9/26/19: In 2018 an article was published because of a request for help by tippers. A year and a half later, the issue is in the past and no further requests about it have been received, except patient requests for removal to leave negativity behind. Parts (1) (2) (3) are now archived with a note that it isn’t current info and should only be judged by current responses, for progress and goodwill.
Co-written by Thurston Howl and Patch O’Furr. Full disclosure – Howl and Patch have received Ursa Major awards by community vote.
Even in non-writing communities in the furry fandom, many furries are aware of the Ursa Major Awards. They’ve been around for about 17 years, have presence at cons, and each year they receive many voters. However, for all their legacy, Thurston Howl – (a furry publisher who assisted with social media and marketing for the UMAs in 2017) – has come forward with concerns involving the UMAs’ recent soliciting for donations and GoFundMe campaign.
A transparency concern.
Until now, there has been no formal budget or accounting for funding. Fred Patten, Secretary of the ALAA (Anthropomorphic Literature and Arts Association, which runs the UMAs), told Howl on 5/30/17: “I cannot remember that the Treasurer for the ALAA has ever submitted a formal treasury report.” Fred confirmed there were no records for 17 years, and later added:
I don’t know how much it costs to print UMA award certificates, buy frames for them, ship them to the recipients, make and ship powerpoint presentations, etc., and I don’t know how much total in donations we’ve gotten over the years…
There have been complaints in email discussion by associates. ALAA member Bernard Doove said: “I would like a report on the finances that is more than ‘we’re broke.'” And on 5/4/17, a donor reported that they considered their donation “an unwise decision that could have been put to much better use elsewhere.” There were even fears of misappropriation, but Bernard Doove found no evidence when he looked in the bank accounts. The explanation seems to be fees of $156/year to maintain a Checking and Savings account if they have under a $300 minimum balance each.
It honestly seems like an issue of mixing small fan efforts with more formal organization, like how fandom started. ALAA Treasurer Rod O’Riley was a fandom founder who helped start Confurence in 1989. He responded to a request for comment:
The problem is not transparency — the problem is a lack of funds to be transparent about.
All donations have made their way into our bank account, and have been spent on either what they were supposed to be spent on — making and mailing out our trophies and plaques — or else were swallowed by the bank fees. ALL donations. Sometimes they took a while to get where they were going — as recently, when PayPal and our bank’s on-line system had difficulties talking to each other, for reasons I still do not understand. But eventually, they got where there were going.
“Furries ruin everything.” “F#$king Furries.” “Yiff in H$!!.” The furry community can face stigmatization from the mainstream – and for some, fursecution is real. That being said, there are good people who put a lot of effort into the furry community. Between helping people financially, educationally, or by going out of their way to help keep the peace, there are good furs out there who deserve to be recognized for their efforts.
On June 1st, 2017, the Furry Ambassadors Program was initiated on Fur Affinity: http://www.furaffinity.net/user/furryambassadors. An ambassador is someone who protects people, promotes prosperity, or works for peace. Meeting one of those three duties has become a requirement for someone to be recognized a Furry Ambassador as well, as this is not a popularity contest. Being a Furry, however, is optional.
The list of Furry Ambassadors to date are as follows.
Want to nominate your own FurryAmbassador or learn more?
— FurryAmbassadors (@FurryAmbassador) October 23, 2017
Please visit our FurAffinity page for more info!https://t.co/vD8rwja1FS
Rune’s Furry Blog showcases “people within the Furry Community… their characters, life, thoughts, and beliefs”. It also covers furry issues and media. Welcome Rune! – Patch
“We’re all mad here…”
This year at Texas Furry Fiesta, 3866 fuzzbutts fell asleep and found themselves in Wonderland! This number bumped up the convention to being on the top 5 conventions list, falling just under Furry Weekend Atlanta (FWA).
This was my 2nd time going to TFF and it has always held a special place in my heart for being my first-ever con. This year was an adventure as the convention had grown so much that it was in a new venue for a brand-new experience! Because it was so fresh and so new, I decided that a type of review was in order. So, taking from my personal experiences and the comments from others, I compiled a list of things that set the convention apart, and maybe the not-so favorable things about the convention that can hopefully be fixed in the future.
So buckle up and take this trip down the rabbit-hole with me as we explore the brand-new Texas Furry Fiesta (Lonestar Wonderland)!
This started with a guest submission by Rama the Golden Liger, a fur in Honduras. I collaborated with a lot of editing to smooth out the language and add extra info and another point of view. Fred Patten helped connect with even more furries who sent info at his request. Thanks Rama and Fred! – Patch
The Diversity of the Latin American Furry Fandom
We know how furry fandom started in the U.S. As it grew there, the mainstream media, the internet, its memes and popular YouTubers, and other influences put the fandom within a stone’s throw for many young people. Now across borders, different cultures are experiencing a growth of furry fandom among many international influences they already have.
Latin American furries are a result of all this exposure. The internet helped many young people get interested in the art, behavior, and culture of the furry creatures they see on the screen. Many Hispanic furry fans are males mostly from around age 15 to their 20’s. They came across fandom through friends, memes, anime, manga, and fan art. There are popular YouTubers like Khazoo, who spread the term “furry” through his videos. Of course, there was also Zootopia spreading popularity of anthropomorphic animals around the world.
(Patch): International reach reminds me of studying animation under an “old master” who in 1989, helped lead a nonprofit mission to Latin American countries to reduce AIDs among street children. They traveled around to test screen educational cartoons on the side of a van. The audience was poor kids who were vulnerable to exploitation and had low access to schools. The films they were shown were life saving, and most importantly to this story, the language of cartoons was universal across borders to all levels of literacy. Of course internet users in 2018 are the main topic here.
Khazoo is an example of how furryness spreads now. This teenage Spanish-language Youtuber from Mexico may not be known to English speakers. He was born in 1999 and only uploaded his first video in 2016, but soared to 31.5K followers on Twitter and nearly 600,000 youtube subscribers so far – much more than any specifically furry internet celebrity! How did he start? According to a wiki about him (use Chrome/Google Translate), Khazoo started with general teen audience content like gaming and cartoons. While he joked about being in love with Judy Hopps, fans called him “furry” but he denied it, until finally admitting it to everyone – a story I’m sure we can all laugh about in any language!
Submitted by Fred Patten, Furry’s favorite historian and reviewer.
Mythic Transformations, by Kris Schnee
Seattle, WA, CreateSpace, December 2017, trade paperback, $7.99 (189 pages), Kindle $2.99.
This collection of fourteen short stories by Schnee is about transformations rather than anthropomorphic characters. “In this story collection, people not only encounter these beings but become them.” (blurb)
“Guardians of Mistcrown” is set in a traditional fantasy world. Darius, a young mapmaker, is looking for a new caravan route through the Mistcrown mountains. He finds a cave guarded by Zara, a griffin, who is compelled to kill anyone who comes too close to a hidden source of magical mana. Darius and Zara trade bodies, to Darius’ dismay. But he finds that there are advantages to being a powerful, flying, ageless griffin – if he can just break the wizard’s spell that binds him to the mountain cave with the mana.
“The Petlyakov-15 Amusement Engine” is for video-game geeks.
Devjn, a hard-core video-gamer, finds an old 1980s Eastern Bloc video game in a yard sale.
“He called the saleslady over from her busy work of rearranging battered stuffed animals. ‘Is this some kind of custom case on a Nintendo?’
She shrugged. ‘It was my cousin’s, but then he moved out all of the sudden. Wasted all of his time playing video games.’” (p. 27)
Devin is intrigued by the “PE-15” Cyrillic lettering, and amused by its apparent imitation of old American/Japanese video games.
“The next day he dug up a copy of ‘The Legend of Zelda’ and blew dust out of it. He smiled at the shine of the classic golden cartridge. The PE-15 came on and showed him … ‘The Legend of Svetlana’?” (p. 28)
Devin plays deeper and deeper into the PE-15. Since Mythic Transformations is a collection of stories of “people not only encounter[ing] these beings but become[ing] them”, the only question is what will Devin turn into? Hint: it isn’t a fairy-tale princess.
“Little Grey Dragons” takes place in a classic poor Russian village. Washerwoman Alexi’s brother Petrov, the blacksmith’s assistant, finds two strange warm eggs in the forest.
“They turned at a noise from the egg that Alexi had touched. It was cracking. Alexi stared as the cracks spread for several long minutes, and finally a creature’s head emerged. Grey flesh, a grey snout, and a grey eye watching her. She stood there frightened and confused. ‘Petrov,’ she whispered, ‘what is this?’
Petrov murmured, ‘Not Firebirds. Zmei.’ He stared at the other egg, obviously willing it to crack, and it began to do so.” (p. 37)
Guest post by Arrkay from Culturally F’d, the furry youtube channel. See their tag on Dogpatch Press for more.
Yesterday we posted a sneak peek of our multi-part miniseries. It looks at animal-costume history from the basics of the mask, theatrical outfits, Hollywood rubber-suits, fandom cosplay, and our very own fuzzy army of unique performers.
Now here’s Part 1: Masks. This video explores the very idea of the mask itself and its ancient origins. Of course we focus on animal-masks, since we’re talking about Fursuit History, not just costuming in general.
Guest post by Arrkay from Culturally F’d, the furry youtube channel. See their tag on Dogpatch Press for more.
Get a load of this sneak peak for this weeks long-awaited Culturally F’d Miniseries. Inspired by a series of articles right here on Dogpatch.Press, Fursuiting: A History is an expedition straight into the uncanny valley.
This multi-part miniseries will look at animal-costume history from the basics of the mask, theatrical outfits, Hollywood rubber-suits, fandom cosplay, and our very own fuzzy army of unique performers. Stay tuned this #FursuitFriday for the first installment of our 2018 series – and make sure to subscribe to Culturally F’d on YouTube to catch new videos as they come.
Submitted by Fred Patten, Furry’s favorite historian and reviewer.
R
aid on Sullin, by Beryll & Osiris Brackhaus
Seattle, WA, CreateSpace, October 2017, trade paperback, $15.99 (233 [+ 9] pages), Kindle $4.99.
Raid on Sullin is #2 in the Packmasters series. #1, The Relics of Thiala, was reviewed here last April. I concluded that review, “But this is space opera, not hard science s-f. This review covers the first 50 pages of the 190-page novel (cover by Darbaras, a.k.a. Dávid László Tóth). What will Cat, Ferret, Bear, Wolf, and Ana find on Thiala and the sleazy Vandal space station? Since this is space opera, expect mucho dramatic action and weapons fire.”
I’m a sucker for good space opera, and The Relics of Thiala is great furry space opera. I’ve been looking forward to the sequel, and Raid on Sullin is not a disappointment. I recommend starting with The Relics of Thiala, but Raid on Sullin has a very good “What happened so far” for those who don’t want to bother. Roughly, Cat (the narrator), Ferret, Bear, and Wolf are four bestiae, bioengineered anthro-animen in a far-future interstellar community. The bestiae are considered beneath contempt by most humans, and were enslaved by a cult called the Packmasters. The Packmasters were apparently all killed by the rest of humanity in a civil war a generation ago. Ana, a mistreated young adopted orphan, escapes with the help of Cat. They gather three other bestiae and discover that Ana has Packmaster powers, but instead of using them to dominate the others, they form a pack of friends with a telempathetic bond under Ana’s leadership, Cat’s guidance, Bear’s piloting, and Wolf’s muscle. They steal a luxury space yacht, the Lollipop, belonging to a corrupt human Senator, Viscount Tomori, and flee to Vandal, a distant space station towards the Fringe of the galaxy that is (what else?) “a wretched hive of scum and villainy”. But Tomori comes after them. The book ends with Tomori and Bear dead, and the others unsure of how Vandal’s laws will treat them.
Nearly ten thousand users last month, and rapidly approaching five thousand artist listings - looks like we're having a growth spurt!
— Commiss.io (@Commissioapp) February 8, 2018
How devoted are furries? To commission a fursuit, they tortuously wrap themselves in duct tape, pay thousands of dollars and trust a years-long wait before getting something back. Imagine if you had to do that for a new car or stove?
The upside is direct exchange for hand-made goods, but the downside is a clunky process with a lot of invested effort and risk of fraud or failure. It works because fandom is close-knit, but there’s opportunity for better platforms to help buyer and seller. (I was posting about it in 2013). Fursuit makers seem to be niche enough to handle their own business, but freelance artists handle smaller projects much more frequently. Art commissioning sites have started up to help. Achieving scale of users may be a challenge, but they’re in a growing fandom and word is getting out.
Commiss.io first caught my notice with their banner in the dealer’s den at BLFC. Now Hunter, the CEO, joins me to chat about the service.
My impression of Commiss.io is a business aimed at the freelance art marketplace. It was started by furries but it’s for any and all users. Do I have that right? Who’s on the team?
Pretty much! Though most of us have at least some involvement in the fandom, Commiss.io was created for any and all creators. Not just anthro artists, but musicians, sculptors, and more! We’ve really seen a lot of adoption within fandoms, furry and otherwise, and we’re really happy to provide a great place for that!
Right now there are four of us that work on the project. Myself, Mark, Chris, and Nate. There are, of course, all of the great artists and commissioners on the site as well! Right now we all do a little bit of everything, from outreach, marketing, customer support, and coding.
Commiss.io is described as a “place to manage your creative shop” – helping with payments, project management, licensing, asset delivery, and more. Is this improving on other services?
We saw a niche that needed filling. There are gallery sites, social networks, project management sites, and sites for very small freelance projects and very large ones. Together they all create a very disjointed experience, with little focus on projects in the range that many freelance fandom artists tend to focus on. As a result, creators end up with an uneven experience and the need to manage themselves across a number of platforms, without a central location to track their projects and ensure protection for sellers. When things are messy, it’s easy to get lost.
Our goal is to be a central hub, with the process fading into the background so creators can focus on creating, and clients can have a great experience.
