Dogpatch Press

Fluff Pieces Every Week

Tag: fred patten

September 15, 2015

French Anthro Comic: L’Epée d’Ardenois T. 4/4, – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.


L’Épée d’Ardenois. T. 4/4, Nuhy, by Étienne Willem.L'Epee d'Ardenois cover
Geneva, Switzerland, Éditions Paquet, June 2015, hardbound €16,00 (64 pages).

This is part of Lex Nakashima’s & my project to bring American furry fans the best of new French-language animalière bandes dessinées. Volumes 1, 2, and 3 of this 4-volume series, which were 48 pages each, were previously reviewed. Here is volume 4, the 64-page conclusion.

All that I said about volume 3 is intensified here. Nuhy begins with Oddenburg, the capital of King Tancred the Younger’s realm of Bohan, under fiery siege by the vulture armies of Hellequin of the Cursed Wood (goat), the unseen Nuhy’s general. “The city can’t hold out for more than two days,” a lion knight reports. “Not to mention the starvation and sickness, our walls are crumbling; there are already skirmishes in several districts; and if the vultures take the St. Georges gate… it’ll be the end of the castle…”

King Tancred (lynx), and two remaining Companions of the Dawn (Lord Arthus, bear; and La Fouine, marten) are trapped inside Oddenburg. This final volume begins with Tancred’s royal advisors arguing whether he should lead a final, hopeless defense and die gloriously in the city’s fall, or escape with a handful of knights through the catacombs under the city to continue a guerrilla resistance in Bohan’s countryside. Escape and resistance are chosen, with La Fouine leading the King’s party from Oddenburg while Lord Arthus remains behind to mount a diversionary death-&-glory charge. Meanwhile in the countryside, Garen (young rabbit squire) and Sir Grimbert (fox) of the Companions are with the refugees from the Duchy of Herbeutagne (which has already fallen to Hellequin), who are trying to reach Oddenburg…

Read the rest of this entry »

2 comments
September 11, 2015

The Art of Regular Show – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.


The Art of Regular Show, by Shannon O’Leary. Foreword by J. G. Quintel. Introduction by Paula Spence.
London, Titan Books, September 2015, hardcover $29.95 (160 pages).Regular show Cover

Lavish coffee-table animation art books are usually the prerogative of theatrical features from major animation studios like Disney, DreamWorks Animation, and Pixar; not a TV cartoon series from a studio like Cartoon Network. Yet if any TV cartoon series has earned that accolade, Regular Show has. The prime-time (7:30 p.m.; new episodes on Thursdays, reruns the rest of the Monday-Saturday week) half-hour program of two 11-minute episodes began on September 6, 2010, and is still going strong with 195 episodes (nine seasons) scheduled so far, and a made-for-TV feature, Regular Show: The Movie, due on November 25, 2015. Episode #58, “Eggscellent” by Regular Show creator J. G. Quintel, won a 2013 Emmy Award in the Outstanding Short-format Animated Program category; and various other episodes have been nominated for Annie, Emmy, Teen Choice, and other American and British TV awards. There have been a Regular Show monthly comic book since May 2013; and video games, action figures, plush dolls, bobbleheads, T-shirts, and more. Read the rest of this entry »

Leave a comment
September 10, 2015

Second Chance: Furmankind II, by Ted R. Blasingame – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Second Chance: Furmankind II, by Ted R. Blasingame. (Revised and expanded edition)
Raleigh, NC, Lulu.com, May 2015, trade paperback $21.99 (460 pages).

product_thumbnailThis says “Revised and expanded edition”, but if I am reading Blasingame’s production schedule correctly, this was written between June 2012 and June 2014, allowed to sit for almost a year, and then revised and published in May 2015. So this Lulu.com trade paperback may be revised and expanded, but it is the first paper/printed edition.

Second Chance: Furmankind II is not as much a sequel to Sunset of Furmankind as it is a continuation of the same story. The former novel concentrated on the humans in Brian Barrett’s/Jon Sunset’s group of volunteers being bioengineered into Furs – supposedly hardier than unmodified humans; a hybrid of human and animal: four each of large feline, large canid, bear, and fox – and sent with a similar group (but two are anthro red pandas) to the extrasolar planet Bonestell to establish an Earth colony there. Bonestell appears to be practically a paradise compared to other newly-discovered worlds; very much like pre-human North America – but the first human colony spaceship sent there completely disappeared for unknown reasons. This second group considers itself humanity’s Second Chance at colonizing Bonestell, and adopts that name.

Second Chance: Furmankind II is the story of the 32 male and female Furs’ (actually 31 due to a death in Sunset of Furmankind) first year on Bonestell; or 2½ Earth years due to Bonestell’s longer rotation. It’s very much like a novel about a group of pioneers of the early 19th century pushing into the Ohio or Mississippi river valleys to establish homes, farms, and a town; with the differences that nobody knows which of the new animals, insects, and plants are safe or poisonous, whether the planet has any dangerous natives, or what made the first colonizers disappear. The Second Chance group find out by trial and error. There are successes and failures; natural and violent deaths; matings and children.

Read the rest of this entry »

1 comment
September 9, 2015

French comics: Cerise, Vol 1-3, by Laurel – Book Reviews by Fred Patten.

by Patch O'Furr

Belgian, to be accurate.  Submitted by Fred Patten, Furry’s favorite historian and reviewer.

cerise tome 1Cerise. T.1, L’Avis des Bêtes, by Laurel.
Brussels, Belgium, Le Lombard, April 2012, hardbound €10,60 (48 pages).

Cerise. T.2, Smart Faune, by Laurel.
Brussels, Belgium, Le Lombard, February 2014, hardbound €10,60 (48 pages), Kindle €5,99.

Cerise. T.3, Le Seigneur des Animaux, by Laurel.
Brussels, Belgium, Le Lombard, July 2015, hardbound €10,60 (48 pages).

These three albums look at first glance like comics for little children. Well, they are and they aren’t. Mostly, they’re comics that little children should read, but they won’t get a chance to in America.

Cerise (Cherry, but the French is a common name in America, too) is a nine-year-old schoolgirl in Noticed by Beasts, the first album. She tries to save a snail from being crushed by a schoolmate. She fails, but the dying snail appreciates her effort and gives her the power to understand and talk with all beasts; mammals, birds, fish, bugs, you name it. The first album is mostly a collection of one-page gags around Cerise and talking animals: her pets (she has two cats and a ferret) and the local wildlife. No other humans believe her, and she boasts of her “secret ability”. In the last two pages, she meets Arthur, another boy who can also talk with animals. Read the rest of this entry »

Leave a comment
September 4, 2015

Camp Feral!: Fifteen Years, 1998 – 2012 (Part 3) – by Fred Patten.

by Patch O'Furr

Article with Part 1, Part 2, and Part 3.  Submitted by Fred Patten, Furry’s favorite historian and reviewer.

“Camp Feral! An all-inclusive furry summer camp where the registration fee covers your food, lodging and activities for the most unique and memorable furry experience of your life! Your fee covers all the coffee you can drink, [and] all the breakfast lunch or dinner you can eat.” (from the Camp Feral! 2012 website)

Camp Feral! is the oldest of the recorded outdoor furry conventions, going back to 1998. It is also Canada’s oldest furry event, and the fourth oldest continuing furry convention (after EuroFurence in 1995 and Anthrocon and Mephit FurMeet in 1997). It was started after the oldest furry annual convention, ConFurence in Southern California (1989), gave rise to U.S. East Coast furry conventions in 1995 to 1997 (Furtasticon, Confurence East, Albany Anthrocon), inspiring Canadian furry fans to start their own convention – but with a difference.

300px-Feral

Camp Feral!:  Fifteen Years, 1998 – 2012, Part 3

Camp Feral! X, at Camp Arowhon, was August 27 – 31, 2007. The U.S. financial crisis affected attendance adversely, dropping it back to about 80 campers. It focused upon the Camp’s tenth anniversary. The Feral! Survival Guide featured a retrospective by Terry Wessner titled “It’s Like Herding Cats, Only Moreso”. Registration was now C$325 for regular campers, C$375 for Sponsors, and C$495 for patrons, plus the C$45 bus fee.

Guests of Honour were three Canadian furry artists; Ferris (Chuck Davies), Gideon Hoss (of Club Stripes), and Max Blackrabbit (Malcolm Earle). The FeralCom staff was mostly the same: Potoroo and Patchouli (co-chairs), Verec (registration and logistics), Grex (finances), WilyKat and Growler (security), Dralen (workshop coordiator), Crono (activities coordinator), Cobalt (conbook and activities editor), and Blake, Desertwolf, Khaki Wolf, and Srice (gofurs).

Read the rest of this entry »

Leave a comment
September 3, 2015

Camp Feral!: Fifteen Years, 1998 – 2012 (Part 2) – by Fred Patten.

by Patch O'Furr

Article with Part 1, Part 2, and Part 3.  Submitted by Fred Patten, Furry’s favorite historian and reviewer.

“Camp Feral! An all-inclusive furry summer camp where the registration fee covers your food, lodging and activities for the most unique and memorable furry experience of your life! Your fee covers all the coffee you can drink, [and] all the breakfast lunch or dinner you can eat.” (from the Camp Feral! 2012 website)

Camp Feral! is the oldest of the recorded outdoor furry conventions, going back to 1998. It is also Canada’s oldest furry event, and the fourth oldest continuing furry convention (after EuroFurence in 1995 and Anthrocon and Mephit FurMeet in 1997). It was started after the oldest furry annual convention, ConFurence in Southern California (1989), gave rise to U.S. East Coast furry conventions in 1995 to 1997 (Furtasticon, Confurence East, Albany Anthrocon), inspiring Canadian furry fans to start their own convention – but with a difference.

300px-Feral

Camp Feral!:  Fifteen Years, 1998 – 2012, Part 2

“The park had brought in a naturalist to lead a Wolf Howl.  Apparently this is a regular event in Algonquin Park.  First there was a very informative slide show and presentation, then the naturalist took us outside and tried to get the wolves to howl.  What he does is that he howls three times, then waits to see if the wolves respond.  If after a few rounds they do not, then several naturalists howl together as though it was a pack howling, sometimes that will get the wolves to howl back. Unfortunately, on this night they didn’t howl.  Might have been the rain. I could imagine them sheltering themselves from the rain and laughing at the stupid humans out getting soaked and howling.

Read the rest of this entry »

1 comment
September 1, 2015

Theatrical Panto-animals, Part 3: History book reviews by Fred Patten.

by Patch O'Furr

These “Panto-animal” history articles share a discovery of amazing proto-Furry happenings, in an overlooked era of Pantomime theater in Victorian Britain.  Stunning photos show why the topic is worth uncovering.  From those scarce records, a handful of actor names stood out with wide publication in their time for “animal impersonation”.  They were not necessarily playing specific “fursonas”, a difference from Furries today – but they earn fan author Phil Geusz’s general label, “paleo-furry.” Charles Lauri was mentioned in Part 1 – and Fred Conquest in Part 2.

51R-RcAYq6LFred Patten reviews the Conquest biography, loaned by the LA public library.

The best Pantomime theater actors seemed highly diverse in their talents.  That only included a small amount of animal costuming, although a few like Fred Conquest specialized in that.   This biography was reviewed in hopes of picking out scarce Panto-animal details, which have been forgotten by time, because very little was ever printed about them.

This Amazon.co.uk review of the book earned a quote in Part 2:

Now that it has become respectable to admit enjoying popular entertainment, the story of the Conquest family deserves to be better known. They were one of those colourful theatrical dynasties who flourished from Victorian times until well into the twentieth century. Many of them were actors who, between them, took on everything from Shakespeare to pantomime; my favourite was the one who played the animals or “skin” roles.

Fred did find amazing costuming stories, even if most of it wasn’t of the animal kind.  These shows must have been incredible spectacles, the “big budget movie” productions of their time.  I’m very sad I couldn’t find any illustration for the giant floating demon head! Let Fred explain more. ( -Patch)

Conquest: The Story of a Theatre Family, by Frances Fleetwood; W. H. Allen, 1953; 282 pages.

(Fred:) The book includes many illustrations, both photographs of actors, and reproductions of 19th century engravings of fantastic stage plays of acrobatic actors in grotesque costumes cavorting about.  The plays included many scenes of fairies and demons flying above the stage on wires, and there are many accounts of wires and ropes breaking and actors being seriously injured. Read the rest of this entry »

Leave a comment
August 28, 2015

The Island of Dr. Moreau: A Possibility, by H. G. Wells – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Island of Dr. Moreau: A Possibility, by H. G. Wells. Frontispiece by C.R.A. [Charles Robert Ashbee]. London, William Heinemann, April 1896, x + 219 [+ 1 + 34] pages, 6/-.

the-island-of-doctor-moreauThis is arguably the first “furry” adult novel, not counting the talking animals of children’s literature such as Lewis Carroll’s Alice’s Adventures in Wonderland. (Or the adult Metamorphosis/The Golden Ass of Lucius of Apuleius, which was caused by a magic salve and the gods.) It was intended as an anti-vivisection polemic, and it made quite a stir when it was published, although not entirely for the reason that Wells intended. According to the introduction by Alan Lightman in a later edition (Bantam Classic, 2005), “Ranked among the classic novels of the English language and the inspiration for several unforgettable movies, this early work of H. G. Wells was greeted in 1896 by howls of protest from reviewers, who found it horrifying and blasphemous. They wanted to know more about the wondrous possibilities of science shown in his first book, The Time Machine, not its potential for misuse and terror.”

The public focused less upon the animal-men than upon Dr. Moreau’s callous vivisection experiments. In the novel, the physiologist comes across as an obsessed sociopath who cares only for his scientific research, and is oblivious to the pain he causes to his animal subjects. But to the public, he was a crazed monster. This image is clearly emphasized in the second motion picture adaptation, Island of Lost Souls (1932), in which Charles Laughton plays Dr. Moreau as a whip-cracking sadist who seems interested in his experiments only as a justification for his cruel tortures of his victims, and to create subjects whom he can rule as a god.

Read the rest of this entry »

Leave a comment
August 27, 2015

Furries Among Us – two book reviews, from Vox Fox and Fred Patten.

by Patch O'Furr

Furries Among Us Book Review – By Vox Fox.

unnamedA disclaimer: I love this book. That said, I will try my best to give an unbiased review but the reader is hereby warned upfront of just where I’m coming from. Furries Among Us provides a very positive-minded, detailed and understanding look into what furry fandom is all about. It explains the deep meaningfulness and sense of camaraderie members typically derive from participating in this fascinating and unique community. The book is comprised of 16 separate essays, each detailing a different aspect of the furry world as experienced through each author’s eyes. Topics include: How furries socialize, furry publishing, fursuiting in the fandom, furry art and music, the ins and outs of fur cons and of course, dating and sexual aspects.

The book (from Thurston Howl Publications) delves deeply into the fundamental motivations that draw furries into the fandom and just why a fursuiter fursuits. Some may fursuit as an outlet for expressing certain (presumably fun-loving) personality traits they would be hesitant to attempt in human form (ah, the flirting you can get away with!). But I think one of the best reasons can be summed up nicely by one suiter’s explanation: “I suppose you could say that the reason I do it is to bask in the reflection of good feelings that I help create.” (Yep, close to the reason I give: to charm the socks off people.)

The last four chapters delve into the psychological and sociological aspects of the fandom, each one courtesy of four prominent members of the International Anthropomorphic Research Project (IARP), all holders of Ph.D.s. One consistent theme noted is that involvement in the fandom has the distinct tendency to contribute to a sense of well being, and that sense appears to intensify as the fan becomes even more engaged with fandom activities. Additionally, as mentioned above, the main incentive that seems to draw potential furries into the fold is the sense of community and belonging that the fandom provides. Finally another noteworthy passage discusses fursonas, and the role they play in creation of a more idealized self which is typically a “…more attractive, confident, friendly and playful” version of the self. (In another article I’ve read, the author of this chapter also suggested such role-playing can provide a means for ultimately incorporating these character enhancements into one’s own personality; see http://t.co/xcqSLIeL6u).

Read the rest of this entry »

2 comments
August 26, 2015

Anthropomorphic Animated Features, 2015-2016 – by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

ZootopiaFox

Yarst! This has gotten really complicated, so bear with us.  These release dates are mostly useless.

Yes, the official American release date of Minions was July 10, 2015, but it was released in Indonesia on June 17 and in Australia (in English) on June 18, and in the United Kingdom on June 26.

Boonie Bears: A Mystical Winter (Xiong Chumo Zhi Xueling Xiongfeng) was released throughout China on January 30, 2015, but most Americans won’t see it until it is released by Warner Bros., dubbed in English, on January 17, 2016. Frog Kingdom – (“Princess Froglegs goes undercover to compete in her father’s Froglympics in order to avoid being married off to a male suitor,” from IMDB) – is a new movie as far as the U.S. is concerned, produced by Grindstone Entertainment in Santa Monica, California and distributed by Lionsgate Entertainment, also in Santa Monica, and released on June 30, 2015; but it was released first in China on December 28, 2013. A Mouse Tale premiered on February 10 as an American direct-to-DVD release; but its theatrical premiere was not until April 7 in Kuwait.   (Interestingly, A Mouse Tale was first distributed on DVD in the U.S. by Lionsgate Entertainment, but it was co-produced by Red Post Animation Studio in Lima, Peru and Vista Sur Films in Buenos Aires, Argentina. It was announced by Vista Sur as Rodencia y el Diente de la Princesa http://www.vistasurfilms.com.ar/) Japanese animated features are notoriously unofficially subtitled and available in America on video or DVD within a month or two of their Japanese theatrical release.

All that a release date usually means is that the movie has been released; e.g., is real and should be findable somewhere.

Titles, especially of non-English-language features, are also mostly useless. One theatrical feature about “the animals that DIDN’T make it onto the Ark” was produced in CGI animation by Ulysses Filmproduktion GmbH in Hamburg, and originally released theatrically in thirteen countries between April 9 and August 21, 2015. In the U.S., its release was July 17. In Germany its title is Ooops! Die Arche ist Weg …, in the U.K. it’s Two By Two; in America it was announced with trailers as both Ooops! Noah is Gone … and Two By Two before settling on All Creatures Big & Small. You shouldn’t need translations of its Dutch title (Beestenboot) or Spanish title (¡Upsss! ¿Dónde Está Noé…?). The Japanese feature listed as The Boy and the Beast is actually titled in Japanese Bakemono no Ko, which is literally The Beast’s Child or Son of the Beast (or Monster); who knows what it’ll be titled if it gets an American release? The Spring 2016 Russian feature Volkii i Ovtsi has been announced as coming to the U.S. as Sheep and Wolves. In case you don’t know any Russian, that’s a reversal of the Russian title. Read the rest of this entry »

12 comments