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So You’ve Become A Taur, by Johannes Knapp – Book Review by Summercat

by Pup Matthias

So You’ve Become A Taur, by Johannes Knapp. $6, Jarlidium Press, 2018. Webcomic Archive #13. 24 pages, color.

Statement: I received a free copy of this comic for the collection of the Furry Library. My review was not influenced by this.

A comic about the challenges a taur face in a world meant for bipeds,  Johannes Karpp’s (aka Cervelet) takes us through the challenges a newly-taured individual faces, mixing in humor and well thought out and reasoned solutions to problems that would result from suddenly having an additional set of legs.

Originally posted online in 2015, this 2018 release from Jarlidium Press’s Web Comic Archive line includes new material, such as a backstory showing how our hapless hero became a taur, as well as a few new still images.

The worldbuilding is right up my alley, and something I think about constantly just for bipedal characters with tails. How do mass-produced store-bought pants work for digitigrade legs and tails of all sorts of shapes? What about chairs or vehicles?

Cervelet extends this “Well, what about” question to taurs and those with six limbs, and does so interestingly. It is something I will consider in the future.

The art is detailed and I get a sense of a coherent world behind the comic’s obvious PSA humor, however there are a few drawbacks, primarily with the drawn text that would have been better replaced with inked lettering.

Overall, if you’ve got a taur character, or are into worldbuilding with taurs, or just enjoy the humorous situation of a man suddenly cursed (or blessed) with new limbs, I can recommend looking at So You’ve Become A Taur.

Summercat

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In Flux, Edited by Rechan – Book Review by Summercat

by Pup Matthias

In Flux, from Furplanet and edited by Rechan, is an adults-only story anthology with four stories that feature transformation, which is, ahem, a personal favorite of mine. Yet despite two of the stories featuring kinks of mine, that are rarely touched upon, I find myself hesitant to recommend the anthology to the general transformation fetishist audience because I feel it may miss the mark.

This is not a knock on the technical writing skills of the four authors. Each story is well written and clear in their descriptions. The authors know their craft well and it shows. However, in terms of making subject matter for their audience, I can’t help but feel the anthology is lacking.

In Flux contains four stories.

Aesop’s Universe: Savages In Space, by Bill Kieffer, is a science fiction story involving a colony ship on its way to a new world that will be colonized, in part, by a tribal society of lions who are well aware of their technological setting. Huntress Thandiwe is horribly injured while hunting due to the ship becoming damaged from an accident, and her body becomes regenerated using her genes and DNA. This results in a fix to her eyes, but also an androgyn issue that went unnoticed, turning her male. This threatens to complicate issues with her Crewman boyfriend, the lion Bobby.

I love this story. Female to Male is something I enjoy, but more than that, the story goes into how the Thandiwe handles her new body and the changes, set in a backdrop of a major problem with the ship that she helps Bobby with. The story has a satisfactory, for me, ending, and manages character growth in the short few pages it has. The transformation itself isn’t described as much, but there is a video timelapse the character watches.

Wild Dog, by Franklin Leo, is a first person modern day story told from the perspective of Riley, an African Wild Dog. Shifting in this universe is common apparently, as any anthro can infect another anthro with their species. This serves as the center of the drama with his relationship with the dalmation Samantha when she nips him.

I did not like this story. The opening was promising, but the outcome when Riley confronts Samantha about the change being forced on him when he has tried to be courteous about not changing her just upsets me, and the ending feels like an out of character action for both Riley and Samantha. While transformation was at the core of the story, the actual transformation was minimal in description as it served as a plot device for the conflict.

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