Dogpatch Press

Fluff Pieces Every Week

Trick or Treat, Volume 2: Historical Halloween – Book Review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

(I considered holding this for October – but Fred reminded me that Trick or Treat Volume 3: Pranks, Parties, and Pumpkins will be out – so enjoy it now!) – Patch

trick-or-treat-volume-two-historical-halloween-edited-by-ianus-j-67211Trick or Treat, volume 2: Historical Halloween, edited by Ianus J. Wolf.
Las Vegas, NV, Rabbit Valley Books, October 2014, trade paperback $20.00 (373 pages).

This is Rabbit Valley’s second annual (2014) Halloween theme anthology; “something for the adults to enjoy”, as last year’s volume said. It presents ten new stories; six scary horror “tricks” and four “delectable romantic and erotic” treats. The book’s fine wraparound cover is again by Stephanie “Ifus” Johnson.

Wolf points out in his Introduction that “historical” is treated liberally. “It is also worth noting that much of the original history of Halloween and its roots of Samhain that we ‘know’ are actually still debated in most academic circles.” (I can personally attest to its evolution. When I went to school in the late 1940 and early ‘50s, you were ‘wrong’ if you spelled Hallowe’en without the apostrophe between the two e’s. Today, nobody bothers with it.) “So relax, have some fun, and don’t think too much of this as a history lesson.” (p. 2)

The anthology is again divided into two parts, each presented by one of the anthropomorphic hosts. Trick the wolf gives us six scary “tricks”, and Treat the black cat follows with four erotic “treats”.

“Jenny-Burnt-Tail” by Huskyteer is set in the British trenches during World War I. A Scottish (terrier) trooper carves a turnip into a jack-o-lantern on All Hallows Eve, and Captain fox tells his men a seasonal reminiscence from his childhood. This story isn’t as scary in itself as the way that Huskyteer tells it, with convincing 1915 British accents and slang. The mud and mist and cold and wet, with enemy snipers all around and maybe poison gas – you really feel that you’re there; never mind any spooks that may also be there. It’s educational, too; you’ll learn a half-dozen regional names for will-o’-the-wisps (including Jenny-Burnt-Tail, which is genuine despite sounding like it was created for this anthropomorphic world). A superb mood piece. Read the rest of this entry »

Theatrical Panto-animals, Part 2: Feedback, history and sources roundup.

by Patch O'Furr

Update to Part 1:  “If there was a Museum of Furry, theatrical “Panto-Animals” would be a major exhibit.

My first Panto-animal history article shared a discovery of amazing proto-Furry happenings, in an overlooked era of Pantomime theater in Victorian Britain.  Stunning photos show why the topic is worth uncovering.  From these scarce records, a handful of actor names stood out with wide publication in their time for “animal impersonation”.  Charles Lauri was covered in Part 1 – and here is Fred Conquest:

FredConquestHubbard2

Pantomime plays were popular entertainment, considered beneath the “high arts” realm of British theater.  They were not treated as equally worthy to record or remember, so these photos are all the more special because of it.  These pre-movie live happenings seem forgotten today, compared to the era of cinema that came shortly afterwards – where popular artists like Charlie Chaplin (the first international movie star) gained high respect as subjects to study and remember.

In our time, popular culture has gained respect it never had.  What used to be “nerd culture” is now the biggest Hollywood industry.  The tiny niche of Furries is one of few areas still looked down on, but that seems to be changing as it grows.  I think it’s a great time to rediscover and connect old, forgotten traditions such as Panto-Animal performance – what esteemed Furry fan author Phil Geusz calls “paleo-furry.”

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Colonel Sanders is a Furry, more Bojack Horseman for 2016. NEWSDUMP (8/3/15)

by Patch O'Furr

Tips: patch.ofurr@gmail.com

Headlines, links and little stories to make your tail wag.  Guest posts welcome. “Local correspondents” wanted to talk about your local networks. 

Injured furry fan who faced 90% odds against him is recovering.

Here’s a good fan item to start… Alex is a Furry fan who was severely injured in an explosion in Taiwan last month.  He had 90% chance of dying from the injuries. The latest update says he’s doing very well in recovery. It’s still a heck of a scary situation so he can use any help you can give.

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Pop Culture and Further Fun.

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For no reason at all, click for a pinup of Mr. Peanutbutter's fabulous ass, which doesn't actually appear in the series.

Click for Mr. Peanutbutter’s fabulous ass, just because.

Bojack Horseman renewed for 2016 – anyone want to interview the creator?

Just renewed for a third season… and read a great interview with the creator about the recent second season. A while back, I got an invite from the creator to do an interview!  Would anyone who’s caught up with the series like to take charge of it for a guest post?  (Raphael Bob-Waksberg says:)

…early on we decided that all the animals are animal-people. No one has pets. There’s no little birds flying from tree to tree — it’s a world full of Goofys, not Plutos, to use a Disney analogy. In season one I was really hesitant to depict meat-eating in any way. But then someone pitched a joke with a cow waitress serving steak and being really offended.

Swat Kats ask crowd funders to aid renewal. 

(Tip from David P:) “The team that made the original Swat Kats just launched a kickstarter to bring them back.”

Colonel Sanders dressed as a Furry at Comic Con.

(Tip from Fred Patten:) “Dear Patch; Note the Col. Sanders statue at Comic-Con dressed as a furry.  This indicates that furries have become as pop-culture respectable as vampires, werewolves, Martians, and anime characters.”

KFC-Cosplaying-Colonels

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Furry internet history, tragic accident takes RedSavage and Milofox. NEWSDUMP (7/29/15)

by Patch O'Furr

Tips: patch.ofurr@gmail.com

Headlines, links and little stories to make your tail wag.  Guest posts welcome. “Local correspondents” wanted to talk about your local networks. 

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Media and Fandom news.

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New from “Culturally F’d”: how the 1990’s internet made a Furry phenomenon.

I highly endorse this Youtube series, which investigates everything this blog is for!  Host blackbird, Arrkay, sent this.

(Arrkay:) “This week we are “Ctrl:F’d.” Culturally F’d looks at furries and the history of the internet.

The episode was later than expected for 2 reasons: 1) I was hosting a Drag Party (Howl Toronto‘s “Fierceness Party”,) where I recorded footage to feature soon where we discuss the commonalities of fursuiting and drag queens. 2) It’s our longest episode so far, and will probably be the longest of the season!

As Michael from VSauce recently pointed out, on the internet, no one know’s if you’re a dog. This meme was originally from the July 5, 1993 edition of the New Yorker. No group on the internet holds this adage more closely than furries.

MUDs, MUCKs, and early chat rooms made Furry visible in the first online communities of the 1980’s and 90’s. That happened before computers were widely accessible, and even before the mega-infrastructure of the internet was built.  This aspect of the fandom grew largely from colleges and universities, equipped with online connections and computers that were still far too expensive for home-use.

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Fursuiters were kings at Andrew WK’s Pizza Party in San Francisco.

by Patch O'Furr

Of course this happened in San Francisco – “Furry Mecca”. (Sorry, Pittsburgh… you can borrow that title for one weekend a year, but you have to give it back.)

Andrew WK’s Pizza Party was planned for July 3.  Furries called up the venue, 1015 Folsom, and arranged to be part of the show.  The show managers went out of their way to accommodate fursuiters and help them change. There was a strong turnout for such an awesome happening.

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Thousand Tales; How We Won the Game, by Kris Schnee – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Thousand Tales; How We Won the Game, by Kris Schnee.
North Charleston, SC, CreateSpace, June 2015, trade paperback $8.49 (2thousand45 pages), Kindle $2.99.

The chapters are years in which this takes place; from “2036: The Early Adopters” to “2040: Thousand Tales”.

The blurb is helpful. “The mad AI Ludo is taking over the Earth… but she just wants everyone to have fun.” But it’s not that simple.

Paul Kostakis is a high-school graduate who wants to go to college. However, in this regimented 2036, all youths are required to serve a government-approved social service to qualify for admission to higher education. Paul is assigned to a Green Communities Youth Initiative work camp across the country in Arizona, a shelter for the homeless and unemployable. Its coordinator is a friendly-appearing sadist who obviously intends to fail Paul. When he stops a madman with a gun from killing anyone in the cafeteria, she records Paul’s actions as “excessively violent”. When he tries to study for his college’s entrance exams, she wastes his time by ordering that he play an endless video game, supposedly to relax and socialize better.

Paul does so very reluctantly, but the Thousand Tales game turns out to be brand-new, controlled by an equally new Artificial Intelligence, Ludo. Ludo, appearing as a fantasy beautiful woman, intrigues Paul by tailoring an imaginary world to his specifications. “She” gradually reveals to him that she intends to follow her programming to help her players enjoy themselves, by immersing them in increasingly-complex fantasy worlds tailored to their desires; and she wants Paul to help recruit new players who need her aid. “In return for a few little favors, she’s offering ‘brain uploading’. She can fatally dice your brain, scan it, and recreate you in a virtual-reality heaven she controls. You can do anything in there: become a griffin, upgrade your mind, fall in love, or go mad.” (back-cover blurb)

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The Painted Cat, by Austen Crowder – book review by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Painted Cat, by Austen Crowder.Painted-Cat-Thumbnail
Dallas, TX, Argyll Productions, April 2015, trade paperback $19.95 (273 pages), e-book $9.95.

“I started painting myself up to look like a toon for two reasons. First, I was bored and needed a new hobby during my summer break as a teacher. Second – and far more important, in my opinion – was that my friend Valerie thought I’d look good as a cat, and I had always wondered what could have been if I had turned toon like she did. That she brought all the supplies, prosthetics, and paint we could possibly have needed sort of sealed the deal.” (p. 9)

The Painted Cat is more like Gary K. Wolf’s 1981 novel Who Censored Roger Rabbit?, or Disney’s 1988 Who Framed Roger Rabbit movie based upon it, than the average anthropomorphic novel. It omits the Disney crazy comedy, but in this world, the toons – and they are called toons — are live cartoon animals, not anthropomorphized “real” animals, who are socially lower-class living among humans; plus those humans who turn themselves into toons with special paint and prosthetics – see the deleted “pig head” sequence from the Roger Rabbit movie. Janet Perch, the protagonist, straps on a cat tail very like the artificial fox tails on sale at every furry convention, and within moments it attaches itself to her spine and she can move it like any cat can do with its tail.

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Furry Force 3 is out, and I can’t stop larfing! Interview with the animators.

by Patch O'Furr

Furry Force part 3Furry Superheroes Are the Grossestis the new animated comedy short from CollegeHumor.  It did confusing things to my body.  I didn’t know whether to laugh or barf.  Let’s call it larfing.  If you’ve ever been hangry, you get what I’m trying to say.  Or if you’ve ever sharted… never mind, because that’s gross.  If you don’t like gross, don’t watch this.  Run away.  Furry Force 3 pushes the silly, teasing grossness of the first two shorts way past sick and twisted.  It might go too far for most of us.  But for some asstronauts at the outer limits of taste, that’s exactly where they wanted to go.

They went this far because the Furry Force series won unexpected demand.  The response surprised even the creators, who had no idea they would get appreciation by satirizing furries.  (Read my interview with writer Adam Conover and what he says about it.They even won the highest Furry award, the Ursa Major!  CollegeHumor laughed with furries while laughing at them, by campaigning to win the Ursa Major.  This new episode comes fresh after being voted Best Anthropomorphic Dramatic Short of 2014.

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Anthrocon Anthrocon Anthrocon! Fluffsplosion of hype. NEWSDUMP (7/20/15)

by Patch O'Furr

Tips: patch.ofurr@gmail.com

Headlines, links and little stories to make your tail wag.  Guest posts welcome. “Local correspondents” wanted to talk about your local networks.  

This week’s Newsdump: Everything Anthrocon!  There was SO MUCH of this news, and it was such a busy month, that I will be playing catch-up for a while with it… I’m not able to read all of these links.  Good job catching all this attention, AC!  Has there ever been this much?  Some of it is national (the Onion A.V. Club and NPR notice seems particularly cool.) It was quite a coup to parade outside on the Pittsburgh street for the first time.  5,000 regular public watchers came out to see the furries, and they went nuts for it.  I hope the crowd doubles in the future.  I’d love to interview Uncle Kage about the planning and reception. (Official Anthrocon wrapup report.)

Onion A.V. Club: Watch almost 1500 furries strut their stuff at this year’s Anthrocon.

The official count of members in the Anthrocon 2015 Fursuit Parade Group Photo is 1,460.  This reminded me of a neat aspect of the con.  All that show value!  These costumes represent so much investment… we could do a few estimates to figure out how much.  In a previous post, “$3 million sale raises furry auction topic”, I came up with an arbitrary $2,320.51 per fursuit represented in Anthrocon’s parade.  Multiply by the count of 1,460 members this year to reach a (rough guesstimate) value of $3,387,944.60 in fursuits.

NPR: The Furries Have Landed — And Pittsburgh Is Giving Them A Bear Hug.

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French animation and the César Awards, by Fred Patten.

by Patch O'Furr

Submitted by Fred Patten, Furry’s favorite historian and reviewer.  This article is a companion to Fred’s series on French anthropomorphic animal movies.

cesarawards__140228172355The César Awards, presented by the Académie des Arts et Techniques du Cinéma (Academy of Arts and Techniques of Cinema) since 1976, were frankly designed to be French cinema’s answer to the American Academy of Motion Picture Arts and Science’s Academy Awards, better known as the Oscars. The trophy of “l’Académie” was designed by the sculptor César Baldaccini (1921-1998) and is named after him.

The Césars are presented at a posh televised “Nuit de César” dinner and ceremony each February, by l’Académie but endorsed by the French Ministry of Culture; currently held at the 19th-century Théâtre du Châtelet in Paris. Technically all films distributed in France during the previous calendar year, not just those produced in France, are eligible for nomination, but the winners are usually French-made. See the Wikipedia article for the details on how the nominees are selected and on who votes for the Awards.

The first César Awards were presented in 1976 in 13 categories. There are 22 categories today. The César for “Mellieur Film d’Animation” (Best Animated Film) is a newcomer, only created in 2011. Significantly for furry fandom, all of the winners except for the first have been anthropomorphic films.

  • 2011 (36th Césars), for 2010 films – L’Illusionniste; Sylvain Chomet
  • 2012 (37th Césars), for 2011 films – Le Chat du Rabbin; Joann Sfar and Antoine Delesvaux
  • 2013 (38th Césars), for 2012 films – Ernest & Célestine; Stéphane Aubier, Vincent Patar and Benjamin Renner
  • 2014 (39th Césars), for 2013 films – Loulou, l’Incroyable Secret; Éric Omond
  • 2015 (40th Césars), for 2014 films — Miniscule, Hélène Giraud and Thomas Szabo

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