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Fluff Pieces Every Week

Tag: fantasy

Lost on Dark Trails – Book Review by Fred Patten

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Lost on Dark Trails, by Rukis. Illustrated by the author.
Dallas, TX, FurPlanet Productions, January 2015, trade paperback $19.95 (312 pages), electronic edition $12.95.

This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region.

15390853@400-1420409110This is the sequel to Rukis’ Off the Beaten Path, reviewed here in January 2015. It is also the middle volume of a trilogy, “The Long Road Home”. It begins immediately following the events in the first volume.

Shivah (bobcat), the narrator, is an Amurescan native “squaw” in an anthropomorphic world roughly similar to late 18th-century North America. She is searching — along with Ransom, a coyote trapper, and Puck (Puquanah), a blind silver fox shaman — for vengeance against Methoa’nuk (also bobcat), Shivah’s ex-husband, a cruel native warrior who has joined a band of raiders that have wiped out Shivah’s tribe and now threaten the Otherwolf colonies along the Eastern Seaboard. Shivah, Ransom, and Puck join a party of Otherwolf lawmen led by Grant Wickham (husky) who also search for the raiders, led by Rourke (otter). But in a bloody battle at the end of Off the Beaten Path, the raiders escape and Puck is apparently killed.

Lost on Dark Trails begins with Shivah nursing Puck back to health, while Grant has been fired for allowing the raiders to escape. Ransom, believing Puck dead, has left; the others fear to commit suicide. So Shivah (a “weak woman”) is alone and apparently sidelined with the blind and recovering Puck to support. Instead, she rallies Grant (and a friend) to join her and Puck in finding Ransom; then continuing (without the friend) unofficially after Rourke and his raiders. She and Puck join them as two of the new pursuers, rather than as Grant’s tagalongs. The surprise ending of Lost on Dark Trails wraps up most of the loose threads from Off the Beaten Path, but indicates that the conclusion of the trilogy, also titled The Long Road Home, will take an unexpected new direction.

Shivah has always been a strong protagonist, and by the end of this middle novel, everyone recognizes this.

“I smiled back, and tried to look confident for them all. I was rather liking being in charge, I was finding day by day. There had been so many times in the past I’d wanted to be the one to corral the chaos amongst my comrades, to ground the menagerie of rowdy, strange men who’d become a part of my life into something more orderly. And now I could.” (p. 43) Read the rest of this entry »

Dancing With Bears – Book Review by Fred Patten

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dancing With Bears, by Michael Swanwick.
San Francisco, CA, Night Shade Books, May 2011, hardcover $24.99 (268 pages).

51wb22YvMqLThis is the first “Darger and Surplus” novel, although it follows two short stories and a novelette; “The Dog Said Bow-Wow”(2001), “The Little Cat Laughed to See Such Sport” (2002), and “Girls and Boys, Come Out to Play” (2005). Aubrey Darger and Sir Blackthorpe Ravenscairn de Plus Precieux (“Call me Sir Plus”) are two charismatic con-men in the postutopian future. Darger is human; Surplus is a dog. To quote the opening of “The Dog Said Bow-Wow”:

“The dog looked like he had just stepped out of a children’s book. There must have been a hundred physical adaptations required to allow him to walk upright. The pelvis, of course, had been entirely reshaped. The feet alone would have needed dozens of changes. He had knees, and knees were tricky.

To say nothing of the neurological enhancements.

But what Darger found himself most fascinated by was the creature’s costume. His suit fit him perfectly, with a slit in the back for the tail, and – again – a hundred invisible adaptations that caused it to hang on his body in a way that looked perfectly natural.

‘You must have an extraordinary tailor,’ Darger said.

The dog shifted his cane from one paw to the other, so they could shake, and in the least affected manner imaginable replied, ‘That is a common observation, sir.’

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Bête, by Adam Roberts – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Bête, by Adam Roberts
London, Gollancz, September 2014, hardcover £18.00 (311 [+ 1] pages). download (2)

“As I raised the bolt-gun to its head the cow said: ‘Won’t you at least Turing-test me, Graham?’

‘Don’t call me Graham,’ I told it. ‘My wife calls me Graham. My mum calls me Graham. Nobody else.’

‘Oh, Mister Penhaligon,’ the cow said, sarcastically. We’ll have to assume, for the moment, that cows are capable of sarcasm. ‘It won’t much delay you. And if I fail, then surely, go ahead: bye-bye-bos-taurus. But!’

‘You’re not helping your case, ‘ I said, ‘by enunciating so clearly. You don’t sound like a cow.’

‘Moo, ‘said the cow, arching one hairless eyebrow.” (p. 3)

Graham Penhaligon is a farmer. Farmers traditionally slaughter their cattle and serve them at family meals. So Farmer Penhaligon kills his cow, despite its pleading to him to spare it.

And finds himself arrested for maybe-murder. Which he expects.

Bête is set in the near future, when the animal-rights movement – specifically an organization called Deep Blue Deep Green (DBDG) – is going about surreptitiously raising some animals’ intelligence – specifically, in this case, Farmer Penhaligon’s cattle – to force the courts to decide whether an animal with artificially raised intelligence is a thinking animal no different from a person, and thus a legal person. The courts have declared a moratorium on the killing of such animals while the legal debate goes on; which has been going on for seemingly forever, as such social movements tend to do.

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Griffin Ranger. Volume 1, Crossline Plains, by Roz Gibson – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Griffin Ranger. Volume 1, Crossline Plains, by Roz Gibson. Illustrated by Amy Fennell.
Dallas, TX, FurPlanet Productions, January 2015, trade paperback $19.95 (369 pages).

Roz Gibson is better known as an artist than a text author, but she won the Ursa Major Award for Best Short Fiction of 2013 for her novelette “The Monkeytown Raid”. Now with the first volume of her first novel, she shows that she is an excellent text author for longer works as well.unnamed

Griffin Ranger is set in a totally alien alternate universe. The land masses are the same as on our Earth, but the life forms and civilization that have evolved are dominated by birds. (The reader will have fun identifying both geographical features such as the Twin Continents, the Alpha River, the Five Lakes, and the Endless Ocean, and the cities and towns like Defiance, Flatlands City, and Foggy Bay. Griffin Ranger’s publication was funded by a successful Kickstarter campaign, whose donors got a large color map of this alternate Earth. It would have been very helpful to readers if this map had been included as an illustration in the book, even in reduced black-&-white.) Since birds don’t have hands, the main intelligent landbound mammals are the raccoon/lemur-like “hanz” that are their symbiotic partners, and two species of canines: the wild wolfen, and the more domestic herders that have evolved from them. This Earth’s civilization is dominated by the griffins, who are the principal inhabitants of what the reader will recognize as the Americas, Europe, and Asia. But in the last few hundred years the greenies, an aggressive bird species, have erupted from the Emerald Isles (New Zealand) to spread over the world. The griffins of the Northern Continent have allowed the greenies’ partial settlement there under strict supervision, but there are suspicions that the greenies are preparing to take over totally.

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Goddess, by Arilin Thorferra – book review by Fred Patten.

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Goddess, by Arilin Thorferra
Dallas, TX, FurPlanet Productions, January 2015, trade paperback $9.95 (141 pages).

“This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region.”

When furry fandom began to develop in the 1980s, one of the first “subgenres” to be seen in traded cartoon art wGoddessas the furry macros – giant anthro animals striding Godzilla-style through cities of tiny-by-comparison furries. Yet when furry literature appeared, this subgenre quietly vanished.  Or went underground.

Here is what may be the first professionally-publicized furry macrophile novella: Goddess, by Arilin Thorferra, “the founder of ‘The Giants’ Club’ and an acclaimed macrophile storyteller.” (blurb)

Russell Rittenhouse (cougar) is the young librarian at Bennett University, one of the leading West Coast private universities. He wants to become a literature professor (with tenure), and has just begun the slow climb of the academic social-political ladder there. He gets a courtesy invitation to an exclusive reception for the visiting King of the small Pacific island of Uli Hahape, near Hawaii. Cornelius Bennett (rabbit), a sixtyish railroad and hotel multimillionaire and benefactor of the university, has arranged the reception to unveil his model of the ritzy superhotel that he hopes to build there, if the king will permit it. King Aremana (otter) is polite but clearly not impressed.

Russell drops out of the social soiree to a sofa to reread one of his favorite novels, The Great Gatsby. He is joined by the king’s daughter, who is also a Fitzgerald fan. They spend the rest of the evening discussing literature. The next day Bennett corners him in the library. Bennett suspects that King Aremana is about to reject the hotel, and he noticed Russell’s and Princess Kailani’s friendly conversation at the party. If Russell will continue to see the Princess, and subtly promote the hotel project, Bennett will make sure that he gets that professorship. Read the rest of this entry »

Legacy of the Claw, by C. R. Grey – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Legacy of the Claw, by C. R. Grey. Illustrations by Jim Madsen. Map by Kayley LeFaiver.download
NYC, Disney•Hyperion, October 2014, hardcover $16.99 (295 [+ 1] pages), Kindle $9.99.

 Legacy of the Claw is Book 1 of the Animas series, described by reviewers as like a combination of J. K. Rowling’s Harry Potter series and Philip Pullman’s His Dark Materials trilogy. In the Kingdom of Aldermere, all humans are magically bonded to an animal from birth. A human is known by the animal that he is bonded with; Animas Cat, Animas Horse, and so on. People travel with their life-bonded Animas padding, hopping, or flying with them; Longfoot the hare, Dillweed the badger, etc. “Civilized” people – farmers, townsfolk – have domestic or small forest animal companions.

Bailey Walker, 12 years old, has just graduated from his local school and been accepted by Fairmount Academy, the most prestigious institute of higher learning in Aldermere. He is enthusiastic about going there, and scared because he will be traveling alone. Bailey is an orphan, adopted as a foundling baby by the Walker farmers; and although they have been loving foster parents, they could never get Bailey to bond with an Animas. Bailey hopes that the teachers at Fairmount can help him find his Animas, but he is equally scared that not having an Animas will be grounds for expulsion, or will make him a freak and a social outcast during his adolescent years.

Bailey, like Harry Potter, travels to Fairmount on an impressive fantasy train:

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Jungle Shuffle – CGI Feature announcement by Fred Patten.

by kiwiztiger

Tip: Courtesy of Ace Eldritch.

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

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The Jungle Shuffle Mystery

We get questions. Patch said, “Someone has just asked me about this…” and sent me a YouTube link to a trailer for Jungle Shuffle. It’s an animated feature full of anthro – red pandas? “Nope. It’s news to me. Let me look into it.”

Okay. Jungle Shuffle, or The Jungle Shuffle, is a 85-minute computer generated imagery (CGI) animated feature, with coatimundis, not red pandas. It was a South Korean and Mexican co-production, directed by Taedong Park and Mauricio de la Orta.

The plot: in 1960 in the dense Lacedon jungle in southern Mexico (the Mayan area), Manu (boy) and Sacha (girl) are two coatimundis in a village tribe led by Sacha’s father. Manu is a typical loner, barely tolerated by anyone but Sacha. Manu’s rival for Sacha’s paw is Artex, a smarmy wise guy who is really trying to become the chief’s successor. Artex persuades the chief to have a big protective totem made to scare off the humans who are starting to invade the jungle. Manu accidentally destroys the totem, and is banished from the coati’s village to live alone in the jungle. When Sacha is captured by the human hunters of Profesor Loco (who is conducting experiments with captured local animals to develop a super-chicken), Manu tries to rescue her; but he runs into Balaam the jaguar, whose mate Kim has also been captured. Manu and Balaam get in each others’ way, resulting in Manu making another enemy. But Manu does mange to rescue a monkey, Chuy (a comic-relief wannabe kung-fu fighter). Together the two manage to rescue both Sacha and Kim, and Manu becomes everyone’s hero.

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The Labyrinth, by Catherynne M. Valente – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Labyrinth, by Catherynne M. Valente. Introduction by Jeff VanderMeer.
Germantown, MD, Prime Books, April 2006, hardcover $29.95 (181 [+1] pages).download (3)

The introduction and blurbs emphasize this slim novel’s surrealism. Publishers Weekly reviewed it as, “…a female Theseus details the bizarre landscape of the Minotaur’s maze and its unique flora and fauna. […] Readers who luxuriate in the telling of a tale and savor phrases where every word has significance will enjoy the challenge of this fantasy. Others may find its maze of language an impenetrable mystery.”

You can put me among those who find its maze of language an impenetrable mystery. The jacket-flap blurb is, “A lyrical anti-quest through a conscious maze without center, borders, or escape–a dark pilgrim’s progress through a landscape of vicious Angels, plague houses, crocodile-prophets, tragic chess-sets, and the mind of an unraveling woman, driven on by the mocking guide who seeks to destroy as much as save.” The book’s murky cover by Aurélien Police fits it wonderfully. Can you tell what this is about?

But The Labyrinth is undeniably richly anthropomorphic. The nameless (or manynamed) narrator wanders through a maze filled with Doors. Each opens into a different dimension that threatens to sidetrack her from the Labyrinth’s end. And many are inhabited by an anthropomorphic animal.

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Furtual Horizons (Rainfurrest anthology) – book review by Fred Patten.

by kiwiztiger

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Furtual Horizons; A Rainfurrest Anthology, edited by Ryan “Sterling” Hickey. Illustrated.
Dallas, TX, FurPlanet Productions, September 2014, trade paperback $10.00 (269 pages).

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Furtual Horizons is the fourth annual RainFurrest charity fiction anthology, following 2011’s Stories of Camp Rainfurrest, 2012’s Tails of a Clockwork World, and 2013’s Dancing in the Moonlight. “The RainFurrest Annual Charity Anthology was created to celebrate and showcase the literary aspect of the anthropomorphics fandom as well as to raise funds for charity.  The charity for RainFurrest 2014 is Cougar Mountain Zoo (http://www.cougarmountainzoo.org/).” All stories are donated to RainFurrest by mid-June, and the anthology is published by FurPlanet Productions in Dallas to be sold at the convention in September, and subsequently at future RainFurrests and through the FurPlanet catalogue. RainFurrest 2014 raised $6,500 for Cougar Mountain Zoological Park in Seattle’s suburb of Issaquah.

RainFurrest 2014’s and its anthology’s theme was “Cyberpunk”. Furtual Horizons contains eleven stories, six of which are illustrated with full-page frontispieces.

Frankly, this 2014 anthology is the first that has looked like a real book rather than a thin booklet of barely over 100 pages. At eleven stories and 269 pages, the reader gets his/her full money’s worth. Also, personally, I am getting increasingly annoyed by the convention’s inability to settle on its spelling of RainFurrest or Rainfurrest after eight years.

“Artificial Evolution” by Shelled Spirit Bear (illustrated by Slavestate Comic) is set in the year 2460. It features Rachel, a robot; Alan, an anthro red fox; Shun, a female large 7’ gray shark in a black bikini; and later a Red Mechanoid. On the first page Rachel, the narrator, is badly damaged in an accident. It turns out that “she” is in an old-fashioned mechanical body: Read the rest of this entry »

The Prince Who Fell from the Sky, by John Claude Bemis – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Prince Who Fell from the Sky, by John Claude Bemis.download (4)
NYC, Random House, May 2012, hardcover $16.99 (259 [+ 1] pages), Kindle $5.98.

In this Young Adult fantasy (recommended for ages 8-12; grades 3-7), humanity is long extinct. Intelligent but feral animals have taken over the Earth. The Forest is a wilderness with a few crumbling ruins of mankind covered in greenery. The wolves rule the Forest, but a tribe of black bears is powerful and non-threatening enough that the wolves do not bother them. The animals are divided into the voras and the viands; predators and prey. The voras all speak a common Vorago language that the viands don’t, although there are exceptions:

 “Cassiomae [a bear] reared up in surprise. The rat was speaking in Vorago, the common tongue used by all the vora hunters. How could a rat speak Vorago? None of the viands spoke Vorago.” (p. 7)

They are also divided into the Faithful, those such as the dogs who were the servants of the Skinless Ones, the now-extinct humans, and those who weren’t. The Skinless Ones are called the Old Devils by some of the animals.

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