Dogpatch Press

Fluff Pieces Every Week

Category: costuming

January 21, 2021

You made it to 2021! — A look back at the Top 20 Furry News stories of last year. (Part 1)

by Patch O'Furr

The Ursa Major Awards are open for nominations! Check the Recommended Anthropomorphics list for stuff to consider.

1 Year Ago: Hindsight is 2020 — Top 20 furry news stories of last year

“Covid-kun is a new coronavirus mascot from Thailand who teaches kids to wash their hands and social distance.” — @mondomascots (from There’s a Mascot for That? Cute COVID-19 Education.)

It was a multi-headed monster of a year of disasters. But here you are. Have a review of last year’s news from Dogpatch Press. These are highlights for this site and they’re not listed by biggest or most-viewed, it’s a mixed bag of big stories plus inside stuff only a fandom knows.

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December 31, 2020

2020: A year of loss — Fundraising and fursuiting for charity in the midst of a global pandemic — by Joe G. Bear

by Dogpatch Press Staff

Joe Goria (Joe G. Bear) last wrote about the 2019 ALS Walk.

Furries have done annual fundraising for ALS patients and families in honor of Dogbomb, raising several hundred thousand so far.

Charity events canceled: “What A Difference A Year Makes…”

That statement couldn’t have been more truer than THIS year. I don’t believe any of us would have predicted that 2020 would plunge us into a global pandemic not seen in over 100 years, and that our way of life – our ‘normal’ would change so remarkably in a short period of time. To be honest, this year has brought me closer to my own mortality, so I’m grateful to be safe and healthy (so far…)

As the COVID-19 Pandemic hit the United States in early March, affecting all major in-person events from concerts, sporting events and for many of us in “The Fandom,” furmeets and furry conventions – the most devastating casualty of this pandemic have been to people’s jobs and their own livelihoods. We all know someone or an entire family who has suffered greatly these last few months, and it’s heartbreaking. We should also mention those who are employed in our healthcare system, especially furries who have worked under extremely difficult circumstances in hospitals across our nation. “Thank You” for your dedication and service.

Even with the promise of important vaccines being rolled out this month and well into 2021, the after-effects of 2020 will still be with us for some time – especially for one major aspect of our society that can never take a backseat. Charities and Non-Profit organizations like March of Dimes & The ALS Association have been hit particularly hard as a result of the COVID-19 pandemic, with the cancellations of in-person donor drives and events like “The March for Babies” in Los Angeles and “The Walk to End ALS” in Orange County, CA.

Hardships inspire a personal commitment to help.

The “2019 Walk to End ALS” was Joe Bear’s first major charitable event. The success of Furries coming together to remember and support one of our own, Tony ‘Dogbomb’ Barrett was the light that brought a purpose to fursuiting beyond a weekend convention – an ‘enlightening’ that gave me determination to continue the cause. It would be supporting the amazing folks at The ALS Association, and the upcoming 20th Anniversary “Walk to End ALS” in November, 2020. Plans were being finalized for the event when the COVID-19 pandemic hit the U.S. in mid-March.

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November 30, 2020

Buddy the Subway Rat says ‘cheese’ for the media.

by Joe Strike

Welcome to guest Joe Strike, journalist and author of Furry Nation, the furry fandom history book. (- Patch)

In New York City it’s hard to get peoples’ attention if you’re a struggling artist, or even if you’re not particularly struggling…unless you dress up as a rat and gambol around NYC subway platforms dragging a giant prop pizza slice, while making sure you’re videoed as much as possible for your social media platforms.

Jonothon Lyons

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October 27, 2020

How the furry fandom gained a new artist — Lux Operon, weaver of light

by Dogpatch Press Staff

Welcome to Lux, with a guest post about what she does when not hosting furry movie pizza parties. – Patch 

On a beautiful fall morning in Reno, the edge of sunrise starts to paint the desert mountains. The color in the sky is just right. I rush to my balcony and put on my glowing pup hood for photos, which I will share to a majority audience of people with fuzzy wolf characters. I am profoundly happy.

Electroluminescent wire is a sister material to LEDs. They look similar, but they’re functionally quite different. An LED is a diode that emits a single point of light, but EL wire works like a capacitor. Since it has no resistance within, it doesn’t heat up when lit. An exposed end might give a small shock if it touches your skin (but it won’t kill you, or I’d be dead). It’s flexible, continuously lit throughout its length, and has many applications to create an amazing glowing costume.

Like any wearable electronics, EL wire has limitations and can be finicky. Its battery packs (drivers) are each rated for a different length of wire. Knowing how to troubleshoot your costume is integral to being a fiber artist with this material. It’s easy to learn but very hard to master.

The technology has been around for some time, but it wasn’t until the late 90s and early aughts when the folks at FunHouse productions in Oakland, California decided to really develop the platform. EL wire is the unofficial signage of the Burning Man event, where you can often find people in these costumes wandering around the playa as strobing neon silhouettes in the dark.

This art was largely contained to their scene in Black Rock City until dance troupes started popping up on America’s Got Talent. For the 2012 season, Team Illuminate put together dance routines and nearly went all the way. By weaving EL wire and using the interplay of darkness to create floating shapes and coordinated blinking, they made the world aware of wearable neon, including me.

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September 23, 2020

Interview with a Sleestak, the scaly monster that stalks the streets of Portland!

by Patch O'Furr

Beware! Get scared! There’s a Sleestak on the street tonight!

This scaly, green, bipedal creature was originally from the 1970’s TV show Land of the Lost. (A live action children’s adventure show mixed with claymation animated dinosaurs, about a family trying to get home from an alternate universe.)

Through some dimensional portal, one Sleestak recently appeared in Portland, OR. He was then discovered by the news. Read a story about him from The Oregonian: The Portland Sleestak wanders the city for scares, smiles and general weirdness. Another from King5: Brent Marr pays tribute to a 70’s classic and reminds his hometown it’s fun to be weird.

I saw the news linked by Bawdy Storytelling. (A show for kinky stand-up performers, which often has furries like me.) Sadly, I must disappoint friends at Bawdy because the Sleestak is family-friendly and can’t go on stage with spicy stories. But he did answer a Q&A.

I was curious about the Sleestak’s inspirations, and why he appears on the street where you’d never expect a scaly creature. It reminds me of street fursuiting (my favorite thing.) Enjoy our chat about it.

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August 31, 2020

Weird Portland, Pepper Coyote and a Sleestak are a perfect match for the dumpster fire of 2020

by Patch O'Furr

Two stories this week are an antidote to a year full of doom, gloom, fire, fury, and not nearly enough hugs and smiles.

First: Possibly some of the peak publicity furry music has ever gotten! Then, a scaly monster stalks the streets of Portland… here’s hoping he does a Q&A for us.

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August 24, 2020

“Very surprised and very grateful”: fursuit maker Beauty of the Bass talks about a $14,000 sale.

by Patch O'Furr

Previously: Furries support independent art with $14,000 and $15,600 fursuit auctions at The Dealers Den.

A creepy-cute aesthetic

“I prefer to work on scary, creepy, odd, gory and crazy designs,” said UK-based fursuit maker Beauty of the Bass in her recent Dealers Den auction.

Ghatz, the suit shown here, doesn’t belong to the lucky winner — theirs is waiting to start — but this completed work can show why her talent earns a price as high as $14,000.

The Krampus-like aesthetic stands out in a crowd of technicolor fluff. Imagine basking in the spookiness in person, then being chased by this creature through delightfully twisted nightmares. The maker’s vision is detailed in her FAQ that pairs her with compatible clients.

(BotB) — Things I look for in a design and application:

  • A well written and thought out application form.
  • A clear reference of the character in question with a strong idea of concept and direction the client wishes me to go in.
  • On the other hand, I am looking for artistic liberty suits. These will be done on an ‘offer me a price’ basis.
  • Interesting, scary, gory, unique, tricky and extravagant designs will have more of a chance to go through.
  • I am wanting to do a belly suit, so will be looking for that opportunity!
  • WEREWOLVES. MYTHICAL CREATURES. DEMONS.
  • Silicone drool, skin and gore effects. This does not require lots of mold making, therefore I am more than happy to do this.
  • Willingness to go the extra mile for the extra effects and will be happy to push the boat out with me, as i’m wanting to push myself.
  • Unique species, uncommon species and hybrids.
  • Mutations, extra parts, double jaws, double faces, scars.
  • Long fur accents, manes and mohawks with the NFT fur upgrade.

It’s another example of unique vision seen in a 2017 story: Q&A with Kazul of Kazplay, first place winner for cosplay at Blizzcon. Kazul wanted to create a living illusion for her Hogger suit — to hide the human form and “look like he smelt like a wet, dirty dog” — and be more than a person wearing a rug.

(Kazul) — With all my work I strive to make convincing characters. When I hear people ask “how is it moving like that?” “How is a person inside that?” when I know that I’ve tricked their brain well enough that they can only see what is in front of them as a real creature, that’s when I win.

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August 21, 2020

Furries support independent art with $14,000 and $15,600 fursuit auctions at The Dealers Den

by Patch O'Furr

Sweet success for MixedCandy and Beauty of the Bass

Beauty of the Bass, a Britain-based fursuit maker and performer, felt the love from fans when a commission auction sold for £10,700 this month. That’s $14,025 USD at current exchange rate, and over three times the full fursuit price quoted on her website.

There’s no suit yet. The winner gets to have it created. Her auction lists some conditions — certain tech options aren’t possible and “I prefer to work on scary, creepy, odd, gory and crazy designs” — but there’s one benefit only an auction winner can get. No denial. Direct commissioners may not be accepted depending on the maker’s discretion for what she wants to make; but this winner enters the queue unconditionally after current customers.

An auction like this makes a premium option for artists and customers who really want their work. The price proves the demand. It’s near the highest records for any fursuit auction, which was $17,017 achieved by MixedCandy in July 2018 (beating a $13,500 auction by Made Fur You in January 2018.)

MixedCandy herself received a new $15,600 price just days after this $14,000 price for Beauty of the Bass. These outstanding prices can help to show the state of the Furry Economy and its artists.

Of course this isn’t a fursuit-selling competition. It’s support that lets makers keep directly serving fans, a rare and special opportunity to go “pro fan” as a career. That’s not get-rich-quick work, and there can be a lot of turnover. (Many makers serve commissioners with smaller wallets). Fursuits aren’t really investments either — they’re functional art that adds photogenic magic to events for all furries. You can have an open fandom and well-supported artists too.

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July 2, 2020

The Fandom movie: Furry paws seize the media

by Patch O'Furr

Premiering JULY 3, 2020 at thefandomfilm.com.

When the media shows furries, do they get it right?

It’s a constant furry worry. In 2017 it was announced that CNN was making a show about them. Backlash rose about sensationalism, but few critics gave a fair shake to the producers of This Is Life with Lisa Ling. Then it came out and it was “a flat-out advocacy piece on behalf of Furry“, said Joe Strike, a fan since the 1980’s who wrote a book that covers the subculture’s run-ins with bad media.

Joe Strike’s Furry Nation is the essential fandom history book.

Positive response didn’t satisfy every critic. Some asked why the 3 fans featured by CNN didn’t include more diverse people. But the show (with an asian-american woman journalist) got backlash while asking volunteers to raise their paws and be counted. That seems like damned if you do, damned if you don’t.

In answer to this, The Fandom is a documentary made by the fans. It features outstanding writers (like Joe), artists, animators, musicians, costume designers, event organizers and founders. It celebrates the roots with pro quality and appeal for outsiders who might not have given a fair look before.

For decades this subculture has thrived despite adversity. Bad media is one kind, but not the only kind. Some is internal. Some is homophobic. Some is happening right now with this screwy year. There’s even a villain to tell you about.

$10 million worth of trouble

Anthrocon is the 2nd largest furry convention, led by Uncle Kage (Dr. Sam Conway), the longstanding CEO and fandom public relations figure. It was due to bring $9.9 million to Pittsburgh’s economy in 2020. Now it’s among 70 furry cons canceled by COVID-19. The movie is launching anyways on the con’s dates, without opportunities that could have won distribution. (No film fests either.)

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May 27, 2020

More Animal Impersonators From Theater History

by Patch O'Furr

Don’t miss the series of stories about animal impersonators.

George Ali as Nana in Peter Pan (1924)

Yesterday’s article revisited the history of animal impersonation for theater. It’s the study of how animals move and behave, for acting with emotion and character. Beautifully crafted costumes were used on live stages before cinema matured, from artists forgotten by time. It’s deep rooted “Paleofurry” inspiration.

Previous stories here looked at British Panto-animal actors, but overlooked other actors in American Vaudeville (which fed talent to Hollywood). An expert covered some of them to round out this history. (Thanks to Trav S.D. who is linked here; a theater director, producer, and author.)

George Ali: Critter for Hire, and Arthur Lupino

Trav’s short article adds a little about George Ali, who played the dog in the first filmed version of Peter Pan. But in 1904 the role was played by an actor who I haven’t found much about. There’s just a very short blurb from Encyclopedia Brittanica saying Arthur Lupino was an “incomparable animal impersonator” and chosen personally by Peter Pan playwright JM Barrie.

Fred Woodward: What an Animal

Mules and creatures from Oz. It’s another short mention of how “Animal impersonation was a whole sub-specialty in vaudeville… This was an era when fairy tales were frequently presented on stage for audiences of children and their families, so it’s not as odd as it may seem at first blush.”

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