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Tag: novel

Roi Ours, by Mobidic – Book Review by Fred Patten

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Roi Ours CoverRoi Ours, by Mobidic.
Paris, Delcourt, May 2015, hardbound 18.95 (110 pages), Kindle 13.99.

Thanks to Lex Nakashima for ordering this French cartoon album from Amazon.fr and making it available to me for this review.

In a prehistoric Mesoamerican world, a human village is ruled by the animal gods and goddesses: the Jaguar god, the Fox god, the Stag god, and many others. The village is cursed by the Caïman goddess; to lift the curse, the chief is ordered by the tribal shaman to offer his own daughter, Xipil, as a sacrifice. Xipil is bound to the Caïman’s totem pole and abandoned to be eaten.

But it’s not the Caïman goddess who comes first, but the Bear god. “You look a little young to me for an offering… and not very meaty! Has she already eaten all her own priestesses?” “The shaman said that she is demanding greater sacrifices.” “Well, he should have offered his own daughter. Do you want to stop the massacre? Or do you prefer to go through with it?” “My father said…” “Your father is an imbecile! He’s not listening to the signs any more. I’m telling you that the Caïman is making fun of all of you; she’ll never raise her curse on you. You’ll have to do something else. Go tell your father.” Read the rest of this entry »

Twisted by Miranda Leek – Book Review by Fred Patten

by Pup Matthias

(Note from Patch: Thanks to poppa bookworm for formatting. Fred’s review was held for a while, because the author didn’t feel comfortable about criticism in it. There was opportunity to revise the book itself, but that didn’t happen for months, so now we’re putting it out anyways.  Honestly, I think the book concept sounds really fun and imaginative, which can be highly entertaining even combined with horrible execution. Think: Troma movies.  I’d pick this up before many mainstream books!)

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Twisted, by Miranda Leek. [2nd edition.] Illustrated by the author.Twisted 2nd edition
Bloomington, IN, AuthorHouse, July 2014, trade paperback $26.95 (533 pages), Kindle $3.99.

This novel does not acknowledge that it is a second edition, but if you look at its Amazon.com entry, the first edition, May 2010, is still for sale right under it. The first edition is 376 pages, this is 533 pages, so it has at least been expanded. The first edition identifies the author as 17 years old; by the second, she is 22. Hopefully the four-year difference also includes an improvement in the writing, because the writing is still pretty bad.

The concept is certainly unique, as far as I know: anthropomorphic amusement park rides! The hero is Railrunner, a red roller coaster. The villain is Ironwheel, a black roller coaster. The setting is “Amusement Park Between”, a dimension consisting only of a vast world inhabited solely of living amusement park rides. The narrator is Rodney Philips, a young man whose previous employer has gone out of business and who is desperate for any kind of new job. He answers a newspaper advertisement for Mystic Park’s new roller coaster engineer, and learns that he is perfect for the job — in fact, he is a were-roller coaster!

Twisted introduces more than anthropomorphic roller coasters, particularly when it moves into “Part Two: The Land of Wonder and War”; the world of Amusement Park Between. There are Merrylegs, a gaudy carousel unicorn; Static, a blue-&-green dodgem car; Moonhoof, another carousel horse; Angeltrack, Railrunner’s mother (yes, Railrunner is freaked out at realizing that he was born as a baby roller coaster by a roller coaster mother); Freakshow, Ironwheel’s roller coaster general; Havoctrack, a salty roller coaster sea captain; Spiderleg, an eight-hydraulic-armed spider ride; a nameless go-kart, and many others. There is the whole world, which is much more than just an endless amusement park:

“I poured myself another round of wine. ‘What is that?’ I queried.

‘Where all red roller coasters have called home: the sacred Temple of the Red. There is where Thunderbark will train you, and that, Railrunner, is where you will fully discover all of what you are. The Temple is about a two-day journey from here. It lies beneath the surface of the great Achterbahn River, within the island of Quinet, past the town of Trenzon. The temple is an amazing thing, made entirely of gold, a castle fit for a king and his nobles.” (p. 155)

Er – I’m having a hard time visualizing a solid-gold castle-temple beneath a river. In fact …

Twisted is one of those rare novels that you can nitpick to pieces all day, and it still remains surprisingly readable. Read the rest of this entry »

The Vimana Incident, by Rose LaCroix – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Vimana Incident, by Rose LaCroix.the_vimana_incident_by_nightphaser-d89nndt
Dallas, TX, FuPlanet Productions, February 2015, trade paperback $9.95 (205 pages), epub $7.95.

This title is a work of anthropomorphic fiction for adult readers only.

Rose LaCroix is proud to present her most anticipated novel, where psychedelic science fiction, historical fiction, and alternate timelines come together in a suspenseful, mind-bending masterpiece.” (back-cover blurb) Well, it’s certainly her most ambitious novel.

Edward “Red Ned” Arrowsmith is a red fox British aerospace engineer in an anthropomorphic 1939, where the world is not preparing for World War II but is engaged in a race to establish the first permanent Lunar colony. Ned is the chief engineer at Bristol Lunar, the firm that supplies the hardware for the British space program. A manned Lunar landing has already been accomplished; now the race is on to build a permanent base. The Americans, the British, the Germans, the Japanese, and the Soviets are all in peacetime competition, but they don’t pretend that it’s friendly.

One day the commander of the Royal Air Force Lunar Expeditionary Force pays a surprise visit to Red Ned’s office. He’s needed to go on a secret mission to the moon. Does he accept? Ned guesses so, but when? Right now – the commander (an otter in a RAF officer’s uniform) will drive Ned to the dirigible airfield to get a flight to the launch site immediately. “‘We’ll have time to stop by your house so you can bring a change of clothes but we have to be on the RAS Empress of India by no later than four o’clock pip-emma. That is, if you choose to accept this mission.’” (p. 15)

I suppose that if you can accept talking anthropomorphized animals, a secret mission where one is called upon to become a member of a Lunar mission at a moment’s notice with no training is no problem. But it fatally weakened any aura of believability for me. After that, The Vimana Incident became for me just a fast-moving amateur secret-agent/science-fiction adventure with a funny-animal cast. Until about halfway through, where it becomes very much more than that … Read the rest of this entry »

Five juvenile novelizations of anthro animated features – book reviews by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Minions CoverMinions: The Deluxe Junior Novel, Adapted by Sadie Chesterfield, Based on the Motion Picture Screenplay Written by Brian Lynch. Illustrated.
NYC, Little, Brown Books for Young Readers, May 2015, hardcover $9.99 (131 pages), paperback $6.99.

Paddington: The Junior Novel, Adapted by Jeanne Willis, Based on the screenplay written by Paul King, Based on the Paddington Bear novels written and created by Michael Bond. Illustrated.
NYC, HarperCollinsBooks/HarperFestival, October 2014, trade paperback $5.99 (142 pages, Kindle $5.99.

Penguins of Madagascar: Movie Novelization, adapted by Tracey West. Illustrated.
NYC, Simon and Schuster/Simon Spotlight, October 2014, trade paperback $6.99 (142 pages), Kindle $6.49.

Planes: Fire & Rescue: The Junior Novelization, Adapted by Suzanne Francis. Illustrated.
NYC, Random House, June 2014, trade paperback $5.99 (122 pages).

Rio 2: The Junior Novel, Adapted by Christa Roberts. Illustrated.
NYC, HarperCollinsBooks/HarperFestival, February 2014, hardcover $14.40 (144 pages), trade PB $5.99, Kindle $5.99.

None of these juvenile novelizations would be worth reviewing alone, but they make a point for furry fandom: for about the last five years, there have been practically no anthropomorphic theatrical animated features, and a lot of animated features starring mostly real or fantasy humans like Pixar’s Brave and Inside Out, from major animation studios that have not had authorized juvenile novelizations of about 140 pages. (If it’s from Simon Spotlight, you can count on it having exactly 144 pages; a tipoff that all of its juvenile novelizations are written to a formula. But, in the case of Minions, those 144 pages include 131 pages of novel, plus 13 pages of color plates, black-&-white illustrations, and advertising.) Many VFX-heavy live-action features like Avengers: Age of Ultron and Guardians of the Galaxy and Tomorrowland have novelizations, too. I could have picked Blue Sky Studios’ Ice Age: Continental Drift or Epic; Disney’s Wreck-It Ralph or Tangled or Frozen or Big Hero 6; DreamWorks Animation’s Turbo or Mr. Peabody and Sherman or Home (despite Home being already based on a “real” book, Adam Rex’s The True Meaning of Smekday); LAIKA’s ParaNorman or The Boxtrolls; Sony Pictures Animation’s Cloudy With a Chance of Meatballs or Hotel Transylvania 2; Warner Animation Group’s The Lego Movie (144 pages from Scholastic, Inc.) – almost any animated feature. Read the rest of this entry »

Trick or Treat, Volume 2: Historical Halloween – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

(I considered holding this for October – but Fred reminded me that Trick or Treat Volume 3: Pranks, Parties, and Pumpkins will be out – so enjoy it now!) – Patch

trick-or-treat-volume-two-historical-halloween-edited-by-ianus-j-67211Trick or Treat, volume 2: Historical Halloween, edited by Ianus J. Wolf.
Las Vegas, NV, Rabbit Valley Books, October 2014, trade paperback $20.00 (373 pages).

This is Rabbit Valley’s second annual (2014) Halloween theme anthology; “something for the adults to enjoy”, as last year’s volume said. It presents ten new stories; six scary horror “tricks” and four “delectable romantic and erotic” treats. The book’s fine wraparound cover is again by Stephanie “Ifus” Johnson.

Wolf points out in his Introduction that “historical” is treated liberally. “It is also worth noting that much of the original history of Halloween and its roots of Samhain that we ‘know’ are actually still debated in most academic circles.” (I can personally attest to its evolution. When I went to school in the late 1940 and early ‘50s, you were ‘wrong’ if you spelled Hallowe’en without the apostrophe between the two e’s. Today, nobody bothers with it.) “So relax, have some fun, and don’t think too much of this as a history lesson.” (p. 2)

The anthology is again divided into two parts, each presented by one of the anthropomorphic hosts. Trick the wolf gives us six scary “tricks”, and Treat the black cat follows with four erotic “treats”.

“Jenny-Burnt-Tail” by Huskyteer is set in the British trenches during World War I. A Scottish (terrier) trooper carves a turnip into a jack-o-lantern on All Hallows Eve, and Captain fox tells his men a seasonal reminiscence from his childhood. This story isn’t as scary in itself as the way that Huskyteer tells it, with convincing 1915 British accents and slang. The mud and mist and cold and wet, with enemy snipers all around and maybe poison gas – you really feel that you’re there; never mind any spooks that may also be there. It’s educational, too; you’ll learn a half-dozen regional names for will-o’-the-wisps (including Jenny-Burnt-Tail, which is genuine despite sounding like it was created for this anthropomorphic world). A superb mood piece. Read the rest of this entry »

Pet Noir, by Pati Nagle – book review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

coverPet Noir, by Pati Nagle.

Cedar Crest, NM, Book View Café/Evennight Books, August 2013, trade paperback $14.39 (iii + 180 [+ 1] pages), Kindle $4.99.

In an undated far future, Leon is a kitten biomodified to talk and with an opposable thumb. Here he’s being taken by his handler at four weeks old from the industrial lab where he was born to his new home, in a cat carrier:

“I could just see his face if I pressed up against the wire. He watched me, looking kind of wary.

‘So what’s this Gamma Station?’

‘It’s a transportation hub out near Cygsee Four. It’s where I live and work.’

‘Sounds boring.’

‘No, it’s a nice place. You’ll like it.’

‘Cygsee Four. That’s Cygnius 61 C IV, right?’

‘Yes.’

‘That’s in the middle of nowhere.’

‘Nowhere’s a relative term, Leon. It’s got a lot to offer. Better than living in a lab.’

‘Got elephants?’

‘Well, no. But there’s a nice park. You can run on the green grass.’” (pgs. 3-4)

Leon has been modified to become an undercover detective on Gamma Station, a smaller transportation hub to the outer space colonies. Smuggling of bioenhancers has been taking place, and the smugglers have escaped detection so far.

Read the rest of this entry »

A Whisper of Wings, by Paul Kidd – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

A Whisper of Wings, by Paul Kidd. [Second edition]
Raleigh, NC, Lulu.com/Perth, Western Australia, Kitsune Press, June 2015, hardcover $51.95 (557 pages), trade paperback $31.34, Kindle $8.99.

Whisper CoverThe first edition of A Whisper of Wings was arguably the first professional furry specialty press book ever published, by Vision Novels in October 1999. Anything before that was really a fanzine calling itself a book.

Kidd basically gave his manuscript to Vision just to get it published, after being told by the editors of all the major publishers for years, “A serious adult novel with funny-animal characters? Nobody will ever buy it.” Vision got out two trade paperback novels with anthropomorphic animal characters, both by Paul Kidd, before disappearing in 2001, and A Whisper of Wings has been almost unknown since then. Now Kidd has republished it through his own Kitsune Press, with Terrie Smith’s unused 1997 cover painting. If you never read it before, get it now!

A Whisper of Wings is pure fantasy. It is set in an Australian wilderness more mountainous and forested than the Outback desert, inhabited by the butterfly-winged foxlike Kashra, an alpine aboriginal tribal people. The Kashrans possess a psychic force, the Ka, that the more powerful Kashrans use to enhance their wing-power to make themselves better flyers and hunters. There is also an ïsha world-force, a “Mother Nature” spirit that some Kashran can use to get closer to the forest’s ecology. This Kashran society is thousands of years old and has become rigidly stratified – really ossified. Their civilization is divided into numerous male-dominated tribes, each ruled by a hereditary aristocracy and all under a traditional priesthood. Each tribe is supported by its elite hunters, and by its lower-class artisans who make trade goods. Each tribe is more-or-less self-supporting, coming together for only the annual jiteng games (roughly an aerial soccer tournament) and ceremonial tribal gatherings, at which each tribe tries to outdo the others in lavish feasts and similar displays of conspicuous consumption. Read the rest of this entry »

Thousand Tales; How We Won the Game, by Kris Schnee – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Thousand Tales; How We Won the Game, by Kris Schnee.
North Charleston, SC, CreateSpace, June 2015, trade paperback $8.49 (2thousand45 pages), Kindle $2.99.

The chapters are years in which this takes place; from “2036: The Early Adopters” to “2040: Thousand Tales”.

The blurb is helpful. “The mad AI Ludo is taking over the Earth… but she just wants everyone to have fun.” But it’s not that simple.

Paul Kostakis is a high-school graduate who wants to go to college. However, in this regimented 2036, all youths are required to serve a government-approved social service to qualify for admission to higher education. Paul is assigned to a Green Communities Youth Initiative work camp across the country in Arizona, a shelter for the homeless and unemployable. Its coordinator is a friendly-appearing sadist who obviously intends to fail Paul. When he stops a madman with a gun from killing anyone in the cafeteria, she records Paul’s actions as “excessively violent”. When he tries to study for his college’s entrance exams, she wastes his time by ordering that he play an endless video game, supposedly to relax and socialize better.

Paul does so very reluctantly, but the Thousand Tales game turns out to be brand-new, controlled by an equally new Artificial Intelligence, Ludo. Ludo, appearing as a fantasy beautiful woman, intrigues Paul by tailoring an imaginary world to his specifications. “She” gradually reveals to him that she intends to follow her programming to help her players enjoy themselves, by immersing them in increasingly-complex fantasy worlds tailored to their desires; and she wants Paul to help recruit new players who need her aid. “In return for a few little favors, she’s offering ‘brain uploading’. She can fatally dice your brain, scan it, and recreate you in a virtual-reality heaven she controls. You can do anything in there: become a griffin, upgrade your mind, fall in love, or go mad.” (back-cover blurb)

Read the rest of this entry »

The Painted Cat, by Austen Crowder – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Painted Cat, by Austen Crowder.Painted-Cat-Thumbnail
Dallas, TX, Argyll Productions, April 2015, trade paperback $19.95 (273 pages), e-book $9.95.

“I started painting myself up to look like a toon for two reasons. First, I was bored and needed a new hobby during my summer break as a teacher. Second – and far more important, in my opinion – was that my friend Valerie thought I’d look good as a cat, and I had always wondered what could have been if I had turned toon like she did. That she brought all the supplies, prosthetics, and paint we could possibly have needed sort of sealed the deal.” (p. 9)

The Painted Cat is more like Gary K. Wolf’s 1981 novel Who Censored Roger Rabbit?, or Disney’s 1988 Who Framed Roger Rabbit movie based upon it, than the average anthropomorphic novel. It omits the Disney crazy comedy, but in this world, the toons – and they are called toons — are live cartoon animals, not anthropomorphized “real” animals, who are socially lower-class living among humans; plus those humans who turn themselves into toons with special paint and prosthetics – see the deleted “pig head” sequence from the Roger Rabbit movie. Janet Perch, the protagonist, straps on a cat tail very like the artificial fox tails on sale at every furry convention, and within moments it attaches itself to her spine and she can move it like any cat can do with its tail.

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Needle, and Through The Eye Of A Needle, by Hal Clement – book reviews by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dear Patch; Here is my review of Needle and Through the Eye of a Needle by Hal Clement that I wrote for Cubist’s Anthro several years ago.  Maybe only one fan in a hundred will take the trouble to track these down, but they’ll probably be glad if they do.  Another way of looking at it is that Dogpatch Press will have the only mention of these proto-furry books before there was a furry fiction genre.

Needle, by Hal Clement.
Garden City, NY, Doubleday & Company, March 1950, hardcover $2.50 (222 pages).

NEEDL1950Hal Clement, whose real name was Harry Clement Stubbs (1922-2003), often told of how he wrote Needle as the result of a dare. John W. Campbell, Jr., the editor of Astounding Science Fiction, the most prestigious s-f magazine in the 1940s, was given to making lofty pronouncements that were understood by his writers to be dares to disprove them. On one occasion, Campbell had said that it was impossible to write a genuine science-fictional mystery story. Any such would turn out to be a standard mystery with s-f trappings, such as being set in the future or around a superscientific macguffin; but stripped of those elements, it would turn out to be just a standard mystery. Clement wrote Needle, which Campbell conceded was a genuine mystery that could only exist as also a genuine s-f story. Campbell bought it as a two-part serial for Astounding in its May and June 1949 issues.

Needle begins with two spaceships streaking toward Earth. Their alien occupants are, for the reader’s benefit, referred to as the Hunter and the Quarry. They are a jellylike or amoeboid lifeform, used to living inside a larger lifeform in a symbiotic relationship:

“The Hunter was a metazoon – a many-celled creature, like a bird or man – in spite of his apparent lack of structure. The individual cells of his body, however, were far smaller than those of most earthly creatures, comparing in size with the largest protein molecules. It was possible for him to construct from his tissues a limb, complete with muscles and sensory nerves, the whole structure fine enough to probe through the capillaries of a more orthodox creature without interfering seriously with its blood circulation. He had, therefore, no difficulty in insinuating himself into the shark’s relatively huge body.” (p. 15)

The Hunter’s people live within the bodies of animals called perits in a symbiotic relationship evolved on their world over eons. By themselves they look rather like jellyfish, and the Hunter briefly impersonates one on Earth. The metazoons provide the intelligent direction and the perits provide the physical mobility. When the Hunter’s spaceship, pursuing the Quarry, crashes into the South Pacific Ocean, his perit is killed and he is forced to move into an Earth host body:

“The Hunter’s attitude toward the animal [perit] resembled that of a man toward a favorite dog, though the perit, with its delicate hands which it had learned to use at his direction much as an elephant uses its trunk at the behest of man, was more useful than any dog.” (p. 12)

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