Dogpatch Press

Fluff Pieces Every Week

Tag: Rat

Buddy the Subway Rat says ‘cheese’ for the media.

by Joe Strike

Welcome to guest Joe Strike, journalist and author of Furry Nation, the furry fandom history book. (- Patch)

In New York City it’s hard to get peoples’ attention if you’re a struggling artist, or even if you’re not particularly struggling…unless you dress up as a rat and gambol around NYC subway platforms dragging a giant prop pizza slice, while making sure you’re videoed as much as possible for your social media platforms.

Jonothon Lyons

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Kismet, by Watts Martin – book review by Fred Patten

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Kismet_lgKismet, by Watts Martin
Dallas, TX, FurPlanet Productions, January 2017, trade paperback $17.95 (323 pages), e-book $5.99.

Kismet, by Watts Martin
Dallas, TX, Argyll Productions, January 2017, trade paperback $17.95 (323 pages), e-book $5.99*.

This is a first for furry publishing, as far as I know. The only differences between these two editions are the publisher’s name and illustrated logo on the title page, the ISBN number, and the cover by Teagan Gavet. Both are dark blue and feature the protagonist in a spacesuit in deep space, but the Argyll cover displays her at a distance without showing what she looks like, and the FurPlanet cover is a closeup showing that she is a rat-woman. The FurPlanet edition is marketed as furry science fiction; the Argyll edition is marketed as just science fiction, for those outside furry fandom who may buy s-f but not a furry book.

Whichever it’s read as, hard s-f or furry fiction, Kismet is a winner. Several hundred years in the future, mankind has settled the Asteroid Belt. Mankind has also developed advanced bioengineering that enables people to have themselves bioengineered into anthropomorphic animals. There has been the mix of social acceptance and rejection that this results in for over a century. At this present, most of Earth is human and most of the anthropomorphs have migrated to the Asteroid Belt. In the Belt, the humans are called cisforms and the anthropomorphs are totemics.

Gail Simmons is a rat-woman totemic in the Ceres Ring, with her AI spaceship Kismet. She’s a salvage operator, a salvor, doing odd jobs of space hauling and space junk reclamation. She’s basically a hermit, living inside Kismet; the ship smart-AI brain is her only friend. Gail is contacted by an old childhood acquaintance who she hasn’t seen in two decades; he’s a yacht charter pilot now, and he’s just seen what looks like a derelict spaceship while making a chartered flight. His customer won’t give him the time to check it out, so he’s notifying Gail. Gail and Kismet find what appears to be an abandoned or sabotaged spaceship and two dead bodies. When Gail reports this, it leads to her being accused of theft and murder, and the missing cargo to be a handheld databox – a Macguffin – that holds information that at least one party will kill to get, that can mean “the end of the human race”.

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Rat’s Reputation, by Michael H. Payne – Book Review by Fred Patten.

by Pup Matthias

Submitted by Fred Patten, Furry’s favorite historian and reviewer.


Cover by Louvelex

Rat’s Reputation, by Michael H. Payne. Illustrated by Louvelex.
St. Paul, MN, Sofawolf Press, July 2015, trade paperback $19.95 (viii + 359 pages).

To pat myself on the back, when I edited the first anthology of anthropomorphic short fiction from pioneering furry fanzines of the late 1980s and 1990s (2003), the earliest story that I chose was Michael H. Payne’s “Rat’s Reputation” from FurVersion #16, May 1989. Rat’s Reputation the novel is Payne’s fixup and expansion of his “Around About Ottersgate” short fiction featuring Rat and his neighbors of the animal community of Ottersgate and environs. It’s his second novel in the “Around About Ottersgate” world, following The Blood Jaguar (Tor Books, December 1998; reprinted Sofawolf Press, June 2012).

“The rustling grew louder, seemed to come closer, and Alphonse [a gypsy squirrel] stopped as the ground started to shake.

An earthquake? He’d been through a couple when the caravan traveled out west, but here?

The shaking grew more violent with each passing second, and he was huddling down, glad he was out in the woods where nothing could really fall on him, when with a crash like a landslide, something tore out of the ground ahead, molten rock fountaining all fire-red and ash-black up over his head to smash into the trees, cracking and falling in a perfect circle around the pit of lava that yawned open, a sudden sulfurous stink plastering Alphonse’s face.

Then everything froze, Alphonse blinking to clear his eyes, a lumpy mass of darkness rising from the pit, its vast golden eyes swinging around to fix on Alphonse. The silence went on and on until a voice spoke, soft and rough as a step into sandy soil: ‘I reckon you know who I am, son.’

Alphonse could only nod.” (p. 7)

When the High Ones call you, you come. When the High Ones give you a duty, you do that duty. Alphonse’s duty is to find the baby rat on the streambank and raise him up. Except that the rat isn’t a baby; he’s four years old.

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