Dogpatch Press

Fluff Pieces Every Week

Tag: marketplace

NFT’s bring hype, greed, and fraud; Creativity will suffer, says guest writer Doppelfoxx

by Dogpatch Press Staff

(Editor opinion by Patch): Cryptocurrency isn’t for me, because… (1) The energy use hurts the climate, (2) I wouldn’t try volatile trading without being highly informed, (3) I have no interest in heroin or hiring a hitman. That’s a popular stance among furries, but let’s not just be popular. One should know their enemy.

In theory, this blockchain technology is for decentralized exchange, kind like Paypal + Bittorrent for outsiders. In theory, I’d say it has some worthy use. Why? Look at Wikileaks, which did whistleblowing about governments — and was cut off from traditional funding — or even consider how to fund furries with identity and expression issues beyond borders. I also wonder if crypto’s energy use could reconcile with sustainability through computing advances, but ask a cryptographer. I’m not techie enough to understand the math beyond science fiction.

Basically, if you see blockchain tech covered by me, it’s from learning and putting things on record. Like its influence on the record highest fursuit auction, or the fandom’s only auction site. (I’ve never covered NFT’s.) Do you want it covered differently? Send a guest article! The following opinion piece covers NFT’s, another blockchain concept that isn’t interchangeable like currency. This isn’t vetted by a tech editor, so please use the comments for feedback. (- Patch)

The Furry Fandom, artist culture, and the dangers of Non-Fungible Tokens  

 

Cryptocurrency isn’t a new thing to a lot of people. Most safely assume that it’s a common matter to discuss by now. From one trend to another, it seems like the over-publicized success stories, scam emails, and ads that badger you to invest or download this or that app never stop coming. Yet while furries are notoriously well versed in technology, for most of us, it’s just background noise. Spam, business con tactics, and maybe hearsay from the friend of a friend who invested; it all sounds almost good enough to break through our skepticism… but not quite.

However, early in 2021, things suddenly changed. A digital work from Mike Winkelmann (AKA Beeple), entitled ‘Everydays: The First 5000 Days’, sold for $69.3 million USD. It was entirely unexpected for most of the online community, and the term NFT exploded like crypto did before it.

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Interview with the CEO of Commiss.io – a service for project management, creators and fans.

by Patch O'Furr

How devoted are furries?  To commission a fursuit, they tortuously wrap themselves in duct tape, pay thousands of dollars and trust a years-long wait before getting something back. Imagine if you had to do that for a new car or stove?

The upside is direct exchange for hand-made goods, but the downside is a clunky process with a lot of invested effort and risk of fraud or failure. It works because fandom is close-knit, but there’s opportunity for better platforms to help buyer and seller. (I was posting about it in 2013). Fursuit makers seem to be niche enough to handle their own business, but freelance artists handle smaller projects much more frequently. Art commissioning sites have started up to help. Achieving scale of users may be a challenge, but they’re in a growing fandom and word is getting out.

Commiss.io first caught my notice with their banner in the dealer’s den at BLFC. Now Hunter, the CEO, joins me to chat about the service.

My impression of Commiss.io is a business aimed at the freelance art marketplace. It was started by furries but it’s for any and all users. Do I have that right? Who’s on the team?

Pretty much! Though most of us have at least some involvement in the fandom, Commiss.io was created for any and all creators. Not just anthro artists, but musicians, sculptors, and more! We’ve really seen a lot of adoption within fandoms, furry and otherwise, and we’re really happy to provide a great place for that!

Right now there are four of us that work on the project. Myself, Mark, Chris, and Nate. There are, of course, all of the great artists and commissioners on the site as well! Right now we all do a little bit of everything, from outreach, marketing, customer support, and coding.

Commiss.io is described as a “place to manage your creative shop” – helping with payments, project management, licensing, asset delivery, and more.  Is this improving on other services?

We saw a niche that needed filling. There are gallery sites, social networks, project management sites, and sites for very small freelance projects and very large ones. Together they all create a very disjointed experience, with little focus on projects in the range that many freelance fandom artists tend to focus on. As a result, creators end up with an uneven experience and the need to manage themselves across a number of platforms, without a central location to track their projects and ensure protection for sellers. When things are messy, it’s easy to get lost.

Our goal is to be a central hub, with the process fading into the background so creators can focus on creating, and clients can have a great experience.

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