Dogpatch Press

Fluff Pieces Every Week

Category: Art

June 19, 2020

Looney Tunes gets a reboot (Part 1): How an iconic cartoon forged a wacky and lovable side of the furry fandom — By Rocky Coyote

by Dogpatch Press Staff

Meet “Toon Furs” in Part 1: Duino Duck, RomeTwin, and James the Duck. This story features the side of fandom where you can watch NEW cartoons with classic animal characters, and even turn into one! HBO Max has 80 eleven-minute episodes of fresh-but-faithful animation from WarnerMedia. Furries discuss their influence in this 3-part story by Rocky Coyote. (Rocky previously covered fandom in America’s biggest city on his tag here.)

Looney Tunes gets a reboot: How an iconic cartoon forged a wacky and lovable side of the furry fandom.

Bugs Bunny and the rest of the Looney Tunes gang found a new home on May 27 as WarnerMedia launches its newest streaming service HBO Max.

Looney Tunes Cartoons is the latest show to marquee the iconic characters that have entertained viewers around the globe for over 80 years. Unlike recent reboots such as The Looney Tunes Show (2011) and Wabbit (2016), HBO’s series will closely resemble the format and art style of the original shorts crafted by the likes of Tex Avery, Bob Clampett, Chuck Jones, Friz Freleng and Robert McKimson.

Naturally, the show’s wacky yet lovable characters have had an influence on the furry fandom, but this goes beyond the cartoon’s anthropomorphic nature. Shows like Looney Tunes paved the way for a subculture within the subculture, where furries create their own characters in the ‘toon mold.’ This includes big eyes and exaggerated body proportions, personalities that range from goofy to outright insane, and a penchant for slapstick comedy aided by an endless supply of mallets, dynamite and anvils.

To get a better idea of Looney Tunes’ impact on the furry fandom, Dogpatch Press reached out to a number of self-identified toon furs and let them describe how the series influenced their love of cartoons and helped them find a place within the fandom.

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June 17, 2020

The Sprawl volume 1-3 — graphic novel review by Roz Gibson

by Dogpatch Press Staff

The Sprawl was reviewed with a creator interview a year ago: “my favorite furry webcomic and certainly ranks among my favorite webcomics of all time” — so enjoy a fresh take. Welcome to Roz Gibson, furry artist and animator in Southern California. Roz was guest of honor at Confurence and created the Jack Salem comic character that first appeared in Rowrbrazzle in 1987. Roz is a community access guest and contents are hers. See Roz’s tag for more reviews.

The Sprawl volume 1-3 
Written and Illustrated by Snowdon
Published by Ringtail Café productions

I picked these three volumes up at AnthroCon last year. There are not a whole lot of new furry comics coming out, particularly if you’re looking for something other than porn, slice-of-life or gay interest, so I decided to give this series a try.

The back blurb describes this as “Sci-Fi/Horror meets Dark Fantasy on a dead world. It’s only inhabitants are  the descendants of an ill-fated colonization mission, now huddled together in an ever-growing mega-city known as The Sprawl.” But the story turns out to be closer to Bladerunner meets The Thing, with something from the original Heavy Metal movie thrown in for good measure.

Volume 1 is pretty simple: a survey team is sent to a distant part of the dead planet (referred to as the “South Pole”) to look for another survey team that vanished. You see boobs early on, as the female characters are either topless or wearing really skimpy clothing. The two female surveyors are apparently along solely to hump the guys, which they get to doing as soon as they leave on the mission. When there’s an explosion on the ship and they have to evacuate, the guys are all fully dressed, but the bunny girl bails out wearing nothing but bikini panties. When they arrive on the frozen, snowy surface of the South Pole, someone gives her a jacket that she never bothers to zip up, so she’s wandering around Antarctic cold in panties and an open jacket with her boobs hanging out. I think this is known as ‘pandering to the audience,’ which might have worked if the bunny girl was attractive, but all the characters are squishy lumpy with big Bugs Bunny-type feet.

While I waited for the bunny girl to either die of hypothermia or her bare feet to turn into frozen blocks, the team reaches the prerequisite spooky mysterious abandoned ruins with dead bodies. The previous survey team is dead and one of the characters– without even touching or examining the bodies–declares that they killed each other.

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June 17, 2020

Meet the artist behind the site banner — Roku Doggo

by Patch O'Furr

From time to time, Dogpatch Press commissions new banner art — check out a gallery from past months. Past artists have come from Mexico, Argentina, Chile, the Philippines, England, Quebec, North Carolina, California, and Texas. Get in touch if you want pay and a feature article. Today it’s for Roku Doggo.

Hi Roku, love your banner art! Especially the way you made it a funny action moment.

Thank you so much.

Where are you from and how much furry activity do you do?

I’m from Texas, and the only furry activity I do is, well drawing furries and I do it almost every day.

What’s your favorite part about being a furry artist?

My favorite part will have to be the interactions I have with my followers. It makes my day just to see them happy about any of the work I make.

Can you link your social media profiles?

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May 8, 2020

Animosity #4, The Walled City — graphic novel review by Roz Gibson

by Patch O'Furr

Welcome to Roz Gibson, furry artist and animator in Southern California. Roz was guest of honor at Confurence and created the Jack Salem comic character that first appeared in Rowrbrazzle in 1987. Roz is a community access guest and contents are hers. See Roz’s tag for more reviews.

Animosity #4, The Walled City (graphic novel compilation of issues 14-18)
Written by Marguerite Bennet, art by Rafael De Latorre, Ornella Savarese and Elton Thomas.
Published by Aftershock Comics

The  scenario of animals suddenly developing sentience has been used recently in at least two comics (Squarriors and Animosity) and two novels (The Awareness and the Mort(e) series). Animosity  has been ongoing for several years, chronicling the journey of young human teenager Jesse, her devoted bloodhound ‘father’ Sandor, and their group of companions, including a Pallas cat, goats, a bison, a ring-tailed lemur and Kyle, an adult human who may or may not have Jesse’s best interests at heart. 

The group is traveling from New York City to San Francisco, where Jesse can hopefully find her half-brother. Sandor is eager to make the trip as quickly as possible, since he’s old and is afraid he’ll die before getting Jesse to safety. The landscape is typically post-apocalyptic, and they encounter various obstacles and allies along the way. While this is volume 4, you don’t necessarily need to be familiar with the other chapters to pick it up, since it does contain a complete story arc and there’s a helpful synopsis of ‘what has gone before’ at the beginning of the book.

During their journey Jesse and Sandor encounter groups where animals are dominating humans, animal-only enclaves, and, in this volume, a place where humans still own animals. At the end of the previous volume, Kyle has kidnapped Jesse, ostensibly to ‘save’ her from Sandor, whom he does not trust. Kyle has heard of a human-only enclave called the Walled City in the south, where he thinks Jesse will be safe. Now, in volume 4, when they arrive at the Walled City, and find the inhabitants are eager to take in any female of childbearing age—and not so interested in taking single adult men. Too bad for Kyle.

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May 7, 2020

The Snow Cat Prince by Dina Norlund — graphic novel review by Roz Gibson

by Patch O'Furr

Welcome to Roz Gibson, furry artist and animator in Southern California. Roz was guest of honor at Confurence and created the Jack Salem comic character that first appeared in Rowrbrazzle in 1987. Roz is a community access guest and contents are hers. See Roz’s tag for more reviews.

The Snow Cat Prince
Written and illustrated by Dina Norlund
Published by Hushbird publications

The Snow Cat Prince is a gorgeous hardcover graphic novel by Scandinavian artist Dina Norlund. I received my copy through a Kickstarter campaign, but it is available from her website: Hushbird.com (and the furry book sellers would be smart if they picked this up for sale at conventions). Unlike most of the graphic novels I’ve reviewed, this is not a zillion-volume series that will never get done — story is self-contained in this one book. What a pleasant surprise that was!

The plot is a standard “Prince searching for an artifact so he can reclaim his kingdom.” And it is definitely an all-ages title, with minimal violence (but some threat and peril).  After a short introduction setting the background, the titular Snow Cat Prince is introduced. Syv, the youngest of seven brothers, will probably not inherit the throne, and he’s okay with that.  But his six ne’er do-well brothers are concerned because he’s popular with the human inhabitants of the city, so they decide to send him on a wild goose chase to find the lost crown.

In the introduction we’re told how the evil shapeshifting foxes stole the crown from the first, mighty snow cat king, and if the crown can be found and returned the snow cat’s city will once again flourish. Syv is kind but very naive, and doesn’t question why his more powerful brothers would send him off on this important quest. Almost as soon as he leaves the city he comes across Kit—a red-haired elfin sprite who invites herself to tag along. The rest of the story follows their adventures and perils, as Syv learns a lot about the world and the real history of what happened to the crown.

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April 14, 2020

Terror, Teens, and Furaffinity — How a chain of violent hate incidents links to furry fandom.

by Patch O'Furr

The biggest furry art site FurAffinity is hosting promotion for a neo-nazi mass shooter. Brenton Tarrant shot 100 people in Christchurch, New Zealand in March 2019. Tarrant came from internet radicalizing. He used 8chan to broadcast hate, and is now a far-right extremist hero for copycats around the world. FurAffinity has been closing many reports about it, including mine and others that tipped off this story. Furaffinity’s Code of Conduct (2.7) says: “Do not identify with or promote real hate or terrorist organizations and their ideologies.” They refuse to enforce it.

In Furaffinity’s policy, “organizations” may be a weasel-word to dismiss this as an isolated thing. Treating this as “just art” helps the goal of radicalizing — to worm inside with lying that hate isn’t tied to violence, and violence comes from “lone wolves”. (A goal to provoke, but deny it.)

Single data points make a much bigger chain. When insiders refuse to recognize it or do anything to help, they pass off responsibility to outside sources. This story will be one of those sources, along with FBI docs and current mainstream news that link a fringe of furry fandom to violent hate.

From top left: (1) Furaffinity post promoting the New Zealand shooter. (2) Vice explains hate symbols in it. (3) Furaffinity refuses to enforce their policy.

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March 12, 2020

Unearthing a cool fossil — A 1980’s letter shows furry fandom before the net.

by Patch O'Furr

Ursa Major Awards voting is open through March, vote now for the best creators.

News tips from non-furries are often worthy. They won’t suck you into fandom-gossip, and they’re more likely to use the Dogpatch Press Facebook page than Telegram or Twitter. That’s how I heard from a New Jersey estate liquidator (someone contracted to sell off goods when someone dies or can’t do it themselves). They had binders of furry art, and I had experience in brokerage (my other fursona is a pack rat.) Was there worth in them?

They didn’t smell like money, but I knew they might have at least curiosity value for a handful of sources like Confurence.com, so I broadcast it and tagged them.

Indeed it was just sentimental-value stuff — not even original art, just photocopies — but Jerry Collins tied this to old guard furry fandom. I thought about how scrapbooks of gay culture from pre-1960’s had high curatorial value, and was reminded of a contact with an archive for 8mm home movies that were picked up this way and sometimes licensed for documentaries. I smelled news!

I asked about reaching the family to find out more about the collector, or make sure it was OK to share:

The house had Manga stuff and role play games. Owner was in his 50’s. Unfortunately the estate was handled by an attorney who had no personal knowledge. I do not see any issue with sharing the binder contents. Enjoy.

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February 19, 2020

An exclusive look at pup mask making with WearWolf Creations and new brand Snap Jaw

by Dogpatch Press Staff

The Noah’s Ark of furry fandom has many ways to get on board. Friendly and toony characters you can hug bring me there. But others are drawn to a sleek, inhuman-but-warm latex sheen that takes them to their headspace. Headspace is a good word. Despite negative notions, pup-players say it doesn’t start below the belt, and adult topics need no mention for this story about a team of artists who craft their headgear. How about marketing it as useful? When it starts to rain, these animals can stay dry and wear one instead of an umbrella. No? Even if they aren’t for you, you may enjoy learning how the secret ingredient that floats this business is the brainstorming and collaboration that furry fandom provides. Pup players are part of a community of makers. (See also the recent article — Fursuit Animatronics: the future is now with Ocelynk of Feliform Labs.) –– Patch

WearWolf Creations is spinning off into two independent businesses for latex hoods to serve the pup community: @CreationsWear and @SnapJawForge.

FC 2019 art show entries

Behind the scenes with the team, shop, and creation process.

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February 4, 2020

Meet the artists behind the site banners: Meteor05 and Azure Paragon

by Patch O'Furr

Dogpatch Press is commissioning regular new banner art — check out a gallery from past months. Each artist gets an article, with a goal to promote ones outside the USA. Last artist was Glasses Gator from Mexico. It’s a little behind schedule, so here’s catchup with both Azure Paragon (December) and Meteor05 (January.)

Hi Meteor, so you’re in Mexico and have a wolf fursona — why wolf? And you teach — ever teach cartoon art?

I choose a wolf as my fursona because something funny happened to me as kid, when I entered primary school. I was kind of a hyperactive/playful kid, so, in my first class, instead of doing stuff for class, I just wanted to play with the other kids, I started to shout “hey, there’s a wolf at the window!” and ran around, but none of the other kids wanted to play and later they started to call me “Wolf”, something that I hated at the time (and hated for years LOL). I eventually started to accept it, and even liked it, until it became part of myself.

About my work as a teacher, I really don’t teach anything relative to cartoons or art (that would be really nice though). I’m an elementary/primary school teacher, I work at the computer lab from the school, teaching kids how to use the computer (basic stuff of course). But even though my job is not fully related to art, I use it sometimes on school stuff, like the cover of my class planning book.

Can you say a little about fandom activity where you are? Do you go to meets or cons?

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January 21, 2020

What’s life like for a teenage LGBT furry fan in Iran?

by Patch O'Furr

Fursona of Rastin, a furry in Tehran

Governments are supposed to represent their people. Instead they often end up representing a few haves against many have-nots. It might put oligarchy and corporate greed first, or theocracy and military power. You can read between the lines of headlines about the USA vs. Iran.

But how often do people in both places talk to each other directly without borders, filters, propaganda, stereotyping, and forced conflict? And when they’re pitted against each other, what could these different societies possibly share in common?

Like pizza, you don’t need to speak the same language to love art. So furry fandom builds bridges around the world. That’s how Croc (@Microdile), a California furry, first made friends with Rastin (@Rastin_woof). Rastin is a 16 year old member of a generation living after the 1979 Iranian revolution, which put religion and laws together, unlike the USA which separates church and state (at least in theory.)

In the following Q&A, Rastin uses forbidden internet contact to discuss forbidden topics — criticizing authority, oppressed LGBT identity, parents who don’t understand, and fandom that isn’t shared by anybody near him. His fursona species isn’t even tolerated (dogs aren’t loved pets in Iran.) What stands out more than differences is the universal stuff in common: creativity and self expression, and wishes to escape to a more peaceful world.

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