Dogpatch Press

Fluff Pieces Every Week

Tag: fantasy

February 8, 2017

Domino, by Kia Heavey – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51tou2Wni4LDomino, by Kia Heavey.
Greenwich, CT, Unfiltered Creative, January 2016, trade paperback $11.95 (267 pages), Kindle $3.49.

Domino is a large black-&-white barn cat on the Browns’ farm, encouraged to roam it for rodent control. He is unneutered to make him more aggressive. He is complacent as one of the socially dominant cats in the nearby residential neighborhood prowl, along with his best friend Flufferdoodle and others such as Tiger, Cricket, Mister, Lady, Rudy, and Izzy.

Then two new cats enter the neighborhood. Celine is a black field stray who likes a free life, living outside of being a housecat. She becomes Domino’s equal, supporter, and eventually mate. Socrates is a supercilious but charismatic Siamese intellectual who spellbinds most of the other cats with the philosophy that all animals are transcendent – they can transcend their feral instincts if they only try. They all have souls and similar emotions. The cats all have humans who feed them, so they don’t need to go hunting for prey. Domino is amused at first, then alarmed as he sees more and more of his friends listening to Socrates. He is gradually isolated and sidelined as a social boor and killer of helpless wildlife. Domino suspects that Socrates and his housemate, Max the dog, have an ulterior motive, but he can’t figure out what it is.

Then Socrates introduces the rats.

The cover by Damon Bowie shows that either Domino is a small cat, or those are large rats. Domino is a very large cat.

Heavey writes clever dialogue:

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February 6, 2017

Culdesac; A Novella from the War With No Name, by Robert Repino- review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Culdesac; A Novella from the War With No Name, by Robert Repino.
NYC, Soho Press, November 2016, trade paperback $9.99 (110 pages + an 11-page preview of D’Arc), Kindle $7.99.

CuldesacThis is a side-story to Repino’s Mort(e), reviewed here in June 2015. In Mort(e), the ants declare a war of extinction against mankind. In addition to fighting humanity by themselves, including producing human-sized ant warriors, they use their “mysterious technology” to transform all animals into anthropomorphic intelligent beings. “Suddenly, farm animals, ferals, and pets could think and speak. Their bodies changed, allowing them to walk on their hind legs and use their hands like a human.” (p. 1)

The protagonist of Mort(e) is Sebastian, a pet housecat. When he is transformed, he takes the name Mort(e) and becomes a warrior in the elite Red Sphinx guerilla company under Captain Culdesac, a bobcat. When the ants and animals win, he is given ownership of the home he used to live in as a pet. But he remains a loner, skeptical about the animals’ alliance with the Colony, the underground ant super-nest; and about the animals’ ability to build a new society more successful than the humans’ had been. When the last human survivors resume the war with a new weapon, Mort(e) rejoins the Red Sphinx. The conclusion of the novel reveals whether the animals’ new world is stable, what the Colony’s true goal is, and what happens to Mort(e).

Culdesac takes place during Mort(e). It focuses upon the bobcat commander of the Red Sphinx, who is only a minor supporting character in Mort(e). Unlike Mort(e), who had known humans as a pampered pet and had doubts about turning upon them, Culdesac was a wild predator who grew up knowing only the law of kill-or-be-killed. He brings that attitude to the Red Sphinx.   “Relentless, bloody, and unforgiving, Culdesac is the story of an antihero with no soul to lose, carving a path of destruction that consumes the innocent and the guilty alike.” (blurb)

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February 2, 2017

Final Days for Roz Gibson Kickstarter for Griffin Ranger

by Pup Matthias

Longtime creator, Roz Gibson, is running a Kickstarter for her final novel of the Griffin Ranger series The Monster Lands. Better known for her art like the character Jack Salem, the comic series City of Ice, and, one of my favorite, an amazing comic adaptation of The Killers song, Mr. Brightside. In recent years, she has expanded into the world of writing with her first novel, Griffin Rangers: Crossline Plains.

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Now she is wrapping the story up, but needs your help to make it happen. As stated on the Kickstarter, The Monster Lands pick up where Crossline Plains left off. The Griffin Ranger, Harrell, wishes to find his missing daughter, but his journey will take him to our very own earth where he is captured and force to fight for his very life while hoping his fellow Rangers, Kwap and Tirrsill, can rescue him as they themselves are being hunted.

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With a goal of 4,500, the money will go towards editing, cover art, and printing cost. Depending on what you donate, you can get e-books of books one and 2, backer exclusive artwork by Roz herself, signed copies of the books, original artwork, etc… The book will be available in paperback and Kindle and will be published by FurPlanet. If you are a fan of Roz’s work or just a big old nerd for griffins, then check out the Kickstarter and check out the first book. Till next time Fluffer Nutters. Stay awesome. Stay amazing. Stay you.

-Matthias

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January 20, 2017

Urchin and the Raven War, by M. I. McAllister – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51Nh4vyr8BL._SY346_Urchin and the Raven War, by M. I. McAllister. (The Mistmantle Chronicles, Book 4.) Illustrated by Omar Rayyan.
NYC, Hyperion Books for Children, October 2008, hardcover $17.99 (284 pages), Kindle $6.99.

Urchin and the Rage Tide, by M. I. McAllister. (The Mistmantle Chronicles, Book 5.) Illustrated by Omar Rayyan.
NYC, Disney • Hyperion Books, July 2010, hardcover $17.99 (268 pages), Kindle $6.99.

This is a guilty review. I reviewed the first three Mistmantle Chronicles for Cubist’s Anthro magazine in 2007 and 2008. Then Anthro ceased publication. An additional complication was that the first three books appeared first as British paperbacks, with the American hardcovers as reprints. When I looked for any subsequent books, I looked on Amazon.uk and didn’t find any. This was because there weren’t any more British editions. Books 4 and 5 were only published in America. So I never reviewed them when they were first published.

Fortunately, they are still available, so I am correcting that error now. The Mistmantle Chronicles are technically children’s books, but they are very similar to Brian Jacques’ Redwall novels, and those are enjoyed by readers of all ages. If you are fond of serious adventures featuring talking animals, don’t miss The Mistmantle Chronicles.

The setting of Urchin of the Riding Stars (January 2005), Urchin and the Heartstone (April 2006), and The Heir of Mistmantle (March 2007) is the isolated island of Mistmantle, hidden by thick sea mists (I was going to say fog, but McAllister makes a distinction between fog and mists). It is a kingdom shared by four British woodland animal species living in harmony: hedgehogs, moles, otters, and squirrels. When the series starts, Mistmantle is ruled by good King Brushen, a hedgehog. But there have been other dynasties in the past, and there is no prejudice against a new king from one of the other species. Whenever a dynasty does not have an heir, the senior captain becomes the next king. The captain (there are traditionally three) is a combination of a royal advisor and leader of the royal guards.

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December 20, 2016

Goddess, by Arilin Thorferra – book review by Greyflank.

by Patch O'Furr

Goddess by Arilin Thorferra – guest review submitted by Bill Kieffer, AKA Grayflank (author of The Goat: Building a Perfect Victim.)  See also Fred Patten’s review of Goddess.  Guests are invited to submit articles to: patch.ofurr(at)gmail.com.

GoddessA childhood full of monster of the week movies made me into the horse I am today. As a horror fan, giants hold a very special place in my heart. Giants played no small (ahem) part in helping me see monsters as more often dangerously misunderstood creatures than outright evil figures.

And, yet, I don’t particularly find myself attracted to the giant mythos. Not that I’m against Macrofurry stuff. I do like transformation stories and I do like submissive characters; so there’s quite a bit of overlap there with size shifting.

In this tale, set in a furry universe in a vague period prior to Hawaii’s statehood, Russel the cougar is looking to become a literature professor at a very posh American University in San Francisco. It’s probably in the 1950’s, even if the villain of the piece, Cornelius Bennett, is known as a “rail baron.” The first few pages felt nearly as staid and boring as any academic event that one might expect, but when the curvaceous otter Kailani enters the scene, things to pick up. I enjoyed every scene Kailani was in; even the scene where they are discussing The Great Gatsby. She is simply one of those people who are larger than life. *ahem*

And it’s to the authors credit that Kailani’s robust presence doesn’t overshadow the other characters in the scene with her. Russell becomes a bigger personality when he’s with her and, later, trying to be with her. Often in stories with this type of transformation from quiet protagonist with a plan to hero of the tale, the author relies on the cast to tell the hero/heroine that she changed. Here, I felt it.

No one had to tell me.

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December 15, 2016

The Art of Moana, by Jessica Julius and Maggie Malone – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer

9781452155364_flatcoverThe Art of Moana, by Jessica Julius and Maggie Malone. Preface by John Lasseter. Foreword by Ron Clements and John Musker.
San Francisco, CA, Chronicle Books, November 2016, hardcover $40.00 (160 pages), Kindle $16.19.

Moana is a 103-minute 3D computer-animated comedy fantasy feature film from Walt Disney Animation Studios, released on November 23rd, 2016. The Art of Moana is a coffee-table, full-color art book describing that film, and its making, in detail. Jessica Julius and Maggie Malone, the book’s authors, are both veteran executives at Walt Disney Animation. Julius wrote The Art of Big Hero Six and The Art of Zootopia. The preface is by John Lasseter, the director responsible for turning the Pixar and Disney studios into the powerhouses of theatrical feature animation in the last two decades. The foreword is by Ron Clements and John Musker, the co-directors of many other Disney features including The Little Mermaid and Aladdin.

The Art of Moana is a de luxe art book about the film and its making, with detailed visual samples and background information. For those interested in the film, this book is worth getting for the names of all the characters alone. The rejected preliminary designs of the main characters will be fascinating, also.

The film’s plot is summarized in its official blurb.

“Three thousand years ago, the greatest sailors in the world ventured across the Pacific, discovering the many islands of Oceania. But then, for a millennium, their voyages stopped—and no one today knows why. From Walt Disney Animation Studios, Moana is a CG-animated adventure about a spirited teenager who sails out on a daring mission to prove herself a master wayfinder and fulfill her ancestors’ unfinished quest. During her journey, Moana meets the once-mighty demi-god Maui and together they traverse the open ocean on an action-packed adventure, encountering enormous fiery creatures and impossible odds.”

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December 2, 2016

Wishing Season: Holiday Tales of Whimsy and Wonder, by Renee Carter Hall – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer

51nkl1nx7zlWishing Season: Holiday Tales of Whimsy and Wonder, by Renee Carter Hall
Seattle, WA, CreateSpace, December 2015, trade paperback $7.99 (125 pages), Kindle, December 2014, $2.99.

This little collection presents seven gentle short fantasies “for all ages” about the Christmas spirit. The title implies that these may cover the different holidays of the year, but they are all about either a snowy Christmas, a snowy winter, or Santa Claus – in any case, stories to read while relaxing in a warm home during a snowy December. If you want to read them aloud to small children; why, some of these were originally heard as broadcasts of the Anthro Dreams Podcast. Two tales, “The First Winter” and “Santa’s Summer Vacation”, are written especially for this booklet. Wishing Season itself was published as an e-book for the Christmas 2014 season, and as a trade paperback for Christmas 2015.

Hall’s tales are imbued with a modern Christmas mythology – that of Rudolph the Red-Nosed Reindeer, the Grinch, It’s a Wonderful Life, and all those animated movies and TV specials showing Santa’s elves as having automated the North Pole.

In “The Gingerbread Reindeer”, Santa’s eight reindeer are having trouble pulling the sled of presents on Christmas eve because Rudolph has broken a bone and can’t lead the others. Boreas, the spirit of winter, enchants a little girl’s reindeer gingerbread cookie into Cinnamon, a gingerbread real flying deer to replace Rudolph. When the Unmaker, the anti-Christmas, attacks, it’s Cinnamon who saves them all.

“The visitor bore the form of a frost-elf, slender and sharp, with knowing eyes, but his body faded like silver fog at the edges. Boreas was winter given shape, the power by which the run was made each year, by which time was frozen for a single night while magic was worked for the young. It was not often that he appeared.” (p. 11)

Hall’s evocative writing makes you wish that her original characters like Boreas and Cinnamon were permanent parts of the Christmas spirit – though we could do without the Unmaker.

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November 22, 2016

The Right to Arm Bears, by Gordon R. Dickson – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer

51icewnyell-_sx327_bo1204203200_The Right to Arm Bears, by Gordon R. Dickson
Riverdale, NY, Baen Books, November 2016, trade paperback $16.00 (384 pages).

Several years ago I had a review published on Flayrah of The Right to Arm Bears, by Gordon R. Dickson. It wasn’t a new book then, being published by Baen Books in December 2000. It’s gone through several printings so it’s remained available (with a slightly modified cover), but I don’t know how many furry fans have sought it out.

Guess what! Baen Books has reprinted it again this November, as a large trade paperback with a new cover by Kurt Miller. My old review will become pertinent again. Here it is.

The Right to Arm Bears, by Gordon R. Dickson
Riverdale, NY, Baen Books, December 2000, paperback $6.99 (431 pages).

This “novel” collects Dickson’s three light space-opera adventures about humans, the bearlike Dilbians, and the jovial-but-sinister Hemnoids: Spatial Delivery, first published as a novel by Ace Books, November 1961, 123 pages; Spacepaw, first published as a novel by G. P. Putnam’s Sons, February 1969, 222 pages; and “The Law-Twister Shorty”, a novelette in The Many Worlds of Science Fiction, edited by Ben Bova (E. P. Dutton, November 1971, pages 51-105).

Back-cover blurb: “Planet Dilbia is in a crucial location for both humans and their adversaries, the Hemnoids. Therefore making friends with the Dilbians and establishing a human presence there is of the utmost importance, which may be a problem, since the bearlike Dilbians stand some nine feet tall, and have a high regard for physical prowess. They’re not impressed by human technology, either. A real man, er, bear doesn’t need machines to do his work for him. But Dilbians are impressed by sharp thinking, and some have expressed a grudging admiration for the logical (and usually sneaky) mental maneuvers that the human “shorties” have used to get themselves out of desperate jams. Just maybe that old human craftiness will win over the Dilbians to the human side. If not, we lose a nexus, and the Dilbians will learn just how unbearable Hemnoids can be….”

These three adventures betray their Cold War time-period. The Humans (Americans) and the totalitarian Hemnoids (Soviets) are both expanding through the galaxy, trying to win over the unaligned planets like Dilbia to their spheres of influence. “‘We must influence Dilbians like that chap or the Hemnoids are going to get the inside track on this planet. And the Dilbian system, as I’m sure your hypno training didn’t omit to inform you, is absolutely necessary as a supply and reequipment stage for further expansion on any large scale beyond the Belt Stars. If the Hemnoids beat us out here, they’ve got the thin end of a wedge started that could eventually chop our heads off.’” (pgs. 6-7) The problem is that the Dilbians resemble nine-foot-tall lanky Kodiak bears, and while they prefer to stay neutral in the rivalry between those whom they call the Shorties and the Fatties, they naturally feel more akin to the eight-foot-tall Hemnoids:

“… John saw, a sort of enormous robed, Buddha-like parody of a human being. The Hemnoid was a good eight feet in height, enormously boned, and while not as tall as the Dilbians themselves, fantastically padded with heavy-gravity muscles.” (p. 5) Compared to the Dilbians and the Hemnoids, the humans look like puny weaklings. Also, humans smell bad to Dilbians. The Dilbians’ attitude to the humans is one of friendly but condescending superiority.

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November 8, 2016

War of the Third Demon, Part 1: Parents of a Savior by Casey Thomas Lehman – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer

61dsiewbbslWar of the Third Demon, Part 1: Parents of a Savior, by Casey Thomas Lehman.
Seattle, WA, CreateSpace, July 2016, trade paperback $7.99 (288 pages), Kindle $2.99.

I’m not sure quite what to say about this book. The cover, which appears to be by crayon, gives an idea of its quality. The title is taken from the cover; the title page says Part 1 is Raising a Savior. The Copyright Notice, usually on the back of the title page in small type, is two pages in boldface leading with “1. Monetary gain directly from fanfiction or fanart is STRICTLY PROHIBITED unless you have received permission and verification from the authors!!!” There are five such rules. The Dedication is three pages ranging from to Gary Gygax and Dave Arneson, the creators of Dungeons and Dragons®, down through Hayao Miyazaki and James Cameron to his mother. There are 11 pages of Glossaries at the end explaining the Japanese, draconic, and science-fictional terminology used in this book.

The principal characters are dragons. Here is the main villain:

“A monstrous dragon had just awoken, opening his four sunken eyes, allowing their red glow to illuminate a small area front of him and his six-goat like horns respectively. His jagged, sword-like black scales made a scraping sound as his legs dragged against the purple-tiled floor. He rose to his six legs, letting his rapier-like claws click against his gray, embroiled, rune-encrusted bed. He stretched, letting his saggy, dark-red underbelly stretch like an aged balloon as his six thin, bonelike, pale, sickly green wings spread menacingly. He finished by letting his pitchfork-like tail-blade slam against the colossal ruby roman-style pillars of his chambers – the demon dragon, also known as Rayburn.” (p. 11)

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October 31, 2016

The Goat: Building a Perfect Victim, by Bill Kieffer – review by Howl.

by Patch O'Furr

Howl of Thurston Howl Publications sends this guest review.  Thanks Howl!

REVIEW OF THE GOAT: BUILDING A PERFECT VICTIM BY BILL KIEFFER

goatShock. From beginning to end. If you ever want a book to slap you in the face as hard as possible, this…this is for you.

Frank is a car worker. He is not gay. To verify this, he would not hesitate to glare you down. He would not hesitate to hit you. He would not hesitate to force you into his car. He would not hesitate to force your head on his cock and eventually force you to swallow. This is how he started to develop a relationship with Glenn.

Glenn is a cybermancer, strong with technological pseudomagic but not so great at wards like Frank. Loving the utter dominance Frank forces onto him, Glenn enters into an S&M relationship with the mechanic. However, the main story arc occurs when Glenn reveals that he is species-dysmorphic: despite being born in a human body, his natural identity is that of a goat. Unable to pass the necessary ani-mage tests, he can only dream about becoming a goat. However, Frank is a little better with magic…

This book is by NO MEANS a kinky romance. This is, as the author claims, horror erotica. Even as a Stephen King and Clive Barker fan, I was cringing so hard from the beginning and ending of the book, and I’m not sure I will fully recover in the next week. I might have to read My Little Pony fanfiction to survive in fact.

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