FurAffinity’s new ownership makes a turning point. Should fans fear commercialization?
by Patch O'Furr
(Via Greenreaper):
From 2008. Anthrocon has grown to generate $7 million in 2014.
A comment from 8Chan:
The furry community is loaded with cash compared to other niche internet communities and it’s been exploding in popularity over the last decade. Nowadays it’s becoming more apparent with kickstarter and patreon making the figures public and internet companies are starting to move in on their turf to get a cut before it really goes mainstream.
And for those doubting that it’s about to enter the mainstream just wait until “Zootopia” from Disney comes out in 2016. Even Marvel giving prominent roles to a furry character in their recent major Hollywood movie would have been unthinkable 10 years ago, people who study the furry phenomenon are expecting it to explode soon. Universities and marketing groups are preforming surveys and studies on the fandom, this is considered a legitimate field of study.
A series of three articles:
You heard, right?
This is to some extent a “define your terms” question. Furry fandom got started, depending upon whom you ask, with the amateur press associations (APAs) Vootie and Rowrbrazzle. Vootie, “The Fanzine of the Funny Animal Liberation Front”, run by Reed Waller & Ken Fletcher of Minneapolis s-f fandom, lasted from April 1976 to February 1983; 39 bi-monthly issues. Vootie self-destructed when its Official Editors, Waller & Fletcher, grew too disinterested to continue it any longer. A member, Marc Schirmeister of Los Angeles, tried to keep it going, failed, and started its replacement, the quarterly Rowrbrazzle, beginning in February 1984. Rowrbrazzle was designed so that, when the Official Editor steps down or is unable to continue, another member is selected to replace him. Rowrbrazzle is still going after thirty years; the current O.E. is William Earl Haskell of Houston, Texas. So it’s technically a current furry publication.
