a tiger and a cheetah, in this case Comfort Tiger the sister of Suburban Jungle star Tiffany and her husband the code speaking Dover Cheetah), named Charity Cheeger.

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July 7, 2017

HappyWulf’s Furry KickStarters – Ep.1

by Dogpatch Press Staff

Hey everyone! I’m Furry trash! But more than that, I’m KickStarter Trash too! I thought it’d be a good idea to occasionally show some Furry stuff I’ve found on KickStarter for the folks who might not be regulars to the site, and share what they might be missing. These posts may often feature one time offer only listings.  (This first edition is a little quick and dirty, due to the time constraint of the first entry.)

MADCAP – This is a TOON based RPG with lots of renowned artists lending their talents to the book and the game is coming from the creators of IronClaw. Ends TODAY.

  • Back again for the first time, despite popular demand… it’s the singular, particular, jugular and avuncular MADCAP, the role-playing game of cartoon screwball action! It’s the game that stars the best person we could find on short notice: YOU. And you’ll have a supporting cast of your friends, your compatriots, your hangers-on, your contemporaries — heck, anyone who could hold a pencil by the right end, they could play this game with you!

Rabbit Island – A 4X Territory Control tile board game with buh-nees.

  • Lead your tribe to explore a new island every game! Build up your civilization with the value of the Carrot, and the help of special Action Cards. Can you conquer your opponents in 20 rounds?

Trash Pandas card game – A small push-your-luck style card game… And I’m Furry Trash, as previously stated. This one is a limited run of only 500 copies being made, and it’s cheap. Why Not? said I.

  • Trash Pandas is easy to learn, portable, and fun for all ages. In Trash Pandas, players are raucous raccoons, tipping over trash cans for food (and shiny objects). Players push their luck to acquire more trash cards, but must stash them in order for them to count as points at the end of the game.

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May 9, 2017

Ponyville Confidential: The History and Culture of My Little Pony – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Ponyville Confidential: The History and Culture of My Little Pony, 1981-2016, by Sherilyn Connelly
Jefferson, NC, McFarland & Co., March 2017, trade paperback $18.99 (x + 254 pages), Kindle $8.99.
Order at McFarland’s Website – order line 800-253-2187

Ponyville Confidential doesn’t contain any artwork. That’s a tipoff that this book has not been authorized or approved by Hasbro, the copyright holder of the My Little Pony franchise.

Connelly emphasizes and re-emphasizes in her Introduction that although she is a fan of the My Little Pony: Friendship Is Magic TV program and the My Little Pony: Equestria Girls movies, she is not a My Little Pony (note the lack of italics) fan. As a child in the 1980s, she hated being talked down to, particularly as a girl-child, and this included all of the girls’ TV cartoons of the time; Care Bears and Strawberry Shortcake and especially My Little Pony ‘n’ Friends. She didn’t watch it. She didn’t start watching My Little Pony until Friendship Is Magic in mid-2011 (after Season 1 had finished its initial broadcast), when friends had told her, “Hey, it’s a girl’s toy commercial, but there’s something here.” By then Connelly was a film critic for The Village Voice and SF Weekly (an alternate newspaper for the San Francisco Bay Region, not science-fiction), so she was prepared to study the entire My Little Pony phenomenon, including the Bronies, as both a professional outsider and as a fan – of the post-2010 MLP:FIM, anyhow.

“This book is divided into five parts. Part 1, ‘Family Appreciation Day,’ looks at the history of the franchise from the release of Generation 1 in the early 1980s through the late 1990s, showing how long after both the toys and cartoons had ceased production, My Little Pony continued to be criticized in the media as the worst of children’s entertainment in a way that similar brands marketed toward boys were not.” (p. 4)

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February 7, 2017

Q&A with Sherilyn Connelly, author of Ponyville Confidential: the History and Culture of My Little Pony, 1981-2016.

by Patch O'Furr

ponyvilleRecently, I posted “The history of My Little Pony and thoughts about growing up with cartoons” to prepare for chat with Sherilyn Connelly.  Sherilyn is a journalist local to the San Francisco Bay Area Furries. (She has given them notice in publications like SF Weekly.) Her first book is out this April: Ponyville Confidential, a pop culture history of the My Little Pony media empire. (Please like the book’s Facebook page!)

Hi Sherilyn, thanks for talking about Ponyville Confidential!  Let me start by asking – who needs to read it? Will it be manely for fans?  Will there be parts to tempt furry readers?

“Manely!” I see what you did there. Obviously everypony needs to read it, and it’s by no means intended just for My Little Pony fans; I hope that people who are interested in pop-culture history in general will give it a look as well. And there are many references to the Furry fandom, including shout-outs to Frolic, Further Confusion, and Anthrocon.

I know you as a committed, active fan who comes to Furry events and writes journalism about them (and movies, and more.) Can you give a brief intro about your background and writing?

I’ve wanted to be a writer ever since I was old enough to want to be anything at all. I started writing professionally for SF Weekly in 2011 — within a few months when I started grad school and began watching My Little Pony: Friendship Is Magic, so it was a momentous year in retrospect — and wrote quite a lot about the the local Furry scene at the time. I began contributing film reviews to the Village Voice in 2012, and became the Weekly‘s permanent film critic in January 2013.

I hear this is your first book, congrats – how excited are you? Would anything surprise you about how it might be received?

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October 10, 2016

A brief history of who ruined furry.

by Patch O'Furr

fritz-the-cat-movie-poster-1972-1010196225Many people are to blame for ruining furry. This list isn’t comprehensive, and some of the jerks on it caused multiple problems at the same time.

1960’s – 1970’s:  Artists ruined furry.

Underground comic artists made a plan to stigmatize fans of funny-animal comics by putting adult stuff in ones like Robert Crumb’s Fritz The Cat and Reed Waller’s Omaha The Cat Dancer.  It worked well enough to keep fans from openly using the “furry” name until the 1980’s.

1985-1988: “Skunkfuckers” ruined furry.

It was just starting to be OK to be furry in public. Then some bad apples got us kicked out of respectable science fiction fandom.  Look at these 1980’s convention room party flyers from Lance Rund and Sy – this is the kind of thing that made furries get isolated apart from other fans, with our own private shame-cons.

furpy3

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March 18, 2016

How did Disney inspire Furry fandom? A look at early influences by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

How Disney Influenced Furry Fandom is an artist’s thoughts shared in this week’s Newsdump.

(Patch:)  Furry artist Joe Rosales focuses on California fandom in its formative years, including fursuiting.  It concludes that Disney should get major credit.  I liked it, but it doesn’t give enough credit for sci fi fandom, and misses early fursuiters like Robert Hill who were not professional (and not G-rated, either.)  The unnamed animator must be Shawn Keller, maker of the notorious Furry Fans flash animation and comic.  (If he didn’t want to be named, he shouldn’t have published “Shawn Keller’s Horrifying Look at The Furries.“)

I sent it to Fred Patten and asked for his thoughts.  In between, a similar media article happened on a psychic wavelength:

VICE: Furries Love Zootopia.

Here’s what Fred wrote in response to the first one.

(Fred:) This is very good, but you’re giving Disney credit for too much influence.

First, define early furry fandom. 1980 to … 1983? 1985? 1990? Don’t forget, by 1980 and for the next decade, Walt Disney and the Disney Studio were pretty much Old History. Carl Barks was retired. In comics, Marvel’s Howard the Duck (Steve Gerber), DC’s Captain Carrot and His Amazing Zoo Crew! (Scott Shaw!), and Pacific Comics’ Destroyer Duck (Jack Kirby) were the New Wave; the new influences. In underground comix, there were Robert Crumb and Gilbert Shelton. In independent comics, there were Steve Leialoha and Michael Gilbert in Quack!.  … (Fred, what about the great Bucky O’Hare comic? – Patch)

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December 10, 2015

College Catastrophe, by Jan – comic review By Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

ccbookCollege Catastrophe, by Jan. Illustrated.
Hong Kong, Tiger Knight Comics, November 2012, trade paperback, $12.95 (unpaged [127 pages]), e-book $3.95.

This is the collection of the online comic strip that Jan (this book gives away his real name as Chun Yan Miu) published from November 2000 to January 2013. The early strips were remastered between 2009 and 2012, so they all look “current”. He retired it to concentrate on his later, more popular Medievalish fantasy Swords and Sausages strip, although he has just started a College Catastrophe sequel: Nine to Nine, showing what is happening to its cast one year after graduating from college, beginning on November 1, 2015.

If you want to know what Jan did before Swords and Sausages, here it is – all 202 strips, plus fillers unavailable elsewhere.

College Catastrophe is a slice-of-life college comic strip with seven anthropomorphized students as the main characters: Jan, a lion computer science major; Wolf, a wolf physics major and Jan’s roommate; Phil, a horse math major; Amber, Jan’s vixen girlfriend; Shiera, a lioness Japanese major; Tor, a tiger fine arts major; and Andrea, Tor’s arctic fox girlfriend. Tor and Andrea were added to the strip shortly before it ended, and have been reused as the main characters in Jan’s fantasy Swords and Sausages.

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September 11, 2015

The Art of Regular Show – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.


The Art of Regular Show, by Shannon O’Leary. Foreword by J. G. Quintel. Introduction by Paula Spence.
London, Titan Books, September 2015, hardcover $29.95 (160 pages).Regular show Cover

Lavish coffee-table animation art books are usually the prerogative of theatrical features from major animation studios like Disney, DreamWorks Animation, and Pixar; not a TV cartoon series from a studio like Cartoon Network. Yet if any TV cartoon series has earned that accolade, Regular Show has. The prime-time (7:30 p.m.; new episodes on Thursdays, reruns the rest of the Monday-Saturday week) half-hour program of two 11-minute episodes began on September 6, 2010, and is still going strong with 195 episodes (nine seasons) scheduled so far, and a made-for-TV feature, Regular Show: The Movie, due on November 25, 2015. Episode #58, “Eggscellent” by Regular Show creator J. G. Quintel, won a 2013 Emmy Award in the Outstanding Short-format Animated Program category; and various other episodes have been nominated for Annie, Emmy, Teen Choice, and other American and British TV awards. There have been a Regular Show monthly comic book since May 2013; and video games, action figures, plush dolls, bobbleheads, T-shirts, and more. Read the rest of this entry »

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September 2, 2015

Snow White vs. All Dogs Go To Heaven: A Look at How Kid’s Movies Encouraged the Founding of the Furry Fandom.

by Patch O'Furr

 Here’s a fantastic guest post by Amanda Riesling. Her blog’s recent post about Furries is highly recommended. – Patch

Note: This article concerns itself exclusively with fully animated feature films produced in America and released prior to 2000. The article’s scope is limited so narrowly mainly because it is a blog post and therefore too short to cover a wide range of media. If you care why the parameters were chosen, there’s a note at the bottom of the article.

Cartoons are a fantastic storytelling medium because all you need to do is make sure your story can be translated into visual images. That’s it. Once you tick that box, you can cast off the confines of reality and tell whatever story you want.

tumblr_mhhr8dPvpq1rmnmfuo1_250However, despite the visual freedom, a good storyteller still needs to tell a story the audience can relate to. In my opinion, this is the real key to why anthropomorphic stories encouraged the furry fandom.

An audience needs to see themselves in the hero. They need to be able to project themselves and relate to that character. If they can’t bond with the main character somehow, they won’t enjoy the movie. If your main characters are human, half the battle is done for you. In fact, the blander, more generic your human hero is, the easier it will be for the audience to relate. You can have the goddamn Matrix going on, but as long as your main dude is an expressionless white guy with a vague backstory, people can pretend to be him. For a more pop-culture version of what I’m saying, watch Cracked.com’s video.

If your main character is a human, this is great news for your film. Your character can be bland, and your story can be as shallow as a Petri dish, and people will still relate because they see a human face. (Not that all human-centered movies are shallow. I said can be. They don’t have to be.)

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August 20, 2015

Don Oriolo’s Felix the Cat Art Available Nationally – announcement by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Exclusive Felix the Cat Fine Artwork from Don Oriolo Coming Soon from Soho Prints (PRNewsFoto/Soho Art International/Soho Prin)We get mail. In this case, a press release with a cover letter.

Hi Fred:

Saw that you covered my client Don Oriolo’s Felix Art last year and thought you might like to see our press release from today and possibly cover that?  Let me know if you need anything on this.

Best, Scott

He must be referring to my book review on Flayrah last year, of Don Oriolo’s Felix the Cat Paintings.

And here is the press release. Felix was the first star of anthropomorphic animal animated cartoons in the 1920s, so it’s pertinent even if limited to modern art.

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