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Tag: fiction

Forest Gods, by Ryan Campbell – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Forest Gods, by Ryan Campbell. Illustrated by Zhivago.
St. Paul, MN, Sofawolf Press, September 2015, trade paperback $19.95 (343 [+ 2] pages), Kindle $7.99.

6147FNg4eeL._SX326_BO1,204,203,200_This is the direct sequel to Campbell’s September 2013 God of Clay, and the middle novel in his The Fire Bearers trilogy.   As with all too many trilogies of this sort, The Fire Bearers is a single novel in three volumes more than a series of three novels.   If you have not started it yet, get and read God of Clay first, then immediately read Forest Gods. Be aware that it ends with a cliffhanger, and that it may be another two years until Book Three is published.

In a fantasy prehistoric Africa, the great Saharan savanna is drying up. Animals and human tribes migrate south and further south again to the forest-jungle as the new desert inexorably spreads after them. But the forest itself will not let them enter. The trees and vines come alive and kill any humans who venture among them. This is apparently because the forest gods – Kwaee, king of the gods who looks like an anthropomorphized leopard; Asubonten, the giant crocodile goddess of the rivers; Atetea, the little ant god; and many others – have turned against them. Most of the forest gods blame the humans for turning to Ogya, the powerful god of fire and destruction, and becoming his worshippers. But Kwaee, sulking on his forest throne, isn’t doing anything about it. Kwaee doesn’t even believe in the Fire Bringers (humans).

Doto, Kwaee’s son who also looks like an anthro leopard, worries that his father is abdicating his responsibility by ignoring the desert’s spread. When Doto begs Kwaee to Do Something, Kwaee angrily orders Doto to capture a Fire Bringer if they’re real.

The forest gods’ story is intermixed with that of two young human brothers whose tribe has slowly been pushed from the shrinking savanna to the edges of Africa’s forest-jungle. Clay and Laughing Dog, the second and third sons of their tribal ruler, hold different beliefs: Clay worships the tribe’s traditional animal gods, while Laughing Dog is an atheist. Clay is captured by Doto and dragged into the forest-jungle to be presented to Kwaee, who will almost certainly kill him.

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Over Time, by Kyell Gold – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Over Time, by Kyell Gold. Illustrated by Rukis and Kenket.
St. Paul, MN, Sofawolf Press, January 2016, hardcover $39.95 (432 pages), trade paperback $19.95 ([5] + 376 [+ 2] pages), Kindle $9.99.

overtimeOver Time is a romance novel intended for an adult audience only and contains some explicit sexual scenes of a primarily Male/Male nature. It is not for sale to persons under the age of 18. (publisher’s advisory)

Over Time is the final volume in this series; Out of Position Book 5. It’s hard to write a meaningful review of this Book 5 alone without covering all the background. If you’re familiar with the first four novels – Out of Position (January 2009), Isolation Play (January 2011), Divisions (January 2013), and Uncovered (July 2014) – you’ve probably already gotten this Book 5. If you’re not, you’ll do better to read all five in the proper order. They’re all five worth it.

They’re also all very homoerotic, with explicit gay m/m sex scenes. They are about two young men (who happen to be a tiger and a red fox) falling in love and going through considerable lovemaking with all the erect penises and the sticky bodily fluids, as they go through life. Kyell Gold is a prize-winning, top-quality author, and these five novels are so well-written that you will be caught up in the lives of Devlin Miski (the tiger) and Wiley “Lee” Farrel (the fox), even if you don’t care for the gay sex scenes. Or even if you don’t care for football – there are also many scenes of explicit extended football action.

The five novels are narrated in the first person by Dev and Lee, in mostly alternating chapters. In the first book, Out of Position, Dev and Lee are adolescent seniors at Forester University. Dev is a cornerback on the university’s football team, and Lee is a gay activist. Dev has a one-night stand with what seems to be a sexy vixen who turns out to be Lee in drag. Dev realizes that his sexual orientation is gay and that he is in love with the male Lee, while Lee realizes that his practical joke on a football jock has led him to a real romance. After carrying on their romance in secrecy, the novel ends with Dev publicly “coming out of the closet”; the first football player to do so. (Out of Position was published several years before the first admittedly gay football player in real life.)

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Fred Patten Presents: What the Well-Read Furry Should Read – early 2016 Update

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Back in September 2015, Fred Patten gave us his list of anthropomorphic books Furries should read, all of which he has reviewed. But even that list only scratches the surface. So after many months, Fred gives us an update featuring over 100 new entries, listed by author and title, plus over 20 special articles he has written during that time. Enjoy sinking your teeth and claws into some new reading obsessions. For those who missed out, here’s the original including Fred’s Top Ten.

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Soldiers of Ice, by David Cook – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

BKTG00231Soldiers of Ice, by David Cook. Map. (Forgotten Realms – The Harpers, Nº 7)
Lake Geneva, WI, TSR, Inc., December 1993, paperback $4.95 ([2 +] 312 pages), Kindle $7.99.

There are anthropomorphic novels hidden among the authorized books of popular fantasy-role-playing games. Case in point: TSR’s 1987 Forgotten Realms spinoff of Dungeons & Dragons.

According to Wikipedia: “Forgotten Realms is the name of an imaginary fantasy world that exists somewhere beyond the real world. The setting is described as a world of strange lands, dangerous creatures, and mighty deities, where magic and seemingly supernatural phenomena are quite real. The premise is that, long ago, the Earth and the world of the Forgotten Realms were more closely connected. As time passed, the inhabitants of planet Earth have mostly forgotten about the existence of that other world—hence the term Forgotten Realms.”

The Forgotten Realms merchandising includes well over two hundred novels and short fiction anthologies from 1987 to September 2012, in hardback and paperback editions, from TSR, Inc. (Tactical Studies Rules) and its successor, Wizards of the Coast (including one by furry author Paul Kidd, The Council of Blades). Soldiers of Ice by David Cook, the seventh in the subseries about The Harpers, features the fierce doglike gnolls of the valley of Samek.

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Dudley & Gilderoy: A Nonsense, by Algernon Blackwood – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

517OCb8M0tL._SY344_BO1,204,203,200_Dudley & Gilderoy: A Nonsense, by Algernon Blackwood.
London, Ernest Benn Ltd, December 1929, hardcover 8/6 (281 pages).

Algernon Blackwood (1869-1951) was a prominent British author who wrote many literary fantasies and ghost stories during the early 20th century. His John Silence was one of the most popular psychic detectives during the heyday of that literary genre just before World War I. H. P. Lovecraft named him as a “modern master” of supernatural horror.

Dudley & Gilderoy, published toward the end of his literary career, is an anomaly. Because it features a talking cat and a parrot, and is not a supernatural novel in the horror sense, it has been described as a children’s fantasy although there is no evidence that Blackwood or the book’s British or American publishers ever considered it to be for children. Everett F. Bleiler, in his monumental The Guide to Supernatural Fiction (1983), describes it as “A moving story, although the tragic ending is disconcerting.”

The novel begins with a quotation from the then-recent The Modern Cat: Her Mind and Manners. An Introduction to Comparative Psychology, by G. S. Gates (Macmillan, 1928):

“an attempt to prove that the cat is a more delicate organism and of a higher order of intelligence than any other four-footed beast … also possesses a language much like the Chinese and possibly derived from it. In the word part of the language there are, probably, not more than 600 fundamental words, all others being derivatives.”

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Victernus, by Baumarius – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

victuernusVicternus, by Baumarius.
Seattle, WA, CreateSpace, November 2015, hardcover $25.00, trade paperback $14.99 (301 pages), Kindle $1.00.

Here is another grabber beginning.

“Namara drew the hot cell phone away from his face slowly. Shifting his attention to the television across his bright, clean living room, he watched as a fresh feed streamed in on a live news channel. Soldiers under the new administration broke down the doors to his lab and were streaming into the lobby. He grumbled, ‘Lynn…’ as the reporter said that the research done there was going to be repurposed for the public. A familiar voice emerged from below, and he remembered that he was still talking to his friend. He lifted the phone back up, ‘Mahalia? I have to go. Lynn finally did it. No…meet me at the sanctuary. If all goes well, I’ll be there in a few days.’” (p. 1)

But it goes downhill from there. Namara Galvarros, a Puerto Rican, turns himself on page 7 into the anthropomorphic wolf shown on Whiluna’s cover. From there on, Victernus is a fairly typical s-f novel of a tiny group of freethinking scientific rebels vs. an oppressive reactionary government that wants to seize the scientists’ new technology to control the public and to stay in power. The important difference is that these scientific rebels are led by Namara, first as an intelligent wolf, and later as the wolf-man.

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Barsk: The Elephants’ Graveyard, by Lawrence M. Schoen – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

UnknownBarsk: The Elephants’ Graveyard, by Lawrence M. Schoen
NYC, A Tim Doherty Associates Book/Tor Books, December 2015, hardcover $25.99 (384 pages), Kindle $12.99.

In the very far future, civilization has spread throughout the galaxy, but there are no longer any humans. Humanity has been replaced by the descendants of uplifted animals.

Chapter One, “A Death Detoured”, features Rüsul, an elderly Fant, alone and naked, on a raft six days at sea. He is on his death journey, the traditional final rite of passage of every Fant on the world of Barsk. Rüsul expects to sail alone until he dies. He does not expect to be picked up by a spaceship of Cans (canines; Dogs) commanded by a Cheetah, Nonyx-Captain Selishta. She tells her Cans, “‘Maybe this one will know something useful about whatever shrubs and leaves the drug comes from. Hold him here a moment while the rest of the crew secures his flotsam, and then put him below in one of the vacant isolation cells.’” (p. 19)

The importance of Barsk’s drug, koph, is explained in Chapter Four, “Solutions in Memory”, in this description of Lirlowil the Otter and her ability to talk with the dead:

“Beautiful by Otter standards, she’d spent the last few years enjoying the peaks of privilege earned not by any acts of her own, but by the random chance that gifted her with being able to both read minds and talk with the dead. Unless you had the misfortune to be one of those disgusting Fant on Barsk, you could go your entire life without encountering a Speaker. The drug that triggered the ability was fiendishly expensive, and rarely worked the first few times. Alliance science had yet to determine what genetic markers resulted in the talent. Off Barsk, Speakers were unlikely, though hardly uncommon. True telepaths though, people who could effortlessly slip inside the mind of other beings and sample their memories and knowledge as easily as flipping the pages of a book, were orders of magnitude more rare.

The number of individuals with both sets of abilities would make for a very small dinner party indeed. Lirlowil’s mental gifts emerged with puberty and elevated her social status a thousand-fold. The discovery that her talents included Speaking occurred a couple of years later when she’d sampled some koph at a party and began seeing nefshons over the next hour’s time.” (pgs. 42-43)

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Windfall, by Tempe O’Kun – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

windfallWindfall, by Tempe O’Kun. Illustrated by Slate.
Dallas, TX, FurPlanet Productions, July 2015, trade paperback $19.95 (325 pages), electronic edition $9.95.

This is a mature content book.  Please ensure that you are of legal age to purchase this material in your state or region. (publisher’s advisory)

It has been six months since the popular TV series Strangeville was cancelled after five seasons. The cast has split up and gone their own ways. For Max Saber (husky) and Kylie Bevy (otter), teenage supporting actors who played a high-school boy & girl on the series, this has meant returning to their homes across America. Yet they have remained in touch through texting, and after six months, both are wondering whether their TV romance might have been more serious than they realized. When Max, on his parents’ Montana ranch, gets an invitation from Kylie to spend a three-week vacation in her old New England town of Windfall – the town that the creepy, surrealistic Strangeville was modelled upon – he takes it. Yep, their romance is real. So is the horror of Windfall.

As readers of my reviews know, I don’t think much of funny-animal novels in which the characters are really humans with superficial animal features. But Windfall presents them in depth. There are constant mentions of fur, wagging tails, perked or drooping ears, the female otters’ whiskers and webbed paws. A teen rhino fan asks Max to autograph his horn. “The otter threaded her tail through the hole in the [car] seat and popped the key into the ignition.” (p. 41) Max calls Kylie “rudderbutt”. Some of it is occasionally anthro-specific, as when Kylie finds a deer’s skull while she and Max are camping in the woods:

“She knew that [the deer had been feral]. The eyes were too far to the sides and the neck attached at the wrong angle, leaving little room for the brain. Still it looked enough like a sapient deer’s skull to give her the creeps.” (p. 57)

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Secrets of Bearhaven, Book One, by K. E. Rocha – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

9780545813037Secrets of Bearhaven, Book One, by K. E. Rocha. Illustrated by Ross Dearsley.
NYC, Scholastic Press, January 2016, hardcover $14.99 (242 [+4] pages), Kindle $9.24.

Here is the first novel in another talking-animal series for 8-to-12s. 11-year-old Spencer Plain has grown up immersed in bears. His parents, Shane and Jane Plain (well, some parents do give their children goofy names), are bear activists; wildlife specialists devoted to bears and founders of Paws for Peace. They know all about bears and have taught Spencer all about them. They give presentations on bears to the public. But Spencer has never lived with bears – not in nature, or in a secret bear civilization in the forest; a high-tech society where the bears have communicators around their necks that translate their growls into English. He has never imagined working with bears to rescue his parents from human villains.

The book begins at a breakneck pace:

Roooaaaaaarrr!

Spencer Plain raced through the forest, his heart pounding. He dodged trees and skidded across patches of slick moss, trying desperately not to fall. Now was not the time to fall.

There was a bear behind him.” (p. 1)

Or this:

“‘What’s going on, Uncle Mark?’ Spencer said, his voice coming out too high and a little shaky. ‘I talked to Mom and Dad this morning, and they were fine.’ It was one o’clock now. How could so much have changed in only seven hours?

‘Same here,’ said Uncle Mark, slowing the car to idle at a red light. ‘But then I got a message from your mom around eleven, and I haven’t been able to get in touch since.’

‘What kind of message?’ Spencer asked. He looked out the window, trying to get his bearings, but they were stopped at an intersection in an unfamiliar neighborhood in the middle of a long stretch of brownstones. None of them offered any clues.

‘Your parents made an important plan a long time ago, Spence. Your mom’s message today was that I should put that plan in motion …’ The light turned green and Uncle Mark shifted into gear, quickly pulling ahead of a garbage truck. ‘So here we are. In motion.’

‘What important plan?’

‘I’m taking you to a safe place,’ Uncle Mark answered.” (pgs. 10-12)

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The Art of The Good Dinosaur – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

good dinosaur coverThe Art of The Good Dinosaur. Foreword by John Lasseter. Introduction by Peter Sohn.
San Francisco, CA, Chronicle Books, November 2015, hardcover $40.00 (168 pages), Kindle $23.99.

Have we all seen Pixar Animation Studios’ November 2015 feature The Good Dinosaur? Good.

“All about” coffee-table art books about the making of an animated feature have evolved recently, and I don’t think it’s for the better. Where such as The Art of Puss in Boots or The Art of Mr. Peabody & Sherman used to be “by somebody”, full of background details by some expert, The Art of The Good Dinosaur has only two pages of writing; the very brief foreword by Pixar’s Chief Creative Officer John Lasseter and the movie’s director Peter Sohn. The book is presented to speak for itself. Frankly, compared to all of the earlier coffee-table animated-feature art books, it’s not enough.

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