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Tag: fred patten

The Wild Piano, by Fred – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Wild Piano, by Fred. [Translated by Richard Kutner.]61QEi8btoPL
NYC, Candlewick Press/TOON Books, May 2015, hardcover $16.95 (45 [+ 1] pages).

The Wild Piano (Le Piano Sauvage) is Book 2 in the Philémon series by Fred (Frédéric Othon Théodore Aristidès, 1931-2013), serialized in the classic French comics magazine Pilote. The weekly strip was collected into 15 books between 1972 and 1987. Fred retired leaving Philémon’s adventures uncompleted, until he wrote/drew a 16th volume to finish the series just before his death.

Book 1, Cast Away on the Letter A, was reviewed here in January. I won’t repeat the gushing praise that I lavished upon it, but briefly: Philémon was/is a surrealistic cartoon strip in the tradition of Winsor McCay’s Little Nemo in Slumberland and George Herriman’s Krazy Kat. Philémon is a teenage farmboy in the French countryside of the 1960s-‘70s who falls down a well and has psychedelic adventures on the literal letters ATLANTIC of the Atlantic Ocean of a parallel world. Philémon, and Fred’s other works, were instant hits in France, reprinted so often that Fred was able to retire and live off his royalties. It is a sad commentary on the lack of interest in non-American cartoon art in America that the Philémon books are only now being published here after 40+ years. A Philémon live-action movie full of VFX, French-produced but in English, was announced as in pre-production in 2013.

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The Guardian Herd: Stormbound, by Jennifer Lynn Alvarez – book review by Fred Patten.

by Patch O'Furr

Fred Patten, Furry’s favorite historian and reviewer, submits this review:

The Guardian Herd: Stormbound, by Jennifer Lynn Alvarez. Illustrated by David McClellan; map.516KJ+W5H1L
NYC, HarperCollinsPublishers/Harper, April 2015, hardcover $16.99 ([xiii +] 299 [+ 1] pages), Kindle $8.89.

Well, this is a big surprise! The Guardian Herd: Starfire, the first book in this series, listed 32 flying and talking horses in five herds. Others were mentioned during the adventure of the colt Starfire’s maturing to the over-stallion of his own herd. The obvious assumption was that this first sequel in a promised long series would switch to another pegasus named Stormbound. Instead, The Guardian Herd: Stormbound continues directly from where the previous novel ended. Stormbound isn’t the name of a pegasus; it’s the title of the second adventure.

The Guardian Herd: Starfire ended with Starfire (a.k.a. Star), the first all-black (except for the white star on his forehead) stallion in four hundred years, reaching his first birthday without being killed, coming into his power from the Hundred Year Star; and leading his followers – mostly yearlings like himself, plus older pegasi dissatisfied with the leaderships of the existing herds – into a new River Herd. As The Guardian Herd: Stormbound opens a month later, Star is still looking for a permanent territory for his new herd, away from the five hostile older herds. He has declined to become an over-stallion and has entrusted the River Herd to the guidance of a council of six more experienced pegasi; although the council consider themselves more as advisors under his leadership.

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Spirit of the Wolves, by Dorothy Hearst – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Spirit of the Wolves, by Dorothy Hearst
NYC, Simon & Schuster, December 2014, hardcover $26.00 (356 pages), Kindle $13.99.

13258563Spirit of the Wolves is a.k.a. The Wolf Chronicles, Book Three, following Promise of the Wolves (2008) and Secrets of the Wolves (2011).

“I crouched at the edge of Fallen Tree Gathering Place, a freshly caught rabbit warm and limp in my jaws, my haunches trembling. The Swift River wolves were preparing for a morning hunt, touching noses and speaking quietly to one another. Dawn light filtered through the branches of two tall oaks that stood guard at the clearing’s edge, dappling the Fallen Spruce that divided my pack’s largest gathering place.” (p. 1)

Fourteen thousand years ago, primitive humans lived with animals as part of nature. That was about when mankind began to consider itself separate from, and better than, the other animals, and began to live apart. But according to the Prologue in Promise of the Wolves, set 40,000 years ago, the wolves had already been sent the “Promise of the Wolf”. “What is the promise of the wolf? Never consort with humans. Never kill a human unprovoked. Never allow a mixed-blood wolf to live.”

The Wolf Chronicles is the first-person story of Kaala Smallteeth, a female cub born into the Swift River wolf pack of the Wide Valley; a rich land of several wolf packs, many prey animals, and tribes of men. At this time there are also huge Greatwolves (dire wolves?) who act as guardians – and guards – of the regular wolves, making sure that the wolves obey the Promise and never consort with humans, lest they start becoming mysteriously subservient to man (which presumably means evolving into domesticated dogs).

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The Book of Lapism, by Phil Geusz (2nd enlarged edition) – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Book of Lapism, by Phil Geusz. [2nd enlarged edition.]
Birmingham, AL, Legion Printing & Publishing, January 2015, hardcover $24.99 (351 [+1] pages), Kindle $4.99.

lapism-coverThis book is a bibliographer’s nightmare. It’s referred to as the Deluxe edition, the 2nd printing (but presumably means the first printing of the second edition), and as The New Book of Lapism. Fortunately, it’s easily distinguishable from the first edition (Anthro Press, June 2009). That had a different cover (this one is by Micheal Day), was a trade paperback, and had two less stories.

This new hardcover is truly impressive, in thick, high-quality boards and a 8.5” X 11” giant size with large, easily read type. Still, almost all the sales are likely to be of the more affordable and easily held Kindle edition. It’s well worth getting in either case. The first edition is out of print, and lacks the two most recent stories. This new edition is complete.

Phil Geusz’s Lapist stories are set in the unspecified near future, maybe a hundred years from now, when materialism, greed, and a callous fuck-you-Jack;-I’ve-got-mine society are making more thoughtful people despondent about whether there is anything worth living for. The philosophy/religion of Lapism grows up; a true brotherhood whose adherents have themselves physically bioengineered into anthropomorphic rabbits to show their friendly, gentle, caring nature. The Lapists have a very rocky and insecure first few years, as covered in these six stories.

More rocky than they’d probably like to admit. There are serpents in Paradise.

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A complaint: Furry fan publishing is overlooked – by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

I feel like complaining, and I’m not sure who to complain to.

It’s about the review of the recent FurCon in Science Fiction/San Francisco #161, (PDF), Spring 2015, “Furries in the Fog: Further Confusion 2015” by Christopher Erickson, reprinted in the DP newsdump of April 16. It’s a typical review today of a furry convention for the general public, both accurate and highly favorable. But Erickson said, “I was also able to see all of the dealer room. There was a lot for sale. There were numerous artists to choose from. There were also dealers selling ears and tails. There was a stand with puppets. One stand was selling custom collar tags and license plate covers. Others were selling artisan crafted soaps and lotions. I purchased a few pieces of badge art from one dealer that featured various fandoms.”

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Trap Me!: Finally, a Happy Gay Furry Adventure – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

 

Trap Me!: Finally, a Happy Gay Furry Adventure, by Chris and Cooper Elkin. Illustrated by Cooper Elkin.
[?] November 2014, trade paperback, $14.88 (304 pages), Kindle $8.44.

“An Unforgettable Adventure Through a Steampunk World! Follow two furries in their quest for a mysterious artifact.”

Screen Shot 2015-05-31 at 9.17.50 PM“That looked like it hurt. The shattered glass reflected the sunlight and swung it into a gentle dance on the wooden floor of the attic. The still-startled Aidan Prowl, a canine in his right mind (sometimes), blinked twice and then cleared his throat.

‘Oh, please… do come in,’ he said to the stranger who was slowly getting himself together and stood up as bits and shards fell off him. At first glance, it seemed to be a long-eared feline, wearing a black, short leather jacket over his white shirt, which was complimented by his navy blue scarf and trousers. The rosewood fur was ruffled here and there and his charcoal hair was a mess.

‘Some of us prefer to use the door. Then again, I suppose it is a little bit late for that now,’ the canine added dryly.” (p. 5)

The setting is a Steampunk world of anthropomorphic animals. Aidan Prowl, a young canine pianist with dark golden brown hair and viridian green fur who lives with his mother, is startled when Zackary Pace, a black-haired, rosewood-furred feline, crashes through his attic window. Zack, the son of Rhodworth’s leading blacksmith, has been working on a secret invention, which causes the aerial crash.

Aidan is more adventurous than his pianist nature suggests. He has been creating new musical instruments and experimenting with new sounds. He is also looking for rare musical instruments that may or may not exist. When Zack cannot pay for a unique crystal statuette that was broken in his crash, Aidan proposes a solution:

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French anthro comic: De Cape et de Crocs. T. 11, Vingt Mois Avant – review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Previously: De Cape et De Crocs is back! French anthro comic announcement, by Fred Patten.

De Cape et de Crocs. T. 11, Vingt Mois Avant, by Alain Ayroles & Jean-Luc Masbou.
Paris, Delcourt, November 2014, hardbound €14,50 (48 pages).

1590_couvThe book has a back-cover quote from Hercule Savinien Cyrano de Bergerac’s 1654 comic play Le Pédant Joué that roughly translates as, “What the devil are you going to do with this mess?” An excellent question, both for this book and to indicate the setting.

“The faithful rabbit Eusebius, once sentenced to life imprisonment, finally reveals his past.” (blurb) The De Cape et de Crocs series (With Cape and Fangs) has been set in a mid-17th-century Europe (and on the Moon), starring the gentlemen-adventurers Sieur Armand Raynal de Maupertuis (anthro French fox) and Don Lope de Villalobos y Sangrin (Spanish wolf). In the first “Act”, The Janissary’s Secret, they rescue Eusebius, the cutest bunny-rabbit in the world, from life imprisonment as a Venetian galley-slave. Eusebius becomes their loyal squire all through Europe (and on the Moon) in the next nine, but he never reveals how he came to be chained as a rower in a Venetian war galley.

With “Act” 11, the series switches to Eusebius’ story before he met Sieur Armand and Don Lope. The setting is Vingt Mois AvantTwenty Months Earlier. This pastiche of Alexandre Dumas’ title of his famous sequel to his The Three Musketeers, Vingt Ans Après, establishes this bande dessinee’s new direction as both a parody of French 17th-century heroic action-adventure in general and of The Three Musketeers in particular.

Eusebius is not only the cutest bunny-rabbit in the world, he is the most naîve. He does not set out, as d’Artagnan does, to join the King’s Guard, but the Cardinal’s Guard! The King and the Cardinal are friends, aren’t they? Eusebius is introduced on page 1 as addressing a field full of peasant serfs as “My good men”, a well-meaning insult to them. The story, and Eusebius’ prospects, go downhill from there.

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Who Killed Kathleen Gingers?, by Gary Akins – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Who Killed Kathleen Gingers?, by Gary Akins. Revised edition. Illustrated.
Austin, TX, Furry Logic Productions, February 2010, trade paperback $15.00 (136 pages).

AC01--Who_Killed_Kathleen_Gingers_[cover] (1)For those who object to funny-animal fiction – stories in which there is no reason for the characters to be anthropomorphic animals instead of regular humans – Who Killed Kathleen Gingers? can be easily skipped. For those who don’t mind it as long as the story is well-written, and who like crime noir murder mysteries in the Sam Spade/Philip Marlowe/Shell Scott/Travis McGee tradition, don’t miss Who Killed Kathleen Gingers?

Calico Rock sheriff’s office detective Allan Connell (ferret) is sent to investigate the reported murder of vivacious Hollywood star Kathleen Gingers (mouse) at her palatial Pacific Beach vacation home. When Gingers herself answers the door, it looks like the report was a prank – until Connell and Gingers find a real body, that of Gingers’ murdered private secretary, who looks very much like her.

Whodunit, and why? Does the popular Gingers have enemies? Or did the bland secretary, who was recently hired with nothing much really known about her? Was the secretary killed by mistake for Gingers, and is Gingers still in danger? Connell is faced with the crime noir detective’s usual comic-relief (but not totally incompetent) assistant, mysterious clues, and lots of suspects: an unconvincingly indignant husband, an overly-jealous wife, a too-affable producer and his hysterical associate who is very eager to accuse a particular suspect, a sultry mistress with a secret, the vengeful father of a long-dead friend …

Akins writes the right crime noir prose:

“The ocelot-fem was lying face-down on a beach towel by the edge of the pool, head cradled in her arms, sunning herself. She was sleek and well-toned, with graceful legs that went from firm, muscular thighs down to slender ankles and feet. The black and silver of the bikini pants made a nice contrast against her black-spotted, golden-yellow fur, and as near as I could tell that was about their only real contribution since the cut of the cloth left an extremely generous portion of each shapely buttock exposed to view. Her tail lay mostly limp along one leg, the tip twitching slowly every so often. Her fur had been carefully brushed and combed to a healthy, appealing luster, and I just stood there for a moment, appreciating the overall view of her.” (p. 39)

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Mort(e), by Robert Repino – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

 

Mort(e), by Robert Repino. Illustrated by Sam Chung.
NYC, Soho Press, January 2015, hardcover $26.95 (358 [+ 1] pages), Kindle $12.99.

31jpc4qtJoL“Before he took his new name, before the animals rose up and overthrew their oppressors, before there was talk of prophecies and saviors, the great warrior Mort(e) was just a house cat known to his human masters as Sebastian. It was a time that now returned to him only in dreams and random moments of nostalgia that disappeared as quickly as they arose. All of it except for Sheba. The memory of her was always digging at him like a splinter under a nail.” (p. 3)

The first dozen pages of Mort(e) are Sebastian’s early life as a housecat, and his meeting Sheba, the large, slobbery dog of the man next door. It’s not until page 14 that Sebastian first learns of the war to exterminate humans, when he observes one of “his masters” watching the TV news:

“It was always the same: a river of text flowed beneath explosions, people running, buildings on fire, green trucks rolling along highways, men and women with helmets marching, building bridges, demolishing things, using flamethrowers to burn massive hills of dirt. And in between all the images were videos of creatures that Sebastian had seen crawling in the grass outside the window: ants. They were always on the television, always marching in a line, sometimes covering entire fields and picking apart dead farm animals. Sebastian saw people running away from ants the size of the Martinis’ car. The monsters could walk on their hind legs, and their jaws were strong enough to lift a human at the waist. […] All the channels were playing the same thing now. Nothing buts ants and fires. But this time, there was footage of a new creature. A pack of wolves, walking on their hind legs, approaching the camera. One of them carried a club in his hands the same way Daniel would hold a hammer. This was followed by a choppy clip of a group of animals marching alongside the giant ants. Sebastian could hear people screaming.” (pgs. 14-15)

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Blue Horizon: The Captain’s Journal, Book 2, by Ted R. Blasingame – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Blue Horizon: The Captain’s Journal, Book 2, by Ted R. Blasingame (with Eileen Blasingame and Steve Carter). Revised edition.
Raleigh, NC, Lulu.com, March 2015, trade paperback $16.99 (346 pages).

product_thumbnailBlue Horizon, Book 2 follows smoothly after Book 1, reviewed here in March. If you liked Book 1, what are you waiting for to get Book 2? If you haven’t read Book 1 yet, you should start there to introduce yourself to Captain Merlin Sinclair (wolf) and the anthro crew of the interstellar freighter SS Blue Horizon, and the human and Furred worlds of the galactic Planetary Alignment.

Ted Blasingame, his wife Eileen, and Steve Carter originally wrote 31 adventures of the Blue Horizon on their early website during 1996 to 2003. They were published in separate Books, then combined in one Lulu.com volume in December 2003 that was HUGE – I literally could barely lift it. Blasingame and the others continued to write new online adventures until 2009, when they closed their website and went on to new projects. Now Blasingame is revising and polishing the out-of-print stories, adding the newer ones to them for a total of 45, and dividing them into four more easily-held Books with new covers by Elizabeth Jackson. Books 1 and now 2 have been published so far.

Book 2 contains Episodes 12 through 22. Although they are presented as separate stories, they flow smoothly into one another like the chapters of a novel. It is assumed that the reader is familiar with the characters and events covered in the first eleven episodes. These second eleven episodes are no longer all presented in the format of an opening excerpt from Captain Sinclair’s journal, with a flashback to the full adventure.

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