Dogpatch Press

Fluff Pieces Every Week

Joe Biden will bring furries back to the White House.

by Patch O'Furr

There’s an unbelievable memory for Lindz, an inventor in California. Lindz loves the Burning Man event that takes place every year in Nevada. One year he went there with a giraffe suit, which led to building a giant robotic giraffe. They go to special events together. They’ve been to furry conventions, and in 2014, they were invited to a Maker Faire on the White House lawn.

Lindz in 2018: “I still have a hard time believing this really happened, but it did, 4 years ago this week. @.@ How things have changed…” (It’s on video and got a lot of headlines.)

When Obama left office, the changes that came led a poet to write about it:

There’s no art in this White House.

There’s no literature, no poetry, no music.

There are no pets in this White House, no loyal man’s best friend, no Socks the family cat, no kids’ science fairs.

Elayne Griffin Baker’s poem went viral when Bruce Springsteen shared it. (Read the rest.) I don’t think Lindz’s memory is what they had on their minds, but of course it was — that’s the beauty of this humanity thing.

Times are changing again and there’s a new family coming to the White House. President Biden, Madame Vice President Harris, First Lady Dr. Jill Biden, Second Gentlemen Douglas Emhoff, and Champ and Major.

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Protests in Poland “a premonition for what will happen” if LGBT rights are lost in the USA — Q&A with furry artist Jeanwoof who does charity for rights in Poland.

by Patch O'Furr

The 2020 U.S. election is in progress, the future is at stake, and a tipper sent me this story. “It may be a premonition of what will happen here if abortion and LGBTQ rights are suspended by the supreme court.”

Maybe you’re sick of relentless gushing doom about politics. Sorry I can’t make it stop with the fabulous power of furry news reporting. But I can make a story for furries in and out of the U.S., and help you think about protecting rights everywhere. This won’t just tell you to vote, it’s about using fandom power!

Soatok Dhole explains why it matters.

Politics? In My Fandom? 

Soatok says “The furry fandom – which you can think of as the largely queer sector of geek culture – has a problem with negative peace”; and it’s hurt by the Trump administration’s effort to overturn marriage equality plus 33 more steps to push anti-LGBT hate worldwide.

The problem is not just about Trump — it’s about ultraconservative attacks on rights everywhere. You can’t get peace from it by turning off the news, so to make better news, let’s meet a furry who does art charity to advance people’s rights in Poland.

Hi Jeanwoof, can you give a brief bio about yourself?

Hi, I’m a 26 year old woman living in Northern Poland. I’m very active in the fandom — drawing furry art for 6 years, and for 3 years I’ve been doing a small furry convention (Kungfur) with friends. I attend local conventions and sometimes you can see me at Eurofurence in the Dealers Den or Artist Alley. I’m a fursuiter too, but I don’t wear my suit as often as I want to.

by Jeanwoof

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Monster Force Zero: loads of fun and furries in a movie out just in time for Halloween.

by Patch O'Furr

You’ll want to show Monster Force Zero at any furry party night if you love midnight movies. This new release went through a few years of production with crowdfunding and shooting in Colorado at Galaxyfest. Furries are included briefly, but with love. Catch it on Amazon or other services above.

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Meet Unid, the only known furry from Sri Lanka.

by Patch O'Furr

There’s an island off the southern tip of India, with a small furry animal on it, looking out for who else may share the same fandom. Through the internet, other creatures reach across the ocean and an international fandom works its magic. They may not all speak the same language, but they can share the art and everything else that furry fans call theirs.

Previous stories here have found furries in places like Iran. Today, meet a furry from Sri Lanka. A species so rare, there may only be one. The story tip about Unid came from Zinger, who wanted to share a friend’s wish to singlehandedly bring the fandom to his country. In return, we can learn what it’s like to live there.

Furries contain multitudes. If a fandom is a Venn diagram of overlapping interests, it looks plaid. So let’s find out more of what Unid is into. Are there Sri Lankan nerds? If a con happened there, what would everyone eat, hear or see? How about a heavy metal show?

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The Dealers Den plans to rebuild with unprecedented features and Blockchain technology

by Patch O'Furr

Help vote for success for the only furry auction site!

For over 20 years, furries have had their own specialized auction sites serving the “Furry Economy”. In 1999 there was Furbid and Furbuy. In 2015 we had Furbuy and The Dealers Den. Now only the last one is standing — and thriving. It may be poised to leap ahead of big corporate sites with an ambitious plan.

The Dealers Den is a furry-owned marketplace that brings outsized benefit to sellers and users. They don’t have to use Etsy, Ebay or Amazon. They can efficiently reach each other within their own niche. It keeps things in the “fandom family” without corporate middlemen and control. Ask users what the site does for them. (“Very surprised and very grateful”: fursuit maker Beauty of the Bass talks about a $14,000 sale.) It makes big support for independent art.

But for any niche community, there are downsides. Keeping things personal and relying on trust can be risky. Anywhere in the fandom, scam sellers can come back under new names, or good sellers can be hurt by false bidding or cheating on pay. It’s hard to scale up for new features — like a verified purchase review system, payment processing, or escrow protection.

Enter the Dealers Den rebuild plan.

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Q&A with Finn, founder of the Fuzznet Music netlabel for furries.

by Patch O'Furr

“World’s first furry-centered, full-service music distribution netlabel.”

A new netlabel for furry music has been announced! When I think of a label, especially on the small indie side, I think of curation for a certain sound or scene. (Example: a Q&A is coming soon with a fur from Sri Lanka where I asked about Goa Trance.) Here’s one I’ve been enjoying: Numero Group is a reissue label. Imagine digging through thrift store junk and finding a weird one of a kind record that sounds amazing — that’s everything they put out. They specialize in the history of unsung niches, local scenes and their heroes. It makes richer music history than the well-worn stuff on classic rock channels.

Specialty and indie labels make diversity. With that in mind I talked to Finn.

A music style for furries? 

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Fuzznet Music launches a netlabel to unite musicians of the furry fandom.

by Patch O'Furr

What if there was a convention for furry musicians? For BLFC 2018, a furry musical was created and performed there (and it wasn’t the first of its kind.) Imagine that kind of energy every year. Sustaining it would take a thriving scene with room for its own publishers.

But what is furry music? Why is it furry? A Dogpatch Press Q&A series asked musicians to explain. Some use animal themes or perform in fursuit. Some just share a social circle. Many music scenes work that way, so you don’t even need to ask why. A show takes a crowd after all. What kind of energy could they bring to a con? Furry DJ spots have a lot of competition, and musicians have played live for hundreds of fans at cons. Think: Matthew Ebel, NIIC The Singing Dog, or Fox & Pepper (who racked up $38,000 in crowdfunding for an album!) Some get lots of views, compose for films, and reach outside the fandom. FWA 2019 made brief crossover with mainstream act Mystery Skulls. Furry musicians are also collaborating to put out compilations.

That makes a scene with potential. Now they’re taking another step forward with a netlabel. So blow a horn and start a howl for FUZZNET MUSIC!

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Interview with a Sleestak, the scaly monster that stalks the streets of Portland!

by Patch O'Furr

Beware! Get scared! There’s a Sleestak on the street tonight!

This scaly, green, bipedal creature was originally from the 1970’s TV show Land of the Lost. (A live action children’s adventure show mixed with claymation animated dinosaurs, about a family trying to get home from an alternate universe.)

Through some dimensional portal, one Sleestak recently appeared in Portland, OR. He was then discovered by the news. Read a story about him from The Oregonian: The Portland Sleestak wanders the city for scares, smiles and general weirdness. Another from King5: Brent Marr pays tribute to a 70’s classic and reminds his hometown it’s fun to be weird.

I saw the news linked by Bawdy Storytelling. (A show for kinky stand-up performers, which often has furries like me.) Sadly, I must disappoint friends at Bawdy because the Sleestak is family-friendly and can’t go on stage with spicy stories. But he did answer a Q&A.

I was curious about the Sleestak’s inspirations, and why he appears on the street where you’d never expect a scaly creature. It reminds me of street fursuiting (my favorite thing.) Enjoy our chat about it.

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Q&A with Christopher Polt PhD., who teaches a Talking Animals course at Boston College (Part 2)

by Patch O'Furr

We’re back after Part 1 of the Q&A with Christopher Polt, PhD., from Boston College. His Twitter is full of art and animation history that welcomes furry fans.

Rate My Professor loves him.

(Dogpatch Press:) It was interesting that you mentioned teaching a course in talking animals. Tell me all about it! Since when, and how unique is that, and how is it being received? What sort of students are in it and what are they studying in general?

(Christopher Polt:) I love that course — the material is so fun and weird and meaningful. The basic question we ask is, “What are we doing when we speak by using animal voices, and what does that say about our attitudes towards humans, animals, and the lines we draw between them?” It’s also my chance to teach some cool, off-the-wall art and literature. We read Apuleius’ Golden Ass, which is a novel about a guy who accidentally turns himself into a donkey and goes on a journey through the Roman provinces (think The Emperor’s New Groove, but much sexier and more violent), and Nivardus’ Ysengrimus, which is the earliest major collection of stories about Reynard the fox, an archetypal animal trickster.

Sometimes I also take students on field trips to tie historical material we’re learning to lived experience. One of my favorites has been to a local pet cemetery. We spend a few days talking about how Greeks and Romans use animals to think about divinity, mortality, and the afterlife, and we look at epitaphs and funeral poems for dead pets, which are often written from the animal’s point of view. There’s a great example in the British Museum, which commemorates the life of a dog named Margarita (“Pearl” in Latin), who died while giving birth to puppies:

https://www.britishmuseum.org/collection/object/G_1756-0101-1126

She talks about chasing other animals through the woods, how she used to nap on her humans’ laps and sleep in their bed, and how she barked a lot but never scared anyone. So after we read a range of things like that, we go to the pet cemetery and read modern grave markers, and we compare how people grieve for animals differently and what they choose to celebrate and memorialize about them. My favorite is this one for a cat named Useless:

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Q&A with Christopher Polt PhD., who teaches a Talking Animals course at Boston College (Part 1)

by Patch O'Furr

It wasn’t long ago that Furry Twitter found Christopher Polt, PhD. and his threads full of art and animation history that whole-heartedly welcome furries.

His content isn’t just catering to fandom — it goes deep into history in a fun and engaging way. But the parts with furry interest reminded me of another account profiled here before, Ancient Furries. I asked him if he wanted a brief “Great Accounts To Follow” article, and it led to a much more involved Q&A. It’s special to get such effort from a professor who handles lots of students and curriculum! Here’s Part 1, with Part 2 posting tomorrow.

(Dogpatch Press): I see you’re a Classicist and Assistant Professor at Boston College. That looks like a super active place (with beautiful architecture!) Can you talk about what it’s like to work there and what the job involves?

(Christopher Polt:) If you like Collegiate Gothic, we’ve got you covered! It’s a nice place to work — supportive colleagues, friendly and bright students, freedom to teach mostly what and how I want. Each semester I teach two or three courses, which are a mix of intro/intermediate ancient Greek or Latin, advanced seminars on Latin literature (esp. Roman poetry), and courses on ancient culture that don’t require knowing ancient languages (some examples: Roman spectacles; art and resistance under the early Empire; and “Beast Literature,” which is about talking animals in ancient and modern literature and film).

I also spend a lot of time on research and writing. My first book, which is coming out from Cambridge soon, is about how Romans in the 1st century BCE used theatrical comedy to think and talk about their everyday lives and relationships.

I’ll bet Covid has really affected everyone at colleges everywhere, what’s your story for that? You mentioned starting to tweet about Disney history a few months ago, is that using social media to maintain energy with your work that got disrupted by the pandemic?

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