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Fluff Pieces Every Week

Tag: fantasy

Fred Patten Presents: What the Well-Read Furry Should Read – early 2016 Update

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Back in September 2015, Fred Patten gave us his list of anthropomorphic books Furries should read, all of which he has reviewed. But even that list only scratches the surface. So after many months, Fred gives us an update featuring over 100 new entries, listed by author and title, plus over 20 special articles he has written during that time. Enjoy sinking your teeth and claws into some new reading obsessions. For those who missed out, here’s the original including Fred’s Top Ten.

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Soldiers of Ice, by David Cook – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

BKTG00231Soldiers of Ice, by David Cook. Map. (Forgotten Realms – The Harpers, Nº 7)
Lake Geneva, WI, TSR, Inc., December 1993, paperback $4.95 ([2 +] 312 pages), Kindle $7.99.

There are anthropomorphic novels hidden among the authorized books of popular fantasy-role-playing games. Case in point: TSR’s 1987 Forgotten Realms spinoff of Dungeons & Dragons.

According to Wikipedia: “Forgotten Realms is the name of an imaginary fantasy world that exists somewhere beyond the real world. The setting is described as a world of strange lands, dangerous creatures, and mighty deities, where magic and seemingly supernatural phenomena are quite real. The premise is that, long ago, the Earth and the world of the Forgotten Realms were more closely connected. As time passed, the inhabitants of planet Earth have mostly forgotten about the existence of that other world—hence the term Forgotten Realms.”

The Forgotten Realms merchandising includes well over two hundred novels and short fiction anthologies from 1987 to September 2012, in hardback and paperback editions, from TSR, Inc. (Tactical Studies Rules) and its successor, Wizards of the Coast (including one by furry author Paul Kidd, The Council of Blades). Soldiers of Ice by David Cook, the seventh in the subseries about The Harpers, features the fierce doglike gnolls of the valley of Samek.

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La Saga d’Atlas & Axis, T. 3, by Pau – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51u-in0SJhL._SX344_BO1,204,203,200_La Saga d’Atlas & Axis, t.3, by Pau.
Roubaix, France, Ankama Éditions, November 2015, hardcover €12.90 (60 + [3] pages).

Once again, Lex Nakashima & I present our conspiracy to get you to read French animalière bandes dessinées that aren’t likely to be published in English.

Has it really been 2 ½ years since I reviewed tomes 1 & 2 for Flayrah? Well, Jean-Marc Pau has been busy. Not only has he written & drawn this volume, he has made a “movie” of the whole series. If you look closely, you can find a little animation in it. The 3:25-minute “movie” starts with images from the first two albums; tome 3 starts at 2:09 minutes.

I described La Saga d’Atlas & Axis as “Their world looks like a doggy version of Astérix & Obélix …” Cutely drawn but without the humor. The setting, allowing for the anthropomorphic animals, is around the 9th & 10 centuries when the Vikings were taking over Armorica so thoroughly that it’s been called Normandy ever since. This series also differs from Astérix & Obélix in being one continuous adventure rather than standalone albums.

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Dudley & Gilderoy: A Nonsense, by Algernon Blackwood – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

517OCb8M0tL._SY344_BO1,204,203,200_Dudley & Gilderoy: A Nonsense, by Algernon Blackwood.
London, Ernest Benn Ltd, December 1929, hardcover 8/6 (281 pages).

Algernon Blackwood (1869-1951) was a prominent British author who wrote many literary fantasies and ghost stories during the early 20th century. His John Silence was one of the most popular psychic detectives during the heyday of that literary genre just before World War I. H. P. Lovecraft named him as a “modern master” of supernatural horror.

Dudley & Gilderoy, published toward the end of his literary career, is an anomaly. Because it features a talking cat and a parrot, and is not a supernatural novel in the horror sense, it has been described as a children’s fantasy although there is no evidence that Blackwood or the book’s British or American publishers ever considered it to be for children. Everett F. Bleiler, in his monumental The Guide to Supernatural Fiction (1983), describes it as “A moving story, although the tragic ending is disconcerting.”

The novel begins with a quotation from the then-recent The Modern Cat: Her Mind and Manners. An Introduction to Comparative Psychology, by G. S. Gates (Macmillan, 1928):

“an attempt to prove that the cat is a more delicate organism and of a higher order of intelligence than any other four-footed beast … also possesses a language much like the Chinese and possibly derived from it. In the word part of the language there are, probably, not more than 600 fundamental words, all others being derivatives.”

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Rat’s Reputation, by Michael H. Payne – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

rat-cover

Cover by Louvelex

Rat’s Reputation, by Michael H. Payne. Illustrated by Louvelex.
St. Paul, MN, Sofawolf Press, July 2015, trade paperback $19.95 (viii + 359 pages).

To pat myself on the back, when I edited the first anthology of anthropomorphic short fiction from pioneering furry fanzines of the late 1980s and 1990s (2003), the earliest story that I chose was Michael H. Payne’s “Rat’s Reputation” from FurVersion #16, May 1989. Rat’s Reputation the novel is Payne’s fixup and expansion of his “Around About Ottersgate” short fiction featuring Rat and his neighbors of the animal community of Ottersgate and environs. It’s his second novel in the “Around About Ottersgate” world, following The Blood Jaguar (Tor Books, December 1998; reprinted Sofawolf Press, June 2012).

“The rustling grew louder, seemed to come closer, and Alphonse [a gypsy squirrel] stopped as the ground started to shake.

An earthquake? He’d been through a couple when the caravan traveled out west, but here?

The shaking grew more violent with each passing second, and he was huddling down, glad he was out in the woods where nothing could really fall on him, when with a crash like a landslide, something tore out of the ground ahead, molten rock fountaining all fire-red and ash-black up over his head to smash into the trees, cracking and falling in a perfect circle around the pit of lava that yawned open, a sudden sulfurous stink plastering Alphonse’s face.

Then everything froze, Alphonse blinking to clear his eyes, a lumpy mass of darkness rising from the pit, its vast golden eyes swinging around to fix on Alphonse. The silence went on and on until a voice spoke, soft and rough as a step into sandy soil: ‘I reckon you know who I am, son.’

Alphonse could only nod.” (p. 7)

When the High Ones call you, you come. When the High Ones give you a duty, you do that duty. Alphonse’s duty is to find the baby rat on the streambank and raise him up. Except that the rat isn’t a baby; he’s four years old.

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Hunters Unlucky, by Abigail Hilton – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

UntitledHunters Unlucky, by Abigail Hilton. Illustrated by Sarah Cloutier. Maps by Jeff McDowall.
Winter Park, FL, Pavonine Books, July 2014, trade paperback $19.99 ([9 +] 672 pages), Kindle $9.99.

“He walked in darkness. How long he’d been there, he could not say. Occasionally, he distinguished the silhouettes of rocks or faint light reflecting off pools of water. He stayed well away from the water. Sometimes he heard noises – rustling, the rattle of pebbles, a soft sigh like fur over stone.

I will not run.

But he walked faster. He was looking for something … something he did not think he would find. He heard dripping, and that was normal, but then he heard a sharp patter, like an animal shaking water from its fur. Another swish, closer this time.

I will not break. I will not run.

Somewhere in the darkness, something began to laugh. ‘Hello, Arcove.’

Then he ran.” (p. 112)

Hunters Unlucky is a collection of Hilton’s five separate novels in that series; Storm, Arcove, Keesha, Teek, and Treace. They were also broadcast on her podcast beginning on November 10, 2014 and serialized two episodes per week through July 2, 2015. But they flow together smoothly into a single novel. Arcove, for instance, ends with a real cliffhanger. Get them all together in one handy book.

Hunters Unlucky has been compared favorably by many reviewers with Watership Down, The Jungle Book, the Warrior Cats series by “Erin Hunter”, and practically every dramatic natural talking-animal fantasy. It is different in being devoted (at first) to two groups of fictitious animals on the large island of Lidian; the ferryshaft, basically intelligent omnivorous furry deer or llamas, and the lion-like creasia cats. Other intelligent animals include the large foxlike curb, the eaglelike fly-ary, the telshee and the lishty, both sea mammals roughly analogous to furry sea lions. There are also many dumb prey animals such as sheep, rabbits, frogs, and turtles, which are sometimes eaten as well as grass by the omnivorous ferryshaft.

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Morning, Noon & Night, by Michael H. Payne – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51gpoesj0zL._SX331_BO1,204,203,200_

Cover by Marilyn Scott-Walters

Morning, Noon & Night, by Michael H. Payne. Illustrated by Roz Gibson.
Balboa, CA, “Hey, Your Nose is on Fire” Industries, September 2014, trade paperback $14.00 (325 pages), Kindle $3.00.

“‘You dare?’ Koyannaset, the Black Sphinx of Andeer, let herself burst upward, towering onto her hind paws, the now massive points of her crown smashing the marble of the throne room ceiling into boulder-sized chunks; plummeting, they shattered the tile floor, cracks spidering out from the craters to splinter the pastel mosaics covering the walls. ‘I am your Goddess Queen!’” (p. 7)

This is one book where it pays to read the dedication:

For Lauren Faust, Rob Renzetti, and all the creative people behind My Little Pony: Friendship is Magic without whom this story would not have been possible

Morning, Noon & Night does not try to hide the fact that it is little more than MLP:FIM fan-fiction in a transparent disguise. The two equine goddesses of Equestria – Princess Celestia and Princess Luna – are the benevolent white griffin Princess Equinox and the murderously insane black sphinx Princess Koyannaset. The “Mane Six” ponies – Twilight Sparkle, Rainbow Dash, Pinkie Pie, and the rest – are the Champions of Andeer; two each of humans, hawks, and dogs, all adolescent females. Spike the dragon, Twilight Sparkle’s juvenile assistant, is Chert the (adult male) housecat, human Larissa Noon’s familiar but in love with the other human Champion, Violet – “even though every article Larissa had read on the subject said that interspecies romances never worked out!” (p. 16)

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Shadow Walkers – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Shadow WalkerShadow Walkers, by Russ Chenoweth.
NYC, Charles Scribner’s Sons, April 1993, hardcover $13.95 (153 pages).

Shadow Walkers is one of those unillustrated novels that make it very difficult for the reader to decide whether the talking animals are supposed to be natural, unclothed quadrupedal animals or bipedal, clothes-wearing funny animals. Set on Cape Cod during winter, and featuring two rat children, Sara and her brother Peter, the different scenes imply both situations. Cover artist Gregory Manchess has prudently avoided depicting any of the characters.

“Rats are good climbers, but rats are good at many things that they are ordinarily too sensible to do. If Sara had told her parents what she planned, they would have asked her not to do it because it was dangerous and unnecessary. So she hadn’t told them, and that troubled her. […]

The trunk rose above her like a wall for thirty feet before the first great limb jutted out, as large itself as a good-sized tree. […] Sara climbed, carefully and surely, stopping every few feet to listen. She was exposed here and nearly defenseless, but still nothing moved in the woods. She felt safer when she had reached the limb and could stretch out for a moment on the rough bark and look and listen. […]

Two feet below the highest leaf, she had to stop. The branch had shrunk to less than half an inch and bowed slightly with her weight. It was high enough. […]

She never knew what made her glance down in time to see the shadow glide among the dim trunks with the silence of a moth and settle on a limb below her. It was an owl, a very big one, and he had decided for some idiotic reason to change his daytime perch and come to join her in her tree. […]

He couldn’t see her against the light – he or she. It didn’t matter – she’d get no concession either way. Owls had little sense of smell, but they could hear a seed drop on the forest floor. She’d better not shake off any acorns. He would hear her move or cough. […] He might wait all day, knowing she was there, and then in darkness come and pick her off the branch like a ripened peach.” (pgs. 2 and 4)

That certainly sounds like a natural rat and owl in a tree. But then:

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The Bears’ Famous Invasion of Sicily – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

9568681512The Bears’ Famous Invasion of Sicily, by Dino Buzzati. Translated by Frances Lobb. Illustrated by the author.
NYC, Pantheon Books, October 1947, hardcover $2.75 (146 [+1] pages).

The Bears’ Famous Invasion of Sicily, by Dino Buzzati. Translated by Francis Lobb. Illustrated by the author.
NYC, New York Review Children’s Collection, December 2003, hardcover $18.95 (147 pages).

The Bears’ Famous Invasion of Sicily, by Dino Buzzati. Translated by Francis Lobb. With an introduction and reader’s companion by Lemony Snickett. Illustrated by the author.
NYC, HarperCollinsPublishers/Harper Trophy, February 2005, paperback $5.99 (186 pages).

This is a book that I never expected to review. It was one of the first library books that I read, from the Los Angeles Public Library, presumably when I was seven years old since the American edition was published at the end of 1947. I loved it! I read and reread it, and memorized several poems in it. I still remember this, after almost seventy years:

One, two, three, four

These dark thoughts soar

Fear, sorrow, doubt, despair

Hover in the midnight air.

I eventually grew up and forgot about it. I was reminded of it this January when Jim Korkis mentioned in his column on animation history that Heinz Edelmann, the art designer of the Beatles’ Yellow Submarine animated feature (1968), had later seriously tried to produce an animated feature of The Bears’ Famous Invasion of Sicily, but had failed to get financial backing for it.

This led me to see whether Wikipedia had any mention of the book. It does, but the Wikipedia article just says that it was a famous Italian children’s book, La Famosa Invasione degli Orsi in Sicilia, published by Rizzoli in 1945, and “The American hardcover edition was published by HarperCollins in 2003 and the paperback was published in 2005, also by HarperCollins and The New York Review Children’s Collection.” Not only is that slightly inaccurate, there is no mention of the 1947 American edition that I read! This seems unfair to me, and since the LAPL still has that 1947 edition, here is my review of it.

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Huntress – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51z9E3D32yL._SX334_BO1,204,203,200_Huntress, by Renee Carter Hall.
Dallas, TX, FurPlanet Productions, September 2015, trade paperback $9.95 (213 pages), Kindle $4.99.

Leya is a young adolescent lioness in an anthropomorphic African veld who lives in the village of Lwazi. But she doesn’t want to grow up to become just another tribal wife and mother. She dreams of becoming a karanja, a member of the nomadic band of female expert huntresses who hunt for meat for all the villages. Becoming a karanja is a prestigious, almost religious goal, but it means rigorous training and the renunciation of living with men — of ever getting married, or having children.

“The first time she’d seen them, she had been very young. But she hadn’t been afraid. The other cubs, male and female alike, had hidden behind their mothers, frightened by the huntresses’ fierce eyes and sharp weapons. Where the villagers wore beads or stones, the karanja sported necklaces of bone and hoof and claw, and their loincloths were made of zebra hide in deference to Kamara’s first kill, a material only they were permitted to wear.

They were all mesmerizing, exotic and dangerous and beautiful, their eyeshine flashing like lightning-strikes as they took their places around the fire. But there was one Leya could not look away from.

Masika, the karanjala, first among the karanja. Her headdress of fish-eagle feathers stood out from her noble face like a mane, and her loincloth was of giraffe hide, just as their first male wore. Her eyes were sharp and watchful, her every muscle toned and tensed, and like all the karanja, she proudly bore the twin scars on her chest where her breasts had been cut away. Leya sat silently, drinking in Masika’s presence, watching everything the huntress did, every movement, every manner.” (pgs. 10-11)

Leya follows her goal relentlessly, tirelessly as she grows up. She leaves her village to follow the karanja on their outskirts, and finally her perseverance impresses them enough that she is made one of their group.

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