Patch O'Furr

February 6, 2017

Culdesac; A Novella from the War With No Name, by Robert Repino- review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Culdesac; A Novella from the War With No Name, by Robert Repino.
NYC, Soho Press, November 2016, trade paperback $9.99 (110 pages + an 11-page preview of D’Arc), Kindle $7.99.

Culdesac This is a side-story to Repino’s Mort(e), reviewed here in June 2015. In Mort(e), the ants declare a war of extinction against mankind. In addition to fighting humanity by themselves, including producing human-sized ant warriors, they use their “mysterious technology” to transform all animals into anthropomorphic intelligent beings. “Suddenly, farm animals, ferals, and pets could think and speak. Their bodies changed, allowing them to walk on their hind legs and use their hands like a human.” (p. 1)

The protagonist of Mort(e) is Sebastian, a pet housecat. When he is transformed, he takes the name Mort(e) and becomes a warrior in the elite Red Sphinx guerilla company under Captain Culdesac, a bobcat. When the ants and animals win, he is given ownership of the home he used to live in as a pet. But he remains a loner, skeptical about the animals’ alliance with the Colony, the underground ant super-nest; and about the animals’ ability to build a new society more successful than the humans’ had been. When the last human survivors resume the war with a new weapon, Mort(e) rejoins the Red Sphinx. The conclusion of the novel reveals whether the animals’ new world is stable, what the Colony’s true goal is, and what happens to Mort(e).

Culdesac takes place during Mort(e). It focuses upon the bobcat commander of the Red Sphinx, who is only a minor supporting character in Mort(e). Unlike Mort(e), who had known humans as a pampered pet and had doubts about turning upon them, Culdesac was a wild predator who grew up knowing only the law of kill-or-be-killed. He brings that attitude to the Red Sphinx. “Relentless, bloody, and unforgiving, Culdesac is the story of an antihero with no soul to lose, carving a path of destruction that consumes the innocent and the guilty alike.” (blurb)

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February 3, 2017

Today! Don’t miss the Anthropomorphic Enchantment show in San Francisco.

by Patch O'Furr

anth

It’s been hard to keep this a secret. Here’s a flash notice about a one-of-a-kind show I’ve been excited about for weeks. I had to hold back from telling you until shortly before it opens, because they want it to materialize like one of those shops in stories that sell magic genie bottles and cursed monkey paws.

RSVP on Facebook: Anthropomorphic Enchantment – at Red Victorian, 1665 Haight St, San Francisco, 6PM to midnight.

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January 25, 2017

Artstuffs, by Melody Wang – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Artstuffs, by Melody Wang
Toronto, Ontario, The artist, November 2016, $20.00 (unpaged [48 pages]).

This is not a book as much as a book-format folio of 48 pages of the artist’s color illustrations, drawings, and sketches, on thick glossy paper. There is no subject. Like most artist’s sketchbooks, this is a hodgepodge of whatever the artist has felt like drawing.

What Melody Wang has felt most like drawing is anthropomorphic animals. There are Constable Nips and Inspector Porkington, of her student film. There are rabbits, pigs, and other animals in late-Victorian dress. Even when she is sketching the plants in a greenhouse, she usually has added an anthropomorphic animal or two. Her birds, “Wingfolk”, are particularly wonderful. A couple, such as the one of a man turning into a mandrill to his young daughter’s delight, cry out for having a story behind them.

Some of these are in black-&-white linework, but most are in full color. There are experiments in pastels and linocuts as well.

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January 24, 2017

Fred Patten’s new book is a first for fandom: Furry Fandom Conventions, 1989-2015.

by Patch O'Furr

51561577 Fred Patten‘s Furry Fandom Conventions, 1989-2015 is out.

Until now, if you looked up “furry” at a mainstream book store, you might find a tiny handful of drawing, costume making or novelty books, but little about the fans themselves. You would have to sift the sands of the internet. This kind of recognition has been a long time coming. (We had TV specials in the early 90’s!)

Fred says:

“This is the first study of furry fandom published by a publisher outside of the furry specialty press itself. It indicates that furry fandom is becoming an accepted subject for academic study. Dr. Kathy Gerbasi of the IARP introduces it (she wanted to write a Furword rather than a Foreword.) I worked on this for more than three years.”

Furry Fandom Conventions, 1989-2015 is from McFarland, a well-known publisher of histories and academic reference books. It’s $39.95, with 242 pages, illustrated in black-&-white and 8 pages in color, with an index and over 50 illustrations of furry con graphics. It covers all furry fandom conventions around the world, from the first in January 1989 to the end of 2015.

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January 20, 2017

Urchin and the Raven War, by M. I. McAllister – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Urchin and the Raven War, by M. I. McAllister. (The Mistmantle Chronicles, Book 4.) Illustrated by Omar Rayyan.
NYC, Hyperion Books for Children, October 2008, hardcover $17.99 (284 pages), Kindle $6.99.

Urchin and the Rage Tide, by M. I. McAllister. (The Mistmantle Chronicles, Book 5.) Illustrated by Omar Rayyan.
NYC, Disney • Hyperion Books, July 2010, hardcover $17.99 (268 pages), Kindle $6.99.

This is a guilty review. I reviewed the first three Mistmantle Chronicles for Cubist’s Anthro magazine in 2007 and 2008. Then Anthro ceased publication. An additional complication was that the first three books appeared first as British paperbacks, with the American hardcovers as reprints. When I looked for any subsequent books, I looked on Amazon.uk and didn’t find any. This was because there weren’t any more British editions. Books 4 and 5 were only published in America. So I never reviewed them when they were first published.

Fortunately, they are still available, so I am correcting that error now. The Mistmantle Chronicles are technically children’s books, but they are very similar to Brian Jacques’ Redwall novels, and those are enjoyed by readers of all ages. If you are fond of serious adventures featuring talking animals, don’t miss The Mistmantle Chronicles.

The setting of Urchin of the Riding Stars (January 2005), Urchin and the Heartstone (April 2006), and The Heir of Mistmantle (March 2007) is the isolated island of Mistmantle, hidden by thick sea mists (I was going to say fog, but McAllister makes a distinction between fog and mists). It is a kingdom shared by four British woodland animal species living in harmony: hedgehogs, moles, otters, and squirrels. When the series starts, Mistmantle is ruled by good King Brushen, a hedgehog. But there have been other dynasties in the past, and there is no prejudice against a new king from one of the other species. Whenever a dynasty does not have an heir, the senior captain becomes the next king. The captain (there are traditionally three) is a combination of a royal advisor and leader of the royal guards.

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January 11, 2017

The history of My Little Pony and thoughts about growing up with cartoons.

by Patch O'Furr

Coming soon at Dogpatch Press – a Q&A with the author of Ponyville Confidential: a History of My Little Pony.

Sherilyn Connelly is a journalist local to the Bay Area Furries. She gives them supportive notice in publications like SF Weekly. Now her first book is coming from McFarland publishing. Ponyville Confidential will dig deep into culture while being a fun read for everypony. (I’m told there are some parts specifically about furries.) If you like the show and can give support back to Sherilyn, please visit the book’s Facebook page and give a ‘like’ right now!

I have only seen 6 or 7 episodes of My Little Pony: Friendship Is Magic, and they were great. Even with low experience, it makes me want to share some thoughts before the Q&A. This is more personal than about the show or the book.

Growing up with cartoons.

When I talked with Sherilyn, she described a double standard about audience gender. It’s a thesis in the book that when My Little Pony first aired in 1986, it was disrespected as a prime example of crass commercialism. They said it was all about selling toys. By comparison, similar toy-related “boy” shows, like Transformers, got a pass. “Girly” shows had extra stigma.

It gives me curiosity about my own puppyhood in the 1980’s, but parts that were a bit outside of my consciousness. I didn’t watch My Little Pony, and similar sparkly friendly shows like Rainbow Brite and Strawberry Shortcake. I experienced them being judged as sissy girly stuff, and they would make me do barfing noises. Instead I loved He-Man, G.I. Joe, and most of all the Transformers.

There was another kind of stigma with “boy” shows. Even if “girl” shows could be disrespected as trivial, they could still be considered inherently nice. But my favorites were judged as morally questionable. Parents were suspicious of indulging a masculine sense of adventure and danger, even with stories about justice. Action and “violence” would corrupt impressionable minds. It had to be policed to keep kids pure and innocent.

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January 9, 2017

The Furry House – a base for creativity and community.

by Patch O'Furr

Model furry house, the Prancing Skiltaire

The Prancing Skiltaire

Ever been to a furry house?

They don’t smell like barns or zoos, with shedding all over the place. But they are full of nerdy games and comics, fursuit parts, and framed animation and fursona commission art on the walls. Sometimes there’s art that might cause awkwardness during a pizza delivery or surprise visit from mom. But it’s not for them. It’s by and for fellow furries when they get together for meets, parties, art jams, and movie screenings as a community.

A furry house is a special place. It’s more immersive than activity by yourself. If you live there, you’ll never get PCD. It’s a dimensional crossroads where the limits of reality dissolve and you can be furry 24/7.

Inside the Prancing Skiltaire.

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January 5, 2017

Talented furries wanted for ‘Public Access’ show.

by Patch O'Furr

Furry friends, I’m honored to share a special invitation to you from media producer Ben McShane. A professional studio is being offered for you to make YOUR video show. (Please be aware this is on site in Burbank, CA.)

When Ben’s call for furry talent came to my inbox, I had to be careful to screen it. (We know about ‘the media,’ right?) I saw that Ben’s genuinely into cool stuff, has worked on some shows you may know (Battlebots, Shark Tank), and is associated with Nerdist. I’m copying from his resume to show the guy who’s inviting you:

Producer, Project Alpha – Legendary Digital Networks / Nerdist Industries

“Currently I am the producer on a number of shows for Project Alpha, the exclusive, interactive, live-streaming SVOD portal for Legendary Digital Networks. I manage a small budget, oversee staff hires for the shows, and lead creative. Many hats!

Live broadcast and digital content are exciting new frontiers for me as a producer. As a life-long table top gamer and über-geek, coming to work with the Nerdist and Geek & Sundry families has already been one of the most memorable stops of my career. I can’t wait for the shows to launch so I can say more!”

Check Project Alpha and browse the shows to get some idea of what they already have… I sense a great opportunity.

Ben shares details of the project:

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December 20, 2016

Goddess, by Arilin Thorferra – book review by Greyflank.

by Patch O'Furr

Goddess by Arilin Thorferra – guest review submitted by Bill Kieffer, AKA Grayflank (author of The Goat: Building a Perfect Victim.) See also Fred Patten’s review of Goddess. Guests are invited to submit articles to: patch.ofurr(at)gmail.com.

Goddess A childhood full of monster of the week movies made me into the horse I am today. As a horror fan, giants hold a very special place in my heart. Giants played no small (ahem) part in helping me see monsters as more often dangerously misunderstood creatures than outright evil figures.

And, yet, I don’t particularly find myself attracted to the giant mythos. Not that I’m against Macrofurry stuff. I do like transformation stories and I do like submissive characters; so there’s quite a bit of overlap there with size shifting.

In this tale, set in a furry universe in a vague period prior to Hawaii’s statehood, Russel the cougar is looking to become a literature professor at a very posh American University in San Francisco. It’s probably in the 1950’s, even if the villain of the piece, Cornelius Bennett, is known as a “rail baron.” The first few pages felt nearly as staid and boring as any academic event that one might expect, but when the curvaceous otter Kailani enters the scene, things to pick up. I enjoyed every scene Kailani was in; even the scene where they are discussing The Great Gatsby. She is simply one of those people who are larger than life. *ahem*

And it’s to the authors credit that Kailani’s robust presence doesn’t overshadow the other characters in the scene with her. Russell becomes a bigger personality when he’s with her and, later, trying to be with her. Often in stories with this type of transformation from quiet protagonist with a plan to hero of the tale, the author relies on the cast to tell the hero/heroine that she changed. Here, I felt it.

No one had to tell me.

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December 19, 2016

Artists and authors, be in the book Furry Nation – January 6 deadline!

by Patch O'Furr

Here’s a special announcement from Joe Strike. Joe’s a writer and reporter about animation for the New York Daily News and Animation World Network. His website shows work with TV cartoons you may know. He’s a first-wave furry “greymuzzle.” And he talks like a velvet alligator on the phone.

Joe has an incredibly exciting book coming out. He’s putting the story of furry fandom in print from an established publisher. He wants your help. book

I want to tell your story in Furry Nation.

I’m in the final stages of writing Furry Nation, the first book to chart the birth and growth of furry fandom and its relation to the anthropomorphic instinct that’s been part of civilization from prehistoric cave paintings of animal people and animal-headed Egyptian gods to the modern day. Furry Nation will be published fall 2017 by Cleis Press. To learn more visit www.furrynation.com

Furry Nation will include a handful of profiles of furry artists, published authors and craftspeople. (Furry sculptures, clothing, accessories, etc.) If you’d like to be in the book, please contact me by December 26 at info[at]furrynation[dot]com. I want to hear about your work, your first interest in anthro characters, and how you found the fandom; please include links to your work. (Sorry fursuiters but that section of the book has already been written.)

Thanx much!
– Joe Strike

Write to info[at]furrynation[dot]com, by January 6.

Personally, I have been urging the creation of a coffee table furry book for years – from the history and graphics, to fursuit fashion photography. Like the kind of beautiful but info-packed bibles that Taschen is known for. (I even outlined such a book – but what a big project that is!)

Now I’m delighted to hear that Joe has a contract with Cleis Press to publish Furry Nation in fall 2017. Cleis has an eminent 36-year history as “the largest independent sexuality publishing company in the United States.” Don’t get too mad about being grouped with erotica; emphasize independent. It’s a chance-taking, open-minded platform that can do justice to an alternative subculture. They explain on LinkedIn:

Cleis Press publishes provocative, intelligent books across genres. Whether literary fiction, human rights, mystery, romance, erotica, LGBTQ studies, pulp fiction, or memoir, you know that if it’s outside the ordinary, it’s Cleis Press.

51561577 Don’t overlook more cool books! Dogpatch Press’s own star guest poster, Fred Patten, has Furry Fandom Conventions, 1989-2015 from McFarland Press. (That’s an academic/reference publisher where you’d find the book in a library. So you might consider Joe’s the “first” as a narrative history on the shelf at an indie or alternative bookstore.)

Fred’s Publishing for Furries article helps to show how special these are in the publishing world. Until now, there’s been almost nothing at book stores. Whatever you’re looking for in a furry book, these are extremely cool happenings.

And I can’t wait to see more. Grubbs Grizzzly (of Ask Papabear) has The Furry Book on the way, too.

Book by Grubbs, cover art by Charleston Rat

Book by Grubbs, cover by Charleston Rat

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