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Borne, by Jeff VanderMeer – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Borne, by Jeff VanderMeer
NYC, MCD Farrar, Straus and Giroux, April 2017, hardcover $26.00 (323 [+ 2] pages), Kindle $12.99.

Borne is a science-fiction novel, not a furry novel. That’s Borne on the cover. No furry author has ever featured an animal quite like him – if he is an animal.

“WHAT I FOUND AND HOW I FOUND IT

I found Borne on a sunny gunmetal day when the giant bear Mord came roving near our home. To me, Borne was just salvage at first. I didn’t know what Borne would mean to us. I couldn’t know that he would change everything.

Borne was not much to look at that first time: dark purple and about the size of my fist, clinging to Mord’s fur like a half-closed stranded sea anemone. I found him only because, beacon-like, he strobed emerald green across the purple every half minute or so.

Come close, I could smell the brine, rising in a wave, and for a moment there was no ruined city around me, no search for food and water, no roving gangs and escaped, altered creatures of unknown origin or intent. No mutilated, burned bodies dangling from broken streetlamps.” (p. 3)

Mord, the giant, floating, ever-hungry bear, is almost as fascinating.

“No one, not even Wick, knew why the Company hadn’t seen the day coming when Mord would transform from their watchdog to their doom – why they hadn’t tried to destroy Mord while they still held that power. Now it was too late, for not only had Mord become a behemoth, but, by some magic of engineering extorted from the Company, he had learned to levitate, to fly.

By the time I had reached Mord’s resting place, he shuddered in earthquake-like belches of uneasy sleep, his nearest haunch rising high above me. Even on his side, Mord rose three stories. He was drowsy from sated bloodlust; his thoughtless sprawl had leveled a building, and pieces of soft-brick rubble had mashed out to the sides, repurposed as Mord’s bed in slumber.” (pgs. 4-5)

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The Pride of Parahumans, by Joel Kreissman – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Pride of Parahumans, by Joel Kreissman
Knoxville, TN, Thurston Howl Publications, December 2016, trade paperback $11.99 (161 pages), Kindle $2.99.

The Pride of Parahumans starts with a small, cramped prospecting spaceship in the Asteroid Belt in the late 2100s or early 2200s, crewed by four parahumans (bioengineered anthro animals); Argentum, the black fox mineral analyst (and narrator); Cole, the raven pilot, Denal, the red panda mechanic, and Aniya, a human-wolf-possum mix taur rescue/medic. They’re exploring asteroids, looking for a big strike. They may have just discovered one when they’re attacked by an unknown pirate spaceship. They shoot back and destroy it, killing its one-parahuman crew.

Unfortunately, they (and probably the pirate) are from the Ceres Directorate, the major Asteroid Belt and parahuman government. And the Ceres Directorate has a draconian law against killing. Self-defense is no excuse. Anyone (and in this case the whole crew) who kills has all assets seized and is sentenced to fifty years at hard labor. They agree to keep everything secret and return to Ceres.

“Naturally, we got the first indication that things on Ceres were about to go wrong just as we were leaving the cavern.” (p. 24)

The Pride of Parahumans begins as an okay space opera, full of action and suspense. Unfortunately, it seems very similar to Kismet by Watts Martin, which is also about an anthro space pilot involved in action and suspense in an asteroid belt full of furry characters and space governments, published at almost the same time. And Kismet is MUCH better written.

There are differences. Argentum is a bioengineered experiment, designed to be without genitals and androgynous. (The pronoun zie is used.) The other furries have genitals but they were made sterile (they reproduce by cloning), so they can indulge in lots of sex without worrying about getting pregnant. (Argen qveches that zie’s missing out on the fun.) The Asteroid Belt governments are more chaotic and dictatorial – they all seem like wretched hives of scum and villainy — which increases the suspense, but are less logical.

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Dawn of the Planet of the Apes Novelizations – Book Reviews by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dawn of the Planet of the Apes: Firestorm, by Greg Keyes. Based on the screenplay written by Mark Bomback and Rick Jaffa & Amanda Silver, based on characters created by Rick Jaffa & Amanda Silver.
London, Titan Books, May 2014, paperback $ and £7.99 (304 pages), Kindle $7.99 and £3.99.

Dawn of the Planet of the Apes: The Official Movie Novelization, by Alex Irvine.
London, Titan Books, July 2014, paperback $ and £7.99 (313 pages), Kindle $7.99 and £3.79.

La Planète des Singes, the original novel, was written by Pierre Boule in France and published in January 1963. Forget about it. It has almost nothing to do with the movies except inspiring the first of them.

Planet of the Apes, the first movie, was produced by 20th Century Fox and released in April 1968. Boulle’s novel was so extensively rewritten by numerous hands as to create an original plot. It was mega-popular, launching numerous theatrical sequels, TV spinoffs, novels and novelizations, and comic books. The comic books have arguably birthed the most bizarre variations in the form of authorized teamups. Tarzan on the Planet of the Apes. Green Lantern on the Planet of the Apes.

But we digress. All (with one exception) of the movies and TV series have had paperback novelizations and authorized prequels or sequels. Beneath the Planet of the Apes, the first movie sequel, was novelized by Michael Avallone. Most of the other books have been by different authors. Here are the two written for Dawn of the Planet of the Apes, the next to last movie.

The Planet of the Apes movies can be roughly divided into two groups. The first includes the first movie in 1968 and its four sequels through 1973, plus two TV series. They are set in 3978 A.D. and the next few years, when time-traveling American astronauts find that intelligent chimpanzees, orangutans, and gorillas have replaced humanity. The first movie was remade in 2001. Not only did that have a novelization by William T. Quick, he wrote two paperback sequels. The second group, telling how the apes replaced humanity, began in 2011 with Rise of the Planet of the Apes.

Rise of the Planet of the Apes is the only movie that did not have a book, only a six-issue comic book prequel. In the near future Will Rodman is a scientist at Gen Sys, a San Francisco biotech company testing ALZ112, a viral-based drug designed to cure Alzheimer’s disease. The drug is tested on chimpanzees and unexpectedly greatly increases their intelligence. Rodman’s superior has the chimps killed, but Will and his assistant discover that a female had just had a baby. Will names the infant chimp Caesar and raises him as his own son. Events result in Caesar being taken from Will and imprisoned in the San Bruno Primate Shelter, where he learns to distrust humanity except Will. Gen Sys experiments with ALZ113, a more powerful aerosol drug. Caesar escapes, steals the ALZ113 from Will’s house, and returns to the shelter to raise the intelligence of all the apes there. They all escape under Caesar’s leadership, add apes from Gen Sys and the San Francisco Zoo, and form an army to battle the humans as they cross the Golden Gate Bridge into nearby Muir Woods. Will goes after them and begs Caesar to surrender since the apes cannot defeat all humanity, but Caesar’s loyalty is now with the other apes. However, mixed with a few earlier scenes and the movie’s closing credits is a foretelling that while the ALZ113 increases apes’ intelligence, it creates an Ebola-like lightning fatal pandemic in humans.

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The Tower and the Fox, by Tim Susman – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Tower and the Fox, by Tim Susman. Illustrated by Laura Garabedian.
Dallas, TX, Argyll Productions, June 2017, trade paperback $17.95 (265 pages, ebook $9.95.

Grump! This begins in media res, with 19-year-old fox-Calatian Kip Penfold grasping the locked gate of Prince George’s College of Sorcery in New Cambridge, Massachusetts in the early 1800s. Anything further that I say about it would be a spoiler.

Well, if the book’s blurb can give away several spoilers, so can I. The setting is a world like ours, but with magic. Think Harry Potter. Magic has apparently always existed. There were Sumerian and Akkadian sorcerers. The first Calatians (anthropomorphic animals) were created by magic in 1402. Magic helped win the War of the Roses in 1480. There has not yet been an American Revolution, and the British North American Colonies are still loyal to the Crown, although some people are restive about that. Others are unhappy with the social order of the times: Europeans › Colonists › Irish › slaves/Negroes › women › Calatians. The social order of the last four is uncertain; maybe females rank slightly higher than male Irish or Negroes, or Calatians are higher than them. But all four are definitely inferior to human Caucasian menfolk, Continental or Colonial. (Where the American Indians stand in this is uncertain.)

“He turned on his heel. Emily shouted after him, ‘Why do we have to prove ourselves?’ but he did not respond, nor turn, and this time she did not pursue him.

Kip felt a sinking feeling in his chest, watching the sorcerer walk away. ‘Because we always have to prove ourselves,’ he said. ‘Because of how we look.’

‘Rubbish,’ Emily said. ‘We’re living in the age of enlightenment, for God’s sake. There’s no reason a woman can’t be a sorcerer. Nor a Calatian, for that matter.’

‘I hope not.’ Kip rubbed his paws together. ‘But none has, not ever.’

Because of people like him.’ She didn’t have to specify whom she meant. ‘Because of people who think men are the only capable creatures God made. Only men can own property or have a voice in government. Can you own property?’” (p. 11)

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Ask a Cat [and] The Fuzzy Princess, by Charles Brubaker – Book Reviews by Fred Patten.

by Pup Matthias

Ask a Cat, by Charles Brubaker. Illustrated.
Martin, TN, Smallbug Press, June 2017, trade paperback $9.99 (127 pages).

The Fuzzy Princess, vol. 1, by Charles Brubaker. Illustrated.
Martin, TN, Smallbug Press, July 2017, trade paperback $10.99 (184 pages).

Charles Brubaker is a fan and expert of comic strips and Japanese TV anime. He has been drawing his own comics for several years. Both The Fuzzy Princess and Ask a Cat currently appear on the internet, the former in color and the latter in black-&-white. Now he is producing collections of them through his own Smallbug Press.

Brubaker says in his Introduction to Ask a Cat that it began as a minor throwaway panel within a comic strip about a little witch that he was preparing to submit to a syndicate. It was a parody of the “ask a character” fillers in other strips where readers can send in questions about the strip. Since Brubaker’s strip about the witch hadn’t come out yet, he filled the “ask” panel with a cat, and asked on a message board for silly questions about cats for him to answer. He got more questions about cats than he expected, and the syndicate liked his throwaway panel better than his strip about the witch. Ask a Cat began on June 22, 2015. The solicited message board questions were soon replaced by genuine questions submitted by his readers. Now, after two years, here is a collection of his panels.

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Bleak Horizons, edited by Tarl “Voice” Hoch – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Bleak Horizons, edited by Tarl “Voice” HochDallas, TX, FurPlanet Productions, March 2017, trade paperback $19.95 (338 pages), e-book $9.95.

Tarl Hoch states on Amazon that he “is a Canadian writer of primarily horror, mythos and erotic fiction”, with stories of his own in several non-furry horror anthologies. Bleak Horizons is his second book for FurPlanet. His first was the 2014 Abandoned Places, a furry horror anthology. Bleak Horizons is also a horror anthology; “fifteen stories about what horrors lie waiting for those who look to the future.”

Ha! To me, the horror is that most of these fifteen are just funny-animal stories that might as well be with humans. But they are all – well, fourteen of the fifteen — good s-f technological suspense stories.

“Adrift” by Kandrel distinguishes fear, terror, and panic through Evan, an anthropomorphic cat passenger on a starship with his wife Mia and his young son Sammy. There is a disaster:

“The hall is blocked by a family of warthogs trying to drag luggage with them. Stupid, he thinks. You can’t bring luggage into the life pods. There’s no room. This isn’t a time to worry about your things. Leave them. The burly male shouts something as Evan leaps over shoulders and uses the wall to get height. With a bound, he climbs over the unfortunate’s head. A hairy fist swings wildly but misses. He spares no more thought for the warthogs. They’d probably be too slow anyway.” (pgs. 10-11)

Evan, Mia, and Sam make it to the life pod and launch into space. But something goes wrong. Evan wakes from cryosleep in the faulty made-by-the-lowest-bidder life pod while his wife and son are still frozen. Can Evan fix it, or must he watch his wife and toddler die? There are references to Mia’s long horns and muzzle before it’s revealed what she is, but obviously she’s no cat (so what is Sammy?). There’s a plot point to Evan and his wife being different species, which makes “Adrift” more than a funny-animal story.

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The Big Bad Fox, by Benjamin Renner – Book Review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

The Big Bad Fox, by Benjamin Renner. [Translated by Joe Johnson.] Illustrated.
NYC, First Second, June 2017, trade paperback $15.99 (187 pages), Kindle $9.99.

Benjamin Renner is a French animator and cartoonist. He first became known in America as the co-director of the 2012 Belgian animated feature Ernest & Célestine, released in America in 2013. That was an adaptation of Belgian children’s books by Gabrielle Vincent, and featured Vincent’s art style. It was an international animation festival favorite, winning many awards, and was a 2014 Oscar Best Animated Feature nominee.

In 2015 Renner began to develop Le Grand Méchant Renard, a cartoon idea for a series of three French half-hour TV specials in his own art style. He wrote and drew his own cartoon-art book to promote them, published by Delcourt in January 2015. The TV cartoon specials grew into an 80-minute theatrical feature, Le Grand Méchant Renard et Autres Contes … (The Big Bad Fox and Other Tales …), released in France on June 21, 2017.

Now Renner’s French book has been published in English as a trade paperback by First Second Books, an American publisher of literary graphic novels.

The main characters in The Big Bad Fox are the title fox, a wimpy loser; the fearsome Mr. Wolf; what Amazon calls an idiot rabbit, a gardener pig, a lazy guard dog, and a typical hen who organizes the other hens into The Fox Exterminators’ Club; and the three little chicks that the fox becomes the Mommy of.

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Les Ailes du Singe. T.2, Hollywoodland, by Étienne Willem – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer

Les Ailes du Singe. T.2, Hollywoodland, by Étienne Willem.
Geneva, Switzerland, Éditions Paquet, June 2017, hardbound €14,00 (48 pages).

The Lex Nakashima-Fred Patten plot to make American furry fans read the best of new French-language animalière bandes dessinées strikes again. This is the second album of Étienne Willem’s over-the-top thriller Les Ailes du Singe (The Wings of the Monkey), set in a funny-animal America during 1933, the depths of the Depression. Things got so desperate at the time that there were serious worries about a Communist revolution. That’s one theme of this album.

The stars of Les Ailes du Singe are Harry Faulkner (macaque monkey), a top pilot in the Lafayette Escadrille during World War I, and the owner of his own barnstorming and movie stunt-flying Jenny biplane; his mechanic-friend Lumpy (pig), apparently Italian since he regularly swears in Italian; and his girlfriend Betty Laverne (deer), a newspaper reporter for the New York Herald-Tribune. In t.1, Wakanda, Harry gets involved in and prevents the skyjacking of the U.S. Army’s zeppelin Wakanda by unknown enemy agents led by a sultry night club singer, Lydia Lessing (jaguar). However, Harry could only prevent the enemy from unleashing poison gas over NYC by crashing the Wakanda into the Hudson River. He is blamed for wrecking the zeppelin and, to escape warrants for his arrest in New York and New Jersey, Harry and Lumpy flee to Hollywood where Harry becomes a stunt pilot for Paramount. (In real life I think he could be extradited – isn’t it illegal to cross state lines to avoid arrest?)

Hollywoodland contains so much hugger-mugger that, frankly, it destroys the suspension of disbelief for me. The Depression has gotten so bad that the South is threatening to re-secede, setting off a second Civil War – or, as Harry finds out, that’s what Communist agents are trying to make the public believe. There’s a plot to assassinate President Franklin D. Roosevelt that only Harry, Betty, and Lumpy can foil, in stolen Paramount stunt planes. There are lots of real famous people as funny animals: FDR is a goose (Willem seems to show him as unparalyzed, as he was popularly believed to be at the beginning of his administration; but take a close look at the bottom panel on page 46), Howard Hughes is a Doberman, Cecil B. De Mille is a Boston terrier, Douglas Fairbanks is a – cougar? (A Big Feline of some kind.) Marilyn Monroe wasn’t a star yet, so Hollywoodland substitutes a fictional Clara Palmer – that’s her on the cover. (There’s a nude shot of her in the story.) Willem takes advantage of the urban legend that Howard Hughes may have been a spy for someone, or at least working against America’s best interests, to put him into suspicious situations. There are car chases all over Los Angeles, gunfights, a major character is killed, and Harry’s & Friends’ pursuit in old World War I warplanes through the New Mexico desert of the presidential streamlined train to prevent the president’s murder

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Review – Furry Nation: The true story of America’s most misunderstood subculture, by Joe Strike.

by Patch O'Furr

Furry Nation: The true story of America’s most misunderstood subculture, by Joe Strike.
Cleis Press, October 2017, paperback $17.95 (288 pages), Kindle $10.99.

Here’s what I wrote for a cover blurb:

Like herding cats, gathering the history of furry fandom has been called impossible.  Furries love impossible things, so this is long overdue.  I’m happy to say it was worth the wait.  Joe Strike puts solid ground under the legs of the Furry Nation – genre, subculture, and yes, even kink – with his experience of watching it grow.  This book is for original 1980’s fans, new ones looking back, and outsiders drawn to the weird coolness of talking animals.  There’s many ways to get into it, but this is a unique view of how furries are breaking out.

Joe’s book isn’t the perfect bible for everyone – but expecting that from one book is unrealistic.  It’s just the kind of book that comes from a devout fan, and that’s why I recommend it.

I’ll summarize some reaction to the news that this book will exist: “It’s gonna suck! Who is Joe Strike?” – I knew who Joe was before I knew he was a furry, from his animation journalism. He does scriptwriting and his own comic too. He brings us a history that can live beyond bit-rot, supported by a firmly established publisher. Cleis has a 36-year history as “the largest independent sexuality publishing company in the United States.” It’s smart to focus on the word independent, which means open-minded support from the first ones to take the chance.

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Con Report: South Afrifur 2017 – By Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer

Another milestone of furry fandom has been achieved on 14-17 July 2017, when South African furs held South Afrifur, their first convention.

The size and longevity of furry fandom in South Africa have been difficult to determine, due to the large spread-out size of that country, with apparently only a pawful of fans in any one city. The ZA furs (from Zuid-Afrika, the Afrikaans name – see the history of the Zuid-Afrikaansche Republiek from 1852 to 1902) socialize primarily via the Internet. There are currently about 600+ active through all the ZA furry websites and chat groups. But it is estimated that the majority of them are only casual browsers, and only 200 to 300 should be considered true ZA furs.

As to longevity, that goes back to two previous ZA furmeets. Some claim that they were conventions, but the attendees themselves did not despite their including registrations.

On 12-16 2008, the first national ZA furry get-together was held in the Cape Town suburb of Table View. Dracius was the organizer. He booked “At Cheryl’s”, a self-catering accommodation holiday house including five small buildings; a house, cottage, cabana, condo, and den. (The exact location was At Cheryl’s, 50 & 55 Circle Road, Table View, South Africa.)

There were 16 attendees. At Cheryl’s was primarily a gathering place for daytime socializing and evening activities. Daytime events included wandering into two shopping centers and other places around Cape Town, and a trip up its Signal Hill. In the evening there were films on a projector and the game Guitar Hero.

A second get-together was planned for 2010, but it was not held until 7-15 January 2011, in Port Elizabeth. The organizers were Nanukk, Electrocat, and Cat147. The venue was Nanukk’s grandmother’s house in the suburb of Blue Water Bay. 14 attended.

The meet was very relaxed and informal. It consisted of about an equal amount of time getting to know each other around the house while sketching and gaming, and going out to see various sites in the city. Some of the main events that had been organized were going to a Karaoke bar, car-pooling to a lion park (cut short when one of the cars got a flat tire) and a visit to a museum (with a behind-the-scenes tour), snake park and aquarium.

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