Purrfect Tails, Edited by Tarl Hoch – Book Review by Fred Patten
by Pup Matthias
Submitted by Fred Patten, Furry’s favorite historian and reviewer.
Purrfect Tails, edited by Tarl Hoch.
Calgary, AB, Armoured Fox Press, February 2018, trade paperback, US$11.95 (164 pages).
Tarl Hoch’s Armoured Fox Press in Calgary, Alberta, is both a furry specialty press and an anime specialty press*. Its first book, published in 2018, emphasizes both specialties: it’s an anthology of nine cat-people stories, ranging from anime “nekos” with cat ears and tails but who look human otherwise, to full anthro cat people.
“Milk and Brass” by Madison Keller is set in a steampunk Victorian London with animal-hybrids. Carla is a cat-hybrid type neko, bred for lowest-class labor. Nellie Hanson is a pampered swan-hybrid bred to her rich father’s order, with delicate feathers on her arms and decorative but useless wings on her back. When Carla flees the London slum workhouses and docks, she is found and hidden by Nellie, who faces a loveless marriage at her father’s order. Carla urges that the two girls escape together to America and the Wild West, but Nellie is reluctant to abandon her duties and responsibilities. A Dramatic Event forces their hand.
In “Following the Tail” by Dark End, Jacqyl is bored and depressed in a society where almost everyone is mind-connected to the Internet and lets their bodies go. Then she sees The Tail:
“Everyone else [on the train] was jacked in, heads forward, drooling all over themselves as their brain played in the depths of the net. A few were on private servers, and Jacqyl amused herself by guessing what type of Sense-Scape they were in by the way their puppet-like bodies twitched. By the way their hips flexed, more than half of them were in erotic ones. Even the train’s conductor appeared to be in one – not like her job was that hard anyway.
[…]
The train jerked to a stop, causing several dull thumps as a few bodies, so limp while jacked in, smacked hard against walls or railings. A few people woke from the trance of their systems and made their way out.
And that’s when Jacqyl saw him – or rather, a fragment of him: a tail, an actual goddamn tail, flitting in the air as he stepped off. She jumped out of her seat and pressed her face against the window, but whoever he was, whoever he had been, was lost in the drab gray monotony of the mingling throng on the station platform.” (pgs. 16-17)
Jacqyl seeks the man with the tail for months. Why? What does she find? The description of what Jacqyl sees of society as she goes is so zany that I’m not sure whether “Following the Tail” is a comedy or a horror story about what to expect in the future.